The Crowded Hour, by Clay Risen*****

The Spanish-American War sparked the earliest fire of U.S. imperialism, and the eccentric rich man that pushed it forward, Theodore Roosevelt, was at its center. Risen provides a contemporary view of this badly managed chapter in American history, dispelling longstanding myths and examining the long term effect of the conflict on the U.S. military. My thanks go to Net Galley and Scribner for the review copy, which I read free in exchange for this honest review. This book is for sale now.

Roosevelt was challenged with a number of health problems as a youngster, but instead of embracing his sedentary, privileged existence, he embarked on a series of physically demanding adventures in order to strengthen his constitution and affirm his masculinity.

When Cuban nationalists sought independence from Spain, Teddy began campaigning for American intervention. Men of his generation was had not known the destruction of lives and property that touched every part of this nation during the American Civil War, and like most young people, they were unwilling to listen to their elders. Roosevelt believed that war was a splendid thing, and that in facing death, men were elevated to a higher level. He joined his voice to those in the press advocating military aid to Cuba, and after tapping every powerful connection his wealthy family could access, he was successful.

 His own unit—all volunteers—were dubbed the “Rough Riders.” Most had no military training of any kind; the mighty Union Army had been all but disbanded once the nation was reunited. Though they were promoted as cowboys, the rugged individuals of the Wild West, a goodly number hailed from Wall Street and Harvard. In addition to being able to fund their own wartime excursion, they were noteworthy in their riding capability.

There was no San Juan Hill. There was a series of them.

The American invasion of Cuba cast a spotlight on its unpreparedness. Transporting troops, beasts and equipment across the Atlantic was a debacle of the worst order. There weren’t even close to enough seaworthy vessels, and because of this, most of the so-called cowboys fought on foot the entire time; horses and mules were stuck back in Tampa waiting to sail. There wasn’t enough food, potable water, or appropriate clothing for most of the men; the wealthiest among them fared best, but there were many occasions when there wasn’t any food to be bought at any price. There had been no reconnaissance and so they went in blind; the heat and disease killed more Americans than the Spaniards did. Vultures and immense land crabs that measured 2 feet across and traveled by the thousands made short work of the dead when not buried immediately. American losses were nearly triple those of the Spanish, and when the war ended there were no hospitals or sanitation ready to receive the legions of sick and wounded when they returned from the Caribbean.  

Roosevelt used the occasion to point to the need for a standing army and U.S. readiness, and ultimately this was his one useful contribution. In other regards, the man was an ass hat. His bald-faced racism, though not unusual at the time, went over badly with the Cuban freedom fighters that were supposed to benefit from their presence. He crowed to his friends about how much he enjoyed shooting an enemy soldier from just a few feet away “like a jackrabbit,” and called his 45 days of combat the ultimate hunting trip. Mark Twain hated the guy, and it’s not hard to see why.

Risen has an engaging writing style, and he uses lots of well-chosen quotations. His research is excellent as are his sources. I would have liked to see more of a breakdown along the lines of social class and other demographics, but this war did not yield a rich archival treasury like the one that came from the Civil War, so this may not be possible.

All told, this history is a find. Right now it seems that every second historian on the planet is writing about World War II, whereas this cringeworthy but significant chapter of American history has been largely left by the wayside.  I highly recommend this book.

Bring Out the Dog, by Will Macklin****

bringthedogsWill Macklin can really write. His disquieting collection of short stories draws from his time as a special operations soldier in Iran and Afghanistan. Some soldiers come home and go crazy, if they aren’t already; this one came home to write. Thanks go to Random House and Net Galley for the DRC.

The skill level that is shown in these eleven stories, from setting, to pacing, to character, is tremendous. That said, I found it hard to read. Given the subject matter, I shouldn’t have been surprised, but it rattled my cage more than most; then too, the opening story involves deliberately blowing up the home of a teacher that one of the local allies disliked, and I suspect that other teachers are going to have a tough time with that one, too. I set the collection aside to shake off my dislike, and then plunged in again. To be fair, there isn’t one of these tales that is designed to be a feel-good read. They’re all intended to move readers out of their comfort zones, and the author succeeds richly for this reviewer.

I am not a fan of ambiguous endings, and all of these stories conclude that way, which is where the single star fell off my rating.

The most impressive addition is “Kattekoppen”, and after I noted this, I discovered that it was included in a best short story collection.

Macklin is a writer to watch. This collection is recommended to those that like war stories.

Hank & Jim, by Scott Eyman****

HankandJimFans of Henry Fonda and Jimmy Stewart will want to read this biography, written by the author that recently wrote a biography of John Wayne. I was invited to read and review by Net Galley and Simon and Schuster, and so I read it free in exchange for this honest review. It’s for sale now.

The book is well crafted, and multiple aspects contribute to its success. The first is the unglamorous but essential research. Eyman used extensive interviews with both actors’ families as well as directors and other actors that had worked with them. The second is the thoughtful analysis. Eyman’s insights are intelligent and fairly measured, never becoming prurient, gossipy, or mawkish. The third is his friendly, congenial narrative, peppered with telling anecdotes that keep the pages turning.  It’s well organized and doesn’t rely on photographs to tell the story.

These actors belonged to my parents’ generation, and so for a long time I was not much interested in them. More recently, though, I’ve found it’s interesting to see their craft, their lives, and their work  as creatures of the time in which their careers blossomed, and as part of American entertainment history.

The truth is that I never cared much for Henry Fonda. The only one of his movies I saw in the theater was On Golden Pond, and the harsh way he spoke to his daughter on the screen—who was also his daughter in real life, Jane—was so brutal that I never wanted to see anything more that he’d done, apart from the occasional old movie I ran across on television.  Learning later that he was more or less the same father to her in real life didn’t help much. Eyman is unsparing as he describes this aspect of the Fonda family, but he also points to the mellower man he became later in life, and to the tremendous loyalty he showed his friends, Stewart foremost among them.

I was more interested in Jimmy Stewart, who left a more timeless body of work. Harvey is a film I loved enough to search out and watch in turn with each of my children.  Of course, at Christmas time I am inclined to pull out It’s a Wonderful Life, although none of my kids would watch it with me more than once. There was such heart in his roles.

Because I like Stewart’s work, I had already read one biography fairly recently. Robert Matzen’s Mission: Jimmy Stewart and the Fight for Europe dealt well with his war years as well as the early years of his life, and so I didn’t enjoy the first half of Eyman’s book—which covered the same ground again—as I did the second half, which I found both comforting in places as well as mesmerizing.  The second part also has more quotes by his children, who weren’t around for much of the stars’ earlier lives. And I came away with renewed respect for Jane Fonda, who had a harder road than I had previously understood.

Now I have half a dozen movie titles I want to watch, or watch again; that’s a sure sign of a strong biography. And it makes me think warmly of my own longstanding friends, some of whom I’ve known and loved almost as long as the 50 years that Hank and Jim were friends.

Recommended to fans of Fonda and Stewart, and to those that love good biographies; this would also make a nice Christmas gift for older relatives.

The Standard Grand, by Jay Baron Nicorvo*****

thestandardgrand“A loaded gun wants to go off.”

Critics have compared Nicorvo’s brilliant debut novel to the work of Heller, and indeed, it seems destined to become the go-to story of those that have served in the unwinnable morass created by the US government against the people of the Middle East: “a drawdown war forever flaring up”. It’s created a tremendous amount of buzz already. I was lucky enough to read it free and in advance for the purpose of a review, thanks to Net Galley and St. Martin’s Press, but today it’s available to the public. You should buy it and read it, maybe more than once.

The story starts with a list of the characters involved, but the way it’s presented provides a tantalizing taste of the author’s voice. The page heading tells us these are “The Concerns”, and the subheadings divide them into practical categories, such as The Smith Family, the Employees of IRJ, Inc., and The Veterans of The Standard Grande (misspelling is mentioned later in the story). Then we proceed to list The Beasts, and The Dead, and The Rest, and right then I know this is going to be good.

Antebellum Smith is our protagonist, and she’s AWOL, half out of her mind due to PTSD, anxiety, and grief. She’s sleeping in a tree in New York City’s Central Park when Wright finds her there and invites her to join his encampment at The Standard Grand. Here the walking wounded function as best they can in what was once an upscale resort. One of the most immediately noticeable aspects of the story is the way extreme luxury and miserable, wretched poverty slam up against one another. Although the veterans are grateful for The Standard Grand, the fact is that without central heat, with caved in ceilings, rot, and dangerous disrepair, the place resembles a Third World nation much more than it resembles the wealthiest nation on the planet.

On the other hand, it’s also perched, unbeknownst to most of its denizens, on top of a valuable vein of fossil fuel, and the IRJ, Incorporated is sending Evangelina Cavek, their landsman, out in a well-appointed private jet to try to close the deal with Wright. She is ordered off the property, and from there things go straight to hell.

Secondary and side characters are introduced at warp speed, and at first I highlight and number them in my reader, afraid I’ll lose track of who’s who. Although I do refer several times to that wonderful list, which is happily located right at the beginning where there’s no need for a bookmark, I am also amazed at how well each character is made known to me. Nicorvo is talented at rendering characters in tight, snapshot-like sketches that trace for us, with a few phrases and deeds, an immediate picture that is resonant and lasting. Well drawn settings and quirky characters remind me at first of author James Lee Burke; on the other hand, the frequently surreal events, sometimes fall-down-funny, sometimes dark and pulse-pounding, make me think of Michael Chabon and Kurt Vonnegut. But nothing here is derivative. The descriptions of the main setting, The Standard Grand, are meted out with discipline, and it pays off.

As for Smith, she still has nightmares, still wakes up to “the voices of all the boys and girls of the wars—Afghan, Iraqi, American—like a choir lost in a dust storm.”

There’s so much more here, and you’re going to have to go get it for yourself. It’s gritty, profane, and requires a reasonably strong vocabulary level; I’m tempted to say it isn’t for the squeamish, yet I think the squeamish may need it most.

Strongly recommended for those that love excellent fiction.

Run, Don’t Walk: The Curious and Chaotic Life of a Physical Therapist Inside Walter Reed Army Medical Center, by Adele Levine*****

RundontwalkI loved this memoir. I read it in 2014 through the Goodreads First Reads program when I first began writing reviews, a few months before I began my blog. This is a memoir intended for general audiences, disarmingly funny and engaging. I recommend it to everyone.
I’ve been through physical therapy for things like whiplash from car accidents–yes, some folks really do get whiplash–but nothing like the scale experienced by the veterans and soldiers that Levine treats. And so the first sign of expertise is in the title, where she wisely excluded any reference to amputations.
Ask yourself: is there a tasteful way to laugh about amputations and amputees, as well as the people who work with and visit them?

Amazingly, there is. She’s found it.

And at first I could not accept that this was Levine’s first book, because the amount of synthesis and development of characters is not in any way rookie writing, and I don’t care how brilliant the writer might be. The blurb says “experienced writer”. Everything clicked into place when I noted that she had been writing a weekly humor column for a local news source.

I didn’t set out to learn anything here–it’s not as if I am considering becoming a PT. And as stated, this should not be viewed as a niche book just for medical folk or military types, but for the general book-loving public. It would even make a good beach read.

But I learned some things, nevertheless. I didn’t know that anyone who loses both legs ever has a shot at walking on two prostheses, for example; and indeed, some don’t, but the possibility is strong. I didn’t know some prostheses have computers. And I groaned at the obstacles put in place by the fishbowl environment where she worked: deliberately limited computer access so that anyone, celebrities, congressional staff, or John Q. Public, will see the therapists ONLY working with patients, and then therapists have to stay after work in order to enter notes about progress registered, because people who come to see the circus don’t want to see more than two people using a computer at a time. The banning of coffee for the same reason; nobody wants to see your cup! And I loved reading about the guerilla response to said ban.

Levine uses either real people with changed names, or patients and colleagues that are an amalgamation of more than one person. Characters Cosmo and Major Dumont were favorites of mine. And I loved the Jim-quote and how it is used at a party full of insufferable assholes that think that they are really something because they went to Walter Reed and WATCHED the patients and therapists for awhile. The punch line is awesome, and I won’t ruin it by telling it here.
And I really loved the Miracle reference.

I was on my third day with this book when someone in my family died. It was a total fluke, someone younger than me whose time should not have been up yet, and it hit all of us in the solar plexus. The writer’s chapter on the bone marrow transplant proved really cathartic. It wasn’t written for that purpose; I just had the right book at the right time, and so I sat with the book in my hand and cried awhile. Thanks; I needed that.

Sometimes I recommend getting a book free or cheap, but this one is worth the jacket price. Funny, absorbing, and informative.

I’d Walk with My Friends If I Could Find Them, by Jesse Goolsby ****

idwalkwithmyfriendsifThis fictional memoir chronicles the lives of three men who join the US armed services and wind up together in Afghanistan. It follows them after they leave, coming home but not home, alienated, injured in various ways both tangible and intangible. It’s an important book to read, given the current state of affairs and the ways in which the government denies us information regarding the US war in Asia. Thank you to Edelweiss Above the Treeline and Houghton Mifflin Harcourt for the DRC. It will be available to the public at the beginning of June.

Dax, Wintric, and Torres come from different parts of the country, but all are members of the American proletariat. Jobs and a future are not abundant in down-at-the-heels America, economically past its prime. Each of them comes to the service not out of a longing for glory or out of feverish patriotism, but pragmatically; where else can they find a job? Who else will train them, send them to school free?

Most of their time in uniform is mind-numbingly dull. But it only takes a few minutes, perhaps even a few seconds to rock someone’s life and forever change it.

All of them return, and no one is the same. Goolsby deserves credit for developing well crafted, if not necessarily likable, characters. The ambiguity as to some of their fates made me a little crazy at times, but that also demonstrates how much I was invested in the story. Interesting to me was the fact that I bonded a lot more with the women in their lives than with any of them. Yes, I am female, but I can’t count the number of male protagonists in other novels that I’ve bonded with. I think it comes down to culture; I have never been able to understand gun nuts (which is how at least one of them comes back), or with those who turn to violence as a necessary aspect of their domestic lives. And yet the story is written in such a way that it is entirely believable.

Although I generally prefer urban settings in my fiction, I appreciated the way the writer cut across stereotypes of California by setting Wintric in the Northeast part of the state, a rural area near Chico. I think a lot of people who have not been to California, or who have flown into a major city and then back out, fail to appreciate how much of it is rural or wilderness. The character of Kristen as a girl who never wants to go further from home than the giant redwoods—doesn’t even need to get as far away as the Pacific Ocean!—was a brilliant stroke.

I’d Walk With My Friends If I Could Find Them is not a cheerful book or an uplifting one; if you are inclined toward depression and decide to read this timely novel, find a second book that is humorous or heartwarming to alternate with this one. But for those of us here at home who see no film footage of this war, no news articles that show what takes place on the ground or even the coffins that are sent home thanks to the governmental news blackout, it is an important addition. Thoughtfully written, and recommended.

The Honk and Holler Opening Soon, by Billie Letts ****

The Honk and HollerThis is a bittersweet story about quirky yet ordinary characters in a little out-of-the-way place in Oklahoma. The point of view swings from one perspective to another. MollyO is protective of the cafe’s owner, a complicated man who was rendered paraplegic in Vietnam. She longs for her daughter, Brenda, a runaway, to come home and stay. Bui is living covertly in a nearby church. He comes to work at the cafe. I watched this character unfold particularly carefully. I live in an area where there are a lot of Vietnamese immigrants, and I watched for stereotyping or assumptions on the part of the writer. In the end, though, Bui rang true to me, an endearingly familiar sounding man with a really good heart. And then the list continues.

I don’t like small towns; I prefer large northern metropolitan cities. I do like to read novels featuring working class protagonists, though, and I think it was this feature, believably rendered without undue sentimentality, that worked for me. I have older family members who lived in Oklahoma before I was born, and this novel evoked a strong pull on them, a sense of place nearly tangible to them.

If four and a half stars were possible, I’d give them here. Read it if you enjoy good fiction with strongly drawn characters.