I received an advance reader’s copy of this darkly amusing novel from Net Galley and Atria Books. It’s funny as hell, and even more amusing to teachers, school counselors, and others that have dealt with high maintenance parents and the aura of entitlement they carry with them. I rate this title 4.5 stars and round upward. It comes out December 27, 2016, just in time to chase away your post-holiday depression.
I sat on this book for more than three months, which is a rare thing for me. I kept starting it, not liking it, and deciding to set it aside and look again with fresh eyes later. Finally November came, and I realized the book was not going to change; I’d given my word to the publisher I’d review it; it was time to suck it up and get the job done. And this is a little ironic all by itself, since that’s the position in which our protagonist found herself, but more on that in a minute.
The issue with the first part of the book is that it reads like a very lengthy introduction, steeped in character introduction and overlong inner narrative. After I had read—and loved—the rest of the book, I went back and reread that 15%. Was it just me? What was wrong with it? And once I had read the book and become familiar with all of the characters, it seemed perfectly fine. In fact, it seemed a lot like the voice-over at the beginning of a movie. Then I read the author’s biography, and discovered that this novel was first written as a play.
Suddenly, it all made sense.
Our protagonist is Kate, and she’s come undone. Her French boyfriend has dumped her:
“When he’d encouraged Kate to follow her heart, he hadn’t meant she should follow it to Paris.”
Meanwhile, upon departure she’s left her position at NYU. She was studying anthropology, and now she isn’t, and her family doesn’t know what to do about it. Enter Angela, her sister, who moves heaven and Earth in order to get Kate’s life going again; once Kate’s out of the woods, Angela can’t stop maneuvering and controlling. She’s good at being a white knight, and she can’t give it up. We have Vicki and Chloe, her friends from college, and the old boyfriend from France lurking offstage.
The fun commences when Kate gets a job in the admissions department of a small, private secondary school. She’s misrepresented her skill set to get it, but she’s determined to give it a try:
“Kate viewed Hudson Day as an unknown culture that required her exploration.”
It’s time to start interviewing and selecting students, managing interviews with demanding, sometimes aggressive parents. I’ve taught honors students in a public secondary school, and I thought my experience took fortitude; Kate’s experience was similar to my own, but on steroids.
There are hilariously dysfunctional parents, kids whose folks don’t have a clue what they can do and what they can’t, and in the midst of it all, relationships among Kate’s nearest and dearest become unstuck and reconfigured in ways that mirror those Kate works with, and even Kate herself. I can’t tell you anymore, because it would ruin it for you, but this snarky romp is not to be missed. It’s cunning, wickedly bold humor at its finest.
Fannie Flagg is legendary, and rightly so. In fact, at one point in my reading of this DRC, I reflected that someone with her power to move people has power indeed; how fortunate that she uses her gift to benefit the rest of us. I don’t know about you, but I am ready to read something that provides a level of reassurance that all has not gone sour in this world, and that everything passes, sooner or later. I was fortunate to read this free and in advance thanks to Random House and Net Galley, but it’s one of the very few books for which I’d have paid full freight if it came down to it. It hits the shelves November 29 and is available for pre-order right now.
Last spring I advance- read and reviewed the riveting sci fi thriller Dark Matter, which was my introduction to author Blake Crouch, who has already met with success as a screenwriter. When I saw that something else he had written was up for grabs at Net Galley, I landed on it eagerly. Thanks go to them as well as Thomas and Mercer at Amazon for the DRC, which I received in exchange for this honest review.
This is the fourth and best installment to date in the Jules Landau series. Thank you Net Galley and Alibi for the DRC, which I scooped on the date of publication in exchange for an honest review. This title is for sale now, and if you like a good whodunit, you should get it too.
When I saw that Burnett had published a memoir of her years as America’s favorite comedic performer on The Carol Burnett Show, which ran from 1967 through 1978, my first thought was, what, another memoir? She’s already published at least three others, one of which I have read and reviewed. But the fact is, she hadn’t used up all her juice yet. Each of her memoirs focuses on some particular aspect of her life, and so this book is new, it’s original, and it’s probably the stuff you were hoping she’d talk about in her other memoirs. Lucky me, I read it free thanks to Net Galley and Crown Archetype. It was published September 13 and I am sorry to be on the late side, but I scored my own copy just prior to publication; I had no idea it was available till Crown put a promotion up on Facebook and it showed up on my home page. I genuinely held my breath as I logged onto Net Galley to see if I was too late, and happily, the Literature Fairy smiled on me.
There are times when a novel is more than the sum of its parts, and this is one of those times. Loretta Nyhan combines strong character development, our changing social mores, and sassy, kick-ass word smithery and this is the result. Thank you Net Galley and you too, Lake Union Publishing, for the DRC, which I received free in exchange for this honest review. The title is available today, hot off the presses.
The American dream has become harder for ordinary people to attain, but Carlson is living proof that it can happen; yet some of us may need to go somewhere else to find it. In his upbeat, congenial memoir, “the pancake guy” chronicles his journey, from the kid of a wretchedly dysfunctional home—and I don’t use the term lightly—to the owner of Breakfast in America, his own restaurant franchise in France. This title was a bright spot in my reading lineup last month, and it can be a bright spot in yours too. Thank you to Sourcebooks and Net Galley for the DRC, which I received free in exchange for an honest review.
Shelley Costa is a writer to remember. Her dazzlingly dark humor and her ability to spin a tight original story that builds irresistibly caught my eye with her first Val Cameron mystery, Practical Sins for Cold Climates. I began checking in with Henery Press regularly when I logged onto Net Galley, and my stalking paid off big time. Thanks go to Henery and also to Net Galley, from whom I received a DRC in exchange for an honest review.
Doctors tell us that laughter improves our health. Now and then, I go in search of laughter in my favorite medium, between the covers of a good book. Thank you to Net Galley and Doubleday Publishers for this DRC. Not only is The Grand Tour achingly funny, it’s also strong fiction. It is available to the public August 9, 2016, and you ought to read it.
Jenny Lawson is well known as The Blogess (the blogger that came up with Beyonce, the metal chicken). She won awards for her previous memoir, Let’s Pretend This Never Happened. The only DRC I saw for this title was for readers in UK and Australia, so I waited till I could scoop it cheaply and bought it digitally. Those that read my reviews often know I almost never do this. For the $3 it cost on an Amazon Prime daily deal, it was worth it to me.