Pauli Murray is the person that coined the term “Jane Crow”, and was the first to legally address the twin oppressions of color and gender. I had seen her name mentioned in many places, but this is the first time I’ve read her story. Thank you to Net Galley and Oxford University Press for the opportunity to read it free in exchange for this honest review. This biography is for sale now.
Murray was born in North Carolina and was a labor activist during the turbulent 1930s. She was academically gifted and hardworking, but tormented by the issue of gender. 100 years ago, in the time and place into which fate dropped her, there was no recognition of trans people, and so her sense of herself (the pronoun she used) was that surely there was some unseen physical aspect to her body that must be male. She searched high and low for a surgeon that would perform exploratory surgery to discover whether she had an undescended testicle or some other material explanation to explain why she was convinced that she was actually male. It hurts to think about it. Those born after the early-to-mid-20th century cannot comprehend how the suggestion that gender could be binary was seen, and Murray was a devout Christian as well, and became an ordained Episcopal priest. By the time trans people gained respect from a significant percentage of Americans, Murray was no longer here.
Despite the misery and confusion that was inherent in such a life, Murray was prolific. She was declined a place at the University of North Carolina because of her race, and later denied a place at Harvard Law because of her gender. She graduated at the top of her class at Howard Law, the only woman in her class. Later she would be largely responsible for inclusion of the word “gender” in the title VII in 1964. Those of us that have benefited from that law—and there are a lot of us—tip our hats to her memory in gratitude.
Rosenberg has done a fine job in telling us about Murray. Her documentation is flawless and her narrative clear. At times—particularly in the beginning, before Murray’s career really catches fire—it’s a trifle dry, but I would prefer a clear, scholarly, linear narrative such as this one, over an exciting but sensationalized, less well documented telling any day of the week.
Those interested in the American Civil Rights movement and the history of the women’s rights movement in the USA should get this book and read it. Even if used primarily as a reference tool, it’s an indispensable resource, particularly to those with an interest in legal matters relating to discrimination and equity.
Had I no obligation to the publisher, I might be tempted to write a rare one-word review: bleak. Our protagonist is grieving the death of her beloved grandmother, and the dog died too. She’s stuck in a place she can’t get out of mentally, but since she is an artist, she takes her ennui and lets it guide her through art, and the narrative follows a pattern in which each grim thought leads her to a different art theme mentally. The story is told in the first person, and so we follow her miserable wandering thoughts from one grim topic to another, and then at some point each train of thought ends with “Works about [ fill in noun here: beds, rabbits…whatever].”
I am a big fan of Laurie R. King’s contemporary thrillers, and this one is no exception. Thank you to Net Galley and Random House Ballantine for the DRC, which I read free and early in exchange for this honest review. It’s for sale today, so now everyone can read it.
Ann Beattie is a seasoned writer with a list of accolades as long as your arm, and this is why I requested a DRC of her soon-to-be-published short story collection, whose theme is visitors and travel. I was not disappointed. Thank you Net Galley and Scribner for letting me read it free and early in exchange for this honest review. This book will be available to the public Tuesday, June 13.
Amish Guys Don’t Call is funny, absorbing, and ultimately lifting. Dodds has a great heart for teenagers, and this title is one that should grace every high school and middle school library, and will also attract parents and teachers of adolescents. I read it free and early thanks to Net Galley and Blue Moon Publishers. This book will be available to everyone June 13, 2017.
“We know so very little about the people we are closest to. We know so little about ourselves.”
Lisa Wingate is an established author, but she is new to me. I received this DRC free and early, thanks to Net Galley and Random House Ballantine; it is available to the public Tuesday, June 6, 2017. And although I would love to tell you to run out and buy it right now, in all honesty I have never felt quite so ambivalent about a novel, at least not in recent years. There’s so much that’s good here, but there’s also some terrible material—albeit brief—that any sensible editor would have to question, and that every reviewer that’s paying attention has to notice.
I was invited to read and review this title by Net Galley and Open Road Media. At first I thought it looked like a real winner, and in many respects it is. For me, one glaring problem made it impossible to finish; more on that in a minute. For those interested in the Resistance during World War II, this may prove a successful read and an interesting one if you can get past the hurdle that stopped me.
Get out your plastic and go use the restroom, because this book will leave you holding your sides. Samantha Irby mines what ought to be old material but isn’t, at least not by the time she is done with it, and her edgy, plain-truth humor may leave you breathless by the time the last page is turned. My thanks go to Net Galley and Knopf Doubleday for the DRC, which I received free and early in exchange for this honest review. This book has just been released and is available for purchase.
Fans of Swedish crime fiction rejoice; Ultimatum is available to the public today. Thanks go to Net Galley and Atria Books for the DRC, which I read free in exchange for this honest review. Although it is the second in a series, I was able to follow along fine without having read the first in the series.