Joan Crawford: A Woman’s Face, by Scott Eyman*****

Author Scott Eyman is the king of the old-school movie star biography. In earlier years, he has written about John Wayne; Charlie Chaplin; and about the friendship between Jimmy Stewart and Henry Fonda, among others. When I saw that he’d written a biography about Joan Crawford, I was ready to read it, even though my interest in this actress would not ordinarily extend to the nearly 500 pages he spends on her; I already knew that when Eyman writes a biography, it will usually be lengthy, and not a single word will be wasted.

My thanks go to NetGalley and Simon and Schuster for the invitation to read and review; this book is for sale now.

Crawford was born Lucille LeSueur in a tiny town in Oklahoma. Her date of birth is uncertain, but is guessed to be in 1905. In later years, she would remember her childhood as joyless; her mother was ready to cut the apron strings while Lucille was still a teen. California beckoned, and Lucille—soon to become Joan—went. Director Joseph Mankiewitz remembered her as being “the definitive star from the advent of sound through the war.” Crawford was devoid of diva behavior, and possessed of a matchless work ethic. There is, of course, far too much to detail in this review, but this biography is full of choice anecdotes I’ve never seen before, and here’s a sample, which tells of a magic moment between Crawford and actor Robert Montgomery, with whom she was playing a love scene:

“When Montgomery slid his tongue into her mouth, Crawford first bit down on his tongue, then inquired sweetly about Montgomery’s wife: ‘How is dear Betty and when is the baby due?’”

I was curious about Crawford’s relationship with actress Bette Davis, who is one of my favorites of that generation. After reading what Eyman has to say, I must conclude that, while Davis was more entertaining to watch on the screen, Crawford was a better person.

In 1978, one of Crawford’s adopted daughters wrote a scathing tell-all book titled Mommie Dearest. I read it, and I am ashamed to admit that I believed it. Such naivete, my assuming that if it wasn’t true, it wouldn’t have found a publisher! Eyman has convinced me that the whole thing is a pack of vicious lies. Go figure!

For me, the secret to appreciating one of this author’s epic biographies is not to rush, and so I took my time with it, and I’m terribly late. Nonetheless, I recommend this book to you wholeheartedly if you enjoy this genre. The research is thorough and above reproach, and the writing is outstanding.

Ain’t Nobody’s Fool, by Martha Ackmann****

Note: I ran this post in January of this year; under the circumstances, I thought I’d run it again.

“People don’t come to see me be me. They come to see me be them.”

Ain’t Nobody’s Fool: the Life and Times of Dolly Parton, by Martha Ackman, is a fine biography of one of America’s most iconic musicians. My thanks go to NetGalley and St. Martin’s Press for the review copy. This book is for sale now.

Dolly began singing as a child, first informally, as children do, but she also understood very early on that this would be her life’s work. Most of her family was musically inclined, but she had a greater talent and a greater need to use it. She also had the right personality for the job; though her early years were filled with deprivation—the song “Coat of Many Colors” does actually describe an early childhood experience that marked her—she was also born with a sunny outlook and determination. For example, when she met the love of her life, Carl Dean, just as she was beginning to be heard on the local radio, she told him that though she loved him, she could not become a traditional wife to him. She would not have supper waiting when he finished work. She would not produce a houseful of children. These are the things that would prevent her from realizing her burning ambition. They were a trap. And happily, Carl—a private man that didn’t listen to country music so much as Led Zeppelin—told her that was just fine with him. He wasn’t going to tag along everywhere and be Mr. Dolly Parton, but they would make it work. And they did.

Fans of Dolly’s might have wondered, as I did, whether we would learn more about the rather mysterious Carl when reading this biography. We will not, apart from seeing Dolly’s philosophy where her marriage was concerned. Though in every other respect she has been open and accessible to the public, Dolly has followed her mother’s advice, that she should find just one thing about her life that she would not share with others, but keep for herself. For Dolly, that’s Carl. The man died last year, but she still keeps Carl, and her memories of their sixty years of marriage, to herself. And I don’t see how we can complain.

Whenever I read a galley, I highlight passages that I think might be suitable to include as quotes in my review. In this case, I highlighted 60! I can’t use them all, but this should give the reader a clue as to how readable this lovely biography is, and how saturated with quotes from Dolly, and from those that know and love her. From her early, sometimes tumultuous years working for and with Porter Wagoner, to the actors that she worked with in movies such as 9 to 5 and Steel Magnolias, to her own family members, it’s rich. Another fun fact: by doing some of her recordings in Tennessee, and by creating the massive theme park, Dollywood, she has come close to doubling the GDP of the state of Tennessee!

Many people may not be aware of Dolly’s intellect and savvy business skills. I have read so many musical memoirs and biographies of hugely talented, successful musicians that trusted others to take care of their business matters and accounting, only to discover too late that they’d been robbed. Perhaps my favorite anecdote in this biography is where early on, when she was only starting to be recognized, Colonel Parker, the man that ran Elvis’s career and gutted his finances, came to Dolly to express interest in one of her songs. Elvis wanted to sing “Islands in the Stream.” But he told her sweetly, Elvis is accustomed to receiving the publishing rights to any song he performs. And Dolly, also responding sweetly, told him how sorry she was, but she just didn’t believe in parting with her catalog. Many years later, after she and Kenny Rogers had gone more than platinum with that same song, she said that that song alone made her more than enough money to buy Graceland, at least hypothetically!

Serious fans and researchers will do well to augment their knowledge by reading at least one other biography, or Dolly’s own autobiography, My Life. Though author Ackman has a congenial writing style and has read a great deal about her subject, she has apparently never interviewed Parton herself. I combed through the documentation at the end of the book and found that out of the hundreds of end notes, there are just five references to a couple of interviews by the author with friends and family of Dolly’s. Sources for the book’s early chapters are sparse and not well integrated, relying almost exclusively on the autobiography.

Nevertheless, this is a greatly enjoyable read. I played Dolly’s music as I read, and though I am finished with it and am reading other things now, I still carry Dolly around with me.Serious fans and researchers will do well to augment their knowledge by reading at least one other biography, or Dolly’s own autobiography, My Life. Though author Ackman has a congenial writing style and has read a great deal about her subject, she has apparently never interviewed Parton herself. I combed through the documentation at the end of the book and found that out of the hundreds of end notes, there are just five references to a couple of interviews by the author with friends and family of Dolly’s. Sources for the book’s early chapters are sparse and not well integrated, relying almost exclusively on the autobiography.

Nevertheless, this is a greatly enjoyable read. I played Dolly’s music as I read, and though I am finished with it and am reading other things now, I still carry Dolly around with me.

Tough Luck, by Sandra Dallas****

Tough Luck, a novel by Sandra Dallas, is the story of two almost-orphans, Haidie and her younger brother, Boots, that set out on a journey from Oklahoma to Colorado in search of their father. He’d left to find work some four years prior, planning to either send for them, along with their mother and older brother, Cheet; but Ma has died, and Cheet—the scoundrel—sells the farm, dumps his siblings in an orphanage, and takes off with the money. After escaping the orphanage, which is grim and abusive, Haidie is determined that she and her younger brother will make their way to Colorado and find their father.

My thanks go to NetGalley and St. Martin’s Press for the invitation to read and review. I’m over a full year late in doing so, a fact I’m not proud of, but despite my lateness, I have enjoyed this read, and I believe others that enjoy quality historical fiction will enjoy it as well.

Any author that writes historical fiction in the first person with a child as the protagonist has their work cut out for them. The ones that earn my scorn are those that make their main character so precocious that they speak as if they were an adult. This is, of course, complete nonsense, since brilliant children are still children; I am delighted to say that Dallas doesn’t use this cheap, ineffective device. Haidie is a bright child and most of her decisions are good ones, but she’s no Einstein, and she doesn’t talk like one. Having brother Boots along is important because it provides an opportunity for dialogue.

I do love American history, and so I am also waiting for Dallas to play fast and loose with historical fact. Instead, she is dead accurate, and despite the tall job she’s given herself, sending a couple of children across the plains and into the Rockies without an adult escort in the time before there were highways or readily available maps to follow, she nevertheless makes the story credible. I believe Haidie completely, and I believe the various villains and thieves, as well as the more decent people that she runs across during her journey. The settings are well rendered, too.

Because I fell behind in my reading, I checked out the audio book at my local library. Narrator Mia Hutchinson-Shaw does a fine job in bringing these characters to life.

This is an entertaining read, despite the sorrow and deprivation with which it begins, and I recommend it to those that love the genre.

Sunrise, by Tea Obreht*****

Sunrise is just the sort of bizarre yet brilliant novel I’ve come to expect from author Tea Obreht. My thanks go to NetGalley and Random House for the invitation to read and review. This book is for sale now.

Our protagonist is Nina, a nanny on vacation with her boyfriend, Ben. Ben was the pilot of the plane flying over the Northern Rockies; Nina bailed, and Ben is nowhere in evidence. She’s landed in a river, and is remarkably free of major injuries, but she’s cold, scared, and alone. There’s no search and rescue within hearing or sight, so she knows it’s up to her to reach help.

Friends, it’s gonna take a long time.

The book is divided into 5 sections. The first is described above; the next three feature earlier residents of Sunrise, the ghost town Nina eventually reaches; and the last circles back to Nina. The sections are tied together at the end, but not in the way any other author would do it.

The first section feels tedious at times, limited as it is to Nina’s internal monologue. She walks, she rests, and she spends a good deal of time deciding whether she’s hungry enough to allow herself one of the handful of protein bars she possesses. How many days is this going to take? She has no idea. As Nina trudges, she ruminates, and in doing so, we gain more knowledge of her past and her relationship with Ben. Had this been any other author, I might have abandoned the whole thing; reader, I am very glad that I persevered, because the last ten percent of this book makes it completely worth it!

This is the third of this author’s books that I’ve read. The first was Inland, which remains one of my favorite galleys to date. The second, The Morningside, is not as powerful as the other two, including this one, but it’s still well worth reading. Sunrise, however, is the first one that’s made me stand up and cheer.

Those that have the patience for unconventional plots, and that appreciate a protagonist that’s full of surprises and badass feminist moxie, will have a hard time finding a more satisfying novel. Highly recommended!

Vengeance, by Tom Clavin***

Tom Clavin is the co-author of Blood and Treasure: Daniel Boone and the Fight for America’s First Frontier. I learned a great deal from that book, and decided that I was going to read everything this author writes. Although he does a creditable reporting job with his new book, Vengeance, which details the last battles of Custer, Crazy Horse, and Sitting Bull, it lacks the luster of his Boone biography. Nevertheless, my thanks go to NetGalley, St. Martin’s Press, and Macmillan Audio for the review copies. This book is available to purchase now.

My motivation in reading this book was in knowing that for once, Custer wouldn’t defeat the Native forces he sought to annihilate. Had I thought a little harder, I would have realized that the American Indians never came out on top in the long run, and that a hard-fought battle in which Custer is killed—primarily through his own stupidity—was not going to end well for anybody. Nevertheless, I came away feeling that this story was both duller and also more depressing than was necessary.

The facts that are used here, as well as the documentation for them, are beyond reproach. The point of view, however, leans more toward the U.S. Army than the tribes and their leaders. It would have been nice to have present day Native historians weigh in and be heard more. Also, when a hard, horrible tale must be told, a truly skilled author can find ways to break up the horror. My sense is that Clavin didn’t really try.

Johnny Heller narrated the audio version, and he did a fine job of it. Without his narrative, I might not have finished it.

For those looking for the basic facts of this conflict and its aftermath, Vengeance will serve well. For those in search of a general historical read, I’d look elsewhere.

The Free and the Dead, by Jamie Holmes

Author Jamie Holmes has written a history of the Seminole Wars, and since I had long intended to read a bit more about the Seminole tribe, I dove in. My thanks go to NetGalley and Atria Books for the review copy; this book is for sale now.

Generally speaking, reading about the depredations of the U.S. and local governments upon Native tribes is demoralizing, depressing, and on occasion, guilt-inducing. After a certain amount of it, I turned ostrich and decided I wouldn’t do it anymore. But I was aware that of all the tribes in what is now the U.S.A., the Seminoles were the only ones that had never been entirely dislodged from their original homes. This is what made me want to read this particular history, the knowledge that in the end, the Seminoles would not be completely vanquished.

The operative word there is “completely.” Yikes! There’s still plenty of gore, death, and heartbreak, as I would have recognized from the title had I been more attentive. Here’s one of the more searing samples, which deals with the death of a Seminole leader named Osceola following the conclusion of the war:

“Before he passed, he asked the physician a favor. He wished to be buried in the Florida Territory, at a site where his bones would not be disturbed. The surgeon, finding himself alone with the body, cut off Osceola’s head as a personal keepsake, took it home, and embalmed it. Later, the doctor would hang the head on his children’s bedstead, as punishment for misbehaving.”

Holmes does find ways to break up the horror occasionally with irony and humor, usually at the expense of the tribe’s would-be conquerors, but at the same time, he’s writing nonfiction, and he can’t make this thing any prettier than the truth. A whole lot of Seminoles died, either from battle, disease—so much disease! —or while imprisoned. The consolation, if there can be any, is in knowing that they took a whole lot of U.S. fighters with them. The U.S. government, led by President Andrew Jackson, whom I believe is remembered far more positively than is deserved, spent a wildly disproportionate amount of its funds while attempting to dislodge the tribes, but the Seminoles had a way of vanishing into the Everglades, a place they knew infinitely better than the invaders. And this is one more thing I appreciate about Holmes’s narrative: he tells the stories of individual Seminole leaders, and includes as much information about Natives as he does about the Caucasian interlopers.

This work was published last winter, so I am terribly late with my review; I had to take it in small amounts in order to get through it. However, it is very well researched and its documentation is excellent, and Holmes is a writer of formidable ability. To those with the fortitude and interest, this book is highly recommended.

Murder at the Spirit Lounge*****

I would follow Jess Kidd anywhere! Murder at the Spirit Lounge is her sixth release in the U.S., and the second book in the Nora Breen series. My thanks go to NetGalley and Atria Books for the invitation to read and review; this engaging little mystery will be available to the North American public on June 16, 2026.

The time period is the late 1940s. We join Nora, a former nun who left the convent in order to find the whereabouts of the young nun that she mentored, and who had then left the order and disappeared. Her mission accomplished, Nora is still living in the rooming house, a cheap place that has terrible food and a grouchy proprietor, in a little seaside village called Gore-On-Sea. Nora left the convent with very little money and few possessions, and now she has even less money. In search of work, she finds a position at the local newspaper, working for an editor named Miss Hartigan:

Nora, having braved the smell of damp and mice to climb the narrow stairs of the Herald offices, finds the editor hunched over her ancient typewriter like a toad with a fly. Surrounded by empty booze bottles, stacks of back-copies. She turns a bull’s eye on Nora, who is reminded, curiously, of her former mother superior at High Dallow monastery. Perhaps it’s the same air of combative ruthlessness. Neither woman, in Nora’s estimation, would suffer fools gladly.

But Breen is soon sidetracked by a murder that occurs during a séance at the Spirit Lounge, and the medium is the victim—that is, the first victim. Since Nora has trained and worked as a nurse during her earlier life, she is summoned to the scene, and soon we’re off on another investigation. Inspector Rideout, the local man in charge of law enforcement, appears to be on the killer’s list, and as he and Nora have formed a warm friendship, she cannot allow that to happen!

Jess Kidd’s voice shines through here, and I love it. I would have liked to see more of the wit she’s displayed in some of her other novels, because she’s made me laugh out loud, but instead, we see greater depth of character development, and that’s crucial, particularly in a series. I wholeheartedly recommend this book, and this series, to those that love the genre. It can certainly be read as a stand-alone mystery, but once you’ve done that, you’ll want to scoop up the first as well.

Returns and Exchanges, by Kayla Rae Whitaker*****

Kayla Rae Whitaker is the author of The Animators, her 2017 debut which remains one of my favorites after 13 years and over a thousand reviews. Now she has returned with Returns and Exchanges, a more complex, ambitious novel, yet written with the same mastery of the language and the heart. My thanks go to NetGalley and Random House for the review copy; this book is for sale now.

Our story is set in Kentucky and begins on Christmas Eve in 1979. We have a hardworking family that owns and runs a good-sized store; think of something like a mom-and-pop version of Target. The Baker-Taylor store is hopping on Christmas Eve. The owners, Fred Taylor and Fran Taylor, nee Baker, are frazzled but satisfied. The two older sons are working registers; the two little kids are playing in the stockroom. They close up, clean up, and leave to celebrate the holiday.

During the recession of the 1980s they do well; theirs is an unpretentious business that bargain hunters love. As they succeed, they expand, and soon Fred is full of himself, trying to fit in with the local movers and shakers. He joins a rightwing fraternal organization and lives to impress. Fran, on the other hand, is doing most of the work. She knows what money is coming in, what’s going out; which stores are doing well, which are struggling. She is not trying to impress anyone, but falls hard for an employee named Wendy.

Nobody expected this!

And so the beginning of the book focuses primarily on Fran, and I begin to see her as the protagonist, but this is one of those epic family tales, and so as time moves forward, we begin to see different points of view. The elder sons begin to hate the business. It prevents the children from having social lives, and Fred is hard to please. Josiah, the eldest, decides to leave for college, and Baker-Taylor stores don’t loom large in his future plans. Sam, the second youngest, is an artist, and he suffers from mental health issues that Fred cannot accept. Fred thinks Sam is weak, and he doesn’t make the family or the business look good in the public eye. The two young children, Benny and Birdie, grow up largely cared for by others, because their parents are always working (or with Wendy.)

In many ways, it’s like watching a traffic accident in slow motion. I’m leaning forward, as if I might climb into the book itself and shout warnings.

The nearest thing we have to an objective observer is Fran’s brother-in-law, Jack. Jack is gay, but he keeps it quiet and hidden, and so does his loving, understanding wife. He catches onto the changes occurring within the family, including between Fran and Wendy. He tells Josiah privately,

Were your father to find out, God help us, it might break him. But it also might do something else…he’s running with a different crowd now. It’s made him a little rougher. But that’s not my big concern. It’s the board. It’s the shareholders. People who see all the fun family commercials. Do I have to elaborate on what could happen to her if folks caught wind of this?

Truer words were never spoken.

But the most critical aspect of this story, with all of its moving parts, is the way the characters are built. I feel as if I know them all deeply. Fred is the least developed character here, but I know that’s because not that much inward development happens when you’re shallow and not as smart as the rest of the family. And hopefully, that statement reveals how effective the alchemy is here: I’m not thinking about what Whitaker does with the characters. I’m thinking of the characters themselves, as if I might walk around the corner and bump into one of them.

Of course I won’t tell you how it ends, but it feels right to me, strangely satisfying.

For those that love epic family stories with deep, layered characters, this book is highly recommended. It’s one of the year’s best.

Yesteryear, by Caro Claire Burke****

There’s so much buzz about the debut novel Yesteryear, by Caro Claire Burke, and it’s easy to see why. When a wife and mother decides to make bank off of being a tradwife, except that she really isn’t, the irony is thick and darkly funny. I was immediately absorbed by this story, and I have lots of company.

My thanks go to NetGalley and Random House for the review copy. This book is for sale now.

Natalie doesn’t fit in well or make friends easily, but when she meets Caleb, she thinks she’s found a man that wants the same things she wants. Caleb comes from a wealthy family; his father has presidential ambitions. He buys them a farm in Idaho, and she promises to bear lots of little grandchildren and keep her man happy and out of trouble.

While she doesn’t connect well with new friends in person, the magic of Instagram changes everything! She posts photos of her darling family, the big red barn, the cow and the chickens, and she creates videos of herself making bread in the kitchen. But this is difficult to do when there are children to take care of, so she hires nannies. She hires a producer to help create her content; her children are home schooled, alright, but not by Natalie. And behind the wall of her kitchen, there are commercial quality appliances that grease the wheels of her production; the tradwife is not what she seems.

She hardly knows her own children. And underneath the Instagram smiles and the aphorisms about gratitude, she is every bit as angry as the feminists that decry her platitudes.

Then comes the day when she wakes up and finds that she’s living in the 1800s. Her farmhouse really is an old school farm house. There’s no central heating, only chopped wood for burning. There is no electricity or washing machine. Life is hard, and so is her husband. “A lifetime of drowning, and then you are dead.”

I could hardly stand to put this thing down; I had to know how it would end. Unfortunately, the ending is not as smooth or well-paced as the rest of the book, and I didn’t find it as satisfying. Still, this is a great read, and I recommend it to you.

The Hired Man, by Sandra Dallas*****

The Hired Man is the newest novel by badass writer Sandra Dallas. This work of historical fiction is set in Oklahoma during the Dust Bowl, and our protagonist is Martha Helen, a teenager whose family decides to take in a drifter after he saves a local boy during a dust storm.

My thanks go to NetGalley and Macmillan Audio for the review copy.  This book is for sale now.

Martha Helen’s tiny rural community is hard pressed. The year is 1937, and even without the dust storms that cause crop failures across the prairie, times would be lean. Small luxuries that were once taken for granted are now saved for special occasions, at least for the fortunate, and have disappeared for many unlucky families. Domestic abuse is on the rise, as is alcoholism. And so, when Otis Hobbs, a drifter searching for work, saves a small child that went missing during a terrible storm, Martha Helen’s grateful mother insists that he be allowed to stay. Local law says that newcomers must move on if not employed, so Martha Helen’s family hires Otis to help on the farm in exchange for room and meals; he lives in a dugout on their property and eats with the family.

Their neighbors don’t like it! Though there are a handful of supportive townspeople, most have deep seated fear and loathing toward “tramps,” as men that wander in search of work were known. Rumors abound. Any small thing that goes wrong is immediately chalked up to Otis. And when Martha Helen’s best friend Frankie is found raped, murdered, and dumped, out come the pitchforks, the tar, the feathers.

Author Sandra Dallas is an established writer, but I had only read one of her novels prior to this one, which is impressive. Every stereotype and trope is deftly avoided, and the result is a highly engaging narrative, told in the first person, with characters that are nearly corporeal. I thought I knew how this story would end; I did not. Oftentimes when an author decides to end a book with an unexpected twist, they have to contort the plot in awkward ways in order to shoehorn in their surprise ending. That’s not so here. The ending is a complete surprise to me, and the twist at the end leaves me with my mouth hanging open with astonishment. What…? But, how could….oh. Yeah. It totally works!

This is one of the rare times I have only the audio galley, and since I am primarily text oriented, that’s often a dicey proposition, but for once, it worked out beautifully. The plot is linear, and between that and the great skill of narrator Jesse Vilinsky, I always understand what’s happening.

Highly recommended to those that love the genre, particularly women.