The Forgotten Girls, by Monica Potts***

My thanks go to Net Galley and Random House for inviting me to read and review The Forgotten Girls, by Monica Potts. I generally enjoy reading books that focus on the working class, and so I thought this would be a good fit. And it might have been, had it been better written.

In broad contours, it’s a memoir that examines the lives of Potts and her best friend, Darci, both of whom grow up in a tiny, isolated town in the Ozark Mountains. The community is long on religion and red hats, and short on jobs, opportunity, ambition, and encouragement for girls to make something of themselves. Nevertheless, Monica, whose mother has raised her with the expectation that she complete her high school education, go to college, and then live somewhere else where there are more possibilities, has done all of those things, while Darci, who is every bit as talented and has just as much potential, is raised by a dithering mother that lets her do whatever she chooses because she dislikes conflict, and who has no expectation that her daughter will make a better life for herself, since she herself did not.

Okay.

Potts wonders why she made it out of there and Darci didn’t, and yet I’m not seeing the mystery, nor anything that’s all that different from what’s happening all over the country. And indeed, part of the time, Potts discusses this fact, that it is happening in many places that lack resources and that don’t prioritize education. And so, sometimes the story seems to be a sociological study that uses Monica and Darci as examples, and at other times there is so much anguished self-flagellation that I find myself wondering why she thinks the public needs to hear about her friend’s failure to thrive, and whether this isn’t mostly therapeutic writing for the author’s own benefit.

In other words, the book seems like a lengthy treatise in search of a thesis. We wander in and out of both girls’ lives, with a good deal of attention paid to the death of Potts’s sister, but there’s no real direction or clear purpose that I can find.

In the back of my mind, I can hear choruses of other readers asking whether this situation is considered special because it’s about white girls. Nobody makes a fuss when girls in rural areas that are Black or of Latinx heritage fall through the cracks; hell, it’s been happening for more than a hundred years.

Many other reviewers seem to find merit here, but I confess I don’t see much. If you choose to read this one, I suggest getting it free or cheap.

Genghis: Birth of an Empire, by Conn Iggulden*****

Though I usually review books that are either newly published or are about to be, once in awhile I reach back and discuss books that have been around for awhile. This one is excellent, and I consider it unmissable.

This book is phenomenal. How much do any of us know about Genghis Khan?

One thing I learned in discussion with my spouse, who is a Japanese citizen, is that whereas we from Western cultures pronounce the warrior’s name with a hard G, Asians–including the Mongolian culture from which the Khan emerged–pronounce it softly, like a J. I figure Mongols know how the name should be pronounced, so I have begun to pronounce it that way, too.

I wanted to read this series, or at least the first entry, because although I have read at least something about most of the greatest warriors in the world over time, I had read nothing about Genghis. We have a nonfiction tome, but it’s the sort of slog one only undergoes out of desperation, or as assigned coursework.

The first two or three chapters seemed fine, but not great. I wasn’t even sure if I would read the rest of the series. By the halfway point, however, my mind had changed completely! I found myself online doing image searches for the housing, clothing, and other parts of the nomadic life.

I have purchased the next in the series. I rarely buy books for myself, because I have so many already and have such constant access to galleys that it isn’t necessary; yet now and then, there’s a book I’ve gotta have, and that’s how I feel about this series.

Highly recommended for those that are interested in this time and place in history; in Genghis himself; or in military history.

Happy Release Day!

I reviewed this outstanding collection earlier, but today it is available to the public. Hill won awards for the first collection, and this is, if anything, even better.

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Invisible Child, by Andrea Elliott*****

I was invited to read and review this book by Random House and Net Galley, and immediately I accepted, because it’s right in my wheelhouse. However, I also understood that it would be a painful read, and I postponed it for months, because 2021 was already a terrible year, and I wasn’t feeling brave. So my apologies for the delay; at the same time, this book is not quite as wrenching as I expected, and the research and writing are stellar. It’s for sale now.

Dasani Coates is the firstborn child of an impoverished, disorganized African-American mother with few marketable skills.  She is named after the premium brand bottled water, because her mom thinks it’s a beautiful name. (Wait till you see what the next baby’s name will be!) They live in Brooklyn, and not long after Dasani is born, she has a sister. And another. And another, and then eventually a brother and a couple of step-siblings. None of them are the result of poor family planning; all are planned and wanted. But at the same time, they have very few resources, and the slender safety net provided by relatives doesn’t last forever; and the city fails to protect its most vulnerable denizens.

As a retired teacher that worked in high poverty schools, I have seen families similar to this one, and the children suffer the most, every stinking time. I’ve also seen children take on the role that Dasani assumes without ever planning to do so, that of the adult in the house (when there is a house,) caring for a large group of tiny people when the actual adult isn’t adulting. If you watch closely enough for long enough, it can eat you alive; as for the far-too-young surrogate parent, I have seen them cope admirably, right up until they become adults themselves, and often, it is then that they fall apart. I don’t know whether that holds true for Dasani, because we don’t see her as an adult, but I can well imagine.

Elliott, a Pulitzer winning journalist from The New York Times, follows this family closely for eight years, sometimes sleeping on the floor of their house or apartment. In her endnotes, she explains her methodology, her relationship to the family during this project, and the parameters determined by the paper, for whom she originally did this research. Dasani was the subject of a front page series on poverty in New York which ran for five days. Elliott’s documentation is impeccable, and she can write like nobody’s business.

Because I am running behind, I check out the audio version of this book from Seattle Bibliocommons, and I want to give a shout out to Adenrele Ojo, the narrator, who is among the very best readers I’ve yet encountered. Though I continue to use my review copy at times, I like Ojo’s interpretation of the voices for each of the large number of characters so well that I find I prefer listening to reading.

As I read, I become so attached to Dasani that I skip to the end—which I almost never do—because if she is going to get dead, I need to brace myself for it. I’ll tell you right now, because for some of you, this might be a deal breaker, and I’d hate for you to miss this important biography: it’s dark, but not that dark.

I don’t find myself feeling nearly as sympathetic toward Dasani’s mother, Chanel, as the author does, but I do think Dasani’s stepfather, who is the only father she knows, gets a bad, bad break. He jumps through every single bureaucratic hoop that is thrown at him in an effort to get some help for the seven children left in his care, and every time, the city turns its back on him, right up until a social worker comes calling, finds that they don’t have the things they need, and takes his children. This made me angrier than anything else, apart from a few boneheaded, destructive things that Chanel does.

For those that care about social justice and Civil Rights issues, this book is a must read. I highly recommend it to you.  

Hell of a Book, by Jason Mott*****

It really is.

This book is a standout in more ways than one. First the obvious: look at that cover! Then again, how many novels have a nameless protagonist all the way through the book? Get into it deeper, and the distinctions become more complex. The buzz around it is wholly justified. My thanks go to Net Galley and Random House for the review copy. This book is for sale now.

Our author is on an odyssey that takes the form of a book tour, and it lands him, in the end, back where he grew up. He doesn’t tour alone; apart from the various organizers he meets in various locations, he is accompanied by a small Black child he refers to as “The Kid.” Alternately, we also see the story of a young Black boy, a very Black boy, nicknamed “Soot,” who grows up in the American South.

As I read, I am always on the back foot, understanding most of what it being said, yet developing questions as I go. Our author says (often) that he has a condition, and that this is probably why he can see The Kid when others cannot. My notes ask whether his condition is dissociative, and is The Kid just part of himself? Or is The Kid Soot? Are Soot and The Kid both part of the author? Every time I come up with a plausible theory, something else happens to undercut it. Yet one other thing becomes clearer all the way through: to be born an African-American boy in the United States is to be perpetually on the back foot; perpetually having to guess how best to proceed; to perpetually guess at one’s welcome or lack of same, at the quality of one’s relationships with Caucasians, to perpetually guard one’s own safety. And to be very Black—“Nigga, I bet when you get out of the car your daddy’s oil light come on”—is to invite not only the suspicion and hostility of Caucasians, but to draw the enmity of lighter Black people, too.

The synopsis of this story that initially drew me billed it as humor, and in places, it is not only funny, but laugh-out-loud funny. But the further we get in, the darker it becomes.

There are a number of sardonic references to the publishing world; editors, agents, and other promoters have told the author that while it’s fine to write about Black characters, He must not write about being Black:

“The last thing people really want to hear about is being Black. Being Black’s a curse—no offense—and nobody wants to feel cursed when they read something they just finished paying $24.95 for…The future of this country is all about patriotic, unity-inducing language. Post-Racial. Trans-Jim Crow. Epi-Traumatic. Alt-Reparational. Omni-Restitutional. Jingoistic Body-Positive. Sociocultural-Transcendental. Indigenous-Ripostic. Treat of Fort Laramie-Perpendicular. Meta-Exculpatory. Pan-Political. Uber-Intermutual. MOK-Adjacent. Demi-Arcadian Bucolic. Write about love. Love and Disney endings…”

Later, an interviewer asks if the past doesn’t still matter, and the author says, “It does. Not just three-fifths of it, but all of it.”

So, my friend, you can see why this book should be called a love story. Race? Oh, no no no. Fear? Injustice? Police brutality? Of course not. After all, this is a hell of a book!

Highly recommended; one of the year’s finest.

On the Plain of Snakes, by Paul Theroux****-*****

Paul Theroux has been a successful travel writer for a very long time, but he is new to me. Lucky me, I read this free, thanks to Net Galley and Houghton Mifflin Harcourt. It’s for sale now.

The first thing that took my notice was that this is a gutsy writer. Though he’s in his late seventies, he hops in his personal vehicle and motors south to Mexico, and then all over that nation independently, venturing into out-of-the-way spaces, mostly eschewing the usual tourist haunts that draw the spring break crowd from the US and other parts. Over and over again, locals explain to him that this road, or that, or the other is very dangerous right now; sometimes he revises his route; sometimes he takes the route but at a different time; and sometimes he goes anyway, but takes somebody with him. What he doesn’t do is go home early, or store his car somewhere and follow a tour guide around. I stand in awe.

Theroux approaches his journey as a researcher, rather than as a tourist advisor. He interviews countless individuals, even learning a little of one of the indigenous languages—in addition to Spanish– in order to communicate. I gave up trying to trace his route, instead just going with the narrative as it unspools.

I have to tell you, this is a tome. I might never have finished it had I relied exclusively on my review copy. I recognized it would be a hefty commitment to get through all of it, so once again, I turned to Seattle Bibliocommons for the audio version. I found it went much faster once I was able to do something else with my hands as I listened. Joseph Balderrama is a wonderful reader, and I quickly found myself absorbed into the journey, as if I were an unseen passenger.

Theroux takes us through the ordeal at the US/Mexico border, which was a nightmare during the time this was written, during the Trump administration. (If you have a MAGA cap in your closet, you may not enjoy this book.) He listens to Mexican citizens that live near enough to the border that they can actually see it from their homes, or from their workplaces. Some of them have lived in Mexico but worked in Texas for a long time, and the hardship they experience once the rules are changed is dreadful. And the insight I gain from listening to his interviews with people there about immigration to the US is most enlightening.

The most amazing thing to me is the way the cartels and the Mexican police force overlap, and in a number of places are exactly the same people! He describes multiple shakedowns by traffic cops while he is driving. It seems that the state pays its cops next to nothing, and so in order for them to support themselves, (particularly, we assume, those not being paid by cartels also,) they are permitted to stop anyone they believe has some money, and essentially intimidate them into a bribe. But it’s not complete chaos: once a driver has been shaken down, they are entitled to a receipt for the money they have had to forfeit so that another cop up the road cannot do the same thing.

The one tourist area Theroux passes through is Puerto Vallarta, which also happens to be the only place in Mexico that I have visited. About ten years lapsed between my visit—a very pleasant one—and Theroux’s, and I was saddened to learn how unsafe it has become, and how badly the locals, who were mostly middle class when I was there, have it now.

There are a number of fascinating passages, and I learned a lot. One village is awash with what sounds like a new sort of trans woman, (new to an American from Seattle, at least,) and another where the handmade sandals are finished with a jaw dropping method. There’s one very poor village where earthquakes occur so frequently that most of the homes are no longer standing, but many people won’t sleep indoors anyway for fear of being crushed to death. No aid from the Mexican government or any international body has ever reached them. Those people are on their own, and they are suffering.

Perhaps the sweetest parts have to do with the friendships that the writer forms with the people he meets there. I especially enjoyed reading the interviews with his new author and artist friends.

For those like myself that approach this with general interest, I’d call this a four star book. My stamina is greater than most, yet as much as I enjoyed it, it did feel a little bit lengthy. For those with a particular interest in the socioeconomic, cultural, and political realities of Mexico, it’s five stars, hands down.

Recommended to those with an interest in this field.

A Long Petal of the Sea, by Isabel Allende*****

Allende has long been one of the writers I admire most, one of the few novelists to gain permanent space on my bookshelves. Her stories are distinguished by her devotion to social justice issues, particularly in Latin America, and to feminism. She’s known in particular for her use of magical realism, which I confess makes me a little crazy when she imbeds it in her nonfiction titles, and also her wry, sometimes subtle humor. Much of what she writes is historical fiction, as it is here, and she is a stickler for accuracy. Her research is flawless. She has prestigious awards from all over the world. Literature teachers love her.

My thanks go to Net Galley and Random House Ballantine for the review copy. This book is for sale now.

In A Long Petal of the Sea, she takes on a particularly ambitious task, creating a fictional family and charting its course from Spain following the failure of the Spanish Revolution, to Chile, to other points in Latin America, and then back to Spain once more. There are a lot of characters to keep track of, with different threads for each that separate, then braid together again and so on. There are at least three generations here, but primarily the story is Roser’s.

It’s a well written story, though it is also the sort of literary fiction that takes a fair amount of stamina. If you’re in search of a beach read, this isn’t it. I confess I didn’t enjoy it as much as I often enjoy Allende’s work, but I also believe it’s unfair to judge an author solely by what they have already written. If this was the first book by this author that I had ever read, I would give it five stars, and so that is what I’ve done.

My one disappointment is that we don’t learn more about the Spanish Revolution and the Spanish Civil War. This is an event that’s very difficult to find in quality historical fiction and literary fiction, at least in English, and I was excited when I saw this book was based on it. Then by the 25% mark, we’re out of Spain and it leaves me sad, because I wanted to know more about that period and place.  I also missed the usual Allende humor, which she uses in other books to break up tense passages and shoot down sexist behavior in her characters; her last book, In the Midst of Winter, made me laugh out loud more than once. That humor is in short supply here. The feminist moxie, however, is in splendid form, and the class and internationalist perspectives that I treasure are alive and well.

A book should be judged on its own merits, and I’ve done that, but I want to add a shout out to an iconic writer who’s still publishing brilliant, ambitious books at the age of 78. My own goals for that age, should I be fortunate enough to see it: I’d like to be breathing; to be able to see and hear most of what’s around me; and I’d like to not be completely crazy. Publishing great literature? Perhaps not. I am delighted that Allende can do this, and I hope she has more stories in the works.

A note on the audio version: I supplemented my review copy with an audiobook I found at Seattle Bibliocommons. It’s an approachable way to get through a complex, multifaceted story, but I don’t like the way the reader voices the elderly male character. The harsh, guttural-sounding tones are too near to a stereotype. Happily, the story is mostly Roser’s, but the unfortunate noise pops in fairly regularly all the way through, and it makes for a less enjoyable listen. For those with the time and inclination for the print version, it may be your better choice.

For those that love epic historical fiction, I recommend this book to you, although if you haven’t read Allende, also consider some of her early work.

Hill Women, by Cassie Chambers*****

Cassie Chambers was born and raised in Owsley County, Kentucky, the poorest county in the United States. With the determination handed down to her by her mother and grandmother, she attended Ivy League schools and became a practicing attorney. This memoir is her story as well as a defense of the women from her homeland, a manifesto opposing stereotypes and misconceptions. I read it free and early thanks to Net Galley and Random House Ballantine. It will be available to the public January 7, 2020.

Eastern Kentucky is in the heart of Appalachian Mountains, and its residents are stereotypically called hillbillies by outsiders. As a scholar whose childhood was rooted there, Chambers is in a unique position to share the culture’s nuances and strengths. She was raised by parents that had to save up to buy her a set of Old Maid cards from Walmart; going out to dinner, which happened Sundays, meant a single Happy Meal at McDonald’s shared three ways. But her mother’s determination to graduate college drove home the value of an education, and when Cassie had the opportunity to spend the last two years of high school at a boarding school for high achieving students, she leapt and her family supported her.

Chambers’ narrative is intimate and deeply absorbing. She weaves her own story into the larger story of Appalachian women: their culture, their history, their strengths and the challenges they face. She discusses the difficulty of receiving public services in an area that is spread out among hills and hollers, devoid of transit and low on personal transportation, and that has no government buildings to speak of; she also describes the pride that sometimes prevents its residents from accepting help for which they are qualified. She has a bottomless well of riveting anecdotes that illustrate the sense of community and willingness to lend assistance to neighbors in need even when those offering help have nothing extra to give; the Justice system often fails those that need protection from domestic abuse, as well as those addicted to drugs and alcohol. And she discusses remedies, including Jeanette’s Law, which reverses Kentucky’s absurd legal requirement that victims of domestic abuse must provide the spouses that they are divorcing with an attorney at their own expense. This was one of Chambers’ most important projects. Another is having expungement fees waived for low income residents, an especially urgent matter since in Kentucky, felons aren’t allowed to vote. Democracy is sidelined when class and race become obstacles to participation in civic life.

But the most memorable tidbits are the more personal stories, for example that of her Aunt Ruth, who married late in life. Before they were wed, Aunt Ruth had a conversation with Sonny, her husband-to-be, in which she explained to him carefully that if he ever hit her, she would be forced to kill him, in his sleep if necessary, using a large claw hammer, and so if this was likely to be a problem then the wedding should be canceled. (It wasn’t.)

The best memoirs combine a social issue or political problem with a personal story told by a top-drawer storyteller, and Hill Women succeeds richly in both regards. I recommend this book to women everywhere, and to those that love them.

Best Overall Nonfiction of 2019: Say Nothing

Guest House for Young Widows, by Azadeh Moaveni**

Those of us in the United States don’t have much of a window on the women of ISIS, and I thought this title might help me understand them better. In some ways this proves true, but in the end, I couldn’t finish this book and I can’t recommend it. Thanks go to Net Galley and Random House for letting me read it free and early.

Here’s a quote that provides a thesis:

Many of these women were trying, in a twisted way, to achieve dignity and freedom through an embrace of a politics that ended up violating both…The political fractures from which [ISIS] arose have not been fixed. History has shown that unless conditions genuinely change, a new insurgency always arises from the ashes of an old one.

Moaveni shares the case studies of individual women that have been drawn to the Islamic State. Although the organization provides its women with a measure of security and protection, promoting higher education—in the service of the organization, of course—and sometimes furnishing jobs, it draws not only women that are desperate for food and shelter, but also women from comfortable middle class backgrounds. Once they are in, they find it difficult to leave. Moaveni demonstrates myriad ways in which women provide essential support for ISIS.

There are three things that I liked about this book. The research is well done; the women discussed here provide the reader with individual stories and therefore humanize them; and she acknowledges the disparity between mainstream Islamic belief and ISIS.

On the other hand, despite disclaimers within the narrative, I was overcome by a crawly sensation when I realized that the author’s overall purpose is to rationalize the choices made by women within Islamic State. She says they are relatable; I am appalled and unpersuaded.

Those that dislike a dictatorial regime should indeed advocate for a better system. How great a risk each person is willing to assume is of course an individual decision. But there is nothing that justifies or mitigates the atrocities visited on innocent people by this dreadful pseudo-religion. 

When push comes to shove, the only real dilemma for me is whether to provide one star or two in review. The second star is reluctantly assigned on the basis of the writer’s solid research; yet the ideas within it are entirely abhorrent.

Never, never, and never.