Author Archives: seattlebookmama

Unknown's avatar

About seattlebookmama

Greetings! I am Donna Davis, a retired teacher living in my favorite city in the world. I've found that one of the greatest comforts in life is a good book. We can all use a little of that. Welcome, and enjoy! Donna Seattle Book Mama

Girl in Snow, by Danya Kukafka*****

Posted on by

GirlinSnow

“’You can only see fifty-nine percent of the moon from the earth’s surface. No matter where you go, in the entire world, you’ll only see the same face. That fifty-nine percent.’
“‘Why are you telling me this?’
“’I’m just saying. We know this fact, but it doesn’t stop us from staring.’”

Half a century ago, a young writer named Harper Lee took the literary world by storm with To Kill a Mockingbird, a story that centered itself on justice, on a child trying to do the right thing, and on a strange, misunderstood fellow named Boo Radley.

Today the literary world meets wunderkind Danya Kukafka. Get used to the name, because I suspect you’ll be seeing a lot of it. Her story also revolves around misunderstood characters with dark pasts, and a small town’s often misdirected quest to see justice done and safety restored.

Thank you Simon and Schuster and also Net Galley for inviting me to read and review in exchange for this honest review. I’ve read and reviewed a lot of galleys this summer, but right now this is the only one I want to talk about.

So back to our story. We have three narratives, all from unhappy characters, all of them watching, watching, watching. Our protagonist is Cameron Whitley, a troubled, “Tangled” adolescent that has spent his evenings secretly following a popular, attractive classmate named Lucinda. He watches her through the windows of her house. He stares at her in her bedroom, and he does other things, too. Cameron has a troubled past, his father gone now after a storm of controversy destroyed his reputation and left his family hanging in tatters. And now that Lucinda is dead, the investigators have to look hard at Cameron. We do, too. We can see that Cameron is grieving, but of course, people often grieve the people they have killed. Grief doesn’t always denote innocence.

“Cameron stood outside Maplewood Memorial and wondered how many bodies it held that did not belong to Lucinda. How many blue, unbending thumbs. How many jellied hearts.”

As the story proceeds, we hear a third person omniscient narrative of Cameron, though it doesn’t choose to tell us everything. Not yet. We also hear two alternate narratives, those of Jade, Cameron’s classmate, and of Russ, the cop that was Cameron’s father’s partner before things unraveled.

Jade is friendless and frustrated, an overweight teen with iffy social skills, unhappy in love. Her home life is disastrous, her alcoholic mother monstrously abusive. Jade could be out of that house in a New York minute if she’d out her mother, but instead she turns her anger toward herself. After all, she provokes her mother. The bruises, the cuts, the blackened eye all signs that she has pushed her mom too far.

And so, bereft of healthier peer relationships, Jade watches Cameron watch Lucinda. She doesn’t have to leave home to do it; she has a box seat, so to speak, at her bedroom window. Standing there and looking down on a good clear night, she can see Cameron sequestered behind the bushes or trees, and she can see Lucinda, who doesn’t seem to know what curtains and window blinds are for. Ultimately Jade befriends Cameron, who is frankly afraid to trust her. And he may be right.
Russ is the third main character whose narrative we follow. As a child, he always thought it would be awesome to carry a gun and put handcuffs on bad guys:

“He memorized the Mirandas…playing with a toy cop car on the back porch…Russ had a lisp as a kid. You have the wight to wemain siwent.”

So his dream has come true; why isn’t he a happier man? Again and again we see the ugly things Russ does and the ugly reasons he does them, but just as it appears he’s going to become a stereotypic character, Kukafka adds nuance and ambiguity, and we see that underneath that swinish exterior is the heart of…no, not a lion. He’s really not that great a guy. But we see his confusion, his dilemmas, the aspects of his “bruised yellow past” that motivate him. He isn’t a hero, but he is capable of loving, and of doing good. And he doesn’t want to frame a kid for Lucinda’s murder, especially not his partner’s kid. He wants to know the truth.

Interesting side characters are Russ’s wife, Ines, and Ines’s brother Ivan, the school custodian that is caught in the crosshairs of the investigation.

Ultimately, though, the story is about Cameron, and Kukafka’s electrifying prose makes my thoughts roll back and forth like a couple dozen tennis balls left on deck when the ship hits choppy seas. Poor Cameron! He didn’t do this…and then, whoa, Cameron is seriously creepy here. Maybe he actually did it. I spend much of my time trying to decipher how deeply troubled this lad is—those of us in education and other fields that work with teenagers would undoubtedly deem him an ‘at-risk’ child—and how far he has gone.

Is Cameron the Boo Radley of 2017, misunderstood and falsely vilified; or is he a Gary Gilmore, a John Wayne Gacy?

Clearly, I’m not going to tell you. That would ruin it for you. The one thing I will say is that the ending is not left ambiguous. This isn’t the sort of book you throw across the room when you’ve read the last page.

In addition, know that there is plenty of edgy material here. Those considering offering this book to a teen as summer reading may wish to read it themselves before passing it on. I would cheerfully have handed it to my own teens, but your standards and mine may differ.

If you can read this book free or at a reduced price, lucky you. If you have to pay full freight: do it. Do it. Do it. It’s for sale today.

The Lying Game, by Ruth Ware****

Posted on by

TheLyingGameIsabel, Fatima, and Leah receive a text from Kate saying that she needs them. It’s been 17 years, and yet they answer in the only possible way:

“’I’m coming.’
“’I’m coming.’
“’I’m coming.’”

This one had me at hello. How many of us have a friend from childhood, adolescence, or the early years of our adulthood that could draw this response from us? I know I do, and although mine are from different times and places in my life, if I received that text I’d be on a plane, a train, or in the car. Thank you Net Galley and Gallery Books for the DRC, which I read free and early in exchange for this honest review. The book was published last week.

Our protagonist is Isa (“It’s to rhyme with nicer”), and as you might infer, this is British fiction. Isa leaves Owen, a good sport if ever there was one; grabs Freya the baby, who is breast-feeding; and hops on a train. And that baby will ramp up the stakes, mostly in subtle ways, over and over throughout the story.

Kate has called them because human bones have been found in the Reach. All of them immediately know what this means, although the reader does not.

We learn about the lying game played by the foursome during their years at school together. There are points given according to whether the lie is believed, whether the victim is new, and further byzantine details; but the big rule is that they must never lie to each other. The game revives itself at odd moments during their reunion, sometimes to lightened effect for the reader, but sometimes becoming sinister.

Throughout this well-crafted tale, Ware doles out bits and pieces of what is to come, and every time my experienced eye spots a sure-fire red herring, it turns out it isn’t. I read a lot of mysteries—probably too many—but this one is fresh and original conceptually, and it becomes more riveting as the characters are developed, adding layer after layer like papier-mâché. The ending completely surprises me, and yet is entirely consistent with the rest of the novel.

There are times when I am astounded at the risk-taking behaviors exhibited by the four as adults approaching middle age once they are together again; at times I step away and ask myself whether the doctor that Fatima is now would actually do this, and whether Isa, an attorney, wouldn’t show more caution. But the foursome persuades me—are there points for this, I wonder—and I am drawn back in before the curtain twitches. There’s never a time when I see that the Great and Powerful Oz is seen back there at the control panel; the magic holds. There are times I am astonished at the risks Isa takes with Freya, going for a swim in the Reach with her pals, leaving her defenseless baby alone, asleep, in that hideous, falling down shack, but it’s consistent with the girl she used to be, the girl that is awakened to a degree as she returns to the time and place in which she came of age.

The fifth star isn’t here because the foreshadowing is too heavy-handed at times, and threatens to become funny rather than scary, which is clearly not intended. But every time I see it veering toward the ridiculous, Ware pulls back again, and so the overdone moments are a blip on the radar.
Those that love Ruth Ware’s work, and those that love a good mystery—especially women—will want to read this book. You can get it now.

Hook’s Tale, by John Leonard Pielmeier***

Posted on by

HooksTalePielmeier’s debut novel gives poor, maligned Captain Hook an opportunity to share his side of the story. The teaser promises a “rollicking” story, and at first it seems to be exactly that, but it runs out of steam early on. Nevertheless, thank you, Net Galley and Scribner, for the opportunity to read and review.

At the outset, Captain James Cook (his name isn’t Hook!), named for the famous sea explorer, describes himself as looking nothing like the “unbearably pompous actor”, a clear reference to the hilarious Cyril Ritchard, who played Hook in the twentieth century complete with high heeled boots and a beauty mark; however, our pirate assures us, those periwinkle blue eyes do fit the bill. There is an assumption that the reader is well steeped in both the stage and cinematic depictions of the character, and it seems like a fair one. I love reading Hook’s fond and hugely original description of Smee, and our introduction to Hook’s pet crocodile.

“I named it Daisy, after my mother.”

Unfortunately, somewhere between the ten percent and twenty percent mark, the narrative founders, and the most frustrating part for this reviewer is that it’s hard to pinpoint exactly what goes wrong. The concept is strong, the voice clear, and yet my interest is gone before the quarter-mark is reached, and at that point I am reading for duty rather than pleasure. I came away with two considerations.

The first is the linear quality of the prose. The formal, old-school language is fun at the outset, but it might be more powerful if alternated with a present day narrative. Hook could have a grandson or other present-day relative that contributes; since Hook marries Tiger Lily, that might be a way to get there. Readers of the digital era may not have the patience to read the rather Victorian-sounding dialect all the way through. An alternating narrative would probably pick up the pace and make for a more compelling arc.

The second consideration is audience. There are two characteristics here that suggest completely different types of reader, and they don’t overlap very well, which may make for a small readership. We have the Boomers and those that came right after them, folks that may have seen the Cyril Ritchard version of Captain Hook on television. It was a childhood favorite of this reviewer, and you can watch the entire thing here:

https://www.youtube.com/watch?v=r6K2M…

The assumed knowledge and detailed descriptions jibe with this audience. But then there is the other sort of detail, the gore and guts that are more suited to a young reader, perhaps one in his early teens. Older readers may wince at the graphic gore here, decapitations and intestines and fountains of blood—I certainly did—but younger readers that are more likely to love it are unlikely to tolerate the formal prose style adopted. It’s hard to tell whether the writer had a particular audience in mind, but if so he shot wide of the mark.

Another possibility is that the story really is better as a visual medium. Reading about people flying is not as enjoyable as seeing them do it, and I say this as a person that prefers the printed word over film almost always. J.M. Barrie’s work itself is difficult to plow through, and also racist as hell; the story took wing on stage and screen. In addition, the stage version was the first time an actor had been hooked to cables and “flew” in front of a live audience; what seems like corny, ancient technology now, was new and exciting then.

All of this notwithstanding, you may love this book. It was released July 18, and is for sale now.

Policing the Black Man, Angela Davis, ed.*****

Posted on by

PolicingtheBlackManA hard look at the American penal system–from cops, to court, to prison–is past due, and within this scholarly but crystal-clear series of essays, the broken justice system that still rules unequally over all inside USA borders is viewed under a bright light. Isn’t it about time? Thank you to Doubleday and Net Galley for the DRC. It’s for sale, and anyone with an interest in seeing change should read it. Caucasian readers that still can’t figure out why so many African-Americans are so upset should buy this book at full price, and they should read it twice. If you read this collection and still don’t understand why most Civil Rights advocates are calling out that Black Lives Matter, it likely means you didn’t want to know.  But bring your literacy skills when you come; well documented and flawless in both reason and presentation, it’s not a book that individuals without college-ready reading skills will be able to master.

The most horrifying aspect of American policing and prosecution is the way that Black boys are targeted. Sometimes only 10 or 12 years of age, they find themselves in the crosshairs of suspicion and implicit bias no matter what they do. Of course, the presumption that someone is violent, is dangerous, is guilty is never acceptable, and men and women all over the USA have seen it happen. However, most cultures hold their children dearest, and so what happens when every African-American boy grows up knowing that cops will assume he has done something wrong because he has stopped on the street corner, or not stopped; walked too slowly, or too quickly; looked away, or looked around down; what happens when an entire subset of the US population knows that he was essentially outlawed from the cradle?

Those that care about justice won’t want to read this collection while eating, and you won’t want to read it at bedtime, either. How do you swallow? How do you fall asleep when what you want to do is hit a wall? This reviewer’s own family is racially mixed, and when I consider the easy good humor of the Black men in my family, I wonder how they do it. And yet I know the answer: you can’t be angry seven days a week or your life is already over. They face American racism with fatalistic humor and get on with their lives.

That shouldn’t be necessary.

These essays each zero in one particular area of policing. Implicit bias is addressed, as is the failure of the US government to even admit that a problem exists. The Supreme Court has adopted the ivory-tower position that American justice is colorblind, centuries of evidence to the contrary notwithstanding. There is no database at all regarding the deaths of Black boys and men by cops, and no requirement that anyone keep track. Does it make a difference if the prosecutor is Black? There’s no data. None.

And did you know that 95% of the people charged with a crime plead guilty?  Prosecutors hold so much power that often a completely innocent person can be persuaded not to risk having an extra charge, and extra time, tacked on. Prosecutors get to decide whether a crime should be pursued as a state crime, which has far more lenient implications, or as a felony. Cops are out in the public eye—and thank goodness they are—but prosecutors do things quietly, often behind closed doors.

Davis’s own article alone is worth the purchase price of this collection, but once you have it in your hands, you will want to read the whole thing; and you should. You should do it, and then you should become involved. Protest in the way you are able, but don’t  sit idly by and watch. Protest, because Black Lives Matter, and until this country admits that it has a race problem, how can any of us breathe?

What I’m Reading

Posted on by

I’ve been experimenting with ways to share what is coming up next. Usually I put this on a different page, but then it also tends not to get seen, likely due to the absence of share buttons. Let me know what you think. Is it better to post it separately, or do you like it here?

 

Here are books I’ve finished reading, and as soon as a sane moment presents itself in my uncharacteristically busy domicile, you will see them reviewed here:

Mystery

 This is what I am reading now; all are good, but some are outstanding. [Imaginary drum roll goes here.]

Southern Fiction

The Price of My Soul, by Bernadette Devlin*****

Posted on by

ThePriceofMySoulDevlin write this, her autobiography, when she was all of 23 years old. Had it been anyone else I would have considered it ridiculous, a juvenile pretention, but Bernadette Devlin was one of the primary fighters for Irish freedom during the tumultuous 1960s, ‘70s, and ‘80s, and given how events played out, it is likely that she wrote this while fully anticipating that she’d be killed in the struggle fairly early on. Goodness knows, the British cops tried. Here’s a bit of background information from Wikipedia:

 On 16 January 1981 she and her husband were shot by members of the Ulster Freedom Fighters, who broke into their home near Coalisland, County Tyrone. The gunmen shot Devlin fourteen times in front of her children. British soldiers were watching the McAliskey home at the time, but failed to prevent the assassination attempt, indeed it has been claimed that Devlin’s assassination was ordered by British authorities and that collusion was a factor. An army patrol of the 3rd Battalion, The Parachute Regiment, entered the house and waited for half an hour. Bernadette Devlin McAliskey has claimed they were waiting for the couple to die. Another group of soldiers then arrived and transported her by helicopter to a nearby hospital. The paramilitaries had torn out the telephone and while the wounded couple were being given first aid by the newly arrived troops, a soldier ran to a neighbour’s house, commandeered a car, and drove to the home of a councillor to telephone for help. The couple were taken by helicopter to hospital in nearby Dungannon for emergency treatment and then to the Musgrave Park Hospital, Military Wing, in Belfast, under intensive care.

 Soon after her recovery, the author-activist went on a speaking tour, and this reviewer was able to hear her talk when she came to the University of Toledo in Toledo, Ohio.  Her intelligence, eloquence, and fierce, courageous nationalism left me spellbound. And yet, it was only recently that I learned she’d written a memoir over a decade earlier. I was even more amazed to find that it was available for sale, albeit used and fairly banged up; all praise to the internet. And so this time, instead of heaping praise upon the publishers, I will thank my youngest son for securing a copy for me at Christmas. It was worth the wait.

Devlin was orphaned, along with her sisters and brothers, when she was still a teenager. She and her siblings had a conversation and decided that they would raise themselves, rather than be parceled out to relatives and neighbors, broken up like pieces of a candy bar to be distributed willy-nilly by the church. But her parents left her a legacy, one that said not to let anyone shove a Devlin around. One of my favorite moments in her engaging narrative is early on, when her mother is being attended by a physician for a fallen arch in one foot. The doctor’s solution is to tightly bind it in hopes it will grow back to its proper configuration, but instead it becomes desperately deformed. One day when the doctor is rebandaging it, her mother complains of pain, and the doctor replies that there is no real pain; he says her mother is merely neurotic. In response, her mother raises her good foot and kicks the man across the room.

A woman after my own heart.

But the best passages, as the reader might expect, are those detailing the struggle for civil rights in Northern Ireland, and in particular the struggle based on social class regardless of religion. She tells of the horrific events of Bloody Sunday, when a peaceful parade including small children and babies in their strollers is gunned down by cops. Devlin speaks of the “evil delight” she sees on the faces of violent cops as they beat people down at an earlier demonstration.

There are lessons to be learned here, and now is the time to learn them.

Remarkably enough, there are still copies of this historical treasure for sale, used. Anyone that is interested in the Irish freedom struggle; cop violence; or Irish history should find a copy now, while you can still get them cheaply.

The Shipshape Miracle and Other Stories, by Clifford D. Simak*****

Posted on by

TheShipshapeMiracleThis is volume 10 of a complete collection of the writings of Clifford D. Simak, who won 3 Nebula awards, 1 Hugo Award, and was the third Grand Master of the Science Fiction and Fantasy Writers of America in 1977. It’s my sixth volume of Simak’s stories, and it’s my favorite so far, which is saying a good deal. Thanks go to Net Galley, Open Road Media, and David W. Wixon, whose brief, useful notes set context for each of these stories. Wixon and Open Road have republished Simak’s work digitally for new generations to enjoy; I received a DRC in exchange for this honest review.

For those new to Simak’s work, here’s a thumbnail sketch. He began writing in the 1930’s, submitting short stories to various magazines, and continued writing stories and novels into the early 1980’s. He wrote a few war stories during the mid-1940’s, then continued writing Westerns and science fiction. Both of these genres make it into this volume, and although when I began reading Simak, I questioned the choice to foist annoying cowboy stories on sci fi readers, I came to see that it’s not easy to tease them apart in every case. One of my favorite stories here, “Rim of the Deep”, is about a journalist named Grant who is given the dreaded assignment of chasing a story in an undersea city. Once he is down there, it becomes a tongue-in-cheek underwater cowboy story:

“‘You think there’s a gang of robbers down in that deep?’ asked Grant.
“‘That’s the only place they could be,’ said Gus. ‘It’s bad country and hard to get around in. Lots of caves and a couple of canyons that run down to the Big Deep. Dozens of places where a gang could hide.’
“Gus sipped gustily at the coffee. ‘It used to be right peaceable down here,’ he mourned. ‘A man could find him a bed of clams and post the place and know it was his. Nobody would touch it. Or you could stake out a radium workings and know that your stakes wouldn’t be pulled up…But it ain’t that way no more. There’s been a lot of claim jumping and clam beds have been robbed. We kind of figure we’ll have to put a stop to it.'”

The story is chock full of whimsy, and includes a pet octopus named Butch that bounds after them like a dog and occasionally does something heroic. I love it.

And this is the thing I love about old-school science fiction in general and Simak in particular: the reader doesn’t need a technical background to read and enjoy these stories. There are no jokes that only a programmer can understand; Simak writes fiction and writes it well, and so we liberal arts types can sit back and enjoy the stories.

In addition, the period in which the writing was done actually adds to the whimsy. For example, another favorite in this collection, “How-2”, is about a man that orders a kit to make himself a mechanical pet dog and inadvertently ends up with a very valuable robot instead. I won’t give the rest of the story away other than to tell you it’s hilarious, and I can’t imagine the author wrote it without laughing himself silly, but there’s also the unintentional hilarity of having a robot that can do almost anything imaginable, asking for a paper and pencil so that he can make a list of the things the protagonist desires. A pencil! I love it.

The collection contains 9 stories. One is a straight Western that I started and then gave myself permission to skip. That’s okay, though; the other 8 stories make this tasty collection worth the purchase price. (One story, “Paradise”, is a sequel to the story “Desertion”, which is included in an earlier collection, and if possible you should read it first.) I would not have named the collection for the story Wixon chose, but it’s also a strong story; it’s just a matter of taste. I happened to love at least 3 of these others more.

Finally, the reader should know two things: first, Simak was a creature of his time. Although he is more progressive than most writers of the mid-20th century, there are a couple of baldly sexist moments. This reviewer grew up watching reruns of television shows and movies produced in the 1950’s, and to hate Simak’s work, one would also have to hate every stinking one of those productions also. However, in the brief philosophical metaphors and other indirect allusions, Simak shows himself to have been unusually progressive where civil rights were concerned. Again, such references are oblique, since most of the featured characters aren’t actually even human.

The other thing the reader should know is that these collections are only available digitally. They’re ridiculously cheap, so those that love great old-school science fiction should order this collection and read it. Those that want it on paper will have to hunt up some used books most likely, and they will be either single stories or different groups within a given volume.

This collection is strongly recommended for all that love excellent science fiction.

A Game of Ghosts, by John Connolly*****

Posted on by

AGameOfGhostsJohn Connolly writes two kinds of books. Some of them are good; some are damned good. This is one of the latter. It’s the fifteenth in the Charlie Parker series, and it marks a turning point; previously a thriller series with mystic overtones, it’s now a stew combining multiple genres. Connelly heats his cauldron and pours in a healthy dose of suspense, mixes in some detective fiction, and blends in horror and fantasy as well, along with a pinch of humor. The overall result is deliciously creepy, the kind of story that stays with me after I’ve read a dozen other less memorable books. Big thanks go to Net Galley and Atria for the DRC, which I read free and early in exchange for this honest review. The book is for sale now.

Parker has a haunting past indeed; in the first book of this series, his wife and daughter Jennifer are murdered by a man that has come looking to kill Parker. Our hero sets out to find and kill the man that did it, and he succeeds; yet his thirst for stark, take-no-prisoners justice is not satisfied. Now the father of another daughter, Samantha, that lives with his ex, our current mystery finds Parker in a conversation with the girl’s uncle, who asks hard questions about Parker’s risky behavior. He wants to know why Parker keeps chasing bad guys now that his initial quest has been fulfilled. Why hunt down evil-doers when he might adopt a lifestyle more in line with the best interests of his still-living child? Parker responds,

“I do it because I’m afraid that if I don’t, nobody will. I do it because if I turn away, someone else might suffer the way I have. I do it because it’s an outlet for my anger. I do it for reasons that even I don’t understand. 
“But mostly,” said Parker, “I do it because I like it…
“We can’t leave these people to wander the world unchallenged.”

The premise here is that Parker is sent by FBI agent Ross, who he has agreed to work for under terms mostly his own, in search of Jaycob Ecklund, a man also employed by Ross who has vanished. Once Parker’s search for Ecklund commences we learn that the missing man was a ghostbuster of sorts, a man with a basement full of files on the paranormal. Many others are interested in Ecklund also, and the plot ramps up quickly and doesn’t relent until the last page is done.

The plot here is complex, and Connolly weaves in a host of characters, both living and dead. We have The Brethren, most of whom are alive yet already damned. We have Angel and Louis, a pair of characters that have appeared throughout the series that work with Parker; their darkly amusing banter helps lighten an otherwise almost unbearably intense plot. We have clairvoyants; we have The Brethren; the hollow men; we have a number of murder victims, before, during, and after their deaths; there is the Collector, who is tied to Parker like a falcon, and must always return to him.
And we have organized crime figures Phillip and his Mother, who abduct him in order to find out what Parker does and what he knows, in a civilized way, of course.

“There will be tea.”

Mother is the best villain this reviewer has seen in a long time.

The entire book is brilliantly conceived and flawlessly executed. And although Connolly’s series is worth reading from the get-go, those that hop in without having read earlier books from this series will be able to follow and enjoy this shapeshifting mindbender of a novel just fine, but those that genuinely believe in ghosts may not want to read it at night.

Highly recommended to those that love excellent novels of suspense.

Holding, by Graham Norton*****

Posted on by

holdingIrish novelists are rocking the publishing world this year, and Norton’s debut novel is among the best of them. My great thanks go to Net Galley and Atria Books, who provided me a free and early read in exchange for this honest review. You should get it and read it. Atria will release it August 1, 2017.

Our protagonist is Sergeant PJ Collins; the setting is the tiny Irish town of Duneen. PJ is ecstatic when a corpse is uncovered at a local construction site. At last, something noteworthy has occurred in his sleepy village, and he can’t wait to tell everybody. He starts with his housekeeper, Mrs. Meany:

“I’m after finding a body.”
“You what?”
“A human body!”
He had waited his whole life to utter those words, and it felt as good as he had always imagined.
“God spare us!” Mrs. Meany gasped.

The villagers are convinced this is the body of Tommy Burke, a man loved ardently by two local women. Evelyn has never married; she and her two sisters still live in the family manse in which they were raised. Is Evelyn bat-shit crazy, as some people suggest, or is she merely frustrated and lonely?

Brid also loved Tommy. They were to be married, but he upped and disappeared just before the wedding. She is currently locked in a joyless union; she and her husband remain together for the sake of the children and the farm. It isn’t easy.

And then there’s our protagonist, PJ, who is graying at the temples, never having known love. He hasn’t even had a girlfriend. He went on a date, once, and the girl guffawed when he wasn’t able to situate his large self into a theater seat to view the movie. That was enough for him. He’s married to his work, and she’s a lonely mistress. At the end of the day there’s only Mrs. Meany, his aging housekeeper, and she will have to retire, sooner or later.

But things are about to change.

UK readers may have been drawn to this novel by its author, who is also a celebrity and has a television show, but I had never heard of him. I won’t forget him now.

One cautionary note: there’s some sharp, dark humor involving religion that will make this a poor fit for some readers. I loved it, but the devout may not. There’s also a fair bit of bawdy language.

For those that enjoy dark humor, this one is hard to beat. As an added bonus, it is ultimately uplifting, and reminds us that one is never too old to find love in this world.

Watch Me Disappear, by Janelle Brown*****

Posted on by
WatchMeDisappear“…how can you ever really know the truth about another person? We all write our own narratives about the people we know and love…”

Billie Flanagan is living the good life in Northern California. Her husband, Jonathan, has a lucrative career that permits her to stay home, even though Olive is now in middle school. But one day she heads out on one of her favorite hiking trails, the Pacific Crest Trail in Desolation Wilderness, and she never returns. Search and Rescue crews find a single hiking boot and a cell phone far below the trail with its screen smashed. Her bank cards and checking remain untouched. Jonathan and Olive are forced to face the truth: Billie is never coming home again. They hold the funeral, and a year later, Jonathan sits down to write a memoir of his life with Billie. It is here that we join the family.

Many thanks go to Net Galley and Random House for the invitation to read and review in exchange for this honest review. The book will be available to the public July 11, 2107.

This psychological thriller starts with daughter Olive, who is in middle school, seldom a proud or happy time for any of us. But one day Billie appears to Olive in the hallway and tells her that she should be looking harder; she isn’t trying. Olive is convinced that her mother is still alive and trying to reach her. Eventually Jonathan starts to wonder as well. Neither of them is able to move on effectively without knowing the truth, yet there it is: they have no body and they have no proof of anything. As their journeys unfold, both externally and internally, Brown develops the hell out of both of these characters and through the memories both evoke in word and thought, she develops Billie best of all. An interesting side character named Harmony rounds things out nicely.

As each layer of each character is revealed—I was planning to say it’s like having three sets of Russian nesting dolls, but that’s not right; each has many more layers than that, more like onions–the reader’s viewpoint is forced to shift from one point of view to another, and so we wonder at various times about alternate possibilities. Could Billie really be alive somewhere? Did she just up and fucking leave them? She’s done that before. She is a runner. She has been known to drop people with no warning at all, just ghost them. It was a long time ago, but it’s true.

Or is she dead at the hands of…hmm, the ex-boyfriend that surfaces at the funeral? And we wonder whether maybe Jonathan, whose memories of Billie are not all as rosy as the ones we hear at the outset, did something to harm her. And then we wonder about Billie’s friend Harmony, who moves into Jonathan’s life rapidly enough to disturb Olive considerably. She’s so needy, so hungry for his attention; would she have offed Billie in order to have a crack at him? Many of these ideas are merely hinted at rather than voiced by the narrative, and this is part of what makes it so tasty. At first, I think my idea is original because I am so smart, but then I look back, as a reviewer has to do, and I can see it’s not really about my being smart (darn), but rather about very subtle foreshadowing. Brown uses lights and mirrors to get our minds moving in different directions, and the disorientation is, in its own twisted way, part of the rush.

A last note goes to the tangential but rarely-seen moment when a character muses about why it’s so hard to find an abortion clinic when you need one. This is the reverse side of a pet peeve of mine, the commonly used notion that every accidental pregnancy necessarily must end in childbirth, as if the year were 1950 or 1960 rather than the 21st century. I wonder whether Brown had to fight to keep that reference in her novel? One way or the other, this was going to be a five star review, but when I found that courageous little nugget, I wanted to shout for joy!

As to the end…I can’t tell you what happens of course, but I will tell you that this doesn’t end ambiguously. By the conclusion, the reader knows what happened to Billie.

When all is said and done, this is fiction that every feminist can embrace. If there is a heaven, Charlotte Perkins Gilman is looking down, and she is cheering.