Well, heck. I have so loved this author’s most famous #1 Ladies Detective series, and more recently have loved his new, satirical series starring Mr. Varg. When I saw this stand-alone collection of short stories—a genre I enjoy—I leapt at the chance to read and review it. My thanks go to Net Galley and Doubleday, but this one fell flat for me.
The collection is scaffolded by vintage photographs from The Sunday Times. Smith provides one of these photos at the start of every story, and then writes something (fictional) about the people and events displayed. I am initially deflated by these, thinking it might be a good fit for some readers, but for me more of a cure for insomnia, because Zzzzzz, when I find the italicized portion, which is intended to be a you-are-there insert. Why, why, why does every Caucasian reader under the sun think that the best way to add some World War II spice to a story, is to interject some of the racist slurs used widely at that time against Japanese people? True, it was a much more mainstream practice back then for white people to use nasty, racist terms to describe anybody and everybody that wasn’t Caucasian; you weren’t entirely safe if you were from Eastern or Southern Europe, so predominant was this tendency. Yet every author understands that if your book is to see wide circulation, you’d better not go tossing anti-Black references in as casual conversational terms. But ah—the Japanese! Now, that’s different. The Japanese don’t fight back all that much, so probably it means they don’t care. (Pause while I retch for a moment or two.)
This cheap-and-easy bit of vile, racist pop culture took this collection down from three stars to two. However, I can assure the reader that had it initially been a four or five star read, it would nevertheless have dropped to an unfriendly rating when I ran across such ugly language.
Shaara is one of my favorite authors, and so I was delighted when I received an invitation to read and review. My thanks go to Net Galley and Random House Ballantine; this book is for sale now.
Like everyone else, I bring my own experiences and biases to this novel, and this one is a potential hot potato. I am married to a Japanese citizen, and my in-laws still reside in Japan. The implicit, and at times overt racism that many authors bring to this topic—the Pacific theater of World War II, between the U.S. and Japan—ruins my mood for days, and consequently, I won’t even go near most nonfiction or historical fiction that focuses on this aspect of American history. When Shaara published To Wake the Giant, I signed on to read and review with great trepidation; I was afraid that I would not only hate the book, but emerge from it unhappy enough to abandon the author entirely. Imagine my delight when I found the opposite was true.
Shaara’s signature format is to portray the events that unfold through the eyes of key participants, delivering staggered narratives that include admirals and pilots on both sides as well as a code breaker on the American side. Shaara sticks to the truth, and by now I know this, so I’m not distracted by the need to fact check information that is new to me. His research and attention to detail is matchless, and his capacity to develop characters on the page makes me feel I would know these men if I ran into them on the street. My review copy, sadly, did not have the maps added, merely noting on what pages they would later be added; however, I once more defer to this author’s track record. I would bet my last dollar that the maps are also excellent.
One aspect that is usually a deal breaker for me is the frequent use of the period’s predominant racist slur, when Americans mention the Japanese. There are three syllables in this word, and they should be used. For those that plead that the one syllable word is authentic to the time and place, I would invite them to imagine a similar tale featuring a hypothetical African enemy during the same time period. What would be the expected, authentic term by which Caucasian Americans would refer to such enemy combatants, and to the government from which they hail? For the obtuse, I’ll tell you, it would be the N word. So would you just go ahead and drop it in there for the sake of accuracy, or would you use greater sensitivity and explain the alteration in an author’s note? You’d do the latter. Of course you would. In fact, likely it would be the only way your novel would see the light of day, and rightly so.
But here as well, Shaara gets a pass from this reviewer despite his use of the term I abhor, and the reason is his candor, addressing the racism of the time period right up front. Though you might think it obvious, I have never seen a successful author of World War II historical fiction do this, and he is absolutely clear about it. In fact, I began highlighting the introduction—don’t skip it! And when it was done, I found I had highlighted nearly all of it.
Whether you are drawn to this book from a love of history and the desire to learn a few things painlessly, or for the escapist entertainment that great novels provide, you can’t go wrong here. This is a damn fine book. I highly recommend it to everyone.
I enjoyed Ryan’s historical novel, The Spies of Shilling Lane, and so I was thrilled when Ballantine Books and Net Galley offered me a review copy for this one. It’s for sale now.
The story is set in rural England during World War II. We have four protagonists, all of them women. Audrey Landon is a widow; her husband died in the war, leaving her with two boys to raise on her own. The old family home, which she inherited from her parents, is falling apart, and she has no means to repair it. In some places, the roof has caved in.
The second is Audrey’s sister, “Lady” Gwendoline. Gwen puts herself first at all times, since nobody else ever has. She married for wealth and convenience, and she lords her affluence over her sister and everyone else. But her husband is a cruel man, and her existence is a lonely one despite its material comfort.
Zelda was a top chef in London, but once her pregnancy became visible, she had to get gone. Her landlord calls her a “trollop,” and she knows she can’t stay there now, so she applies for wartime housing. The volunteer in charge of placing her is Lady Gwendoline, who snickers with amusement as she assigns her to live in Audrey’s house.
Nell is a chef’s assistant at Fenley Hall, the prestigious old pile where Lady Gwendoline and Sir Strickland hold court. The chef, Mrs. Quince, has taught her nearly everything she knows, and it’s a good thing, too; the old lady isn’t getting any younger.
All four women enter a cooking contest held by the Ministry of Food, a “wartime cooking challenge” to showcase recipes that use ordinary ingredients and work around rationing. The winner will be the new announcer for The Kitchen Front, a wartime radio program—and this program existed in real life.
As in the last story, Ryan develops her four characters in a way I believe; the most benevolent have flaws, and the most unsympathetic, Lady Gwendoline, is complex and capable of change. It is Gwendoline that is most developed at the end, but all four are dynamic characters.
For a brief while, I use the audio version of this book, which I obtain from my local library. Jasmine Blackborow does a fine job as reader in most regards, but there is a side character that turns up in a couple of emotionally charged scenes, an Italian prisoner of war, and when she voices him, he sounds like Dracula, which ruins the magic. For this reason, I recommend sticking to the printed version.
The first half of this story is almost unputdownable, and for a time I nearly forget my other books. But as the climax approaches, things become predictable, almost formulaic, and the ending is a bit too tidy for my tastes. The scenes toward the end with Mrs. Quince are overwrought. It’s not terrible, but because I am so far in love with the first half, I am disappointed by the denouement. Also, if recipes must be included, as apparently they must, the author should give them character by using the substituted ingredients in the instructions; the more desirable ingredients can be footnoted.
Ultimately I rate The Kitchen Front four stars; five for the first half, three for the second.
What kind of nerve does it take to go up alone in a fighter plane and duel with an enemy? Race of Aces is an account of the best Allied fighters in the South Pacific during World War II. My thanks go to Net Galley and Hachette Books for the review copy. When I missed the publication date, I obtained a copy of the audio book from Seattle Bibliocommons. This proved to be a very good thing.
John R. Bruning does a fine job introducing each of the best fighters to us, and when he begins with a young man from Portland, Oregon, which is where I grew up, I was instantly engaged. There are five fighters whose stories are told here: Portlander Gerald Johnson, Richard Bong, Tommy McGuire, Neal Kearby, and Charles MacDonald. The framework for the story is a competition for a prize offered by the iconic pilot, Eddie Rickenbacker, who promised a bottle of excellent bourbon to the first pilot to break his record of 26 planes shot down. The men’s heroism—and sometimes recklessness—makes for a compelling narrative for readers of military history.
I begin by listening to the audiobook as I make dinner, following up later each day by going over the digital review copy. However, I soon discover that the detailed descriptions of noteworthy dogfights are impossible to envision unless I do both at the same time. Soon my routine is to listen to the passages in between battles, knowing that whatever I am doing, I’d better drop it and grab my tablet so I can follow along once the pilots take to the air. When I do this, I am rewarded with a clear mental movie of what is unfolding. Some of these fights are breathtaking in their intensity.
A flying ace is someone that shoots down five or more enemy planes. The vast majority of World War II flyers were competent and may at some point have shot down a plane or two, but the aces were few and far between. They were often working with substandard equipment—with the best American machinery reserved for the war in Europe. One noteworthy statistic caught my attention. “Fewer than 5 percent of combat fighter pilots achieved acehood, but they accounted for 47 percent of all the enemy planes knocked out of the sky.”
Again and again, I read instances in which the Allied fighter pilot plays a game of chicken with his opponent, flying straight at the enemy plane; usually the enemy veers off at the last minute, and once in awhile it’s the Allied fighter. There’s one noteworthy instance when they fly so close that the American pilot’s wing knocks into the Japanese plane; they find a smear of green paint on it after he lands. And so I kept wondering, what if nobody blinks? Of course, my mindset is diametrically opposite that needed for warfare; I think like a teacher. Don’t run with scissors. Slow down. Watch where you’re going, young man. Don’t wave your pencil or you’ll put somebody’s eye out. These guys, on the other hand, were warriors:
“Carl held his course and refused to break first. Blev watched in horror as he flew straight into a Zero, the two planes exploding with all the violence of a 500-mile an hour collision.”
Despite short rations at times, missing mechanical tools and parts of planes, and a number of other challenges, these men crippled the Japanese air corps in this part of the world, and because of this, the five aces were particularly loathed by the Japanese pilots. One of them is shot down toward the end, and although he survives the crash, he is shot repeatedly after he goes down. It’s just as well that he’s dead by the time they get to him:
“After he fell to the jungle floor, the Japanese stripped everything off him, including his boots, watch, clothes, jacket, and dog tags. They left his naked body unburied, sprawled facedown at the base of the tree, his parachute still entangled in its branches like a canopy for his anonymous grave.”
It’s a weird sort of compliment.
The audiobook frees me to check details not provided in the book itself. There is a description of the different aircraft available to the men, and as I listen. I search for images of them and find some diagrams; there are parts of the craft mentioned and I have no idea what they are. Hopefully those that pick up the finished copy may find some photographs or illustrations, but I have none, so I run some searches.
Ultimately, I don’t care at all who wins the bottle of bourbon, and I have trouble remembering who is who, apart from Gerald Johnson. But that doesn’t bother me; I am not in this thing for individual biographies of the pilots, or because of the Rickenbacker contest. I want to know more about the World War II pilots, and the contest between the five men provides an excellent framework for that information.
The audiobook, while useful, does have some small glitches. The narrator should have taken the trouble to find out how to pronounce place names. The story begins in Oregon, and every time the word “Willamette” is used—Willamette Valley, Willamette River, and so on—the mispronunciation sets my teeth on edge. I catch myself snarling at the reader as if he is there in the room with me. His general manner while describing the military aspects of the book, which of course is most of it, has a documentary feel to it, and it works well, but now and then we veer into the private lives of the pilots, and when more sensitivity and nuance are called for, the reader is still using that clipped documentary voice you’d associate with a movie shown in your high school social studies class. Because of these things as well as the complexity of the fight scenes, I recommend the printed version over the audio. However, if you can swing it, the best way of all is to use them both simultaneously.
Nobody can dispute that Bruning knows his material, and copious research was done to produce this book, at least on the American side of it. It is a bit longer than it needs to be, and my own preference would be to edit it down a bit. Also, although the “J” word is only used in quotations, it shouldn’t be used at all. Those that squawk about authenticity should try inserting the “N” word, which was also freely used during this time period, into the quotes, just to test the assertion, and then it’s obvious that of course no reputable author should publish such a thing. Racist terms, no matter how common to the time described, have no place in any reputable history publication, and he should have worked around them.
With these caveats, I recommend this book to those that enjoy military history.
It’s hard to believe that Florence Adler Swims Forever is a debut novel. Rachel Beanland has stormed our literary beaches, and I hope she does it forever. Big thanks go to Net Galley and Simon and Schuster for the review copy. This book is for sale now.
The title character dies almost immediately, which is a bit unusual all by itself. The central storyline centers on Fannie, Florence’s sister, who is in the midst of a dangerous pregnancy. She’s already had one premature baby that died at 3 weeks, and so this one Is being closely monitored. Because of this, the family closes rank in order to prevent Fannie from knowing that Florence has died until after the baby’s birth, lest she miscarry. However, Fannie isn’t the main character; the point of view shifts between the present and the past, from one family member to another, eight all told, in fairly even fashion.
My first reaction to this premise—keeping her sister’s death from Fannie for what, two months—is that it’s far-fetched to think such a plan could succeed. But as the story unfolds, I realize that information was not a constant presence during the late 1930s, as it is now. There was no television yet; a radio was desirable, but not everyone had one. Fannie asks for a radio for her hospital room, but she’s told they’re all in use. Too bad, hon. Newspapers and magazines were explicitly forbidden for visitors to bring in; the lack of news is explained in general terms as “doctor’s orders,” and back then, doctors were like little gods. If “Doctor” said to jump, everyone, the patient most of all, leapt without question. And then I see the author’s note at the end, that this story is based on an actual event from her family’s history! It blows me away.
Besides Fannie and Florence, we have the parents, Joseph and Esther, who have a meaty, complicated relationship; Fannie’s husband Isaac, who is an asshole; Fannie and Isaac’s daughter, Gussie, who is seven; Florence’s swim coach, Stuart; and Anna, a German houseguest whose presence creates all sorts of conflict among the other characters. Anna’s urgent need to help her parents immigrate before terrible things happen to them is the story’s main link to the war. All characters except Stuart are Jewish.
Because I missed the publication date but was eager to dive into this galley, I supplemented my digital copy with an audiobook from Seattle Bibliocommons. This is a wonderful way to read, because when something seems unclear to me, I can switch versions, and in the end, I feel well grounded. The audio version is read by eight different performers, and the result is magnificent.
Read it in print, or listen to the audio; you really can’t go wrong. The main thing is that you have to read this book. As for me, I’ll have a finger to the wind, because I can’t wait to see what Beanland writes next.
Ben Macintyre is a badass writer of narrative nonfiction about lesser known historical figures from the World War II era. I read and reviewed his blockbuster, A Spy Among Friends: Kim Philby and the Great Betrayal, which was published in 2014; when I was invited to do the same for Agent Sonya, I didn’t hesitate. My thanks go to Net Galley and Crown Publishing for the review copy. You can buy this book now.
Her real name was Ursula Kuczynski, and she was a German Jew. Hitler came to full power when she was visiting China, and her entire family fled. Born before the Russian Revolution, she lived until after the fall of the Berlin Wall, and so her lifespan encompassed the entire duration of the Soviet Union. An unusually intelligent woman, she was drawn to Communism by the horror of Fascism, and by the misery created by disparate wealth that was right in front of her. The Chinese peasantry were so wretchedly poor that she found dead babies in the street; starving mothers sometimes concluded that they might be able to save one child, but they surely couldn’t save more than that, and they were forced to make a tragic choice. This, in spite of the vast and opulent wealth of the most privileged classes; it was obviously wrong, and there appeared to be only one way around it. She signed on to be a spy for Moscow.
Kuczynski’s career in espionage spanned twenty years and took place in myriad locations across Europe and Asia. She briefly harbored doubts about her career at the time of the Molotov-Ribbentrop pact, but shortly after its creation, Hitler broke it by attacking the USSR, and the matter became moot. Others around her were apprehended and either jailed or executed, but Ursula always got away clean. As she advanced in the Red Army, ultimately receiving the rank of Colonel, she was given increasingly important work, and her ultimate achievement was in recruiting a scientist that was placed at a high level within the Manhattan Project. More than 500 pages of important documents made their way to Moscow, and because of his defection and Ursula’s skill, the USSR soon had the atomic bomb also.
Though Ursula never considered herself a feminist, she never hesitated when commanding men—a thing few women did at this point in history—and she didn’t let the men in her life shove her around. One of my favorite passages is when she is pregnant at an inconvenient time, and her estranged husband and lover put their heads together to decide what should be done. The two of them agree that Ursula needs an abortion, and Ursula tells them she’s decided to have the baby. Mansplainers never stood a chance with Ursula.
There were many instances when motherhood conflicted with her professional duties, and she had to make a lot of hard choices, but being a mother also provided her with an excellent cover. Sexist assumptions on the part of M15, M16, and other spy-catchers were also responsible for part of her success; how could a mother of three children who baked such excellent scones be a foreign agent? Don’t be silly. And consequently, her husband (whichever one) often drew scrutiny, but nobody ever dreamed that Ursula herself was the high level spy they sought.
The one thing I would have liked to see added to this excellent work is a photo of this woman; perhaps it is included in the final publication, but my digital review copy showed none.* I found photos of her online and understood right away why she was so effective. That disarming smile; that engaging face. Who could help loving her? She looks like everyone’s best friend. She appears incapable of duplicity.
Although the biography itself is serious in nature, there are some hilarious passages involving the nanny, and also an imbecilic British agent that couldn’t find his butt with both hands.
Finally, one of the most fortunate aspects of this biography is that although it is absorbing, it isn’t written like a thriller, and so it’s a great book for bedtime. You already know that Ursula isn’t going to be executed, right? Her story is told in linear fashion, so although it’s a literate, intelligently told story, it’s never confusing. With autumn upon us, I cannot think of a more congenial tale to curl up with on a chilly evening.
This book is highly recommended.
*An alert reader tells me that the final version includes photographs of Ursula and all the major players.
“It’s the admirals, sir, playing with us like this is their own big-assed bathtub and we’re just toys.”
Jeff Shaara has written some of the best war stories ever published, and he’s done so for almost 25 years. I have read every last one of them. When I was invited to read and review his new novel about the Japanese attack on Pearl Harbor by Random House Ballantine and Net Galley, I was delighted, but also slightly apprehensive, because even after all these years, the subject remains an incendiary one; I needn’t have worried. This may be Shaara’s best book, and that’s saying a lot.
I’ll share a brief note about my own biases going in. My father was among the last men called to serve during World War II; he never left the U.S., however, where he was tasked with training new recruits to the still-new U.S. Air Force. But I grew up hearing about Japanese atrocities, and many of the bizarre stereotypes and misconceptions based on pseudoscience were told to me as fact. When as an adult I announced that I was about to marry a Japanese citizen, I sounded the waters with my family to see if there was resistance. I was told that my parents “still remember Pearl Harbor.” Meanwhile, my husband’s father also served during World War II—in the Japanese army. The topic was never raised by his parents around me, or at all as far as I know; but I asked my spouse a few questions to help me understand the Japanese perspective about this horrific conflict, and then I understood exactly how erroneous most of what I’d been raised to believe actually was.
So I was primed to read this book, and also a little afraid of what I might find. My internal map of Pearl Harbor was studded with emotional landmines, and at the book’s conclusion, none of them had been tripped.
Shaara tells this story primarily through the eyes of three people: Cordell Hull, U.S. Secretary of State under President Franklin Delano Roosevelt; Admiral Yamamoto, the Japanese architect of the invasion; and Tommy Biggs, a 19-year-old naval recruit from an impoverished Caucasian family in rural Florida.
Shaara faithfully incorporates a character from the rank and file in every story; he does this even if there is nobody on record that he can report on, and so often, he is forced to create a fictional character based on experiences and characteristics from several people. When I saw no such disclaimer in any of his notes, I grew curious and wrote and asked him whether this is the case with Biggs. He replied that this time there is a Tommy Biggs (though the name is not the same), but that he did add the experiences of others in order to flesh him out. So this time, each of the three chief characters is based on an historical figure.
I learned a great deal. Though it’s well known that this attack profoundly crippled the U.S. Navy, sinking or badly damaging most of the fleet, I had never considered it from the Japanese perspective. Looked at in that way, it was not only audacious, it was immaculately planned and wildly successful. I also had never considered what a blunder it was on the part of the U.S. military to leave its equipment, ships, planes, and more so unguarded. In the fallout after the attack, we learn that the Navy considered security to be the job of the U.S. Army and vice-versa. What a colossal bungle.
Japan had emerged victorious from the Russo-Japanese War, and its leadership was suffused with overwhelming confidence. Japanese racial superiority would lead to Japanese dominance throughout the China, Indochina, and across all of Asia, they claimed, because they were meant to dominate their portion of the globe. Japanese leaders were convinced that the U.S. would not seek retribution following an attack on its soil because American isolationist sentiment was so strong. They genuinely hoped that this attack would result in an end of the U.S. embargo that crippled Japan, and which existed in order to halt Japanese expansion and force Japan to withdraw from its alliance with the Axis powers. Americans, the Japanese brass told one another, were too big, too slow, too lazy to retaliate. There were voices of dissent, however:
“For any of you who believe the Americans are not worthy of a fight, that they do not have the stomach for blood, perhaps you are familiar with the American Civil War? In the 1860s, they divided and fought each other in the bloodiest war in their history. They did not require any enemy to inspire them. They fought each other. Are you familiar with football?”
Meanwhile the U.S. military, press and popular culture treated the Japanese as a bad joke. One myth dressed up as science suggested that Japan would never be able to build an air force because of an inherent defect in the inner ear of all Japanese. It was physically impossible for them to become pilots! The condescension was rife, everywhere one turned. Hollywood depicted the Japanese as ridiculous, rodent-like creatures with minds that didn’t function properly. The Chicago Tribune stated that for Japan to attack the U.S. was “a military impossibility.” Japanese were said to be too myopic to be effective against a military target. And it goes on.
There’s all sorts of blame to spread around. Nobody in Washington, D.C. had told the top brass at Pearl Harbor, Admiral Kimmel and Lieutenant General Short, about the project named Magic, which intercepted and broke Japanese code. They had no idea that Japan was rattling its sabers to such a degree. And these two men appear to have been lazy, bureaucratic fools that ignored what little intelligence came their way. For example, shortly before the attack, the man on watch sees a Japanese sub in the water. Kimmel immediately assumes that the guard has seen a whale, and he goes back to bed.
There are three aspects of this novel that keep the pages turning for me. The first, of course, is my interest in military history. Shaara’s research is meticulous. The book is historical fiction at its best, which is when the contours of the story, even fairly detailed aspects of it, are correct, but the fictional genre is chosen so that dialogue and inner monologue can be added. Second is Shaara’s perceptive nature, and it’s this that permits him to choose the best details to include and cut what is inessential so that pacing never flags. And finally, his capacity to develop a character so that we feel we know him is matchless; in particular I bond to poor Tommy Biggs, a guy that can’t catch a break, until he can.
Nothing I can say will serve as well as what Shaara says himself. Get this book, even if you have to pony up full cover price. This is hands down the best fictional representation of Pearl Harbor on sale today. Believe it.
“If some of what follows challenges what you have come to believe about Churchill and this era, may I just say that history is a lively abode, full of surprises.”
Erik Larson wrote The Devil in the White City, and so when I saw that he had written a biography of Churchill, I leapt at the chance to read it. Thanks go to Net Galley and Crown Publishing for the review copy. This book is for sale today.
I have spent most of my life dodging stories of the second world war, largely because I had grown bored, as a young woman, hearing my father’s ramblings with friends. No young person wants to hear their parent’s stories unless they involve great fame or heroism, and perhaps not always, even then. And so, when someone older than myself would speak of “the war,” my ears closed at once. Footage of Churchill’s iconic speeches sometimes popped up on the television, but all I heard was “blah blah blah,” and I would either change the channel or leave the room. And so, it is only now—after a career of teaching American history and government to teenagers—that I find myself curious about Churchill.
The book begins when King George asks Prime Minister Neville Chamberlain—who, along with his staff, had been carrying on with ordinary length work days despite the crisis at hand, and who had been contemplating a surrender to Germany—to step down, and then invites Churchill to take his place. Churchill has no intention of surrendering a single centimeter of British soil to Hitler, and soon everyone knows this. The book ends when the United States formally enters the war. By focusing on this brief period, Larson is able to include detail, the meaty anecdotes and quotes that a full length biography would limit. That said, the hard cover version of this book is still over 600 pages in length, if one includes the thorough and excellent endnotes, and if you haven’t the stamina for other books of this length, you probably won’t have the stamina for this one, either.
Since my childhood impression of Churchill was that he was dull and stodgy, I was fascinated to learn how truly unconventional he had been. He often worked 16 hour days and expected his staff to do the same, but he did so on his own terms, breaking for two baths daily (but dictating from the tub to a male secretary that sat tub side, tablet and pencil in hand), and likewise doing business from his bed, not merely over the phone, but with documents, a typist, an immense thermador to hold his two foot long cigars, and his cat, whom he called “darling.” He might be clad in a silk floral dressing gown (in America, this would be a fancy robe) and pom-pom slippers, or he might be buck naked. Today we would refer to the working baths and feet up in bed as a sort of self-care; the fact that he was able to carry it off during much more conventionally straightened times amazes me. He kept a machine gun in the trunk of his car, and he armed his family members, including the women. Invasion was a real possibility, and if it occurred, he and his family would be primary targets. He told them that if they were to be taken, possibly killed, the least they could do would be to take at least one Nazi down with them. And like so many fathers, he climbed onto the roof during Nazi bombing raids to see the action despite the risk, but made his daughter stay far away from London in the countryside lest she find herself in harm’s way.
Larson incorporates a variety of sources, but the two most frequently quoted are from Colville, who was one of his private secretaries, and Mary Churchill, his teenager. I question the amount of ink young Mary receives initially, but at the end, when I see where life took her, my objections fade. Also included are the views of top Nazi officials, primarily Joseph Goebbels, whose diary shows his dissatisfaction with Roosevelt, whose fireside chats inveighed against Fascism and in favor of the British cousins. Goebbels wishes that Hitler would take a hard line against the Americans, reflecting without an ounce of irony that “One must defend oneself sometime, after all.”
Larson’s congenial narrative draws me in almost like narrative nonfiction. Despite the death, the destruction, and the horror, it is—for me, at least—a curiously soothing read in all but one or two of the harshest spots. Perhaps it is because it was long ago and far away, and I know that—this time, at least—the Fascists will lose.
There is only one photograph in my digital review copy, and a note of a map that will be included in the finished version; I wish there were more. I came to my desktop to see images of the infamous Lord Beaverbrook, the Prof, and Pug Ismay, all of whom were Churchill’s key advisers, and I went to YouTube to listen to the Dunkirk speech and others that were so captivating and celebrated. Now that I grasped the context in which they were given, I can understand why they had an electrifying effect upon the British public and won the favor of other English-speaking nations, my own among them.
Is this the best Churchill biography? For those that want all the nitty gritty, there are many others, and Larson refers to them in his introduction, including one that is eight volumes long. For me, though, this is enough. Those that want an approachable yet professional introduction to this subject could do a lot worse; I recommend you get it and read it, and then you can decide if you want to pursue the subject further.
Sometimes what I really need is a feel-good story. Had I ascertained that this was that sort of book, I would have had it read by the publication date. I read the beginning twice, decided it was going to fall into the grim duty category since I had accepted a review copy, and I set it aside. My apologies go to Net Galley, Crown Books, and the author for my lateness; my heartfelt thanks go to Jayne Entwistle, the reader for the audio version of this lovely tale, for rekindling my interest. I procured the audio version from Seattle Bibliocommons and listened to it while I rode my stationary bike and prepared dinner in the evenings. I began listening to it because I owed a review, but soon I found that I preferred this novel to the other good book I had been listening to just for pleasure.
Our story begins with Mrs. Braithwaite feeling injured and put upon. Her husband is divorcing her, and the women in the local charity club have banded together and ousted her from her treasured position of leadership. She is miserable. Betty, her only child, has run off to London, intent upon aiding her country now that the second World War is upon them, and she isn’t answering her calls. Mrs. Braithwaite decides to visit her, but upon arrival, she discovers that Betty is missing. The story flows from her effort to find her daughter and also herself.
Those seeking an espionage thriller won’t find it here; the story is character based, and in this Ryan succeeds richly. Mrs. Braithwaite enlists the reluctant assistance of Mr. Norris, Betty’s milquetoast landlord, and it is these two characters that are wonderfully developed. None of this would have been achieved without the spot-on cultural insights regarding the World War II generation. The shallower pop-cultural references to music are well and good, but Ryan goes deeper. The fact that the character is known only by her formal title, with the salutary “Mrs.” in place of a first name, speaks not only to the protagonist’s dignified, somewhat cold façade, but also to the practices of the time. Use of first names was considered an intimacy among the elders of this time period; women addressed their peers by it unless they were close friends or family members. Even the way that the plot develops is reminiscent of the fiction and movies of that generation. As in most good historical fiction, the setting mingles with the characters to move the plot forward.
I am not much of a cozy mystery fan, but I think this story would please cozy readers. At the same time, I appreciate the careful balance the author uses; the touching moments are deftly handled, never becoming cloying or maudlin. At other times there’s a playful, spoofing quality to it, as Mrs. Braithwaite and Betty search for each other, each fearing the other is in danger and thus placing herself in it.
I recommend this book to cozy readers, fans of historical fiction, and anyone in need of a boost in morale. It’s for sale now.
It’s World War II, and the Blitz has begun. The Royals are torn, wanting to remain with their subjects and share their misery, but not wanting the risk the well beings of their daughters. It’s decided that the girls must be moved, but with the shipping lanes and skies fraught with peril, where can they go and be safe? Ah, a fine idea: they’ll send them to a cousin in Ireland.
My thanks go to Net Galley and Henry Holt for the review copy. This book is for sale now.
As historical fiction goes, this is lightweight material, based on almost no historical event other than the war itself. However, as general fiction goes it’s terrific, immensely entertaining and droll as heck. I figure it’s 3.5 stars for historical fiction, 4.5 stars as general fiction; thus my 4 star rating.
Our protagonist is Garda Strafford-With-An-R, a marginally competent Irish detective who resembles Stan Laurel, tasked with the security the estate where the girls will be housed. Secondary characters are Celia Nashe, a British cop equivalent to a Secret Service agent, who is assigned to serve as personal security for the princesses; an arrogant, sleazy ambassador named Laschelles; and Strafford’s boss Hegarty, who resembles Oliver Hardy. We also have clueless but entitled Sir William, the girls’ host; two bored princesses that get up to things when nobody’s looking; some household servants that know more than they are supposed to; and a few local people that also know too much.
The fact is that I’m entirely burned out on World War II fiction, and that fact nearly prevents me from requesting this galley. But the spin—Ireland, which remained neutral and flirted with taking the side of Germany, what with its enmity toward the British—proves irresistible. The greatest surprise is how much wit is employed and how fast the story moves. I have never read Black’s work before, and this guy is hilarious. He shifts the point of view often, always from the third person omniscient but varying several times within a single chapter, so we get snippets of the person that’s bored, the person that’s nosy, the person that’s confused and so forth. The word smithery is so original and clever that I cannot put my highlighter down. Highlighting is pointless when I highlight close to half of the text, but I can’t help myself. And best of all, the cliched ending that I think I can see a mile away isn’t happening.
Those of us in the States have a three day weekend right around the corner, and the weather will be too miserable to want to go anywhere. This novel might be just the ticket. If you’re lucky enough to be planning a vacation soon, this would also be a fine beach read. But the humor will be a terrific pick-me-up for those stranded indoors with a case of the grumps. I recommend this book to you, and I would read this author’s work again in a heartbeat.