Judith Jance has done it again. Unfinished Business is the sixteenth in the Ali Reynolds series; not only does she weave a compelling, tightly plotted tale, but she may have broken new ground with the role technology plays in solving crimes within the storyline. Add a sprinkling of social justice issues, and what emerges is an unmissable novel. My thanks go to Net Galley and Gallery Books for the review copy. This book is for sale now.
Ali is a former journalist, but now she and her husband, B. Simpson, own and run a cyber security firm called High Noon. B. is a nice enough fellow, but we see very little of him. Most of the time he is away on business, leaving Ali to flex her badass crime solving muscles, and providing her with a healthy chunk of disposable income that makes it easier. Other continuing characters are Cammie and Stuart; Frigg, the AI entity operating out of High Noon; and Bob and Edie Larson, Ali’s parents. Our two new characters are Harvey “Broomy” McCluskey, who is a serial murderer, and Mateo Vega, a second-chancer newly out of prison and in High Noon’s employ.
The best long-running mystery series are ones that go deep into the character of the chief protagonist and sometimes others, as well. When you think about it, there are only so many interesting crimes; only so many credible motives; and only so many believable plots an author can spin that involve only the mystery at hand. What makes the most successful ones stand out is the investment the reader has in the character and her life. Jance works her characters like a champ. Within this one, we have multiple interesting side threads. Ali’s parents are aging, and although she is more than willing to support them and advocate for them, they don’t tell her everything. They are independent and intelligent. They treasure their dignity, and their privacy. Sometimes this combination spells trouble, and so it is here. We see Ali trying to juggle the ever-changing aspects of the business while B is out of town, along with health issues facing her father, who won’t talk about them; one of her children gives birth; and then there are issues with her employees.
Point of view shifts between chapters, and so we first meet Harvey, who is a resentful, entitled jerk who has murdered his mother and gotten away with it. Unfortunately, Harvey is also a tenant of High Noon’s, and he’s in arrears on his office rent. No one at High Noon knows that he is dangerous; they figure he’s a deadbeat, and he has to go. Ohhh, honey, look out!
We also meet Mateo. Mateo has spent 16 years in prison for a murder he didn’t commit. His public defender told him the plea deal was the safe bet, and so he took it. He could have been released early if he’d expressed remorse, but nobody and nothing could make him say he did it when he didn’t, so he rotted there for his entire youth. But while inside, he continued to study technology, and earned an online degree. Now he’s released, comes out with skills, and is hired by High Noon.
I love the way Jance uses all of these characters, and the thread involving Cami is particularly interesting.
I read and reviewed most of the recent books in this series, and in number 13, I called this author out for making all of the bad guys in the story Latina or Latino, and all the good guys Caucasian, except for Cami, who is Asian. It’s great to see how she’s turned it around. The social messages here—the broken prison system; issues with keeping the aged safe; the difficulty former prisoners face in starting a new life; and of course, violence against women—are all progressive ones, and none of them hijacks the plot or slows it in any way. In fact, this novel is among Jance’s best, and that’s a high bar to meet.