The Reel Civil War: Mythmaking in American Film, by Bruce Chadwick****

thereelcivilwarI found this gem at my favorite used bookstore in Seattle, Magus Books, which is just a block from the University of Washington. Its strength, as the title suggests, is in tracing the story of the American Civil War as told by the cinema. Those interested in the way in which movie impacts both culture and education in the USA would do well to find this book and read it.

Chadwick spends a considerable amount of time and space carefully documenting the myth produced by Gone with the Wind, a completely unrealistic, idealized portrait of the ruling planter class of the deep South. Many of us would, in years gone by, have been inclined to dismiss this concern by saying that after all, the book and movie were primarily intended as a love story, but Chadwick demonstrates that this is not so. He ferrets out actual interviews with Margaret Mitchell herself in which she insists that this is exactly the way it was. Her sources? Former plantation owners, of course.

To this day, if an avid reader goes to Goodreads.com and under the caption “explore”, goes to “listopia” and from there selects a list of readers’ favorite Civil War titles, GWTW will place within the top ten, and sometimes be the foremost title, selected over nonfiction as well as more accurate fiction. I find this horrifying.

The research regarding the Civil War itself is nothing I haven’t seen before, but Chadwick makes excellent use of strong secondary sources to document the fact that Black folks in the pre-war South were neither happy nor well treated. He takes apart the myth Mitchell constructed in a meticulous manner, one damn brick at a time. Hell yes. About ten percent of the way into the book, Chadwick’s removed, scholarly tone changes to one of articulate outrage, and I found this tremendously satisfying.

Chadwick follows Civil War films forward, after first also examining Birth of a Nation, a painfully racist film which was famous at the time because of its length; its original claim to fame was not content, but technology. For those that have not seen the film, this will be interesting reading also, and those that have seen it may pick up some new information as well.

A couple of generations later, the more realistic and highly acclaimed Roots television miniseries told the story of Black America in a way that hadn’t been represented on film before. Chadwick is again careful in his documentation and clear in his explanation.

The book’s final film treatment is of the most positive and accurate film depiction of African-Americans is the film Glory. This reviewer used this film in the classroom. It depicts the Black Massachusetts infantry that tried to take Fort Wagner and in doing so, inspired President Lincoln to order more Black troops to be armed and trained for combat in the American Civil War.

For those interested in the connection between film and American history, and of the American Civil War in particular, this book is recommended.

Thirty-Eight Witnesses: the Kitty Genovese Case, by AM Ronsenthal***

38witnessesAM Rosenthal was a journalist, but in the 1960’s he was moved to write this relatively brief book—if fictional it would be considered a novella—about the failure of neighboring New Yorkers to come to the aid of Kitty Genovese, a woman that was murdered in 1964. I received this DRC free of charge from Net Galley and Open Road Integrated Media in exchange for an honest review.

The crime, one that occurred before drive-by shootings and mass killings in schools and other public places became an all-too-frequent occurrence in the USA, horrified New York and all that heard about it. The killer attacked 28 year old Kitty Genovese as she returned home from work. She lived in a middle class neighborhood, and when police later investigated, they would learn that 38 witnesses heard her scream for help. Nobody called the police until it was too late to save her. This is especially horrifying given that the killer left her bleeding after stabbing her several times, and she had the time, while he moved the car, to approach an apartment building and make her way inside its doors. But before she was able to go further, her murderer parked the car and returned to finish the job. She screamed a number of times, and one man opened his window and yelled at whoever was down there to leave her alone. Later the coroner would testify that had any of the witnesses phoned the police sooner, Kitty could have been saved. Instead she bled to death.

Largely Ronsenthal uses this opportunity to wax philosophical, both about the callous nature of people in general, and of New Yorkers. One New York newspaper managed to infer that it was her own fault by referring to her as a “barmaid” and mentioning that she was not living with her husband; the takeaway from this appearing to be that had she stayed with the mister and been home raising kids, she would not have been in danger. In this instance I think we can surmise that half a century later, any journalist who got that kind of misogynistic garbage past his editor would have heard from readers.

I found this little nugget hard to review. Part of it was due to a stereotype I wasn’t aware I carried; I assumed this attack was somehow related to the mafia (note the Italian last name). Whoopsie! Yes, I know that not everyone that bears an Italian name has a mobster in the family. So it goes.

But also, it’s an unusual piece of writing in that it isn’t really a memoir, isn’t really philosophy, isn’t really sociology. But the overall thesis appears to be that human beings don’t take good enough care of each other. He also uses the occasion to speak in defense of New York cops, who performed their jobs as well as they could in this circumstance. But what timing, given the behavior of NYPD of late! The piece hasn’t really aged all that well.

The writer speaks of a time in India when he himself failed to help others, a time when he regularly strolled past beggars that were ragged, often badly disabled or diseased, and he didn’t help them. He brought this item back time and again to where it felt a little like breast-beating and gnashing of teeth. I wasn’t interested in providing the author with the catharsis he seemed to be reaching for. For that, get a therapist already!

In all, I think his narrative is probably geared more toward native New Yorkers, and since the event is long gone and doesn’t really have a modern parallel, the niche that may be interested has shrunk to New Yorkers of Social Security age.

The writing was fluent, as one might expect of a seasoned journalist, but its prime period has come and gone. I was happy to read it free, but would not have wished to pay for the privilege.

The Warmth of Other Suns: The Epic Story of America’s Great Migration, by Isabel Wilkerson *****

thewarmthofothersunsIf you have any interest whatsoever in African-American history; American history in general; or Black Studies, this book should already be on your shelf. It is one of the most important volumes to have been written in decades, a comprehensive yet readable and enjoyable look at a migration that dwarfs the smaller California Gold Rush and Dust Bowl migrations in size and scope. Black folks started to leave the south as Jim Crow became entrenched. They did so often at their peril; Caucasians who wanted that cheap and servile day labor were so violently opposed that Blacks planned their departure, in many cases, with the utmost secrecy, buying the train ticket from their own backwater hamlet to a nearby town so no one would suspect they really meant to go to Chicago, Milwaukee, Washington DC, New York City, or any of a number of places in the north and west where there was no official Jim Crow.

Though they still faced a disappointing amount of racism, from segregated neighborhoods to hotels that magically became “full” just long enough for the Black traveler to get back into the car, things were much less tense in their newly found homes. Like immigrants who come to the US from Third World countries, they found that although they did not yet possess the things the White man had, regardless of their own professional qualifications, they did enjoy a better standard of living and lived under less fear than they had back in Mississippi, Texas, or any other part of the Jim Crow south. Some grew homesick and went back where they’d come from, but most did not.

Wilkerson received a Guggenheim fellowship to help support the vast amount of research-related travel and time it took to compile this masterly piece of research, for which she used over 1,200 interviews. Her scholarship is meticulous. Every speck of information provided by a primary source is backed up. She won the Pulitzer for this book, and that is not surprising.

In my own reading of this work, in which she follows the stories of three individuals, interlacing their stories with her more journalistic reporting of the facts on the ground, I found it helpful to skip to the section in which she explains her methodology, before I read further. Thus, I read the introduction, then skipped to the methodology (since I had initially wondered what good 1,200 interviews did if we were going to just follow three, but she cleared that up quite nicely), then the main body of writing, start to finish.

It’s a large tome, and I usually restrict my reading of physically large works to a small portion of each day due to my own issues with arthritis and pain. That went out the window while I read this. It is anything but dry; I could not put it aside. It was as riveting as the most unforgettable biography or memoir, and I kept reaching for sticky notes to mark passages I found particularly compelling.

Sometimes I end my reviews by suggesting a particular book is worth reading, but only if you can get it free or cheaply. Not this time. This is a book the serious reader will want on his or her bookshelves. It is one to refer back to again and again after having read it. If you don’t own it yet, go out and buy it. I hope that in the near future, it will become one of those books that every scholar will be expected to have read in order to be taken seriously. It’s that important…and how lucky we are that it is also fun to read!