Category Archives: women’s rights

The Education of Dixie Dupree, by Donna Everhart*****

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theeducationofdixieduI rate this 4.5 stars and round it upward. Thanks go to Kensington Publishing and Net Galley for the DRC, which I received in exchange for this honest review. This courageous novel, one that takes place in the past but couldn’t be more timely, is going to create a lot of buzz. Get your marshmallows ready, because I think I smell hot tar and burning wood…or is it paper?

A note: there’s no way to review this without providing at least the basic elements of the story. If you want to avoid spoilers entirely, read the book, then come back and check my viewpoint against your own.

Although it’s billed as being a story about mothers and daughters, and about secrets that pass from one generation to the next, that wasn’t my take away from this one, I have to say. From where I sit, the story is about domestic abuse, and about domestic abuse, and about domestic abuse. I haven’t seen a solid YA novel take this on in such a straight forward manner, and I think there are a lot of children, girls in particular, that will benefit from reading it. Would I read it out loud to a class? No, I would not. Rather, it’s a story better saved for reflection and possibly for discussion in a small group or with a reading partner. It takes a lot of trust just to talk about this book. In some school districts, teachers may face the battery of parental approval and permission slips. Oh, good luck with that.

Dixie tells us her own story. She’s born in a tiny, impoverished hamlet in Alabama in the 1960’s. Her parents are having money problems, and their relationship isn’t going well. Evie, Dixie’s mother, is on the verge of a breakdown of some sort, and she takes out her frustration and rage on the child that looks just like her, and that of course is Dixie. In an effort to apologize, she sits down with her daughter later on and tells her that there are times she can’t control herself:

“’I can’t explain why I react like I do sometimes, you know? It’s done and I can’t take it back, although God knows, I wish I could.’

“I whispered, my voice hoarse, ‘God don’t hear us.’”

At one point a social worker shows up at the house and Dixie has to decide whether to spill it or sweep it under the rug. It’s interesting to see how it plays out.

Ultimately, Evie summons her family for help, and Uncle Ray comes all the way from New Hampshire to lend assistance. Unfortunately, Uncle Ray has a whole lot of demons of his own.  Dixie doesn’t like the way Ray stares at her as if she were his next meal; she doesn’t like the way he brushes up against her. But when she tries to tell her brother how she feels, he laughs at her and points out that she isn’t all that attractive, and her body hasn’t exactly grown boobs; why would a grown up man be interested in dumb old Dixie? And so Ray, who is the sole source of grocery and clothing money for this miserable clan, is left to do what he wants to do unchecked.

“Uncle Ray smelled different, not of Old Spice, but something else, something sharper.”

When Dixie threatens to expose him, Uncle Ray points out that it’s basically his word against hers, and would she prefer he close his checkbook and drive back to New Hampshire? By now Dixie knows what it’s like to be genuinely hungry for days on end. President Lyndon Johnson’s Great Society plan has not yet taken root; there isn’t any assistance available from the state. Sometimes a kid had to stay quiet or starve.

“I felt something break, something turned off like a light switch in the very center of me.”

It’s a hard, hard story to read, and yet I can’t help think of all the girls and women that will read this book and know that they aren’t so strange or terrible, and that this does happen to other girls in other families.

I’ve tried not to give away more than the broadest contours of the story so that you can find out the details for yourself. One thing that I would change if I had the power is the whole adoption thread, which is superfluous and In its own way, more harmful than helpful. It’s almost as if the author is afraid to acknowledge that blood relatives will do this thing to their very own children; yet they will. Hell yes, they will. Any teacher that’s been in the classroom for a few years can tell you that much.

As for me, I have my own story.  [Skip paragraph if you prefer to stick to the book itself.] There were some awkward guitar lessons I had when I was about twelve years old. My guitar instructor had recently decided to teach out of his home; he lived alone. One day after my private lesson, my father asked me, in the car, how that lesson had gone. I was a little afraid of being made fun of, but I told him anyway that my instructor made me feel uncomfortable. I felt as if I spent as much time walking my folding chair away from his as I did working out the chords on the neck of my instrument. I’d move over; he’d move over. His hand would land on my thigh while we were talking. I’d flinch, pull away, and move my chair. He’d move his chair. All of this within the framework of a perfectly normal guitar lesson, if you ignored all the strange furniture and hand-moving. My father, who died in 1978, heard what I said and told me we could get another guitar teacher. I asked if I would have to be the one to tell the man that I wasn’t returning, and he said no. Just consider that chapter over and done.

If only it could be so easy for everyone.

The book isn’t easy, but girls deserve the chance to read it if they want to, and likely there are some boys that could stand to read it, too. This book is for sale now; highly recommended.

The Whole Town’s Talking, by Fannie Flagg*****

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 “Up on the hill, Lucille Beemer said, ‘Good morning, everybody.’

“Two hundred and three people just waking up answered, ‘Morning’.”

thewholetownstalking Fannie Flagg is legendary, and rightly so. In fact, at one point in my reading of this DRC, I reflected that someone with her power to move people has power indeed; how fortunate that she uses her gift to benefit the rest of us. I don’t know about you, but I am ready to read something that provides a level of reassurance that all has not gone sour in this world, and that everything passes, sooner or later.  I was  fortunate to read this free and in advance thanks to Random House and Net Galley, but it’s one of the very few books for which I’d have paid full freight if it came down to it. It hits the shelves November 29 and is available for pre-order right now.

Our story begins with the first residents of what will become Elmwood Springs. Lordor Nordstrom arrives from Sweden, and after months of searching, finds the perfect place for his dairy farm in a pleasant spot in Missouri. The year is 1889. He puts up a house, buys some cows, and then, as a founding father, he decides he will donate a piece of land, because every town needs one thing for sure…a cemetery.

“Lordor guessed that preparing a place to spend eternity and trying to figure out how many places to set aside for himself was what made him think about his future.”

I went back and reread that sentence a couple of times; it begins our second chapter. Oh my but Flagg is droll. If one were to read this gem with half a mind on other things, nuggets like this might be missed.

The years go on, and with brief, colorful chapters, Flagg develops the town, introducing new residents that move in or are born here, and at first it seems as if the story is cotton candy, all fluff and sugar. But just as the impression is formed, it is vanquished, because our author is just warming up. Moments that are poignant, bittersweet, and darkly funny are sprinkled in lightly as we start, because after all, we are new to Elmwood Springs.

But the longer we stay there, the more intimately we become acquainted with its denizens and their peccadilloes, and then the more emotional aspects of the story unfold, almost as they might within your own large family or tightly knit community. Flagg convinces me that these people are my people, and her characters are so brilliantly developed, so utterly convincing that even when one of them does something surprising, I understand how that has come to pass.  And every time I think I see where she is headed with one thread or another, she surprises me.

About a fourth of the way in, someone dies and we find them interred, of course, at Still Meadows. But there’s an engaging twist to this aspect of Flagg’s story: the first person to pass wakes up when someone new arrives and greets them. They may be six feet under, but they can see what’s happening at the cemetery, along with everything that can be seen from the cemetery, just fine. And so the discussions that took place in life continue after death, and the dead look on avidly and wait for word of the loved ones they left behind.

As the story develops and characters’ lives are more deeply explored—always remaining more light than dark, and without a single word anywhere that isn’t needed—it occurrs to me that she just may have done it again.

Some people like to take gadgets apart to see what makes them work; I enjoy doing that with literature. And so I find myself looking back at my highlights and notes, looking for what, apart from a dry, accurate wit, makes this writer’s work so special. Some of it is an alchemy whose elements can never be described perfectly, taking ordinary Americans and spinning them into gold. But part of it is undoubtedly her deep respect for working people, and her readiness to see redeemable qualities in characters that upon first glance seem abrasive and unlovable:

“Ida had always been different. At school, when all the kids used to play church and one would be the preacher, another the preacher’s wife, a deacon…Ida said she wanted to be God, because she was the only one who knew how to do it.”

But later, once she was grown, “Someone else remarked, ‘By God, if Ida had been a man, she would have made general by now.”

She also acknowledges that once in awhile, someone comes along that no matter what heroic effort is made on their behalf, will never do anything good for anyone. Hey, it happens.

The comments that are made by various characters reflect both the character’s outlook and usually, the prevailing attitude of the time period as she rolls the town steadily forward to 2016.

And this leads to one cautionary note: as with all of Flagg’s work, it is essential to read the chapter and section headings, which provide context. This reviewer once taught a group of teenage honors students that were unable to make heads nor tails of Fried Green Tomatoes, and I discovered it was because they weren’t reading the chapter headings, and so they didn’t know what the time period was or whose point of view they were reading. Don’t let that happen to you!

Finally, I want to thank the author for the kindly manner in which she draws teachers.  Fannie Flagg, every teacher I know that talks about books, loves your work. We need the encouragement sometimes, and your friendly regard means a great deal.

Highly recommended to everyone.

Hot Flashes, by Barbara Raskin***

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hotflashes“Hot flashes are rolls of unreasonable, unseasonable heat that create a rush—a flush that floods the face from neck to hairline. A hot flash is itchy, prickly and provocative—like a sudden spike of fever that produces a mean and cranky irritability.”

Raskin’s novel about a group of middle-aged women that come together to mourn and bury a dear friend was a New York Times bestseller many years ago, hailed as a “landmark women’s novel” at the time it was first released. I was invited to read and review it by Open Road Integrated Media and Net Galley.  And on the one hand, I can see why it was considered ground-breaking in 1987, but on the other hand, some novels age more gracefully than others, and this one doesn’t. My three star rating applies to a niche audience of middle class Caucasian feminist women from the Boomer generation, but even for us, some of what is found here rings insensitive and tone deaf, because the world has moved on, but Rankin’s novel remains the same.

Suki has died, and her friends come to her home, because she has nobody else apart from her teenage son, David. Suki had a breakdown around the time Max divorced her;  Ivy League educated Caucasian women raised in the US during the 1950s grew up with the societal expectation that their own talents were secondary to those of their husbands, and so they placed their own careers—Suki and all of her friends are writers—on a back burner in order to be good wives, mothers, and hostesses. The whining, entitled tone with which the book starts out, giving an overview of a life lived with Caribbean vacations, expensive wardrobes, endless tennis matches and fancy parties is going to set a lot of readers’ teeth on edge. It did mine, and I would not have finished reading it if I didn’t have an obligation to the publisher.

But underneath it all, there’s a second reality, and that’s what perhaps makes this book worth bringing back: these women, the ones that “kept our slave names” once they are divorced so that the ex-husband can marry a pretty, young trophy bride and set his first wife out to pasture, often find themselves with no job skills, their diplomas from Radcliffe and Yale obsolete after sitting in a drawer for thirty years or so, and so they find themselves with no income. Many of them had become isolated during their years of housewifery, staying inside the home to keep it tidy and welcoming whenever they were not driving a carpool of children or running household errands; there is something diminishing in telling an intelligent woman that the right thing to do is to iron sheets and shut up. So there is a Virginia Woolf-ish quality to some of this novel, and it is there that it finds some redemption.

That said, you need to brace yourself for the rest. These women consider themselves progressive if not radical, having prided themselves on their dedication to fighting the US war against Vietnam, and some dabbled momentarily, it seems, in the Civil Rights movement also. They have one African-American friend that appears after the 80% mark to become the token Black buddy, and she gets to deliver a few very wise lines before fading back into the distance. One of the Caucasian women makes a remark about Suki having been “colorblind”, and this made me want to punch a wall. But readers born later than 1970 should understand that white supremacy as an underlying assumption of daily life was eerily prevalent in Caucasian households during the period when these women were young; at that time, pretending that all races were alike was well-intended though frustratingly ignorant.

Another aspect of the text that seems hugely off base today but that was common to most progressive literature of the 1980s is that every single person in this supposedly forward-looking atmosphere is straight. Don’t even think about gender identity issues; back then there was still a hugely prevalent assumption that women loved only men and men loved only women, and everyone was comfortable with the sex organs with which they were born.

And so a formerly progressive book now sounds really off kilter in many, many places.

For those that have been deeply immersed in women’s literature from all eras, including the eras of Charlotte Perkins Gilman and Virginia Woolf, this book might be a worthwhile addition to your collection. But as general fiction, I cannot give it a solid recommendation.

This book will be released digitally August 9, 2016.

Notorious RBG, by Irin Carmon****

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notoriousrbgIf I were to review the subject of this memoir rather than the book itself, it would be a slam-dunk five star rating. As it is, I can still recommend Carmon’s brief but potent biography as the best that has been published about this fascinating, passionate justice of the Supreme Court of the United States. I have no doubt many more will follow, and it’s possible I will read every one of them. As it stands, this is a rare instance in which I turned my back on my pile of free galleys long enough to ferret this gem out at the Seattle Public Library, because I just had to read it. You should too.

I’m an old school feminist from the seventies, but Ginsberg is one from the fifties. How is that even possible? Imagine the courage it would take to step forward at a time when no women’s movement even existed! She sued Rutgers University for equal pay and won. Later, she was the first female law professor at Columbia University, and she sued them for equal pay too. She volunteered as an attorney for the New Jersey American Civil Liberties Union, represented custodians in a class action suit, and later, when the Free Speech Movement on campuses in the 1960s began to warm up, she was already red hot and ready to go.

The best parts of Carmon’s memoir are the primary documents, because we get to see RBG’s own words. Ginsburg was made a federal appeals judge by President Jimmy Carter and moved to fill a vacancy on the U.S. Supreme Court by President Bill Clinton. She’s issued a number of tremendously eloquent decisions, and has chosen to read her dissent aloud, a thing not usually done, a record-breaking five times at the time this book was written. The lacy-looking necklace that fans out on all sides of her neck is her dissent collar, and so those that hear the Court deliver its decision can see exactly where Justice Ginsberg stands as soon as they see what she is wearing.

At times such as these, in which a woman in Indiana was recently sentenced to 20 years in prison for having an abortion [reference mine], it gives women hope to know that there is a fighter on the Supreme Court who’s looking out for our interests. It doesn’t mean that women can step away from this political battle, but it’s a thing that encourages us and lends us fortitude.

In January, it is rumored that Ginsberg will release her own memoir, one that relies heavily on her court decisions. Likely this will be an even better memoir than this one. For now though, this uplifting, funny, well-documented memoir is as good as it gets. Go get it.

City of Darkness, City of Light, by Marge Piercy*****

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cityofdarknesscityoflightPiercy is a legend among feminists, and her writing was pivotal in my own development during the late 1970s and early 1980s as a newly-hatched adult. When this title, a novel based on the French Revolution, came out in 1996, I put it on my Christmas list and read it hungrily once I received it. When I noticed that it was released digitally this spring, I scored a digital copy from Open Road Integrated Media and Net Galley in exchange for this honest review. It’s a novel that is definitely worth reading twice.

Piercy is brilliant not only in bringing characters to life—and she did a prodigious amount of work before doing so, reading piles of biographies, memoirs, letters and other documents—but also in conveying the reader to the time and place In question. I think it’s because of this that her novel helped me to understand how such an amazing, incredible thing, the revolution, the democratic impulse that overthrew a monarchy, could end so badly. Dry history texts chronicle the “excesses” of the Jacobins. Say what? How meaningless is that? And it is by being able to see the roles played by key figures in the revolution, including the women that are usually left out, that I can see why the leadership degenerated as it did. An inexperienced working class with no background in how to organize a struggle ultimately paid the price, but in the end, the nation was still better off than it had been beforehand.

Using the grammar and conversational conventions of today for easier access to a popular audience, Piercy transports us back to a time when a life expectancy was less than fifty years for most people; open sewers flowed through the streets of Paris, causing horrible illnesses and a high infant mortality rate; and a starving seven year old child could be publicly hanged for stealing bread.

In fact, the bread riots led by the women of Paris were where it all began.

One thing readers should know if they read this novel digitally is that there is a glossary of sorts, a long list of characters and a few basic facts to identify them, but it’s at the back of the book, so you will want to go over it before you start and then refer back to it when you find yourself confused. The topic is huge, and you may need this cheat sheet, so it’s good to know it’s there. There are so many historical characters here, and if you aren’t fluent in this area, you may lose track of Robespierre, Danton, Madame Roland, and oh of course, Marat. And back then, Camille was a man’s name!

Piercy tells the story using the points of view of a wide range of figures important to this struggle. She gives a fair hearing to the perspectives of those that stood left, right, and center in this conflict, denying a sympathetic ear only to royalty—and even Marie Antoinette is treated with surprising sympathy. I came away feeling as if I knew so much more about the French Revolution and its terrible conclusion when I had read it, and rereading it was even more helpful, because it’s a lot to digest all at once, even if one is already aware of the broad contours of this pivotal time in French history.

When I love a book hard, I push it at everyone that comes within my reach, and I have pushed this particular novel at a lot of people over the years. Given how many times I loaned out my own (purchased) hard cover copy, it’s surprising that it isn’t falling apart, and maybe even more surprising that it’s always been returned to me.

Whether you prefer to read digitally or to purchase a paper copy, City of Darkness, City of Light is the most readable, accessible treatment of the French Revolution that I have seen. The fact that Piercy includes the key role played by women, both among the toiling masses and the elite salons of the intelligentsia makes it even better.

Recommended wholeheartedly to anyone that wants to understand the French Revolution!

Radio Girls, by Sarah-Jane Stratford*****

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radiogirlsFearless women change history.

Radio Girls is a fictionalized account of the British Broadcasting Corporation and the remarkable women that shaped it. As we near the centennial of women’s right to vote in the USA and the UK, Stratford’s riveting historical fiction could not be better timed. I received my copy free and in advance thanks to Net Galley and Berkley Press in exchange for this honest review. I am overjoyed to be able to recommend this new release unequivocally. You have to read it.

Maisie Musgrave is born in Canada and raised in New York City. Tossed out of the nest without a parachute by unloving family, she makes her way to Britain, the place her heritage began. She wanders into the BBC half-starved and looking for an honest way to pay for her room and board, hoping in the meanwhile to meet a man she can marry for financial security.

At the BBC she meets supervisor Hilda Matheson, who fears nothing:  “Give that woman an inch and she takes the entire British Isles,” a colleague remarks.

Under the firm and commanding wing of Matheson, Maisie’s confidence and talent grow daily. It’s a very good thing, because over the course of time, more will be demanded of her than secretarial skills and errand-running.  My busy fingers marked one clever, articulate passage after another to share with you, but to enjoy Stratford’s fresh, humorous word-smithery, you really need the book itself.

Occasional historical figures drop in—Lady Astor, who was a moving force in the development of the BBC and a champion of women; Virginia Woolf, early feminist writer and crusader. Yet Stratford metes out these references in small enough batches that it’s clear she isn’t relying on them to hold her story together; rather, they are the cherry on the sundae.

Setting of time and place, pacing, and a million twists and turns in plot make this a good read, but it’s the character development that makes it a great one. I found myself wanting to talk to Maisie and cheering her on when she broke through to higher ground personally and professionally. I feared for her when she veered into dangerous waters and nearly wept with relief each time she was able to extricate herself and move forward. There isn’t a slow moment or an inconsistent one, and the protagonist is just the character women need to see right now as we move forward too.

How much of this is based on truth and how much made up for the sake of a great story? Read the author’s notes; she spills it all.

All told, Sarah-Jane Stratford’s historical feminist tale is perfect for today’s modern feminists—and those that love us.

This book is available to the public Tuesday, June 14. Change the screen and order a copy for yourself now. You won’t want to miss it!

 

Florence “Flo” Kennedy: the Life of a Black Feminist Radical, by Sherie M. Randolph***

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Florynce Flo KennedyFlo Kennedy was a force to be reckoned with, dismissed by a portion of mainstream Caucasian America as a kook, yet far too clever, too cagey, and too damn smart to be wished away by those that wanted to defend the racist, sexist status quo. When I saw that a memoir of her life was up for grabs at Net Galley I requested a copy immediately, and then took a long time to finish reading it. Part of my tardiness is a stubborn dislike for the PDF format, and so I apologize to University of North Carolina Press and my readers for being so slow; yet a small part of it was the surprisingly dry quality of the memoir. Given the subject, I had expected this biography to set my hair on fire.

Though she was new to Randolph, according to the introduction, Kennedy was no stranger to those of us in the Boomer generation. Her audacity, her wit, and her raw courage that at times bordered on recklessness made for great theater and fascinating press coverage. Raised by parents that taught her not “to take any shit” long before the Black Power movement or even the end of Jim Crow, Kennedy pushed the margins. She studied, worked, and fought her way into Columbia Law; she defended famous individuals like Billie Holliday and Stokely Carmichael, and she did it with style.

By far the most significant part of her legacy was the leadership she demonstrated in bringing together the women’s movement of the late 1960’s and 1970’s with the Black Power movement. As a young woman sending out my own tendrils into the larger world apart from high school and my parents’ home, some of the most influential feminist speeches given were by Kennedy and Gloria Steinem, and sometimes they appeared together. I never got to see them in person, but it didn’t matter that much, because I knew what they had written and what they had said, and soon I was attending meetings of NOW, the National Organization for Women, which was the leading women’s rights organization in the US before their split over women in the military later in the 20th century. Because of women like Kennedy and Steinem, I fundraised my fare to national marches on the Capitol for women’s right to choose whether to reproduce, and to fight for the Equal Rights Amendment.

So I owe Kennedy a great deal.

Kennedy’s confidence and controlled rage positively crackled; she made headlines and was often seen on the evening news. Once when I told a classmate that I wanted to support a female candidate for president of the US, he told me that if I was going to vote for a protest candidate, I should shoot for the moon and vote for Flo Kennedy.

He had a point.

I don’t agree with everything Kennedy said or did, particularly her suggestion that rather than expending great effort to end the US war against the Vietnamese people, Americans should focus their energy toward supporting Black owned businesses. Say what? But nearly everything else she did was so vastly ahead of her time that it made me gasp in awe.

I understand that a memoir produced by a university press is generally going to be scholarly in nature, and that’s one reason I request works like this that are associated with such reputable sources. But a scholarly treatment doesn’t have to drone. By arranging a few of Kennedy’s livelier quotes up front and at chapter beginnings and endings, she might receive the treatment she deserves, instead of being consigned to the dustbin of history a mere decade, give or take a year, after she wore a tee shirt reading “I had an abortion” during her most senior years.

So although I know Randolph is new to Kennedy and probably also has some academic parameters within which she has to work, I still feel that Flo’s memoir should reflect her verve and character to a greater degree.

Nevertheless reader, if you care about women’s rights and the rights of African-Americans, if women’s history and African-American history hold meaning and importance for you, I think you should read this memoir anyway, because as of this writing, it’s really the only memoir of Kennedy that’s available. You can find some of her speeches in feminist collections, but no one else has tackled this woman’s life, and so until and unless something better comes along, you should get this and read it. Because a dry, somewhat conservative treatment of Kennedy is better than nothing.

Britt-Marie Was Here, by Fredrik Backman*****

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BrittmariewashereOh hey, today is Seattle Book Mama’s second birthday! Break open a bottle of sparkling water and toast my humble blog. I’ve done a lot of reading, and so much more is to come.

Britt-Marie is starting a new life after 40 years of marriage, and while she is driving with no destination in particular other than not-home, her car breaks down in a little burg called—wait for it—Borg. While  it’s being repaired, she becomes enmeshed in the life of this small, down-at-the-heels, economically depressed town. It sounds like a lot of stories, but oh, it isn’t. And I was really lucky to score this, a new one favorite, free of charge from Net Galley and Atria Books, in exchange for a fair review.

The beginning didn’t grab me. I incorrectly suspected that there was only one central point to the narrative and we were being hit over the head with it far more than was necessary. But I was fooled, because Backman is a sneaky-smart writer with a wicked sense of humor and a surprisingly philosophical bent. I was amazed at the depths this seemingly simple tale plumbed.

I don’t want to give you too much, and I could easily do it, having once again been carried away with my notes, which number over 300 in my kindle. I kept finding moments that were hilarious, or fascinating, or that just made me think. But here are some broad contours to start: Britt-Marie has lived at home all her life, first with her mother and later with husband Kent, who moved into her flat when they married, and so she has not even changed residence over the course of her life. When she was young she took classes and worked up a resume, but each time she got close to finding employment, Kent persuaded her that she was needed more at home, and so she has never had a job. Not once.

So after decades of marriage she decided not to notice the perfume on his shirt collar when she did the laundry, even though she herself does not wear scent of any kind. But when the woman phoned her home to tell her that her husband had had a heart attack, it became too obvious, too humiliating, and once she knew he was going to recover she tossed some things in a bag and got herself gone.

Now she wants a job, because she is afraid that otherwise she will die alone and no one will miss her. When you don’t show up for work, people notice, and she doesn’t want to pass from the Earth unnoticed and unmourned.

In the beginning some of the most hilarious passages involve socially clumsy, rude, or outrageous things that Britt-Marie does or says without intending harm. She’s clueless, but the further into the story we delve, the more we see more. We see that she is angry, too; she’s afraid of her own anger.

Although she has been taught through lifelong experience that her own needs should come last and that others should occupy the limelight, the residents of Borg, many of whom have plenty of quirks of their own, teach her that she has more value than she had previously realized.

They like her.

As the story progresses, all sorts of unforeseen twists and turns present themselves, and our formerly obnoxious protagonist turns out to have a tremendous amount of heart. I was watching to see whether the plot would become cloying or formulaic, but it never happened. And although the ending seemed a tiny bit contrived, at the same time I liked what it represented.

To learn more, you have to get the book and read it. And here there is great news: this book is available to the public, just released May 3, 2016. Highly recommended to all readers that are female or have women in their lives that mean anything at all to them. Seriously.

Small Changes, by Marge Piercy*****

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SmallChangesPiercyThis title was originally published in 1973 during the second wave of feminism that followed the US Civil Rights movement, and then the anti-war movement against the US invasion of Vietnam. Marge Piercy is a prominent veteran writer who spoke to women’s issues during that time and in years to follow. She doesn’t need my review, and neither does Open Road Integrated Media, I suspect, but my thanks go to them and Net Galley for letting me reread this wonderful novel digitally. I received this copy free in exchange for an honest review, but the reader should also know that I came to this galley with a strong, strong affinity for Piercy’s work already, and my bookshelves are lined with paperbacks and hard cover copies of her books. But they are thick and sometimes heavy to the arthritic hand, and it’s a joy to be able to read them on a slender electronic reader. It was released digitally April 12, 2016 and is available for purchase now.

In 1973, many young adults had cast off the fetters of the impossibly repressive social relations of the 1950’s and early 1960’s. Their parents, on the other hand, were frequently entrenched in the mores that had been with them all of their lives, and felt threatened by the new ideas—some of which were actually pretty stupid—that many Boomer era teens and twenty-somethings embraced. Some notions that were new then are ones most of us now take for granted. Most of western civilization is no longer troubled, for example, by the idea that a woman may want to have a career, and that some women don’t want to have children. Most parents no longer speak of marrying a daughter as a way to transfer the expense of feeding and sustaining her from themselves to a man.

But in 1973, these social mores were still really prevalent. So to readers younger than fifty, or perhaps younger than forty, some of Piercy’s text is going to appear to be over-the-top, a vast exaggeration. It isn’t. And I have to thank Piercy for the gift of her insights, which came to me while I was a young woman still determining what was and was not acceptable in my own relationships.

The sly way Piercy makes her most prominent point is in following the lives of women, two in particular: Beth, who at the story’s outset, is indeed being “married off”, and Miriam, the least-favored child of the family who goes away to school and moves into a series of unconventional relationships. There’s a lot of the cultural flavor of the late 1960’s and early 1970’s here, and Piercy uses her narrative to describe ways in which even the most enlightened women, those seeking to build bonds with other women and support them as they set out to fulfill their dreams, nevertheless find themselves mired in unequal, sometimes physically and emotionally abusive relationships. Women that believe they have liberated themselves by refusing to marry, or by joining a commune and not being monogamous, nevertheless find themselves trapped in destructive situations. Piercy shows us how every woman in her story can see that a good friend is in a bad place; each woman doubts herself first when she starts to reconsider her own entanglements.

It is interesting in hindsight that communal and non-monogamous relationships could be discussed freely, but lesbianism was still so far out on the periphery that not even the most trusted of straight friends were necessarily going to be in on the nature of the coupling. And this is dead accurate given the time period; I was there. And gay sex among men was a mental cobweb to be brushed away. Tran sexuality was still considered a sign of mental illness by nearly everyone, and it isn’t in this book.

Because it deals with relationships and the internal narratives primarily of women, with occasional side-trips into the heads of the men both women encounter, and also of other women Beth and Miriam are close to, this novel is likely to be labeled “Chick Lit”, a genre title I have become increasingly reluctant to use. Think of it this way: how many women have read novels that are entirely about men or one man, and considered what they just read to be relevant and at times, superior literature? And now I have to wonder why, when a book is almost entirely about women or a woman, told from a feminine perspective, it is assumed by so many people that men should not be interested in that literature also?

Note that this tome exceeds 500 pages. The text itself should be accessible to anyone with a high school diploma or equivalency, but not everyone has sufficient stamina to make it through a book of this length. However, if one is on the borderline, and especially if one is a woman interested in evaluating the nature of our most important relationships, this would be a fine place to begin reading longer books.

For those that enjoy reading about this time period, and for those interested in modern feminism as well as the history of American feminist thought, Piercy’s body of work, including this title, should be unmissable.  Her towering feminist presence was a beacon to so many of us, and many of the issues that were so urgent then are still urgent now.

Tears in the Grass, by Lynda Archer***

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tearsinthegrassTears in the Grass marks the debut of novelist Lynda Archer. It tells the story of three generations of Cree women, and in doing so also provides the reader with that tribe’s rich history and culture. Thank you to Net Galley and Dundurn for the DRC, which I received in exchange for an honest review. This book is available for purchase now.

Elinor is old. She is old enough to have been through the shameful period in North America in which Native children were forcibly wrenched from the arms of their parents and forced to attend boarding schools in order to become assimilated and indoctrinated into the dominant culture. Her traumatic memories are harsh reading, but it’s the only way that story can be shared with any degree of honesty. And there’s something she has held back from her daughter Louise and her granddaughter Alice: she has another daughter out there somewhere. She was raped by a Caucasian man, carried the baby to term, and then it was stolen from her. She knows that baby, now a woman, is out there somewhere, and she wants to meet her before she dies. She turns to Alice to get the job done:

 

“’Are you listening? I want you to find that child.’

‘ I don’t know what you’re talking about.’

‘Your mother’s sister. Your aunt. My daughter. I was raped in that damned school.’”

 

The point of view shifts throughout the narrative, with the dominant one being that of Elinor, but also including those of Louise, Alice, and a bison. It doesn’t always flow in a way that makes sense; sometimes we are rolling right along through one of the women’s narrative and suddenly the thoughts being voiced are clearly those of an animal, with no transition to mark the change. The first time, it is that of a taxidermied bison in a museum, and the effect strikes me as somewhat cartoonish rather than reverent. At other times, there is no possible way that the animal in question could be a bison, unless we allow for some magical realism.  Remember, however, that I read a DRC, and sometimes details that are going to be present in the finished work, such as lines that mark a change of setting or point of view, are missing.  Your copy may make these changes clearer.

A lot of social justice issues are worked into the flow of these three generational narratives. Louise recalls the Vietnam War, which makes her a senior citizen also. She remembers the slaying of Dr. King, and if these details are to be utilized to establish setting and develop the character, they might be more effective if included earlier in Louise’s narrative.

Alice seems the easiest for the reader to relate to, even though my own age is closer to that of Louise. Her contemporary spin and flexible thinking are more in line with what most young people of any age are likely to resemble. Her affection for her grandmother comes through the page, and although all three women are effectively developed, she seems the most tangible. Alice is lesbian, and so there is also this aspect of social justice as a subscript, though it stays primarily in the background.

But let’s go back to the grandmother for a moment. Along with the need to meet her stolen daughter, Elinor has one more key task on her bucket list: she wants to know what the secret is that Louise has been hiding from her all these years. And Louise doesn’t want to tell her or even think about it. It’s an interesting twist, and adds to the characters of both Elinor and Louise.

Though shaky in places, Tears in the Grass is a worthy debut, and the subscript, the history of the Cree people at the hands of European settlers, is a tough read but an essential one, a story often left out of the core curriculums currently taught. Kudos to Archer, who will be a writer to watch in the future.