Cold Fear, by Webb and Mann*****

“Christmas is special here. In Reykjavik, nothing bad ever happens at Christmas.”

Cold Fear is the second in the Finn thriller series. Last year authors Webb and Mann launched the first, Steel Fear, to widespread acclaim, and I loved it, too.  My thanks go to Random House Ballantine and Net Galley for the invitation to read and review. This book is for sale now.

Our protagonist, Finn, is a singular fellow. A Navy Seal (like one of our authors,) he is currently on the run, being sought for questioning regarding war crimes that took place in Yemen. He doesn’t think he is guilty, but he isn’t sure; a large chunk of his memory of that time has vanished, leaving him—and us—slightly off balance. But Finn is a survivor, and now, in Iceland, three members of his own team are here too; he thinks they may have the information that he needs to fill in the gaps he can’t access. There’s another more worrisome person, an assassin, looking for him as well.

Meanwhile, a woman has been found dead, face up under the ice. Suicide has been suggested, but that notion quickly falls apart. When her body disappears from the morgue, the police kick into overdrive. Iceland has almost no crime of any kind, let alone murder, and so immediately, they begin eyeing the Americans in their midst, including Finn.

Finn is a memorable character. He’s funny looking, like a cross between a Gecko and E.T., and yet, thanks to his training, he can merge seamlessly into a crowd and be invisible. His traumatic childhood haunts him, but the authors don’t beat us to death with this aspect of his personality. To my delight, he is burdened with none of the overused tropes used by lesser authors such as alcoholism. He is not on a mission to avenge the deaths of people in his personal life, and he doesn’t get kidnapped and thrown in the trunk of a car or van. Bad guys don’t try to harm his family—of which there is none, in any case—or his pets. He doesn’t get neurotic and bite his lip till he tastes blood, or bunch his fists up so tightly that he cuts his palms with his own fingernails. Feel me? I have quite a list of things I never want to see in a novel again. This happens, once one reads over a thousand novels in this genre, and for awhile I quit the genre entirely, thinking that there was nothing new left to read. Webb and Mann have proven me wrong, and I couldn’t be happier about it.

One last word about setting. Though Finn is a resonant protagonist, the setting is more important here than in most thrillers; that was the case in Steel Fear, which was set on the aircraft carrier, the USS Abraham Lincoln, and it’s true here, as well. The descriptions are resonant, but they don’t slow us down. This is a true thriller, with a pace that never flags.

I’m in this series for the duration. I also urge other women to ignore the promotions that boast that this is Alpha Male material. Last time I looked, I was an old lady school teacher, and I am all in. If you love a good thriller, I highly recommend both Finn books to you.

Joan, by Katherine J. Chen****

“Once you lift a sword, it is hard to put down again.”

I’ve been curious about Joan of Arc for a long time. I love military history, and as a feminist, I also love that Joan was responsible for leading French victories centuries before women were permitted to serve in the military of any major power. When I saw that Katherine J. Chen had written a “secular reimagining of the epic life of Joan of Arc…a feminist celebration of one remarkable—and remarkably real—woman who left an indelible mark on history,” I was all in.

My thanks go to Net Galley and Random House for the invitation to read and review. This book is for sale now.

In her end notes, Chen tells us that Joan’s biographers tend to leave out her difficult home life, with a violent, angry father that hates Joan from the moment she draws breath; he has wagered heavily on her being male, and she’s failed him. Chen sees it as a major factor in Joan’s development as a warrior.

When Joan leaves home, after her beloved uncle leaves and her elder sister, her one true friend within the family, commits suicide after she is raped by English soldiers, she expects to labor for her bread, which is nothing new to her. But ultimately, she wants to get word to the Dauphin, the heir to the throne, who is in hiding: she knows how to win this war.

I absolutely love the version of Joan that Chen develops, and my only frustration is in not knowing what aspects of Joan’s life she has had to invent, and which are historically accepted as truth. She tells us that Joan’s biographers would have her praying constantly, and that they depict Joan as little more than a totem that they carry to battle, a sort of human version of a lucky rabbit’s foot. And then I wonder even more: what facts are undisputed? Of course the Church would depict Joan as hugely religious, given that she has been beautified as a saint. Did she actually influence the battle plans? This part is frustrating to me. Had more information been provided, this would be a five star review.

In any case, the battle scenes are riveting, and Joan’s character is unforgettable. I look forward to seeing what Chen writes next.

Recommended to all that love the genre.

Black Cloud Rising, by David Wright Falade*****

Black Cloud Rising, the historical novel that’s already been excerpted in The New Yorker, is the book I’ve always wished someone would write. Author David Wright Falade tells the story of the African Brigade, a unit of former slaves tasked with rooting out pockets of Confederate guerilla fighters in the Tidewater region of Virginia and in North Carolina’s Outer Banks. This outstanding work of historical fiction is one of the year’s best surprises, and it’s for sale now.

My thanks go to Net Galley and Grove Press for the review copy.

Sergeant Richard Etheridge is our protagonist; he is the son of a slave and her master. This is the only small criticism I have here; it seems like every time I see a fictional former slave that goes on to do momentous things, he’s the master’s progeny. However, Sergeant Etheridge did exist in real life; I have been unable to discover whether this aspect of his beginnings is fact or fiction. If it’s fact, then I withdraw my objection.

One way or the other, this is nevertheless a fantastic novel. In fact, since I taught the American Civil War for many years and have never heard if this sergeant, I wonder, initially, if his story is even true. But a little research shows Etheridge to be have been real. I had known about the existence of this brigade, but the only aspect of it I’d seen was–oh how embarrassing—from the movie, Glory, in which an all-Black military unit volunteers to lead the charge on Fort Wagner. But there, the story is told not from the viewpoint of infantrymen, but from the Caucasian officer chosen to lead them. It’s not as if I failed to do research; but during my years in the classroom, I couldn’t find a single thing that reflected the memories and experiences of the former slaves that fought for the Union. And although this book comes too late to help me teach the upcoming generation, it will be greatly useful to teachers that come after me.

At the outset of our story, Richard approaches his master at dinner, a thing that is generally not done, to tell him that he is going to enlist in the Union Army. Because he is the master’s son, he is able to get away with this, and this has also allowed him to learn to read and write, which in turn makes him officer material. Richard is a well developed character; it is wrenching to see his loyalty and devotion to his father, as well as to his half-brother Patrick, who is the legitimate heir to his father’s estate. Repeatedly the narrative points out that “the son will always seek out the father,” and it makes me ache for this young man. Nevertheless, he does go to war against his father’s wishes, and he demonstrates leadership and skill under pressure.

There is one visceral scene in which the Caucasian master of a plantation who is linked to the guerilla Confederates, is dragged to his own whipping post and beaten by his former slaves. I find it deeply satisfying. In the end and after much bloodshed, the unit is successful in its mission to clear the area of the guerillas that threaten the Union effort.

In many ways this is a coming of age story, but those that will love it most are those that enjoy military history and all things related to the American Civil War, as well as those interested in the Black struggle. It’s a great selection for Black History Month, but it will make excellent reading during the other eleven months as well. Highly recommended.

Steel Fear, by Brandon Webb and John David Mann*****

Steel Fear is the first in a series by Brandon Webb and John David Mann. It’s billed as a “high-octane thriller,” and that’s what it is. My thanks go to Net Galley and Random House Ballantine for the invitation to read and review. You can buy this book now.

Before starting the novel, I flipped to “About the Authors,” which is at the end of the book. Webb is a retired SEAL himself, boasting a list of awards as long as your flippers. He is a top level frog, which is a combat diver, and he not only is trained as a sniper, but has been in charge of training other snipers. Suffice to say, he is qualified to write a book like this and knows what he’s talking about. This thriller took ten years to see publication, and a good part of that delay was getting one aspect after another of his description of the aircraft carrier, The Abraham Lincoln, cleared by the Pentagon. Mann is not ex-military, but has an impressive list of achievements in the arts.

Our protagonist is Finn, a SEAL who’s being sent back to the states on The Abraham Lincoln. He doesn’t know why; nobody on the boat does, either; and he cannot reach anyone that can enlighten him. This keeps Finn off balance, the reader doesn’t know whether Finn is trustworthy, so that keeps the reader off balance, too. We meet him when Monica Halsey, a helicopter pilot who is also an important character, is sent to pick him up. Two men approach the helicopter, and they are described as a large man that looks like a mountain lion, and a little guy that looks like a marsupial. Finn is the marsupial, and when I learn that he is a funny-looking little guy, it endears him to me. When we see him disappear on board ship, blending in, seeing and hearing things he isn’t meant to, it’s all the more impressive. I still don’t know if I should like this guy, yet I do.

The crew is reeling from a horrible, unexplainable accident that took the lives of a helicopter crew; soon after, there is a suicide, and then another. Suicide, we learn, is at epidemic levels in the military, and so at first, most people don’t question it; but both suicides are a little too similar, and Halsey smells a rat. So does Finn.

At the outset, there’s a great deal of description of the aircraft carrier, and at first I feel impatient to get on with the story, but soon I can see that the setting is very important, and the description is necessary to understanding it. Webb does a fine job with it, and it’s a good thing, because when I ran a Google search for images, I got mostly air.

National security indeed.

The chapters are very short, and the point of view changes constantly, with Finn and Monica occupying more space than other crew members. Between the shifting viewpoints; Finn’s anxious attempts to find out where he’s going, what his status is, and why he’s being sent away; and Monica’s urgent need to know why her friends are dead, and if anyone else she cares about is next, I am kept on the edge of my seat. Still more deaths follow, and by the halfway mark, my heart is beating a little quicker, and I know better than to let myself read it at bedtime. Fortunately, despite the deaths, which continue of course, there isn’t a lot of gore, and I happily made this book my lunchtime companion. Once I got near the climax, there was no putting it down till the thing was done.

I tend to be leery of books written by military folks, because sometimes there’s a right-wing overtone to the prose that grates against my own values. This isn’t a problem here.  Instead, this is a rock solid opening to a promising new series, and I can’t wait to read the next one. Highly recommended to all that love the genre.

Bring Out the Dog, by Will Macklin****

bringthedogsWill Macklin can really write. His disquieting collection of short stories draws from his time as a special operations soldier in Iran and Afghanistan. Some soldiers come home and go crazy, if they aren’t already; this one came home to write. Thanks go to Random House and Net Galley for the DRC.

The skill level that is shown in these eleven stories, from setting, to pacing, to character, is tremendous. That said, I found it hard to read. Given the subject matter, I shouldn’t have been surprised, but it rattled my cage more than most; then too, the opening story involves deliberately blowing up the home of a teacher that one of the local allies disliked, and I suspect that other teachers are going to have a tough time with that one, too. I set the collection aside to shake off my dislike, and then plunged in again. To be fair, there isn’t one of these tales that is designed to be a feel-good read. They’re all intended to move readers out of their comfort zones, and the author succeeds richly for this reviewer.

I am not a fan of ambiguous endings, and all of these stories conclude that way, which is where the single star fell off my rating.

The most impressive addition is “Kattekoppen”, and after I noted this, I discovered that it was included in a best short story collection.

Macklin is a writer to watch. This collection is recommended to those that like war stories.