|“‘We all have things we don’t talk about, Ernest thought. ‘Even though, more often than not, these are the things that make us who we are.'”
Ford is the author of Hotel on the Corner of Bitter and Sweet, which is one of my favorite novels, and so I was thrilled when I saw he had written another historical novel set in Seattle. Thanks go to Net Galley and Ballantine Books for the DRC, which I received free in exchange for this honest review.
Ernest is a small child when his mother, who is dying, wrenches herself away from him and puts him on a boat to the USA. He attends a charity boarding school and then is raffled off, a free orphan to a good home, by the Children’s Home Society at the Alaskan Pacific World’s Expo. It is Flora, the madam of a Seattle brothel, that claims him and brings him to the city. There he is essentially a house boy, and he forms a warm friendship with two young women employed there, Fahn and Maisie.
The narrative is divided between two time periods, the first following Ernest as he leaves China and arrives in the USA at the dawn of the twentieth century, and the second in the early 1960s when he is elderly and his wife, Gracie, is suffering from dementia. There’s an element of suspense that is artfully played as we follow both narratives, trying to untangle whether the woman that becomes “Gracie” is Maisie, Fahn, or some third person.
But Ford’s greatest strength is in bringing historical Seattle home to us. The characters are competently turned, but it’s setting that drives this book, just as it did his last one. Ernest lands in the city’s most notorious area at the time, a place just south of downtown known as the Tenderloin:
All told, this is good fiction, poignant, warm, and moving. Two things give me pause: the ending seems a little far-fetched, and the depiction of the suffragists, who are some of my greatest heroes, is so hostile that it borders on the misogynistic. However, the latter is peripheral to the main story, winking in and out briefly, and overall this novel is an appealing read. It will particularly appeal to Seattleites and to Asian-Americans.
I recommend this book to you, with the above caveats, and it for sale to the public today.
“They were standing inside the door when I came out of the bathroom. Two of them. Matching gray suits, milling around like the owned the joint. Something about carrying a gun in one pocket and the power of the state in the other changes the way a person relates to the universe. For as long as I could remember, that particular sense of privilege has always pissed me off.”
Leo Waterman is a solid citizen now, no longer the scruffy Seattle PI that he was when our series began. But now that he has a lovely home and a good woman—well, sometimes anyway—he also has more to defend, and is less fettered by economic constraints. Those that have loved this series from the get-go should go go go to their nearest book seller or favorite website and get get get this book. New readers can jump right in, but likely as not, you’ll want to go back and get the rest of the series once you’ve seen this one. Lucky me, I read it free thanks to Net Galley and Thomas and Mercer, but it’s worth the full jacket price. It is for sale now.
Leo returns from vacation to find Rebecca Duvall, the love of his life, on the bathroom floor with a needle in her arm. Her reputation has been damaged by a suggestion of corruption, but Leo knows this is no suicide attempt. Her job as medical examiner is on the line now, and so Leo enlists the help of his boisterous investigative squad to untangle the mystery of who wants Rebecca not only fired, but dead. Ford tells the story with the gut-busting edgy humor for which he is known. He takes a playful jab or two at gender fluidity; at times this part feels a little excessive, but that’s not where the story lingers. There are a million twists and turns as our impulsive PI goes where everyone tells him he should not:
“’ I went out to see Patricia Harrington today.’
“’Don’t fuck with those people, Leo.’”
There are some arrhythmia-worthy attack scenes, and the plot wholly original and free of formulaic gimmicks. The streets and alleys of Seattle and the hinterlands beyond are all rendered immediate and palpable.
Ultimately the heart of the tale is revealed by Leo’s regard for Seattle’s homeless men and women, some of whom were once friends of his late father. It is them he turns to for extra eyes in a difficult situation:
They were great for stakeouts, as long as it was somewhere downtown. They could hang around all day and nobody paid them any mind because society has trained itself not to see the poor and the destitute. That way, we don’t have to think about how the richest society on earth allows so many of its citizens to live in the streets like stray dogs.
The snappy banter between Waterman and Seattle cops is always delightful. It’s even better once we add a pair of fake UPS guys, some thugs known as the Delaney brothers, local ruling scions, and poor Rebecca as the straight character representing all that is sane and normal: “Oh Jesus…what now? Locusts?” The narrative is fresh, funny, and entirely original, avoiding all of the formulaic foolishness that makes old lady schoolteachers like this reviewer peevish.
The ending will make you want to sing.
Altogether, this novel is an unmissable treat.
I’ve been experimenting with ways to share what is coming up next. Usually I put this on a different page, but then it also tends not to get seen, likely due to the absence of share buttons. Let me know what you think. Is it better to post it separately, or do you like it here?
Here are books I’ve finished reading, and as soon as a sane moment presents itself in my uncharacteristically busy domicile, you will see them reviewed here:
This is what I am reading now; all are good, but some are outstanding. [Imaginary drum roll goes here.]
I was invited to read and review this title in advance by Net Galley and Atria Books; it is written by a rape survivor, who tells us bravely of her own experience in the introduction. I wanted to love this book and to scream it across the internet and from the top of the Space Needle, that everyone should get it and read it, but instead, I came away feeling ambivalent. The rape passage is resonant and horrifying, and it’s written in a courageous way, and I’ll go into that in a minute. The rest of the book, however, is flat, and so in some ways this proves to be an opportunity squandered. There are spoilers, so don’t proceed if you don’t want to know how the book ends. It is available for purchase today.
The premise is that Amber and Tyler are best friends. They dated when they were teenagers, but a lot of time has gone by, and they have agreed to be buddies, talking often. Amber does not know that Tyler’s torch is still burning for her, brighter than ever; he is waiting for her to come around. Meanwhile, she has become engaged to someone else.
Amber is also a recovering bulimic, and now she is a specialist in nutrition and fitness. The level of detail regarding Amber’s meals hijacks the narrative at times; I don’t care how many ounces of lean this, that, the other she is about to eat. If we’re going to write about diet and fitness, that should be another book, and otherwise it should stay in the background.
The rape itself is where the story shines, and of course, it is the central scene to the story. Hatvany wants us to recognize who rapists are, and who they aren’t:
“They’re not greasy-haired monsters who jump out from behind the bushes and tie up their victims in their basements.”
The story is told from alternating perspectives, so we hear from both Amber and Tyler. Amber is believable to a degree; a more richly developed character would be more convincing, but the story is one that countless girls and women have lived. It’s a date that goes badly wrong; sometimes the woman is one that expects that she will want sex, but then decides she doesn’t, and her date forces the issue. Is that rape? Unless she says yes to sex, it is. Sometimes it starts with kisses—drunken or otherwise—but when the man wants to go further, she decides she wants to keep her clothes on and not follow through. If she says stop, or wait, or fails to say she wants to do this, yes, it is rape. And so this part of the narrative is important, and once I have read it, I want more than ever to like the rest of the book so that I can promote it.
Tyler is just straight up badly written. I am sorry to say it, but I rolled my eyes when I read his portion of the narrative. The ending is way over the top, and it distracts us with morally questionable deeds done by Amber that we would never commit. If it was rendered brilliantly, it could perhaps come across heroically, like Thelma and Louise, but it isn’t, and it doesn’t.
What happens here, is that Amber kidnaps Tyler post-rape at gunpoint. She forces him to drive to her family’s vacation cabin, and she makes him say that he raped her. He won’t do it, so she shoots him. She refuses to take him to a hospital until he says what she wants him to say. Once all of this happens, he has a huge epiphany, and from then on, Tyler’s wails about what a bad thing he has done, and how he knows he deserves everything that will happen to him as a result.
But in addition, I find myself squirming. At one point when Amber holds him hostage, Tyler points out to her that kidnapping is a felony. Having Amber muddy the waters morally by kidnapping and shooting her assailant is distracting and morally tenuous at best. He has to tell the truth; she doesn’t. He owes it to her to lose his job and career, and to serve his time; she never expresses any sort of remorse and never suffers the consequences of her actions. And whereas brilliant prose stylist could turn Amber into a vigilante folk hero, this isn’t that.
I know that the author intends to tell a story that is deeply moving and that will improve the social discourse regarding what rape is, and how we as a society deal with it, both institutionally and as individuals. Instead, the distractions and tired prose prevent this story from reaching its potential.
The Mercy of the Tide is Keith Rosson’s debut novel, and it’s a strong one. Set in a tiny, depressed town on the Oregon Coast during the Reagan Administration, things start out dark, and they’re about to get a whole lot darker. Thank you, Net Galley and Meerkat Press for the DRC, which I received free of charge for this honest review. This book will be for sale February 21, 2017, and those that love good fiction with a working class perspective will want a copy.
The tiny town of Riptide, Oregon is knee deep in grief. A recent head-on collision claimed the lives of Melissa Finster, mother of Sam and Trina, and June Dobbs, the town’s beloved librarian and wife of Sheriff Dave Dobbs. The blow has left everyone reeling and on edge.
Someone else is missing Melissa too, though he can’t say so. Deputy Nick Hayslip–a Vietnam veteran who has no patience for the madness associated with that category, a vet who figures that you go home when the war is over, you put on your clothes and go to work and therapy is for losers–is coming unstuck. Nobody knows about his past with Melissa, and he finds terrible ways to keep her memory alive.
The teaser for this novel tells us that the story centers around Sam and Trina, and since the author generally writes the teaser, that must be his intention. However, I found Trina to be the weakest element here, and it was the other characters that made this story work for me. Part of this is just pure fickle bad luck for the author; I actually taught deaf kids of the same age as Trina, as well as gifted kids that age; and in one instance, a gifted deaf kid that age. It’s true that the gifts of highly capable children vary widely in scope and range, and that every child is unique, but the vocabulary and abstract concepts Rosson bestows on this kid are just not within the realm of the possible, and so Trina isn’t real to me until later in the book, when things other than her obsession with nuclear holocaust are used in the development of her character.
The most interesting character and unlikely hero here is Hayslip. Also beautifully developed are Sheriff Dodds and Sam’s closest friend, Todd, known familiarly as “Toad”. Alternating points of view from the third person omniscient give us ready access to their thoughts, impulses, and feelings.
An interesting side character is zealous Christian wingnut Joe Lyley, who says in a somewhat uncharacteristic understatement, “These are unlovely times.” I also liked Leon Davies, whose role I will let the reader discover, because it’s such a fun surprise.
The setting is almost an anti-tourist brochure. The Oregon Coast is well known for its wild, rugged beauty, but Rosson chooses to introduce the other reality, that of the many local denizens that endure a hardscrabble working class existence in small, chilly, damp coastal communities that rarely see the sun. The moldering smell of rotting wood, porches and floors with a sponge-like give under foot are dead accurate, although the town of Riptide is fictitious; the recession of the 80’s plunged small beach towns into a depression from which there has never been a moment’s relief.
This is a strong story with a tight, tense climax and a powerful resolution. This darkly delicious novel shows that Rosson is a force to be reckoned with; I look forward to seeing more of his work in the future.
Always, Sarah Jio’s much anticipated new release, takes on the homelessness epidemic using the powerful medium of fiction. I received my copy in advance in exchange for an honest review; thank you Net Galley and Random House Ballantine for the DRC. This title is available to the public today, and if you have enjoyed Jio’s other novels, I am confident you’ll like this one too.
Kailey Crane is a journalist living in Seattle during the 1990s, and she has the whole package: a great job, a wonderful city, and a wealthy, handsome fiancée. It’s the life other little girls dreamed of but didn’t get. Then one night as she and Ryan are leaving a restaurant, she literally bumps into a long lost love. Cade McAllister is the man Kailey had been going to marry until he disappeared. He practically vaporized. Stunned and humiliated, she picked herself up and rebuilt her life, and now here he is, a half-crazed homeless man living downtown on the streets.
What the heck happened?
Kailey wants to marry Ryan, but she also wants to help Cade find housing, medical care, and food. Ryan makes it easier by agreeing that she should do the right thing. Quickly she learns that it isn’t as simple as it seems. There’s a whole safety net in place for people like Cade, except that it doesn’t work. In fact, without her own ready access to Ryan’s money, she can do virtually nothing for Cade. But it’s all right, because Ryan is on the side of the angels; he sees that this cause is a just one, and he’s a generous guy. He’s in love, and he’s feeling expansive.
The problems begin when Kailey starts missing key wedding events because she’s off helping Cade, or trying to. She becomes so involved with one thing and another that before she knows it, she’s over an hour late. There are out of town relatives that are present, but where’s the bride? And before we know it, she’s telling lies, and sometimes they don’t even seem necessary. I want to reach through the pages of the book, yank Kailey into the kitchen and talk to her.
What are you doing, girl?
Fissures in her relationship with Ryan turn into fractures as he senses the level of her obsession, and he doesn’t see things as she does anymore. His material interest is involved, since a project his development corporation is about to undertake conflicts with an already established homeless shelter in Pioneer Square, a historic part of Seattle’s downtown. He questions why so many resources are required for the homeless; aren’t these mostly drug addicts and crazy people? There ought to be a simple way to dispatch the problem.
A strong story overall is somewhat tarnished by what feels like a glib ending. I recall a favorite episode of the Muppets when Miss Piggy is working a jigsaw puzzle, and she hates to be wrong, so she slams a piece into a hole where it doesn’t belong and howls, “I’ll make it fit!” The ending of this story brought the episode back to me, because Jio seems to be doing more or less the same thing.
Recommended to fans of this successful romance writer.
Fans of Emerson’s Thomas Black mysteries will be as pleased as I was to see this, the 14th in the series. Black took a very long nap and seemed to have all but disappeared for awhile, but then he was back with Monica’s Sister, followed by this title. There was no DRC for this one, so I picked it up free using my Amazon Prime digital credits. It was a good way to spend them. The book was released in 2015, so of course you can get it also.
We start out with one of my three most tired devices for a mystery novelist: Black and his sidekick, Snake are hogtied in the trunk of a car. I rolled my eyes in the way that made my second grade teacher caution me might make them stick that way forever—an outstanding science lesson that remained with me long after the legitimate curriculum had drifted away—but because I like this series so much, I kept reading anyway. And it was worth it.
Eventually of course Black stops discussing being stuck inside the trunk, and he remembers back, back, back to how all this came about. And that’s the story that is great fun and also well written.
Black grew up in the working class here in Seattle, but his father did errands and handyman work for a wealthy widow that went by the nickname Doda. Dad is long gone, but Doda is still there, and she hires Black to find Pickles, a dog she gave to Mick and Alex Kraft. The Krafts, by peculiar coincidence, had also tried to hire Black recently in order to find out who was harassing them; Mick had experienced a string of terrible luck that he believed was too sudden to be a coincidence. Black told him that sometimes bad luck really is just bad luck, but the next thing you know, they’re both dead. Police are calling it a murder and suicide; Doda just wants the dog back. She’ll pay a pretty penny if Black can find Pickles and bring him safely home.
In this matter, Black’s friend Snake, usually the irresponsible party where the two friends are involved, is the sensible one that points out the truth, a very good reason to turn the dog job down:
“You hate rich people. Think about these guys. The rest of the world works for a living, but these guys have nothing to do all day but drink Mai Tais and sit around the pool waiting for their dividend checks to arrive in the mail. It burns you up. I know it does.”
Snake is right. Black hates the rich, and I have a sneaking hunch that Emerson does too. So in this tale, we have a couple of spoiled men—no longer young enough to be called brats—known as Chad and Binky. One is Doda’s son, and the other is the son’s best buddy. Their massive resources coupled with a life of leisure and surfeit of free time give them the capacity to play elaborate pranks, and both show a solipsistic disregard for the effect their games have upon the lives of others. They fit Snake’s description to a tee.
Nevertheless, Black takes the doggy job, and so we have two mysteries, the official dog-finding mystery, and the unofficial mystery Black’s conscience requires him to tackle regarding the Krafts.
One small fact-checking blooper hit my I-don’t-think-so-button, and that was the widely-believed myth that all juvenile records are sealed once the doer of the crime turns 18. In reality, after a number of years, a hefty filing fee, and a ton of complicated paperwork, the person in question can have the particulars of their crime locked away, but if it was a relatively small offense, that may make matters worse, because anyone running the background check will see that the person did something in their youth that they want concealed. Most juvenile offenders never want to see a courtroom again when they are older, and most don’t have the extra money to throw at a court procedure anyway, so the misdeed stays on the record until they grow old and die. It never vanishes from the record, as some folks, sadly some of them juveniles looking for trouble, believe. At least, that’s the truth in Washington State, and that’s where Emerson lives and where his story is set.
Now back to our story. Emerson is a champ when it comes to pacing, and he’s one of the best there is when it comes to bouncing a straight man off a colorful sidekick like Elmer “Snake” Sleazak. The story would be no fun at all without Snake, but with him, it’s immensely entertaining. The sly banter and the unexpected, off-the-chain behaviors will put a smile on your face; if you don’t find him funny, check your pulse to make sure you aren’t dead. Add another side character, a neighbor kid named Charlie that was friends with Pickles the dog, and there’s charm all over the place. People often underestimate kids, who are often our best observers: “Charlie knew the neighborhood like a cheating husband knew every creaky stair on his front porch.”
This is a page-turner that will make your own troubles seem oh so small, and for those that find themselves with a long weekend at hand, this book will provide the excuse you may need to just chill for awhile. One way or the other, this is a well written story, deftly handle with just the right balance of mirth and suspense. My records tell me I have read over 700 mysteries since 2012, and that doesn’t even take into account most of what I read during the previous decades of adulthood, and so I am picky. I see a device that I’ve grown tired of, and a star falls of my rating. But as for you, if you lean leftward and love a good private eye story, this could well be a five star read.
Recommended to those that lean left and enjoy detective fiction and comic capers.
Doctors tell us that laughter improves our health. Now and then, I go in search of laughter in my favorite medium, between the covers of a good book. Thank you to Net Galley and Doubleday Publishers for this DRC. Not only is The Grand Tour achingly funny, it’s also strong fiction. It is available to the public August 9, 2016, and you ought to read it.
Our story centers around two protagonists in equal measure. Richard Lazar is an author who has written one lukewarm release after another, drunken, cynical, and utterly thoughtless of anyone other than himself. He’s lost his family and his health can’t be far behind, a “smoking Yugo of a body” constantly drenched in alcoholic beverages. Suddenly and unexpectedly, his most recent novel has become a blockbuster. A tender, idealistic young man, a fan club of one named Vance, our second protagonist, quits his job at the Pizza Boy, desperate to get away from home and spend time with the writer he idolizes. He becomes Richard’s roadie, dragging him out of one bar after another, conveying him across the western USA to speaking engagements and book-signings.
His Portland book signing takes him to a fictitious bookstore, a thinly disguised version of Powell’s City of Books, one of my favorite places. Richard manages to disgrace himself there, and it won’t be the last time he does so.
The journey through Las Vegas is the most resonant and brilliantly described I have yet seen in literature; each your heart out, Hunter Thompson.
Often literature billed as dark humor turns out to be merely dark, and I was delighted to discover otherwise here. I laughed out loud in a number of places. At the same time, the author does a tidy job of developing both main characters in much greater depth than I had anticipated. Hoping for a romp, albeit a grim one, I wound up holding my sides at the same time I absorbed a fine novel. It is excellent surprises such as this one that keep me reading galleys by new writers. This one is smart and wickedly clever. Of particular satisfaction was the denouement involving Vance’s character.
All told, it’s a savagely funny read. It comes out today, and you should get it and read it.
Ford is the rightful heir to the late great Donald Westlake, a writer of monstrously amusing mysteries full of quirky sidekicks and kick-ass, zesty dialogue. There’s nobody like him in Seattle or anywhere else. I gobbled up the DRC when it became available via Net Galley and publishers Thomas and Mercer, so I read this free in exchange for an honest review. But I’ll tell you a secret: if I’d had to, I’d have paid for this one had it been necessary. And so should you. It’s for sale today, and you can get it digitally at a bargain rate.
But back to our story. We open at a bar called the Eastlake Zoo. The band of misfits to which detective Leo Waterman is tied through bonds of family history and quixotic affection are rocking the house in “well-lubricated amiability”. In fact, there’s a story being told right as we begin, and if it doesn’t hook you, check your pulse, because you’re probably dead. Here:
“Red Lopez was a spitter. When Red told a story, it was best to get yourself alee of
something waterproof, lest you end up looking like you’d been run through the
Elephant Car Wash.
‘So we was comin’ down Yesler,’ Red gushed. “Me and George and Ralphie.’
Everyone had found cover, except the guy they called Frenchie, who was so tanked
he probably thought it was raining inside the Eastlake Zoo…”
As it happens, Waterman, who’s inherited his old man’s ill-gotten wealth, has been lying low and enjoying the good life, but now his late father’s hideously distinctive overcoat has been found on a corpse, and Timothy Eagen of the Seattle Police Department want to talk to Leo. Now. There’s bad blood between them:
“…he hated my big ass the way Ahab hated that whale…Eagen was a skinny little turd with a salt-and-pepper comb-over pasted across his pate like a sleeping hamster.”
Since SPD has been under the eye of the Feds lately, Eagen can’t give full rein to his attack-Chihuahua impulses. SPD needs to provide “the kind [of law enforcement] that doesn’t look like Ferguson, Missouri or Staten Island, New York.” So Waterman doesn’t get shaken down or tossed into a cell, but his curiosity is piqued, and since he has no paying job and time on his hands, he finds himself checking into a few things. One thing leads to another.
What relationship does the victim, known as the Preacher, have to Mount Zion Industries, whose pamphlet is found among his effects? Before we know it, Leo is off and running, checking out Salvation Lake, located at the end of Redemption Road. Events tumble one upon the next, and I found that instead of reading in my bed that evening, as is my usual bedtime custom, I was reading on it, bolt upright and clicking the kindle to go a little faster please.
Waterman may have come into money midway through life, but his perspective is a working class perspective. His take on the city’s thousands of homeless denizens and the relationship that cops have to those in need strike a sure clear note that must surely resonate with anyone that’s been paying any attention at all.
Meanwhile, Salvation Lake is written with warp speed pacing, sharp insight, authority, and the kind of wit that can only come from a writer that has tremendous heart.
Don’t miss it. Get it now.
The Violets of March is a crossover title, part cozy mystery, and partly—maybe mostly—romance. I purchased it for myself years ago, back when I was teaching, not advance-reading, and buying all my own reading material. It’s not a bad book, but given that I had paid full jacket price for the trade paperback version after reading some rave reviews, I felt let down. It’s a pleasant read, but it didn’t live up to its hype.
Nevertheless, once I had it in my collection, I was glad of it, because at the time, the other books I was reading were the sort that grab the reader by the hair and won’t let go till they’re done. I needed a calmer, more sedately paced novel to read at bedtime, and this was it. It held my attention, but it didn’t keep me awake when it was time to turn out the light.
Our protagonist is Emily Wilson, whose life, up till now, has been lovely. She is a successful author and married to a gorgeous man; what more can she want from life? But then one day he announces he is leaving her for someone else. Boom. Gone. She retreats to the home of her beloved aunt on Bainbridge Island, which is off the coast of Washington State, to lick her wounds. While there she finds herself ferreting out mysteries buried long ago. The plot becomes a story inside a story, and three different narratives are counter posed, two from the past, one from the present.
At the same time, Emily commences dating again. Here I am comfortable, because this isn’t erotica, it is an old fashioned love story, with the protagonist trying to choose between two men, one an old flame from high school, the other a local man she hasn’t known before.
The character development is not what I might hope for, but then this is a debut novel. It’s shallow, but it’s also soothing. It held my attention until I got a little bit sleepy, and then it didn’t anymore, which was exactly what I needed.
In addition, it is the sort of novel one could hand to a bookworm daughter of a fairly young age, if her reading level and interest were there, without worrying about content. Likewise it could grace the shelves of a middle school or high school classroom without a concern that parents would storm the school (as once occurred when I put The Color Purple on my honors shelf).
That said, I won’t pony up full cover price for this author again. But then, I rarely do that anymore anyway.
Those seeking a light romance with some cozy historical mystery elements to read at bedtime or on the beach could do a lot worse for themselves. It’s a matter of taste and priority.