The Craftsman, by Sharon Bolton****-*****

TheCraftsman“One night…what’s the worst that can happen?”

4.5 rounded up. I am late to the party where this author is concerned; a literature chat session directed me toward this galley, and now I am sure to read Bolton’s work again. My thanks go St. Martin’s Press and Net Galley for the review copy. This book will be available to the public tomorrow, October 16, 2018.

Is it a thriller, or is it a horror story? Bolton successfully rides the center here, and there’s a good case to be made in either direction. Our protagonist, Florence Lovelady, is a high ranking cop in the UK. Her career was made when she identified a serial killer and was instrumental in his arrest; now he is dead, and she returns to the small town where he nearly made her one of his victims 30 years ago. The plan is to attend the service with her 15-year-old son in tow, and then spend the night or two in a hotel, where her spouse will join them.

Things don’t go according to plan.

The plot is cunningly constructed, beginning with one of the creepiest fictional funerals in literature. The foreshadowing will give even the most cynical reader a serious case of the heebie-jeebies. As for me, I know my limitations, and as soon as I saw how things are in this one, I decided it could not be the last thing I read before falling asleep at night. Ever.

The interesting thing here—and what keeps this story from actually becoming too horrible to be any fun—is that we know, at the outset, how this case, which takes place in 1969, comes out. We are told in a smooth first person narrative what the broad contours of the case are. We know what the crime was; what happened to Florence while she investigated it; who did it; and that he was caught and convicted. There now.

So as we look back to the teenager that was kidnapped, then buried alive, I confess my eyes skipped over some of the explicit horror, but really the description isn’t a lengthy one, and after all, we know that the guy was apprehended. We see the numerous humiliations to which Detective Lovelady is subjected, in the day when female cops are scarce on the ground and expected to run along and make the tea for their colleagues and to comfort the crying women; I love the scene in which she is told she’s being (punitively) put on a desk to type up reports, and it turns out that she doesn’t know how to type. Ha. But then again, we also know that her career is a successful one, that she has weathered these miseries and now outranks most of the men that treated her badly.
But there are surprises in store too, as new developments surface while she’s there in town. One thing after another unravels till we are on the edge of our seats—and this time we don’t know how it will all shake out.

At about the eighty percent mark, a plot element that I won’t identify comes into play that makes me stop cold for a moment and roll my eyes. Oh please. Not this thing. Every steadfast reader of the genre has a mental list of overused devices they hope never to read again, and after doing so well at avoiding them all, Bolton lets a big, beefy one loose, and just as things are on a roll, too. I don’t want to spoil the story for you, but it took the wind out of my sails for a moment. However, after a brief visit to the literary corn-and-cheese factory, she comes out on top again, and the ending is deeply satisfying.

The story features witches—yes, real ones! As well as shadowy, mostly unnamed stonemasons, and Dwane, who is by far the best-written sexton in a thriller or mystery anywhere.

Highly recommended to all that enjoy a creepy murder story with supernatural elements.

Inspector Oldfield and the Black Hand Society, by William Oldfield and Victoria Bruce***

InspectorOldfieldandtheBI received a review copy free and early, thanks to Net Galley and Simon and Schuster/Touchtone. This book is for sale now.

Who knew that the U.S. Postmaster has the authority to commander an entire ship or airline in pursuit of justice? Needless to say, it doesn’t happen often; think of the press if that were to happen today! But Inspector Frank Oldfield was a man on a mission.

Once the introduction is over, I find an uneven quality to the narrative. The aspect that describes the gangsters and the formation of the Black Hand is fascinating; after the buildup, however, I find the inspector himself less riveting and the writing not as tight as I’d prefer. The research is a little spotty and the sources are not well integrated.

However, if true crime is your wheelhouse, you may want to get a copy of this one-of-a-kind biography.

The Clockmaker’s Daughter, by Kate Morton***

TheClockmakersDaughterKate Morton is queen of the British historical mystery, and so I leapt at the chance to read and review The Clockmaker’s Daughter. My thanks go to Net Galley and Atria Books. This book will be available October 9, 2018.

This story starts strong with a spellbinding first person narrative told by the woman whose spirit resides eternally at Birchwood Manor. She came here with Edward, a wellborn cad that “could make the very devil pray”, one that called her his muse. Edward seduced her, yes, but he would never have married her.

Elodie Winslow is an archivist in present-day London.  In the course of her duties, she runs across two pictures in a leather satchel. One is a photograph, quite old, and the other is a sketch of a house that seems familiar to her somehow. And so of course, faithful readers are cued right away to watch for a connection between Elodie, and the people, setting, and events that are introduced at the book’s beginning.

Find me a writer that can create more resonant settings in a British historical mystery; I dare you. For the first quarter of this novel, I was in it, steeping in the escapist paradise Morton provides, drinking in the several characters and narratives. But at the thirty percent mark, when yet another new thread, another new character—or is it an old character pretending to be a new character—is introduced, I find myself searching for a nice brick wall to smack my forehead against. It’s hard to get to know any of these characters with so many new ones added.

Usually with Morton’s books, the details and subsections are worth the reader’s careful attention because it all comes together so well at the end. Here, there’s excellent setting and a lot of secrets but not enough plot or character development, and so before the story is even halfway done I find myself eyeing the page numbers. How much longer…?

I also find myself wondering what story elements are classic, and which are simply overused. The old house with the secret doors?  I will never get tired of this element, especially when the writer is as capable as Morton. But bullies at a boarding school—meh. I am ready to be done with that one. And the sack of kittens to be drowned? I gave myself permission to skip a page, because it is. Not. Worth. It.

Many of Morton’s faithful fans will be pleased; her trademark style is unmistakable, and if that’s what you want, here it is. But a story this complex needs more legs to go with it, and less reliance on stale devices.

Am I done reading Morton? Not by a long shot. Every author has a story or two that isn’t magical. But when a story requires this much effort on the part of the reader, the payoff needs to be greater than it is here.

Recommended to diehard Kate Morton fans; even so, get it free or cheap, but don’t pay full jacket price this time.

The Caregiver, by Samuel Park*****

TheCaregiverThe Caregiver is one of the year’s best surprises. I read this book free and early, thanks to Net Galley and Simon and Schuster. Our protagonist is Mara Alencar, and our setting is split between present day Los Angeles, and Rio de Janeiro, Brazil in the 1980s. I am drawn to the story initially because of the setting, which I don’t see often; but it is Mara that keeps me turning the pages. Those that treasure excellent, character-based literary fiction should get this book and read it.

Mara is just a kid, and all she really wants is food, shelter, and the comfort and companionship of her mother, Ana. Ana is a young single mother that works as a voice-over actress, repeating the lines of English-language programs in Portuguese. The pay is low, and Ana’s self-discipline is negligible. Life is a constant struggle.

One evening Ana is visited by a group of students that claim they plan to rob a bank in order to fund a revolution. Ana’s job is to distract Chief Lima so that a comrade can be liberated from prison. The comrade will play an important part in the revolution; as for Ana, she will be paid handsomely, and then she will be free to go if she likes. Mara doesn’t like these rough people and their threatening demeanor, but Ana hears the amount they will pay, and once she receives an advance, she’s in.

Everything is seen through Mara’s eyes, both in childhood as these events unfold, and later, looking back during her years working as a caregiver to a manipulative older woman that shares some of Ana’s characteristics. As a child, Mara is often afraid or confused, or both. Her mother reminds her often that she is all that matters, and that the two of them will always be together; in the next moment, she will do something so blindingly selfish, so completely inappropriate that I want to yank the woman into the kitchen and remind her that she has a child and responsibilities. She will tell Mara, not for the first time, that she could never stand to lie to her because they are so close, and she loves her so much; but we turn the page and sure enough, she lies to her child, or she is gone for days on end with no warning or explanation. There are occasions when she seems to lie unnecessarily, and I want to throw my tablet at the wall, I am so frustrated.

The ending is a complete surprise, and it makes perfect sense within the chaotic context of the time and place.

The most admirable aspect of this story is the consistency of the narrator. A writer that can tell a story from a child’s point of view without mixing up the developmental level that affects a child’s perceptions, vocabulary level, and capacity to analyze what she sees is hard to find. A male writer that can do this, and that can also consistently write a woman’s story in the first person without giving himself away is a unicorn. Samuel Park convinces me that I am listening to a woman tell her story, and repeatedly I am pulled under, only to be reminded when I go to make notes at the end of my writing session that this is a male novelist. This doesn’t happen. I am gob-smacked at his level of perception and originality.

I never met Park, but I grieve for him anyway as a reader. Please come back, Mr. Park. One book is not enough; forty-one is too young.

Highly recommended.

In Her Bones, by Kate Moretti****

InHerBonesMoretti’s mysteries are addictive, and when I found this galley in my email, I jumped it to the front of the queue. Big thanks go to Net Galley and Atria for letting me read it free and early. You can buy it now.

Edie is an outcast, spurned by her friends when her mother Lilith is arrested as a serial killer. Since it is so rare for a serial murderer to be female, the press is everywhere; meanwhile, all Edie has left is her brother Dylan and later, his young family. Otherwise, the people to whom she feels most closely bonded don’t know Edie, don’t realize that she is watching them, obsessing over them in person and in cyberspace; they are the bereaved family members of Lilith’s victims. It gives me chills.

One day Edie takes her voyeuristic tendencies to the next level; when the man she’s been stalking is found dead, police immediately suspect Edie of being his killer. And as we read Edie’s narrative, which tells us some things but not everything, we wonder too: is Edie a lonely, isolated young woman searching for connection to another human being; or is she a chip off the old block, a stone cold killer just like her mama?

The first person narrative alternates with a third person study of Lilith, and so the voice switches from Edie’s very personal story to a clinical, dry report regarding her aberrant mother. (Let me tell you, whatever issues you may have with your own mother—she’s going to seem like the mother of the year once you’ve read this.)

I’ve read a few unhappy reviews by online friends. but I like this book. It helps if you approach it as a mystery rather than a thriller; those in search of a grab-you-by-the-hair page-turner may not get what you’re looking for, but I wanted an interesting story with an original premise and a credible ending, and this is that. In addition, the third person case notes written by social workers and their ilk ring true to me. In fact, I made a wry note to myself, wondering whether Edie or Dylan might have been in one of my classes; I have never taught the children of a serial killer to my knowledge, yet the wanton neglect and lack of nurturance, even a simple effort to provide the basics eludes Lilith in a way that seems familiar. You think I am exaggerating? Not so much. There are terrific parents; there are indifferent parents; and there are, I am sad to say, more than a few Lilith Wades out there in the parent pool.

This is my third galley by this writer. Whereas I liked The Blackbird Season a little more than this one, mostly because of its amazing word smithery, I find this story more original and memorable than The Vanishing Year, which has the sort of denouement that makes me roll my eyes. Here Moretti pulls the ending together in a way that keeps me thinking about the characters rather than the author, and I sigh with appreciation when it’s done.

All told, it’s a solid mystery with a satisfying conclusion. Recommended to all that enjoy the genre.

A Long Time Coming, by Aaron Elkin**

ALongTimeComingAaron Elkin has been writing mysteries for a long time, but he is new to me.  When I saw this title listed on Net Galley, I went to Goodreads and found that his work is well regarded by some of my friends; add to this his residence in my own Pacific Northwest, and I am ready to give his work a try. Thanks go to Net Galley and Thomas and Mercer for the DRC, which I received free of charge in exchange for this honest review.

The story starts well. Val Caruso is an art curator, and his personal life is a mess. He’s stone cold broke, and so when he is approached to do a job involving a stolen-but-found Renoir, his interest is piqued. An ancient Holocaust survivor claims ownership of a painting that has been sold to someone else, and Caruso is hired to help. I particularly enjoy the character of Esther, the domineering but charming friend that connects the two men; alas, we will soon leave her behind when we go to Milan.

At the outset the amount of art related information feels just about right to me. The book is sold as a popular read rather than a niche item for art aficionados, and I am cheered by this, since I have little to no interest in art. As we travel to Milan, however, the art lectures become oppressive. By the forty percent mark I find myself watching the page numbers roll by, oh so slowly, and cursing myself for having taken the galley. Brush strokes? Historical nature of paint color? Who the hell cares? The travelogue aspect of the book also starts well, but eventually the level of detail slooows this story to a crawl. I find myself cynically wondering whether this series is simply a ruse for the author to claim his globe-trotting expenses on his tax returns.

Elkin has a solid reputation built on an earlier series, and at some point I may give that one a whirl, but Val Caruso and I are done.

Frederick Douglass: Prophet of Freedom, by David W. Blight**-***

frederickdouglassprophetThanks go to Net Galley and Simon and Schuster for the DRC, which I received free in exchange for this honest review.

Douglass is a key figure in American history, and Blight has made his career largely through his expertise on Douglass’s life. I expected to be impressed here, and indeed, the endnotes are meticulous and I would be amazed if there was a single error anywhere in this work. But aspects of the biography rub me the wrong way, and ultimately, I realized that the best way around this is to go back and read Douglass’s own autobiographies again.

Whether we read what Douglass tells us, or what Blight (or any credible biographer) has to say, there are two impediments that stop me short, and because I have never been required to start at the beginning and end at the end to complete a scholastic or professional assignment, I tend to read the beginning; recoil; abandon; and then return in an undisciplined, skipping-around manner that is uncharacteristic of my usual methods.

First we have the Christian aspect. Douglass was tremendously devout, and during his time it was much more common to discuss religion publicly and even in daily conversations, sometimes at length. It repels me. So that’s my first problem. It’s not Blight’s problem, but it’s one I have to deal with.

The second problem—again, not Blight’s, and it’s inherent in reading about Douglass—is that slavery was horrible. Douglass actually had a slightly better life than most of his peers, gaining an education and living in the master’s house, but it was nevertheless traumatic. It is unavoidable to see what he endured and not reflect on exactly how hellish life was for the four million that endured life in this dehumanizing, degrading system. After I read a certain amount of it, I feel as if I need to take a long shower to wash away the stain.

As for Blight’s book, there are some good moments here, and I learned some things. Who helped Douglass on his road to freedom? Free Black people did. Who knew that there were vastly more free Black folks in Maryland than there were slaves? The textbooks and other materials used to teach adolescents about slavery and the American Civil War overemphasize, to a degree amounting to deception, the participation of kindly white people, largely Quakers, and provide only a fleeting glimpse of the occasional African-American.

But I find that the eloquent passages that I highlight as I read this are not Blight’s words, but quotations from Douglass himself.

Meanwhile, the obstacles to appreciating this book are consistent and irritating. Blight makes much of inconsistencies in Douglass’s three autobiographies, and when he refers to the differences there is a superior, smirking quality to his prose that doesn’t sit well. I wouldn’t like it coming from any writer, but when the writer is a Caucasian, it adds an extra layer of insult. No matter how long Blight publishes, no matter his standing in the Ivy League, he will never be fit to polish Douglass’s boots. If he once knew it, I suspect he has forgotten it. So that’s a problem, and it’s hard to read around it.

The other issue, a more common one, is the tendency to guess at what is not known. This makes me crazy. The narrative will flow along in a readable, linear fashion, and then I start seeing the speculation, which is barely visible. Might have. Must have. Likely. It makes me want to scream. If you don’t know, Professor Blight, either don’t put it in, or address the unknown in a separate paragraph explicitly addressing the possibilities. Weed out the unimportant guesses and deal with the more critical ones head on. When these inferences are salted randomly into the text, we come away with tangled notions. Apart from the key events in his life, which of the finer details were fact, and which were surmise?

Excuse me. I need to find a nice brick wall so I can slam my forehead against it.

So there it is. For all I know, Blight may gain half a dozen prestigious awards from this work; it wouldn’t be the first time a book I’ve complained about went on to garner fame and glory. But I call them like I see them, and what I see is that it’s a better plan to read what Douglass says about himself, even though Blight appears to consider himself a more reliable resource than his subject.

If you want this thing, you can have it October 2, 2018.

Southern Storm: Sherman’s March to the Sea, by Noah Andre Trudeau*****

“On earth, as in heaven, man must submit to an arbiter…He must not throw off his allegiance to his government or his God without just reason or cause. The South had no cause…Satan and the rebellious saints of Heaven were allowed a continuous existence in hell merely to swell their just punishment. To such as would rebel against a Government so mild and just as ours was in peace, a punishment equally would not be unjust.”   –William Tecumseh Sherman (quoted on page 19)

southernstormI received this excellent Civil War tome from one of my sons as a Christmas gift. I don’t request a lot of books anymore because it’s so easy to get others free, but I asked for this one and I am glad I have it. I’ll be reading more by this guy.  Despite one fact that I dispute—for which the citation also is sketchy—and some crummy maps, there’s no way to deny five stars here.  The topic is among my favorites, and of course Sherman is my all time favorite general, hailing from a time when the United States government still attracted and produced heroes.

Each time I pick up another book on Sherman’s march to the sea, I question whether there is any new information to be had. Here Trudeau deals with this neatly by referencing participants other than Sherman, most often Major Henry Hitchcock, who was Sherman’s aide-de-camp. There are lots of meaty quotes from Sherman and those alongside him, and occasionally those opposite him. There’s one royal stinker of a reference made by an Atlanta doctor, who said a couple dozen very sick and badly injured men were dumped on him by Sherman personally, who said if they survived the rebels could consider them prisoners. I call bullshit on this, not only because of the source but also because it runs contrary to everything I know about Sherman, whose troops were singularly loyal to him largely because he took great care of them and he led them to victory.

Sherman’s memoir, which I heartily recommend to you, deals with the left column with which he traveled.  The right column goes largely unmentioned there, and Trudeau fills us in. This was the column that took the most punishment, and was responsible for heading off enemy cavalry most of the time.

A mark of a terrific history book is that no matter how long it is, the reader emerges wanting to read something more, either by the author or on the subject. I have a couple of gift certificates going unused, and it’s entirely possible I will spend one of them on another book by this writer. The index and other references at the back of the book are useful also.

Highly recommended to American Civil War buffs.

Dagger John, by John Louhery ***-****

DaggerJohn I received a review copy of this book from Net Galley and Three Hills Publishing, which is affiliated with Cornell University, free of charge. This book is now for sale.

Since retirement, I have often taken my reading outside of my comfort zone, and at times I’ve been rewarded. I took a chance in requesting this biography because I have a peripheral interest in church history, and American history and Irish history are more direct interests. However, in this case there is too much assumed knowledge to be readily accessible to an acolyte of the region. My only trip to New York was a weekend tourist jaunt, and I have never been to the church in question.  However, I am drawn to the resistance he put forth during the “Know Nothing” period of anti-immigrant sentiment, and now is certainly the time to receive such a cautionary tale.

The claim that this man “made” Irish America seems overstated to me.

That’s not to say that it won’t interest you. The documentation is as unimpeachable as one would expect from a highly regarded university, and scholars with a specialized area of interest will likely find this a treasure because it is so specific. A niche audience may rate this title as four stars; I find it too dry a read to imagine five. But it isn’t intended to be a popular read but a scholarly one.

A solid niche read for those with interests that are aligned with the author’s.

The Black and the Blue, by Matthew Horace*****

theblackandtheblue“Even as a federal agent, I have been on surveillance or supporting an operation and have had an officer approach me and say that the neighbors called about a “suspicious” vehicle, which meant it was a black guy driving a car. I’ve been the man in that suspicious vehicle.”

Matthew Horace worked as a cop at the federal, state, and local level for 28 years, and he is plenty sick of the “toxic brotherhood.” The quote above refers to an incident that occurred in Mill Creek, a (very white) suburb outside Seattle, Washington where I live, but it’s not just here; it’s everywhere in the US. Specifically, he tells us about cities where some of the most notorious cop violence has created resistance such as New Orleans, Chicago, Baltimore, and Ferguson.

There are essays provided by police chiefs from some of these places as well as from Kathleen O’Toole, who was chief here in Seattle; O’Toole’s prose reek of electioneering, the sort of style that speaks for itself. Many of these contributors contradict Horace’s own assertion that the problem is endemic, and is absolutely not a case of a few bad apples. More than one of these essays hold the fascination I’d feel if forced to watch a rattlesnake before it strikes; the sanctimony, the grandiose claims of justice supposedly served. The most interesting of them all is from an African-American police chief in Chicago, whose personal stories of her family members having been abused—including her sons—stand diametrically opposed to what she does for a living, and yet she maintains her tightrope walk, determined to make a difference where only the smallest, if any, seems likely.

By now I should have thanked Net Galley and Hachette Books for the review copy, which I received free and early. This excellent book is available to the public Tuesday, August 7, 2018.

There has been a flurry of books published about this subject since it became national news. More than anything, the internet and cellular phones have stripped the gatekeeping capacity of the major news outlets; cops that were able to beat and even kill people and lie about it later are being outed left and right. Even I, who am an old lefty and have never really believed cops were there to protect ordinary people, am shocked by much of what’s been revealed. I wondered, as I began reading, whether Horace could add to what’s already been said and shown. What could he add to the body of information provided by Ta-Nehisi Coates, Angela Davis, and Matt Taibbi? (Many years ago, Norm Stamper, former Seattle police chief, also wrote an expose that included a chapter on why cops beat Black men.)

As it happens, Horace has a lot of information that I hadn’t read, and it isn’t just a matter of fine detail. For example, who knew that in New Orleans, cops were not merely accepting graft, but actively robbing Black-owned businesses, guns drawn, and making off with their cash and other valuables? It’s the sort of thing that lives in your head for a long time after you read it; but then again, it should be.

The sourcing is impeccable.

Those with an interest in Black Lives Matter, in civil rights in general, or with an interest in race issues within the so-called criminal justice system in America should get this book, for full price if necessary, and read it. Read the whole thing. So much of our future depends on how we respond.