James Lee Burke is a living legend, a novelist who’s won just about every prize there is, and whose published work has spanned more than fifty years. My thanks go to Net Galley and Simon and Schuster for the invitation to read and review. This book is for sale now.
Another Kind of Eden is a prequel to Burke’s Holland family trilogy. The time is the 1960s, and protagonist Aaron Holland Broussard is in Colorado working a summer job. He falls in love with a waitress named JoAnne, but there are obstacles to their happiness everywhere he looks. There’s a charismatic professor that won’t leave her alone, a bus full of drugged-out young people that have fallen under his influence, and of course, there’s corruption among the local wealthy residents, which is a signature feature in Burke’s work. Aaron is a Vietnam veteran, and he has residual guilt and grief that get in his way as well. He’s got some sort of an associative disorder, though I am not sure that’s the term used; at any rate, he blacks out parts of his life and cannot remember them. He also has anger issues, and he melts down from time to time; there’s an incident involving a gun that he forces a man to point at him that I will never get entirely out of my head, and kind of wish I hadn’t read.
I had a hard time rating this novel. If I stack it up against the author’s other titles, it is a disappointment; a lot of the plot elements and other devices feel recycled from his other work, dressed up a bit differently. But if I pretend that this is written by some unknown author, then I have to admit it’s not badly written at all. By the standards of Burke’s other work, it’s a three star book; compared to most other writers, it’s somewhere on the continuum between four and five. Since I have to come up with something, I decided to call it four stars.
All that being said, if you have never read anything by this luminary, I advise you to start with one of his earlier books–almost any of them, actually.
It’s hard to believe that Florence Adler Swims Forever is a debut novel. Rachel Beanland has stormed our literary beaches, and I hope she does it forever. Big thanks go to Net Galley and Simon and Schuster for the review copy. This book is for sale now.
The title character dies almost immediately, which is a bit unusual all by itself. The central storyline centers on Fannie, Florence’s sister, who is in the midst of a dangerous pregnancy. She’s already had one premature baby that died at 3 weeks, and so this one Is being closely monitored. Because of this, the family closes rank in order to prevent Fannie from knowing that Florence has died until after the baby’s birth, lest she miscarry. However, Fannie isn’t the main character; the point of view shifts between the present and the past, from one family member to another, eight all told, in fairly even fashion.
My first reaction to this premise—keeping her sister’s death from Fannie for what, two months—is that it’s far-fetched to think such a plan could succeed. But as the story unfolds, I realize that information was not a constant presence during the late 1930s, as it is now. There was no television yet; a radio was desirable, but not everyone had one. Fannie asks for a radio for her hospital room, but she’s told they’re all in use. Too bad, hon. Newspapers and magazines were explicitly forbidden for visitors to bring in; the lack of news is explained in general terms as “doctor’s orders,” and back then, doctors were like little gods. If “Doctor” said to jump, everyone, the patient most of all, leapt without question. And then I see the author’s note at the end, that this story is based on an actual event from her family’s history! It blows me away.
Besides Fannie and Florence, we have the parents, Joseph and Esther, who have a meaty, complicated relationship; Fannie’s husband Isaac, who is an asshole; Fannie and Isaac’s daughter, Gussie, who is seven; Florence’s swim coach, Stuart; and Anna, a German houseguest whose presence creates all sorts of conflict among the other characters. Anna’s urgent need to help her parents immigrate before terrible things happen to them is the story’s main link to the war. All characters except Stuart are Jewish.
Because I missed the publication date but was eager to dive into this galley, I supplemented my digital copy with an audiobook from Seattle Bibliocommons. This is a wonderful way to read, because when something seems unclear to me, I can switch versions, and in the end, I feel well grounded. The audio version is read by eight different performers, and the result is magnificent.
Read it in print, or listen to the audio; you really can’t go wrong. The main thing is that you have to read this book. As for me, I’ll have a finger to the wind, because I can’t wait to see what Beanland writes next.
A Private Cathedral is the twenty-third in the immensely popular Dave Robicheaux series, which began in the early 1980s. James Lee Burke has been called “America’s Best Novelist” by the Denver Post, and his books have been made into movies. Lucky me, I read this one free and early; thanks go to Net Galley and Simon and Schuster for the review copy. This book is for sale now.
Fans of this series—and there are many—will recognize all of Burke’s signature elements. Set in New Iberia, Louisiana, a small working class enclave about an hour from New Orleans, we find the usual wealthy, sleazy bad guys, in this case the Shondell family and the Balangie family; their victims, ordinary people with no money that scrape by the best they can; a pair of grizzly murders; and in this instance, a case of human trafficking. There’s always a woman or two ready to fling herself into Dave’s arms, even though he and Clete are supposedly getting old, and as usual, one of the women stands on the tops of his feet before she seduces him, or vice versa. (This has got to be some sort of private joke or reference on the author’s part, because you know that a writer with this level of skill cannot be inadvertently ascribing the identical quirky behavior to all of his protagonist’s romantic interests across over three decades of a series.)
And of course, best of all perhaps, we have Dave’s fiercely loyal best friend, Clete Purcell, a man that looks “like an albino ape” and whose impulse control is even worse than Dave’s, at least most of the time. He shows up in his pink Cadillac wearing his signature porkpie hat, and I smile. I can’t help it. Clete does this to me every single time, and I’ll bet a whole lot of other readers feel just the same way.
“He was the trickster of folklore, a modern Sancho Panza, a quasi-psychotic jarhead who did two tours in Vietnam and came home with the Navy Cross and two Purple Hearts and memories he shared with no one. Few people knew the real Clete Purcel or the little boy who lived inside him, the lonely child of an alcoholic milkman who made his son kneel all night on rice grains and whipped him regularly with a razor strop…Nor did they know the NOPD patrolman who wept when he couldn’t save the child he wrapped in a blanket, ran through flames, and crashed through a second story window with, landing on top of a Dumpster…He hated evil and waged war against it everywhere he found it. I sometimes wondered if he was an archangel in disguise, one with strings of dirty smoke rising from his wings, a full-fledged participant in fighting the good fight of Saint Paul. “
My sole complaint, a key one I probably wouldn’t give any other writer a pass on, is the way the author deals with his female characters. All the women and girls are mothers, whores, lovers, or children, and in some cases more than one of the above. No woman comes into the stories on the merit of her occupation, her character, or her abilities, aside from Helen, a long-running character that is exempted by virtue or being a lesbian and androgynous in appearance. (God forbid she be gorgeous and gay, or gorgeous and straight and completely sexually uninterested in Dave.) But the fact is, Burke has been writing and publishing great novels since 1965, and now he’s an 83 year old author and it seems unfair to expect him to change direction with regard to his female characters, or to suddenly regard them as equals in all respects rather than to nurture the whole pedestal package.
The story commences with Dave suspended from the sheriff’s department, and he’s behaving badly, embarking on a series of “dry drunks,” a term used liberally throughout this series and that I’ve never seen or heard of anywhere else. He’s so far out of line that Clete has to reel him back, when more often it’s the reverse. A teenager named Isolde is being sold by her parents, and Dave is attempting to rescue her. But it’s a useless endeavor because there is so much money and power buffering the offenders. Meanwhile, Clete is kidnapped and hung upside down and tortured by a being that seems otherworldly to him—mostly because it is. And this is a departure for Burke, a good one, as it turns out.
Those familiar with the series and the author know that redemption is at the core of every story he writes, and given the amount of mystic imagery that appears in his prose, it isn’t a long stretch to go from imagined spiritual beings to actual ones, which is what he does here. And I can only bow in awe at a writer—even one with residual sexist attitudes—that can take a long-running, iconic series like this one, a series that has run for more than 30 years, and decide to expand it across genres now. This would be remarkable for anyone, but for an octogenarian, it’s jaw-dropping.
I also enjoy the way he develops the side character, Father Julian, who is heroic and who pursues pedophiles and brings them to justice. Way to fight stereotypes.
I love the ending.
Highly recommended to Burke’s many fans, and to new readers as well.
A heartfelt tribute, featuring a lot of famous writers:
Martha Waters spans three genres here: historical romance, rom-com, and satire. I like satire, and the other two, not so much. I am rounding my rating up to three stars, because I stepped out of my comfort zone with this novel, hoping for light entertainment; those that enjoy rom-com books may be more enthusiastic than I. My thanks go to Net Galley and Simon and Schuster for the review copy. This book is for sale now.
Lady Violet and Lord James found instant chemistry at a grand ball. Almost as instantly, they were married; then they quarreled and have been estranged ever since. Yet even the stupidest and most imperceptive reader will see that they are still crazy for one another. If one is in doubt, turn the page so the author can hit you over the head with it again. Again. And again.
I enjoy smart satire that leaves something to the imagination. This book tries too hard to be funny. I tried reading the DRC, and when I couldn’t get through it, I checked out the audio version from Seattle Bibliocommons. This made it, if possible, even worse. Overdone prose is made worse by an over-the-top voice actor.
I had been reading too much that was dark and serious, and then the pandemic broke out and I went looking for relief. I found it, but I didn’t find it here.
But again, I have never liked rom-com. If that’s your wheelhouse, you may appreciate this thing more than I do. I pushed through to the forty percent mark; my usual due diligence requires me, if skipping, to then proceed to the eighty percent mark and see if there are joyful surprises that might change my mind. But no.
Fans of the genre may feel differently, but I have to call them as I see them. Not recommended.
Becky Mandelbaum is the real deal. In 2016 she published a short story collection, Bad Kansas, which I read and loved. ( You can find my review of it here: https://seattlebookmamablog.org/2017/09/15/bad-kansas-by-becky-mandelbaum/) And so when I found this debut novel on Net Galley, I leapt at the chance to read and review it. Big thanks to Net Galley, and to Simon and Schuster. This book will be available to the public August 4, 2020.
Ariel and her mother, Mona have been estranged for six years. But when she finds a news item about her mother’s sanctuary having been torched, Ariel knows it’s time to go home, to see what has been lost and what can be saved.
The story is told from the third person omniscient, and we hear from three characters mostly. We start with Mona, whose stress levels have become nearly unbearable. She’s getting too old to do so much work, and she never has enough money. She has just one employee, working on site primarily for room and board. Perhaps this is part of what possesses her when she leaps in her truck in the dead of night to steal the neighbor’s Make America Great Again sign. She wrestles the great big thing into the bed of her pickup, and by now we can see that she is a tightly wound person whose impulse control is just a tiny fraction of what it should be.
Meanwhile, Ariel is concerned, not only about the fire, the sanctuary, and her mother, but also about her relationship. Her boyfriend, Dex—the third of the characters we hear from most– proposes just as she has begun to fantasize about ending the relationship. As the story progresses, we can see that Ariel is the sort of person that runs from her problems, sometimes literally. She accepts the ring and then says she has to go home for the weekend, and no, he shouldn’t come with her. After all, she’ll be right back. Probably.
Mandelbaum does a brilliant job of building believable, nuanced characters and complicated relationships. Five percent of the way into my galley, my notes say, “This one is going to be a thinker.” And it is, in the best sense of the word. It isn’t a pretentious piece of writing by a long shot, and it isn’t full of florid descriptions or challenging vocabulary. Instead, we have characters that are dealing with thorny personal issues that have no obvious solutions. And my favorite aspect of it is the way the mother-daughter relationship, which is the heart of the novel, is framed. Mona has made a lot of mistakes in parenting Ariel, but she loves her daughter and is a good person. Ariel is still learning how to solve problems herself. There’s a trend in fiction writing right now to draw villainous mothers as the sources of protagonists’ problems. It’s close to becoming a cliché. Mandelbaum has steered clear of this canard and created something much deeper and more interesting. In fact, there are at least half a dozen stereotypes that she has dodged expertly. The fact that she has done this in her debut novel suggests that a great career is ahead of her.
I love the way she ends this story.
Don’t deprive yourself of this glorious novel. Highly recommended.
In celebration of the 100th anniversary of the American Civil Liberties Union, a large cross section of the finest writers alive have written essays, each about one landmark case. Chabon and his co-editor, Ayelet Waldman, contributed their advance to the organization, and all of the contributing authors did so free of charge. As for this reviewer, I’d have been interested in an ACLU publication, even if I hadn’t heard of the writers involved; and I’d have been interested in anything written by Chabon, even if the story or topic wasn’t in my lane. As it is, I count myself beyond lucky to have scored a review copy courtesy of Net Galley and Simon and Schuster. It’s for sale now.
This is the sort of book that invites skipping around, either according to subject, or according to the authors you love best. Because of this, I recommend buying it in paper rather than digitally, because flipping around out of order in digital format is a pain in the butt. Also, this is the sort of classical reference material that you’d want on your shelf. In fact, I want a physical copy for myself.
I haven’t read all of the entries, but I’ve read enough of them to recommend it to you. The cases discussed are meaty and interesting, and they aren’t the standard fodder that shows up in every undergraduate course on Constitutional law. Each entry is succinct, and the writers refrain from self-promotion. The entries I appreciate most so far are by Jesmyn Ward, who discusses the use of anti-loitering laws to transform free Black boys and men into slave laborers; Timothy Egan, who details a 1962 decision regarding the right to receive Communist literature in the U.S. mail; and Louse Erdrich, who discusses digital snooping and surveillance used against the Dakota Pipeline protesters in 2016. I know there are many more I want to read, but I am posting this now so that you can get a copy while it’s in the stores.
Here’s your chance. You can get an outstanding addition to your home library while contributing to a worthwhile organization whose work is more crucial now than ever. Highly recommended.
4 stars plus. Donald Miller’s treatment of Vicksburg is one of the best I’ve seen to date; it’s clear, easy to read, well documented, and in parts, vastly entertaining. Thanks go to Net Galley and Simon and Schuster for the review copy. This book is for sale now.
The siege and battle of Vicksburg was the single most significant event in the American Civil War. When the Union emerged victorious, it seized control of key arteries of commerce, food, and military supplies by capturing access and use of the Mississippi River as well as an important railroad that ran east to west. It liberated vast numbers of slaves, and it dealt a savage blow to the morale of diehard Southerners who believed the city and its fort unassailable. The fall of Vicksburg cut the Confederacy in two, and it made communication between the two halves slow and difficult. It also sealed President Lincoln’s election and provided him with a second term he might otherwise not have gained. I knew all of these things before I began reading Miller’s work, but I found a tremendous number of details I didn’t know about, and more importantly, I gained a much solider sense of context.
Many prominent works on Vicksburg are also Grant biographies, and that usually suits me fine, because Grant is one of my greatest heroes. However, those that read about Vicksburg solely within that framework lose out on the progress made—and sometimes lost again—by the Union Navy and others. Though I had read James McPherson’s work on the Union Navy, there is a lot more detail provided here by Miller. The rivers that surrounded Vicksburg are confusing as heck, and this played a big role in lengthening the fight, but at the same time, it can also confuse readers. It certainly did me. For example, when those traveling on rivers go “above” a certain point, what does that mean? I always assumed it meant north, but sometimes it doesn’t. I had never heard or read the term “Brown water navy,” (or if I did, I had thoroughly forgotten it), and this is a key aspect of the story. For the first time I have a solid grasp of the route used by the Union navy and army.
Readers should know that Miller is fond of including gore. I don’t know whether this is because college students are easily bored, and the consideration of Grant calmly conveying orders while spattered in brain matter is just more attention-getting than the same information without the gore, or whether Miller feels compelled to use these details to drive home the horror that heroes were forced to look beyond in order to be effective, but there it is, and so if you are inclined to take a book with you on your lunch break, you may want a different one then.
One of the aspects I appreciate most is the emphasis Miller places on the role of slaves during this critical time. If the waters were inscrutable, the land was little better in places, with thick, tropical foliage, snakes, leaches and other hazards. Those that lived nearby had an incalculable advantage, but local whites used this knowledge to confuse and obfuscate troops they considered to be enemies. Slaves, on the other hand, understood how important a Union victory would be, and they provided information that would have taken a lot longer to obtain without them. This is material that other writers often mention briefly but treat as a side issue. Miller goes into specifics, gives concrete examples, and shares the respect that Grant gained for his newly emancipated spies, guides, and soldiers.
The chapter titled “The Entering Wedge” is where good prose and information become solid gold. During this section of the book and the chapter after it, I did a lot of rereading for pleasure. There are excellent quotes throughout the book, and the author wisely focuses on those that are little seen in other books, providing a freshness and you-are-there quality at times that I haven’t seen for a long time.
At one point, during a passage discussing the caves that housed soldiers as well as local families affected by shelling, I realized that these must surely be part of the national park dedicated to this event, and I searched the web for images of them; sadly, because of the very soft earth in and around Vicksburg, (most likely the same soft earth that enabled the river to continuously change course,) those caves are all gone, washed away by hard rain. There’s a photo of a modern version based on the information available, but that’s not the same thing. Rats.
I nearly gave this book five stars, but there’s a surprisingly disturbing part toward the end that left me deflated and scratching my head. There are pages and more pages devoted to ugly rumors that seem to begin and end with Cadwallader. Although the author repeatedly reminds us that these statements are “unsubstantiated” and “controversial,” he nevertheless devotes a whole lot of time and space to them, and what’s more they are near the end, where the reader is most likely to recall them. Overall, he seems harder on Grant than most are, but up to this point he was fair, weighing his weaknesses while acknowledging his strengths. Why he would do a hatchet job on this iconic hero in closing is a mystery to me. Then the very end of the book is given to a Confederate.
Nevertheless, this is a strong work for those that know the basics and want the details. I don’t recommend it to those new to the American Civil War; if you are just getting your feet wet, read McPherson’s Battle Cry of Freedom, or explore the excellent historical fiction of Michael and Jeff Shaara, Shelby Foote, and E.L. Doctorow. But for those that are well-versed and in search of new information, I highly recommend this book.
3.5 rounded upward. The Last Resort is a novel about a
marriage retreat where nothing is as it seems.
Thanks go to Net Galley and Simon and Schuster for the
review copy. This book is for sale now.
Readers should know that this novel holds triggers for just about everything, left, right, and center.
Miles and Grace Markell run an intensive marriage therapy camp in Mexico. The affluent couples that come here are desperate to save their crumbling marriages. Everyone is supposed to give up their cell phones and internet privileges, and once they do that, they are more or less helpless, which is part of the proprietor’s plan.
Between the punny title and the teaser that suggests that
the couple that runs the retreat has the worst marriage of anybody, I was
anticipating that this would be hilarious, and that’s not so. There are a
couple of moments of dark humor, but mostly this is a straight-up suspense
story. That said, it’s a good book, but nothing special. It took me a good long
time to distinguish the couples from each other. The climax is fast
approaching, and I’m still trying to remember which person Shell is, and who
her husband is, and what problem has brought them here. I would probably have
had greater success if I hadn’t read this book at the same time as a handful of
others, but if I had been forced to read just one book, I would have chosen
most of the others I was reading over this one.
This doesn’t mean you won’t enjoy this book. I had recently
read another story about a retreat where everyone’s phones were seized and
internet forbidden, and so in some ways my lack of interest here was a fluke.
Read the synopsis; if you are interested, I recommend you get this one free or
at a deep discount.
3.5 rounded up. My
thanks go to Simon and Schuster and Net Galley for the review copy. This book is for sale now.
Avery and Sadie were best friends, as close as sisters. After her parents died in a terrible crash, Avery came to live with the Loman family and was included in nearly everything, almost like extended family. The Lomans are the local gentry, vastly more wealthy and influential than any other family for miles around. In some ways it was like a dream; Avery grew up as an only child whose working class parents struggled to pay for the bare necessities, and like others in this touristy little beach town, she had been awed by the Lomans, who lived at a lofty remove from ordinary people. But now Sadie is dead, and although Avery is employed by the Lomans as a property manager for their vacation cottages, it is painfully obvious that she is no more family to them than any of the other full time residents here.
Police say that Sadie killed herself, but Avery doesn’t think so. She turns over one clue after another, all of them suggesting that this isn’t as it appears. But once she is able to persuade the cops that Sadie didn’t jump over the cliff’s edge, she becomes their primary person of interest in a murder investigation. Now she is even more motivated to find out what happened that night.
Miranda is a champion when it comes to creating murky, haunting settings and a sense of disorientation. I believe Avery as a character through about 80 percent of this story, but the ending doesn’t hold up this time, and when plot becomes as preposterous as this one has, the character can’t stand up either.
I’ve read and reviewed this author three times now, and each
time I found aspects of the ending that raised my eyebrows, but this is the
first time that I couldn’t make myself buy into it for the sake of a good yarn.
I was aggravated, a feeling similar to what I’d experience if an old friend
looked me up and spent an evening with me, only to conclude by asking me for
money, or trying to persuade me to join an odd religion. In short, I felt like
I’d been had.
Miranda’s fans may want to get a copy of this novel and see
what they make of it, but I’d counsel you to get it free or cheap unless your
pockets are deep ones.
Best-selling author J.A. Jance is something of a legend here
in Seattle, and I came to her work as a huge fan of the J.P. Beaumont series. It
took me awhile to bond to the Ali Reynolds series—which is set in Not-Seattle–
but I am all in it now. Big thanks go to
Net Galley and Gallery Books for the review copy.
Our story commences inside a prison where a killer is
spending what’s left of his life and plotting vengeance. On his arm are
tattooed 5 initials which comprise his “A list” for the five people he wants
dead. He understands he’ll have to hire out the “wet work,” but that’s okay.
The voice Jance gives this character sends chills up and down my neck, and I
don’t get that way easily. We learn that Ali, our protagonist, is on that list.
Once the reader’s attention is secure, we go through a
complex but clear and necessary recap, which gets us through the essential
information that’s developed during the first 13 books of the series, which is
set in Arizona. So here, I have to tell you that I don’t recommend starting the
series with this book. I have read all or most of the series, but with a year
or so passing between each of these, I very much needed this recap to refresh
my memory. Young readers with sterling memories might be able to keep up with
it, but the audience that will love this story best are middle class Caucasian
women over 40. The reader doesn’t necessarily have to go all the way back to
the first book to begin reading, but I would urge you to go back to an earlier
book somewhere else in the series and work your way forward. The books fly by
quickly, and it’s definitely worth it. While some authors lose the urgency in
their prose when they get older, Jance just gets leaner and sharper, and this
story is among the very best I’ve seen her write, which says a lot.
The premise is centered around The Progeny Project, a
nonprofit organization that helps children born through artificial insemination
find their biological relatives for the purpose of learning about their own
medical background. It begins when one such young man, in desperate need of a
new kidney, makes a public plea for information on Ali’s television news
program. Results come in quickly and reveal that Dr. Eddie Gilchrist’s
fertility clinic did not use the donors he advertised, instead inseminating his
many female patients with his own sperm. Events unfold, and the doctor is
convicted of murder, and is sent away for life in prison. From there, he seeks
The plot is among the most original I have seen in many
years, and its execution requires tight organization, which Jance carries off
brilliantly. She could have written this mystery successfully without lending a
lot of attention to the characters, but she doesn’t do that. It’s the
combination of an intricate but clear plot and resonant characters that makes
this story exceptional.
In an earlier book we were introduced to Frigg, an AI entity
created by an IT guy that works for an internet security company owned by B.
Simpson, Ali’s husband. Frigg disregards what she considers to be unreasonable
laws against hacking, and attempts to take Frigg down completely have been
foiled by the AI herself. This scenario creates all sorts of vastly amusing
problems when Ali herself needs personal security; Frigg learns she is on the A
List, and her vigilance is both essential and illegal, at times.
The second and most fascinating character is Hannah
Gilchrist, the elderly, very wealthy mother of Dr. Eddie. When she learns that
her only son has decided to have everyone responsible for his ruin killed, she
decides she’s going to help him. She has terminal cancer and no other children,
and a sort of modern, rich Ma Barker personality emerges. Hannah is a dynamic
character and I absolutely love the way Jance develops her, laying waste to a
multitude of sexist stereotypes.
If I could change one thing, I would have Jance lose the
word “gangbanger,” a stereotype in itself, and include some positive Latino
characters in the Reynolds series.
Make no mistake, this mystery is brainy and complicated. You
don’t want to read it after you have taken your sleeping pill. But the
masterful way Jance braids the plot, the return of Frigg, and the development
of Hannah all make it well worth the reader’s effort. But again—don’t let this
be the first of the series for you. Climb aboard an earlier entry and work your
way into it. In fact, newbie readers will likely have an advantage over long
time readers, because you can read these mysteries in succession without having
to wait a year to come back to the series.
With that caveat, this mystery is highly recommended.