|Huh. Go figure.
Although I don’t watch Parks and Recreation, the television show for which this comedic actor has become famous, I thought I would enjoy her memoir. For one thing, she’s a big woman, and I love it when well-padded women have the courage to go on stage for a purpose other than disparaging themselves. At least one reviewer on Goodreads hadn’t watched her program, yet loved this book. Thanks go to Net Galley and St. Martin’s Press for the DRC; I want to like this book too, but I don’t.
Retta is the child of Liberian immigrants who sacrificed a great deal so that she could receive a stellar education. They had no clue that life would lead her to show business instead of medical school. She began her career by doing stand-up routines, and so I went to YouTube and watched a clip from Comedy Central, and I thought it was pretty good. But much of the humor she uses is in the delivery. Without the pauses, without the facial expressions and other body language, things that cannot be conveyed in writing, that routine comes out flat. I watched her perform her signature line, and whereas I didn’t feel the magic, I suspect context would improve it.
If the memoir were simply a little dull, I could likely go with a third star here, but there are aspects that I found abrasive. I don’t need to know all about the many thousands of dollars apiece that go into her handbag collection, and I wonder why anyone would find that kind of self-indulgence amusing. How many good causes could use that money? I don’t need all the details of what she does on the toilet; ew. And why insert a chapter complaining about the gifts she has received from others? Was she raised to be so ungracious? So much of the collection includes her great love for booze that I found myself wanting to hire a skywriter to fly over Southern California to say, GET HELP.
On the other hand, I’m a member of the Boomer generation. I suspect that a lot of Retta’s fan base is younger than I am. So if you already a big fan, you may like this book, but unless your pockets are deep—not deep enough for fifteen thousand dollar purses, but deep—I suggest waiting until you can get It free or cheap. Others may want to read something else.
Nelson Mandela’s hundredth birthday approaches. His grandson Ndaba, whom Mandela raised following his release from prison, talks about growing up with the titan that led the movement against Apartheid in South Africa. He reflects on Xhosa culture and the role that it played in the struggle and in his own development, and it is within this framework that he talks about his grandfather, and about the future of his people.
My thanks go to Net Galley and Hachette Books for the review copy, which I received free and early.
Ndaba spent his early years moving between his parents’ households. His mother struggled with alcoholism and other disorders; his father was ill, and would later die from AIDS. He tells of the surreal juxtaposition of the slum that had been his entire experience with his grandfather’s house, where he had his own room, food that was healthy and prepared for him, clothing, and even a video game system; it was just about everything a child could ask for, but it came at the price of separation from his mother, and he rebelled and acted out in response. As a man with a wider view of the past, he recognizes that this was by far the best outcome, but for many years he resisted, yet was safe because of his grandfather’s stable influence and wisdom.
He speaks of having come to Disney World as a youngster, where he was engaged in conversation with a friendly American, who asked him, as they stood in line for a ride, how big the lions are in Africa. Ndaba, of course, grew up in an urban environment and had no more seen a lion wandering around than the questioner had. He came to realize that these are the stereotypes that the Western world has for Africa: lions in rural areas, and crime in the cities. Dangerous animals; dangerous people. He suggests that the U.S.A. improve its own police forces before presuming to talk to South Africans about theirs.
He has a point.
The entire memoir is told using Xhosa folk tales as allegory, and the result is glorious and deeply moving. Although I seldom become teary while reading, a good hard lump formed in my throat when he spoke of taking his grandfather on his final journey to Capetown.
Highly recommended to everyone, whether you know the history of the South African Revolution or are new to it.
This one is a crushing disappointment. I seldom buy books anymore, but I was so pumped about this collection that I went all out and got a hard copy, expecting to love it enough to keep it in my home library forever. Sadly, this isn’t what I expected.
Obviously, no U.S. Supreme Court justice is going to have enough time to sit down and write his or her memoirs, let alone an octogenarian justice, but I had hoped to find a collection of her meaty and sometimes even audacious opinions, particularly her dissents. Instead, this slender volume is packed with filler. There are two co-authors whose names are written on the cover in miniscule print, and it is they that write sometimes windy introductions to just about everything; to make matters worse, they don’t tell us anything you cannot find in other biographies written about this feminist luminary.
And what of Ginsburg’s writing? I didn’t buy the book to see the precocious things she wrote as a child, as an adolescent, or in college. I just want to read her court opinions. That’s it. And that’s not what I got.
I can’t give anything that bears Ginsburg’s name a rating below four stars, but seriously, if your discretionary income forces you to buy books strategically, either skip this one or get it used. Surely at some point something more scholarly will be released, and then I’ll wish I still had the dollars that I spent here.
Tara Westover’s memoir has created a lot of buzz, and all of it is justified. It’s the story of one woman’s journey from a fundamentally loving yet untenable home life, to the civilized world she has been raised to fear. Each chapter focuses on one meaningful event in the author’s life, and it’s told with sensitivity, grace, and yes, also a sprinkling of rage, because how can she not? But all told, Westover permits the balm of time and distance to balance her perspective. This book is for sale now, and it’s going to be read for a very long time.
I received my copy of Educated free and early, thanks to Random House and Net Galley. That said, if you have to pay full jacket price for this book, your money will be well spent.
Westover grows up in a large family that is nominally Mormon (Latter Day Saints, or LDS), but she and her siblings are denied the tight-knit communal bond that most members of that faith experience. Their father is deeply suspicious of the outside world including other church members, and as his pathology grows, they are increasingly isolated. Basic social expectations such as personal hygiene and clean clothing; inoculations against deadly diseases; a birth certificate; and an understanding of how to navigate within the greater society are denied her, as Dad’s survivalist views kick into gear. She is told the story of Ruby Ridge from the time she is tiny, but grows up believing this is an event that has happened to her own family, and that Federal agents might break into her own home at any time.
Veteran teachers like me are fascinated by the differences in how students process traumatic events, and Westover is a strong case in point. Some students experience the death of a beloved grandparent or divorcing parents, and they come undone and aren’t able to function normally for several years. Then there are remarkable young people like Westover that experience horror after horror exponentially and yet somehow, with little external assistance, they are able to claw themselves free of the rubble and become high achievers.
As Westover leaves home against the strident objections of her father, she struggles to reconcile the wider world with everything that she has been taught from the cradle, and she also struggles to win her family’s forgiveness and acceptance. As she is battered, sometimes physically, by one cruel rejection after another, a friend asks her, “Have you ever thought maybe you should just let them go?” And yet, for Tara, this is unthinkable.
There’s a lot of gritty material here, along with a number of experiences that are just weird, such as Tara’s brain-damaged mother becoming a local folk hero with her own brand of witch-doctor medicine. There are also moments of dark humor that break up the misery and terror, along with an occasional kind or enlightening act on the part of a family member or member of the public that is able to wink through for a brief time in Tara’s life. But ultimately the thing that makes it possible to wade through the nightmare that constitutes much of Tara’s childhood is our knowledge, set within the book’s title and author description, that she will emerge triumphant.
Westover tells us that the bizarre system of beliefs and taboos practiced by her family are not typical of Mormon families, and in fact a bishop that counsels her once she arrives at Brigham Young University tries to help her separate herself, to some degree, from the madness that awaits her at home during school breaks. This reviewer grew up alongside a number of Mormon classmates, and I have to agree that none of the things Westover’s parents brought down on her and her siblings is attributable to that church. That’s not how they work.
I highlighted dozens of passages that range from the wry, to the stupefying, to the outrageous, but when all is said and done, each is better when read within context. Go out and get this book. You won’t be sorry, and at the end of it, you’re almost guaranteed to look at your own family in a gentler light.
Interview with Westover: https://www.cbsnews.com/video/tara-westovers-journey-from-off-the-grid-childhood-to-cambridge/
Fans of Henry Fonda and Jimmy Stewart will want to read this biography, written by the author that recently wrote a biography of John Wayne. I was invited to read and review by Net Galley and Simon and Schuster, and so I read it free in exchange for this honest review. It’s for sale now.
The book is well crafted, and multiple aspects contribute to its success. The first is the unglamorous but essential research. Eyman used extensive interviews with both actors’ families as well as directors and other actors that had worked with them. The second is the thoughtful analysis. Eyman’s insights are intelligent and fairly measured, never becoming prurient, gossipy, or mawkish. The third is his friendly, congenial narrative, peppered with telling anecdotes that keep the pages turning. It’s well organized and doesn’t rely on photographs to tell the story.
These actors belonged to my parents’ generation, and so for a long time I was not much interested in them. More recently, though, I’ve found it’s interesting to see their craft, their lives, and their work as creatures of the time in which their careers blossomed, and as part of American entertainment history.
The truth is that I never cared much for Henry Fonda. The only one of his movies I saw in the theater was On Golden Pond, and the harsh way he spoke to his daughter on the screen—who was also his daughter in real life, Jane—was so brutal that I never wanted to see anything more that he’d done, apart from the occasional old movie I ran across on television. Learning later that he was more or less the same father to her in real life didn’t help much. Eyman is unsparing as he describes this aspect of the Fonda family, but he also points to the mellower man he became later in life, and to the tremendous loyalty he showed his friends, Stewart foremost among them.
I was more interested in Jimmy Stewart, who left a more timeless body of work. Harvey is a film I loved enough to search out and watch in turn with each of my children. Of course, at Christmas time I am inclined to pull out It’s a Wonderful Life, although none of my kids would watch it with me more than once. There was such heart in his roles.
Because I like Stewart’s work, I had already read one biography fairly recently. Robert Matzen’s Mission: Jimmy Stewart and the Fight for Europe dealt well with his war years as well as the early years of his life, and so I didn’t enjoy the first half of Eyman’s book—which covered the same ground again—as I did the second half, which I found both comforting in places as well as mesmerizing. The second part also has more quotes by his children, who weren’t around for much of the stars’ earlier lives. And I came away with renewed respect for Jane Fonda, who had a harder road than I had previously understood.
Now I have half a dozen movie titles I want to watch, or watch again; that’s a sure sign of a strong biography. And it makes me think warmly of my own longstanding friends, some of whom I’ve known and loved almost as long as the 50 years that Hank and Jim were friends.
Recommended to fans of Fonda and Stewart, and to those that love good biographies; this would also make a nice Christmas gift for older relatives.
“‘Wille Nelson?’ Mike said in disgust. ‘Willie Nelson? I said Winnie and Nelson–as in Mandela!’ And then with real attitude he snapped, ‘Heard of them?’ He ended with a classic Mike Wallace line: ‘Excuse me, I didn’t realize I had wandered into the toy department.’ Mike then left the office and, walking down the hall, shouted back to Josh, ‘Good luck with your next career move!'”
60 Minutes first aired in 1968, a year for news if ever there was one. It was brilliantly conceived as a television news magazine, covering multiple unrelated news stories in a single broadcast. Executive producer Jeff Fager offers the reader an insider’s peek; lucky me, I read it early and free thanks to Simon and Schuster and Net Galley. It’s for sale today.
60 Minutes did the stories nobody else was doing, and its correspondents were geniuses at persuading their subjects to open up and tell the world what it wanted to know. From President-elect Richard Nixon, who promised to ‘restore respect to the presidency’, to the torture of prisoners at Abu-Ghraib, 60 Minutes has been there and spoken to those that have done these things or borne witness to them. I’ll bet I am not the only viewer that remembers the interview with the bitter, dying tobacco executive with throat cancer, rasping out what he knows on television. From Miss Piggy to the Ayatollah Khomeini, from Lance Armstrong to Khadafi, everyone has 15 minutes of fame…did they interview Andy Warhol? I’ll bet they did.
Just as on the show, the book touches briefly but meaningfully on each subject, complete with lovely color photographs, both formal and candid, and then moves on before one can become bored. The careers of the professionals that worked on the show, behind the scenes and on it, are also described. Perhaps the most poignant anecdote is when ancient Andy Rooney, past 90, developing Alzheimer’s, but still in the saddle, keeps forgetting that he is supposed to give a farewell address. He keeps returning long after he was going to get gone, and finally his son has to write cue cards for him to read on the air. Rooney seems vaguely puzzled when he discovers he has retired.
The whole thing is organized in congenial sections, decade by decade, but it’s the sort of book you can leave on your coffee table for guests to flip through. If they are adults, I can almost guarantee they’ll say, “Oh hey. I remember this!” What a wonderful ice breaker.
Highly recommended; buy it in the hardcover format.
Actor Leah Remini was a child when her mother discovered Scientology; the church was in many ways her parent. When she rebelled against it, she was smart and very public, and she spells the entire thing out for us right here.
Scientology is a cult that relies heavily, as cults do, on secrecy and peer pressure. Children are seen as adults in children’s bodies; they have more agency than kids in normal families do, but they also have absolutely no support system. This is a thing that the states should have been all over a long time ago, but money talks, and the church cultivates relationships with people in key places. No wonder they didn’t want Remini—or anybody else—to talk about it. In turns her memoir is incisive, shocking, and sometimes very funny. Remini discovered that the emperor isn’t wearing a stitch when she challenged the double standard the church uses with regard to big names, in particular Tom Cruise. Her candor and wit make the story shine.
Should you buy this book? I did, thanks to a gift certificate from Powell’s City of Books. Had I known that there was an entire television series, in documentary format, I might have decided to buy something else, but it’s a well-written memoir, albeit with the assistance of someone else. It flows well with never a slow point, and there are a lot of interesting pictures.
An interesting memoir, and a fast read.
I posted this review almost two years ago, and at the time most of us considered that Petty had a lot of gas left in his tank. Of all the musical memoirs and biographies I have read–and there are many–this is the one I loved best. The loss of this plucky badass rocker hit me harder than the death of any public figure since Robin Williams died, so reposting this here is my way of saying goodbye to him. Hope he’s learning to fly.
During World War II, the Japanese Imperial Army forced over 400,000 women into sexual slavery; though the Korean comfort women have been recognized for a long time, the survivors in the Philippines lived with the trauma and appalling social stigmatization for decades, unheard. Recently 173 of them, now very elderly, filed suit against the Japanese government. This collection includes interviews with 16 Filipina women whose lives were ruined by this atrocity. Thanks go to Net Galley and Northwestern University Press for the DRC, which I received early and free in exchange for this honest review. The collection is for sale now.
This is a rough read, hard to push through for the very thing that makes it valuable: it tells the women’s experiences in their own words. And they want to be heard. For decades, nobody, including their own families, has been willing to listen to them. After experiencing cruel, sadistic torture, they were greeted, upon the army’s departure, as social pariahs. Their countrymen let them know that nobody wants anything to do with a woman that’s been touched, penetrated, harmed in many unspeakable ways by the Japanese. They were called “Japanese leftovers.” Thus, their nightmare at the hands of the enemy was worsened by a subsequent nightmare at the hands of those they thought would console them.
And so as you can imagine, it’s not an enjoyable book. It isn’t intended to be.
Galang is also Filipina, and she weaves her own story in with that of her subjects. I would have preferred that she restrict herself to the topic; whereas including her own memoir may be cathartic, it also slows the pace. There are also snippets of untranslated Tagalog, and although this may resonate for those that are bilingual, context didn’t make the passages clear much of the time, and so I was left with the choice to either run to my desktop, type in the passages, translate them and return to the text, or just skip them and read on. It didn’t take me long to decide on the latter.
So as a general read for the lover of history, I can’t recommend this book, but for the researcher, it’s a gold mine. There is information here that you won’t find anywhere else. There are primary documents end to end here. I can imagine any number of thesis topics for which this work would be pivotal.
For the researcher, this is a four star read.
Devlin write this, her autobiography, when she was all of 23 years old. Had it been anyone else I would have considered it ridiculous, a juvenile pretention, but Bernadette Devlin was one of the primary fighters for Irish freedom during the tumultuous 1960s, ‘70s, and ‘80s, and given how events played out, it is likely that she wrote this while fully anticipating that she’d be killed in the struggle fairly early on. Goodness knows, the British cops tried. Here’s a bit of background information from Wikipedia:
On 16 January 1981 she and her husband were shot by members of the Ulster Freedom Fighters, who broke into their home near Coalisland, County Tyrone. The gunmen shot Devlin fourteen times in front of her children. British soldiers were watching the McAliskey home at the time, but failed to prevent the assassination attempt, indeed it has been claimed that Devlin’s assassination was ordered by British authorities and that collusion was a factor. An army patrol of the 3rd Battalion, The Parachute Regiment, entered the house and waited for half an hour. Bernadette Devlin McAliskey has claimed they were waiting for the couple to die. Another group of soldiers then arrived and transported her by helicopter to a nearby hospital. The paramilitaries had torn out the telephone and while the wounded couple were being given first aid by the newly arrived troops, a soldier ran to a neighbour’s house, commandeered a car, and drove to the home of a councillor to telephone for help. The couple were taken by helicopter to hospital in nearby Dungannon for emergency treatment and then to the Musgrave Park Hospital, Military Wing, in Belfast, under intensive care.
Soon after her recovery, the author-activist went on a speaking tour, and this reviewer was able to hear her talk when she came to the University of Toledo in Toledo, Ohio. Her intelligence, eloquence, and fierce, courageous nationalism left me spellbound. And yet, it was only recently that I learned she’d written a memoir over a decade earlier. I was even more amazed to find that it was available for sale, albeit used and fairly banged up; all praise to the internet. And so this time, instead of heaping praise upon the publishers, I will thank my youngest son for securing a copy for me at Christmas. It was worth the wait.
Devlin was orphaned, along with her sisters and brothers, when she was still a teenager. She and her siblings had a conversation and decided that they would raise themselves, rather than be parceled out to relatives and neighbors, broken up like pieces of a candy bar to be distributed willy-nilly by the church. But her parents left her a legacy, one that said not to let anyone shove a Devlin around. One of my favorite moments in her engaging narrative is early on, when her mother is being attended by a physician for a fallen arch in one foot. The doctor’s solution is to tightly bind it in hopes it will grow back to its proper configuration, but instead it becomes desperately deformed. One day when the doctor is rebandaging it, her mother complains of pain, and the doctor replies that there is no real pain; he says her mother is merely neurotic. In response, her mother raises her good foot and kicks the man across the room.
A woman after my own heart.
But the best passages, as the reader might expect, are those detailing the struggle for civil rights in Northern Ireland, and in particular the struggle based on social class regardless of religion. She tells of the horrific events of Bloody Sunday, when a peaceful parade including small children and babies in their strollers is gunned down by cops. Devlin speaks of the “evil delight” she sees on the faces of violent cops as they beat people down at an earlier demonstration.
There are lessons to be learned here, and now is the time to learn them.
Remarkably enough, there are still copies of this historical treasure for sale, used. Anyone that is interested in the Irish freedom struggle; cop violence; or Irish history should find a copy now, while you can still get them cheaply.