I confess I was miffed when I wasn’t granted a DRC for this title, and after reading a couple of reviews, I decided I could live without it. I began to wonder about my choice when I saw it hover on the best seller lists where it remains as of this writing nearly a year after its publication, But the clincher came when my younger daughter came to me and said that she had read it digitally and believed I would enjoy it. She said it had to do with the culture of mining families, and that the dedication was to the writer’s “Mamaw and Papaw”.
It hit me like a bolt of lightning.
A personal note of explanation: I am a grandmother myself now, and my own Mamaw and Papaw were both dead and gone by the time I learned that this was not a set of names that belonged to my family alone. I was the youngest among my cousins and siblings, and had somehow assumed that these grandparents’ names were the result of something said by one of the older kids when they were small. By the time I came along, they had left the mines of the rural Rust Belt and purchased a small working farm in central California. No one else I knew had grandparents with those names or had heard of them. Later my grandparents, aunt and uncle (who—I am not making this up—were an Aunt Sister and Uncle Brother) would relocate to the mountains of Southern Oregon, to the farthest outreaches, secret places up barely-there dirt roads that would make a survivalist happy. Neither California or Oregon is mentioned at all in Vance’s memoir, and so it makes me wonder just how far this culture has permeated across the USA.
Vance tells us that his memoir is particular to the culture of working class Scots-Irish people, primarily in the Appalachian Mountains. But of course, when one mine closes, miners follow the work, and so the culture has spread quite a long way. He himself didn’t grow up in Appalachia, because his grandparents had made a point of moving away from there when a factory opened in a small Southern Ohio town, and so that was where he spent most of his childhood. But the roots ran deep, and they often returned to the West Virginia area where most of the family remained.
The memoir itself is fascinating. His grandparents were enormously tough and tremendously loving. He recounts one experience in which a drug-addicted visitor appeared to be dying of a PCP overdose in the front room, and Mamaw ordered that the person be dragged to a nearby park, because “I don’t want him to die in my fucking house!”
Another time, the author’s immensely unstable mother had beaten JD, and Mamaw persuaded him to lie to the cops, who could never be a part of any solution to their family. Instead, once in the car, “We drove home in silence after Mamaw explained that if Mom lost her temper again, Mamaw would shoot her in the face.”
I am amazed at the similarities that exist between Vance’s culture and that of my father’s family. Over the years succeeding generations have become more educated and moved, for the most part, out of the tulles and to suburbs and cities. But many of the values and cultural nuances remain. And if this is true for me, a Seattle resident of nearly 30 years, how many others across the nation will recognize it as well? Perhaps this is part of the book’s tremendous success.
In closing I want to give a shout-out to Powell’s City of Books in Portland, Oregon, the city where I grew up. Powell’s has a daily drawing for its reviewers, and each day someone wins a $100 gift certificate. My prize is what made it possible for me to purchase this glorious brand new, hard cover edition.
Highly recommended to those interested in the culture of Scots Irish mining families and their descendants, and to those that love excellent memoirs.
I was browsing the pages of Net Galley and ran across this gem of a memoir. Often when someone that isn’t famous gets an autobiography published by a major publisher, it’s a hint to the reader that the story will be riveting. Such is the case here; my many thanks go to Net Galley and Atria for the DRC, which I read free in exchange for this honest review. You can order it now’ it comes out Tuesday, May 9.
Sometimes there is so much in a novelist’s heart that their debut novel tries to do too much. Perhaps that is what happened here. I expected to enjoy Grit, and I tried to engage with the story, but every time I thought we were on our way, it turned out we were going somewhere else. Regardless, my thanks go to Edelweiss, Above the Treeline, and Harper Teen for the DRC, which I received free in exchange for this honest review. It is scheduled for release May 16, 2017.
“A loaded gun wants to go off.”
“You can fuck any girl you like here tonight; they’re all hockey-whores when we win.”
To date, this is the single best volume that’s been written about Collins, and it’s a meal. I purchased this title on an annual pilgrimage to Powell’s City of Books in Portland, Oregon when I was there to visit family a few years ago. Although the length of the book is listed as 480 pages in paperback, the reader needs to come prepared. The type is tiny and dense, and it took me a long time to wade through it. If it were formatted using more standard guidelines, it would be a great deal longer.
“Nothing’s ever over till the fat lady sings.”
Katie Giraud is the daughter of a successful surgeon. Her father is disappointed when she chooses not to go into medicine, but he is overjoyed when she falls in love with his protégé, Claude Giraud. Claude is the son he never had. Katie is an art lover, and now she can enjoy her passion while being well provided for. Her husband is a handsome, charming Frenchman who woos her with roses and jewelry. It’s like something out of a fairy tale.
Strout is a writer of enormous talent and the owner of a Pulitzer. Here she builds on the characters she introduced in 2016 with My Name is Lucy Barton. Lucy is back, along with various relations and everyday people. I read this book free and early, thanks to Net Galley and Random House, for the purpose of generating an honest review. This title will be sold April 25, 2017, and those that love strong literary fiction won’t want to miss it.
I was cruising for something new to read, something that wasn’t yet another mystery or thriller. I ran across this title and requested it from Net Galley, then asked myself what I had been thinking! Who wants to read an entire book about eviction? What a grim prospect. I was even more surprised, then, when I opened it and couldn’t put it down. Desmond approaches his subject in a way that makes it not only readable but compelling. Thanks go to the people at Crown Publishing and Penguin Random House for approving my request for a DRC. This book is available to the public March 1.
Seattle Book Mama 