Don’t Cross Mo Ellery, by Birdie Horne**-***

Don’t Cross Mo Ellery is a wacky girl detective novel by Birdie Horne, which is a pen name used by co-writers Eden Robins and MW Garguilo. Mo is a twenty-something hot mess. The story opens with her simultaneously getting dumped by her better-off boyfriend of ten years and getting fired from her job. It’s loaded with cringe humor and appears to be a new series entering the general lane of Stephanie Plum and Finlay Donovan, only not as good.  Nevertheless, I thank NetGalley and William Morrow for the invitation to read and review. This book will be available to the public August 11, 2026.

The book starts with sex, ends with sex, and has sex in the middle. There’s awkward sex, hot sex, and interrupted sex, with a fair amount of crossover between these types and between genders. Oh, there’s also sex with just one person. I’m not using the word for this. There are some that will enjoy it, or at least find it funny, but it leaves me with a mild headache from rolling my eyes so often.

The premise here is that Mo gets a job as a crossing guard because that’s all she can find. In the course of her duties, she is harassed by a difficult driver who then dies behind the wheel while she’s on the job. In order to find out who killed him, she teams up with an insistent older neighbor and a (precocious, of course, of course, of course) elementary school student, which she doesn’t realize is illegal and unprincipled until midway through. I believe none of these characters even slightly.

It’s possible that I am in the wrong demographic for this book. My memory harks back to the early female detective series that were well written and empowering. At a time when young women needed to hear that they could do anything, including occupying traditionally male occupations, these were a balm. Mo Ellery, on the other hand, can’t find her butt with both hands.

There are poodles in this thing, and they are the characters that I enjoy.

The narrator is Cia Court, who does as good a job as is probably possible.

So there you are. If you still want this thing, you can pre-order it; as for me, I’m out.

Yesteryear, by Caro Claire Burke****

There’s so much buzz about the debut novel Yesteryear, by Caro Claire Burke, and it’s easy to see why. When a wife and mother decides to make bank off of being a tradwife, except that she really isn’t, the irony is thick and darkly funny. I was immediately absorbed by this story, and I have lots of company.

My thanks go to NetGalley and Random House for the review copy. This book is for sale now.

Natalie doesn’t fit in well or make friends easily, but when she meets Caleb, she thinks she’s found a man that wants the same things she wants. Caleb comes from a wealthy family; his father has presidential ambitions. He buys them a farm in Idaho, and she promises to bear lots of little grandchildren and keep her man happy and out of trouble.

While she doesn’t connect well with new friends in person, the magic of Instagram changes everything! She posts photos of her darling family, the big red barn, the cow and the chickens, and she creates videos of herself making bread in the kitchen. But this is difficult to do when there are children to take care of, so she hires nannies. She hires a producer to help create her content; her children are home schooled, alright, but not by Natalie. And behind the wall of her kitchen, there are commercial quality appliances that grease the wheels of her production; the tradwife is not what she seems.

She hardly knows her own children. And underneath the Instagram smiles and the aphorisms about gratitude, she is every bit as angry as the feminists that decry her platitudes.

Then comes the day when she wakes up and finds that she’s living in the 1800s. Her farmhouse really is an old school farm house. There’s no central heating, only chopped wood for burning. There is no electricity or washing machine. Life is hard, and so is her husband. “A lifetime of drowning, and then you are dead.”

I could hardly stand to put this thing down; I had to know how it would end. Unfortunately, the ending is not as smooth or well-paced as the rest of the book, and I didn’t find it as satisfying. Still, this is a great read, and I recommend it to you.

Vigil, by George Saunders*****

George Saunders is a luminary in the world of literary fiction. His latest novel, Vigil, tells the story of Jill Blaine, also called “Doll,” a formerly alive person who’s now tasked with escorting dying souls on Earth to their next destination.

My thanks go to NetGalley and Random House for the review copy. This book will be available to the public January 27, 2026.

Ms. Blaine, our protagonist, has been tapped hundreds of times to transition the dying to their next stop, but this time it’s different. Others needed to be comforted and consoled; KJ Boone, however, does not. He’s an oil company executive that has oh, so much for which to atone, but he doesn’t see it that way. Boone has more self-esteem, more rampant self-regard, than almost anyone else on the planet. So, in one sense, Blaine isn’t really needed, and yet she is.

Saunders writes some of the most whimsical prose I’ve read anywhere. This novel isn’t getting as much love from some other reviewers, and when I read what they have to say, a bit puzzled by the lukewarm responses, I see why. Saunders has written other books, in particular, two other massively successful novels, Lincoln in the Bardo and Tenth of December.  To reviewers that read and loved either of these, that is the standard to which he will forever be held. I have no such outsized yardstick by which to measure this writer. Both of those books are in my queue, but I haven’t read a word of either one yet, so I measure his novels by the same yardstick as I use for every other author, and frankly, that seems fairer to me.

Therefore, when Jill Blaine plummets to Earth headfirst and sinks nearly to her waist in the dirt, feet sticking up, then has to pull herself back out, I read it and laugh like hell.

I won’t give any of the plot away; this is a short book, after all, and you deserve to be surprised by everything that takes place inside it. However, in addition to its original and vast humor, the story examines some philosophical questions. What do we owe the world and its people? What is chosen, and what is inevitable? Humor is a great way to explore these issues, because we are confronted with them while we’re in a relaxed state; we don’t become defensive before a question is even asked.

Highly recommended to those that love fantasy and philosophy and can use a good, hearty laugh.

100 Rules for Living to 100, by Dick Van Dyke****

Version 1.0.0

Dick Van Dyke was a wonderful part of my childhood, and this lovely audiobook has put a little more bounce in my step. It’s not really about rules, of course, but the format is a perfect scaffold for a combination memoir and self-help book. My thanks go to NetGalley and Grand Central Publishing for the review copy; this book is for sale now.

Van Dyke entered my consciousness when I was a kindergartener, and the original movie Mary Poppins brought droves of families to theaters. I was not the only family member that was entranced, and all of us sang along to the sound track once the record was on our stereo turntable. The movie, and its lead characters, played by Julie Andrews and Van Dyke, glowed with humor and optimism.  What a wonderful message to share, the idea that the best we can give our children is our time and our attention. In the early 1960s, the suggestion that adults ought to listen to children was ahead of its time and much needed.

Many of the anecdotes the author conveys have to do with experiences shared between him and Arlene, his current wife. Despite the May-December romance, it sounds like a wonderful union. He talks about the recent and horrific events with the Santa Ana fires that took the homes of so many—though his own was spared. My favorite parts, though, are the ones in which he discusses the future roles he’d like to play, because he isn’t really retired from the industry. Way to go, Dick!

Reader Tom Bergeron does a nice job, and as a bonus, he sounds quite a bit like the author.

I recommend this little gem to everyone that could use some positive energy, and to all that love the author.

In the Time of Five Pumpkins, by Alexander McCall Smith*****

In the Time of Five Pumpkins is the 26th installment of the #1 Ladies’ Detective Agency mysteries by Alexander McCall Smith. This is hands down my favorite cozy series, and it may very well be my favorite series, period. Precious Ramotswe is our chief protagonist and owner of the business, and her easy-going manner with others and her capacity to smooth over a difficult situation are a breath of fresh air. Of course, Precious is fictional, but she feels real to me. I feel as if I have known her for decades, which in the literary sense, I have. My thanks go to NetGalley and Random House for the invitation to read and review. This book is for sale now.

As with all of my best loved, long-running mystery series, the joy of reading is only partly to do with the mystery. In fact, I almost think Smith could forget to include a mystery and I might take a good long while to notice; I enjoy greeting the continuing characters that I haven’t seen in some time. Mr. J.L.B. Matekoni, who is married to Precious and runs a garage in the same building where Precious has her office; Mma Potokwane, Precious’s “traditionally built” best friend, who runs an orphanage and always has fruitcake ready when Precious visits; Charlie, the formerly bumbling mechanic who is shaping up nicely as a part time detective trainee; and of course, Mma Makutsi:

Employees who leave it to their employers to promote them may have a long time to wait, but this was not the fate of Mma Makutsi. She had somehow managed to promote herself, first to the role of senior secretary, then without discussing the matter with Mma Ramotswe, to assistant detective, associate detective, associate director, co-director and so on, to the position she had most recently chosen for herself—executive president for development. This was a novel description and had rather puzzled Mma Ramotswe.

Passages such as this one leave me gasping! How many of us, in a similar situation, would allow someone that we had hired to give herself such exalted titles? It’s both bizarre and preposterous. But there’s never a question of salary; no matter what she calls herself, Mma Makutsi makes the same money as before, and no one here is making very much.

The stories usually have more than one thread, and so it is with this one. A woman arrives from the States to meet someone that turned up in her ancestry search, and the agency is hired to help her find them. At the same time, another case involving marital problems, though not the usual sort, is presented. And a third thread has to do with a shady character that has befriended Mr. J.L.B. Matekoni. Before all is said and done, Charlie has a “Clovis Anderson moment,” which has been a long time coming, and J.L.B. Matekoni saves his creepy new friend from a “government crocodile.”

This is a series that never gets old, and perhaps because the excitement is ramped up just a tick in this one—not too much, we do want to keep it cozy, after all—it may be my favorite so far. Highly recommended to all that love the genre.

Over Yonder, by Sean Dietrich*****

Sean Dietrich has written another fine novel, Over Yonder, one full of quirky characters, weird yet oddly credible situations, and a whole lot of heart. My thanks go to NetGalley and Thomas Nelson Books for the review copy. This book is for sale now.

Dietrich has been writing for a long while, but this is just the third of his books that I’ve read. As I begin this one, I develop a niggling suspicion, wondering whether this author uses a formula. This would be a sad discovery, because till this point, I have greatly loved his work. And so the question I have to answer before I can do much else is whether that’s true, or whether he is writing unique stories using a signature style. Here is what I am seeing: each story focuses on a girl—teen or child—who’s down on her luck, possibly facing a crisis, with no adult that will help her or advocate for her; an older man dealing with misfortune of his own such as a fatal or serious illness, and who is otherwise isolated and in need of redemption; and a chance meeting of the two in a small town in the deep South.

I suppose, after reading this third one I am inclined—as you can see from my rating—to say this is a signature style rather than a formula. I hate to be played. If I felt this was a formula, I would feel annoyed and my review would not be generous, but that’s not what happens.

Caroline is 17 and pregnant. Her boyfriend, Tater Bunson, is at the wheel of his ’93 Honda.

“Caroline stared out the lace-like cracks of the passenger window’s single bullet hole at downtown Knoxville…her hair was the color of a carrot. She was ninety-four percent freckles. Her small, upturned nose, full cheeks, and cherub face brought to mind a character from the highly successful Cabbage Patch Kids product line…Tater spun the wheel right. The car made a sound not unlike a Folgers can of rocks falling down a public stairwell. The spiderweb crack on the passenger window came from a .22 caliber bullet that had passed through the glass during Tater’s last heated disagreement with his mom.”

Woody Barker used to be a priest. He has a houseboat and a bad heart, and not much else. He can qualify for a heart transplant, but only after he quits smoking, and it’s not going well. He’s lonely; he had hoped to pick up with his ex-wife once he got out of prison, but now that he’s out, he sees that she has a boyfriend, and it looks like he’s out of luck. Then an old girlfriend summons him to her deathbed. She wants him to meet his 17-year-old daughter. Who? What??

Dietrich’s wry humor and visceral figurative language are out in force here. Highly recommended to those that enjoy strong Southern fiction with deeply developed characters.

The Autumn Springs Retirement Home Massacre, by Philip Fracassi*****

It’s not just every day that I run across a five-star slasher novel, but author Philip Fracassi hasn’t written just any slasher novel, either. The Autumn Springs Retirement Home Massacre is one of this autumn’s most agreeable surprises. My thanks go to NetGalley, Macmillan Audio, and Tor for the review copies; this book will be available to the public September 30, 2025.

When a friend recommended it, she said it was funny and also different from her expectations. I agree on both counts. I was anticipating a book with plenty of old-folks barbs, sort of like the satirical carol, “Grandma Got Run Over by a Reindeer.” I considered whether I was up for it, given that I am a grandma myself, and decided my sense of humor hadn’t aged out. Sure, let’s give it a go.

Instead, though the book is indeed darkly funny in places, it also has aspects I didn’t anticipate. How many humorous slasher stories have character development, for instance? How many have genuinely poignant moments? And finally, on a more traditional yardstick, I find myself completely surprised by the solution.

Our protagonist is Rose Dubois, a 70-year-old retired school teacher. She buys a unit in the retirement community, not because she’s too decrepit to remember her medications or because she needs constant monitoring, but because she is ready to live in a smaller home near other people her own age. Her daughter has been urging her to come live with her instead, but Rose has friends here. She likes her little place, and she values her independence. She doesn’t want to go anywhere else.

Then her pals begin dying. The first is her bestie, and it stings, but also raises questions. The death—without giving anything away—seems out of character. But surprises happen, and they’re not all nice ones, so she and Angela’s other friends grumble, but move on.

But as the title suggests, there’s another. And another. Where will it stop? Rose and her remaining friends vow to stop it themselves, since the local cops and the home’s administrators don’t seem terribly concerned.

The story also raises the issue, a very real one, of the public’s lack of concern for the elderly. Hey, old people die. That’s what we do! And moreover, before we go, older folks become nearly invisible. The author’s moving note in the afterword explains why he took the approach he did.

Not long after I began reading, I was given access to the audio version, narrated by one of my favorites, January LaVoy. Although the print version is delightful, I give a slight edge to the audio because its format, which is mostly linear, lends itself well to this medium, and also because LaVoy always brings something extra to her narration.

Highly recommended to all that enjoy mysteries and a little gallows humor.

Something to Look Forward to, by Fannie Flagg****

Nobody should ever say that Fannie Flagg doesn’t give us our money’s worth! There are over 30 short stories in this nifty collection, and I enjoyed it thoroughly. My thanks go to NetGalley and Random House for the invitation to read and review; had it been necessary, I would have paid hard cold cash for this collection, and I seldom say that.

This book is available to the public now.

Flagg has always been known for her feminist swagger and perceptive humor. Here she crosses into several genres, beginning with science fiction—a first for this author? —and continuing on more familiar ground with historical fiction, Southern fiction, contemporary fiction, LGTBQ, and of course, humor. There are a handful that start early and reemerge later, but most are just simple short stories, easy to read and for the most part, filled with the feel-good vibes that we all need right now.

My favorite of them all is “Darla Womble,” a story set in Pot Luck, Arkansas in 2004. Here’s how it begins:

“At 9:18 A.M., in and around Pot Luck, Arkansas, thirty-eight relatives of Darla Ann Womble received a frantic email, which read:

            ‘DARLA’S NOT DEAD, AND SHE’S MAD AS HELL!’

After seeing the email, two people threw up, one fainted, and another decided he would run for his life. This news came as quite a shock to all, especially since all thirty-eight had recently attended the reading of Darla’s ‘Last Will and Testament.’

It only gets better from there, and it was a near thing since I was eating lunch; I narrowly escaped spraying my cheese enchiladas all over my kitchen! Other favorites are “Beware of Weathermen” and “Don’t Mess with Texas,” both near the beginning of the collection, and “A Thinking Man,” which is near the conclusion.

As with her other works, these stories are primarily from female points of view and will appeal more to women than men; yet I suspect there are a good number of men that will enjoy them as well. I recommend this collection to Flagg’s faithful readers, and to anyone that needs to feel a little better than they do right now.

Too Old for This, by Samantha Downing*****

Too Old for This is author Samantha Downing’s wickedly funny novel about a female serial killer. She’s retired now, living under an assumed name, but then a journalist comes to her door. She knows things and intends to write about them, and she won’t be dissuaded; then, of course, a woman has to do what she has to do.

My great thanks go to NetGalley and Berkley Publishers for the review copy. This book will be available to the public August 12, 2025.

Lottie Jones is 75 years old, living the quiet life of a single retired woman. Her son, Archie, is grown; Lottie’s chief delights are the bingo nights at the church and a bit of gossip here and there. A quiet life. Years ago, she was suspected of killing three people. Her name was splashed on the fronts of tabloids; she became a local pariah. In the end, however, she wasn’t even arrested following all of the harassment, and she successfully sued the city for damaging her reputation. The settlement was enough to start a new life for herself and her little boy, including the purchase of her home.

After one gets to be a bit older, one’s priorities and pleasures begin to shift. She doesn’t date anymore, for instance, and

“Like so many other things, murder began to feel like a chore instead of a joy. So I stopped. And I hardly ever thought about it, except in that nostalgic way. I didn’t want to go back, but I enjoyed the memories.”

The whole story is just as droll. It’s a strange alchemy, creating a likeable murderer; in the same way, the dissonance between her homicidal activities and the humdrum routines into which she has settled creates a hilarious sort of mental whiplash. One minute she’s warming up her rechargeable chainsaw to dismember her victim; the next she’s stewing about the snide remark someone at church made about the potluck dish she contributed, and gossiping about that person to her more sympathetic friends. And then her future daughter-in-law surprises her by dropping in unexpectedly, and she is concerned about Lottie’s safety, what with living alone, so she brings her a stun gun. “This was very thoughtful of her. No one has ever bought me a weapon before.”

At some point, I realized that after seeing the back of her head on the book’s cover so many times, I had mentally edited in what Lottie’s face would look like if she turned around. I pegged her as a doppelganger for Camilla Parker-Bowles.

The book’s ending is pitch perfect. Highly recommended!

Fever Beach, by Carl Hiaasen**-***

What happened? I used to absolutely love novels by Carl Hiaasen. In his most recent release, Fever Beach, we see a conflict between good—in the person of our main character, Viva Morales—and evil, played by a variety of Proud Boys wannabees and other undesirables. The good person is always good; the bad guys have no redeeming qualities. Only Viva’s ex-husband is a dynamic character.

Still, my thanks go to Doubleday and NetGalley for the review copy. This book is for sale now.

As I read, I keep reminding myself that this is not a book I’m supposed to take too seriously, to lighten up and just roll with it. I certainly used to do so when reading Hiaasen’s work. But perhaps because of the stereotyping and complete lack of nuance, what might otherwise have seemed droll and satirical, instead comes across like a whole lot of cheap shots fired off the bow.

Mind you, I am certainly not a fan of ultraright organizations, and the rising tide of bigotry, fascist ideology and anti-Semitism concerns me greatly. But in an already highly polarized nation and world, all I can think as I read is that this story isn’t helping. It is the snobbery and elitism of the highly educated that has driven a large number of folks into the arms of extreme right; some intelligently reject the elitism and cancel culture consciously, but they aren’t in this book. In real life, those that are poorly educated and/or intellectually handicapped, as the bad guys in this book are, would in most cases give their right arms to wake up “clever” like Viva.  It strikes me as counterproductive to write a book that makes fun of right-wing intolerance, while practicing intolerance from a different angle.

Back in the day, before anyone judged anyone else by the color of their hat, I used to roar with laughter at this author’s work. Did it change, or did I? I would like to think it is the former.

I rated this book 2.5 stars and have rounded it upward, more from a fondness of his early novels than anything else. I do recall reading another of his more recent books—not for review, but just because I felt like it—and saw some of the same problems, so I will tell you that this book will probably work for you if you enjoyed his last one. Apart from that, I cannot recommend it.