Beep, by Bill Roorbach****

Beep is squirrel monkey, born and raised in the rain forest of Costa Rica. He’s not a baby anymore, and his old uncles have informed him that all the females are spoken for, and he must travel to a new area to mate and propagate. It’s tricky business, though, because human encroachment has separated the forests from one another, so Beep cannot get to the next forest without going through areas developed by humans. Beep’s odyssey takes him much farther than anyone imagined, and in the end, he finds fame and satisfaction.

My thanks go to NetGalley and Algonquin for the invitation to read and review. This book is for sale today.

Much of the book is devoted to the relationship that Beep develops with a human child named Inga. While traveling through neighborhoods, a bit lost and unsure where the next forest might be, he spots her eating some delicious fruits in her backyard, so he introduces himself in order to get lunch. Inga’s mother comes out and meets him also, and this passage provides an idea of the story’s character:

“’Squirrel monkey,” the mother said warmly, ‘Ooooh. They aren’t usually solo. Oooh, ooh. Keep your eyes peeled, there will be more.’

“Ugh, eyes peeled? ‘I’d like some fruit,’ I said clearly.

“’Oh, how charming,’ said the mother. ‘Hoo-hoo, monkey.’ She’d wiped most of yesterday’s blood from her lips, but at the edges of the enormous mouth some remained (probably she’d caught and eaten a bird). Also, part of her outer wrappings had come loose and her poor chest looked more distended than ever, wrapped in a bright banner of some kind. Somemonkey once said they look like us, but come on: they do not.”

But this is not Inga’s permanent home; she is on vacation. When her family returns to New York, which Beep calls Nyork, she smuggles him in with her carry-on items and it is in New York City that he meets fame after surviving several harrowing situations.

For the most part, I find this novel charming. There’s no need to concern ourselves about the credibility of the overall story line, because after all, we’ve begun with a monkey providing the narrative, so it’s clear that we just need to roll with it. It is funny in places, a bit dark in others, and then—as with the above quote—sometimes it’s darkly funny. Some of the reviews I’ve read take issue with the ending, but I’m good with it. My sole dissatisfaction, and unfortunately it’s one of my pet peeves, is Roorbach’s failure to develop Inga appropriately in keeping with her age. There’s a scene at the airport when she starts to cry because her stuffed animals are being taken away to be scanned by security, and another soon afterward where she is walking her doll buggy in Central Park, so I’m figuring she’s maybe six years old; but subsequent scenes make her seem much older, and finally we’re told that she’s eleven years old. It doesn’t take years of study to know that an eleven year old girl doesn’t wail about her stuffed animals or take her dolls for a walk in the park. Get real.

Happily, as the story unfolds from there, Inga settles into being a real eleven year old, and my irritability ebbs so that I can enjoy the rest of the book.

All told, this is a delightful read. Because of its dark characteristics, which I will not provide because they’d be spoilers, this is not a book to read to your little ones, but if you have a young Goth in your home who is able to read alternate spellings and dialects, then this book would likely be that kid’s happy place. The overall message is a worthy one, although Roorbach is probably not going to change hearts and minds about the environment, since those in favor of unchecked development in the face of environmental devastation and disaster aren’t going to buy this book. All told though, it’s a fine read for those that are ready for something a bit different and that can handle dark humor.

The Stepford Wives, by Ira Levin*****

Ira Levin, legendary novelist and playwright, published The Stepford Wives in 1972, a time when feminist ideas were at a fever pitch for many, and a frightening development for others. Women’s rights were at the forefront in a way that they had not been since the suffragists had won the right for women to vote over 50 years earlier. Now the book is re-released in audio format, at a time when the advances won during that time have been rolled back in some places, and appear to be under attack everywhere. So although I was already familiar with this book, I jumped at the chance to listen to it and promote it; I wish Levin was still alive today, because we can use men like him.

Version 1.0.0

My thanks go to NetGalley and Blackstone Audio for the review copy. This book is for sale now.

Stepford, Connecticut appears to be idyllic; beautiful homes; rolling lawns; good schools. There’s no crime to speak of in Stepford, and Joanna and Walter jump at the chance to move their young family away from the city and into a lovely new home. The children make friends almost immediately, but for Joanna, it’s a little harder. All the women are stay home mothers—not unusual in 1972—but they are insular, preferring housework and beauty regimens over any outside interests, including other women. She finds two women that are friendly, and that have moved here fairly recently themselves, and she turns to them for solidarity. But then one of them begins to change, and Joanna has become suspicious. Is it something in the water? Why are Stepford women such docile, ornamental drudges?

This is a brief book, more of a novella than a novel, and that’s part of what makes it so effective. Levin uses spare prose and doesn’t let anything clutter his central message. In doing so, he creates a more spine chilling effect than a more description laden, dialogue rich novel could have done. And once you read it, you’ll never forget it.

I highly recommend this classic work of horror for women and those that care about them.

Summers at the Saint, by Mary Kay Andrews****

Summers at the Saint is the latest novel by veteran author Mary Kay Andrews. I am not usually a fan of what I think of as light and fluffy books, but over the last couple of years, I’ve developed an appreciation for this author’s work. This story centers on a fashionable beach resort hotel and those that run it, with the focus primarily on the women. It’s a good summer read—not a bad choice to take to the beach, actually. My thanks go to NetGalley, Macmillan Audio, and St. Martin’s Press for the invitation to read and review. This book will be available to the public May 7, 2024.

Our protagonist is Traci Eddings, the young widow of Hoke Eddings, heir to the Saint Cecilia resort. Traci has inherited part of the business from her late husband, but there is a power struggle in play as the book opens. The old man is dying, and the surviving heirs are scheming. The business seems to be on the rocks, or near to it, and Traci can’t figure out why. She makes several smart changes, hires good people, and yet…

We have interesting side characters. Parrish is Traci’s niece, whom she persuades to postpone her studies for one more summer as Traci implements the changes that are needed. We have the new cook, Felice, as well as Livvy, a capable young woman that Traci hires away from the diner where she is waiting tables; and we have Livvy’s mother Shannon, who used to be Traci’s best friend. Shannon completely dumped Traci many years ago, leaving Traci bewildered and hurt; she still feels that way. Lastly we have Whelan, who is working at the Saint as a pretext while he tries to unravel the circumstances that led to the death of his younger brother at the resort’s pool many years ago.

The book’s strongest aspect is the side characters, particularly Felice, Shannon and Livvy. Other characters are one dimensional, either entirely good or entirely awful. Rather, this is a plot based book. There are a great many moving parts, with a blend of genres that include romance, mystery, beach reads, women’s fiction, and contemporary family drama. It is in weaving the many pieces of this story that Andrews’s experience shines through. If there is a plot element that conflicts with another, or that is simply illogical, I didn’t spot it. At the end, everything and everyone is accounted for; in fact, I might have preferred not to have every single aspect resolved, and every positive character quite so perfectly happy. I seldom argue in favor of ambiguity, but in this case, it wouldn’t hurt.

I was fortunate enough to receive both the Kindle and audio versions, and once more, Kathleen McInerney does a fine job of narration with all of the women characters and the internal monologue. Her voice isn’t deep enough to voice the men’s characters well, and I suggest adding a second, male narrator next time around.

The story held my attention quite nicely as I did my morning bike ride, and I recommend it to Andrews’s loyal readers, and to those that enjoy a good beach read.

The Backyard Bird Chronicles, by Amy Tan****

My thanks go to Net Galley and Alfred A. Knopf for the review copy. This book will be available to the public April 23, 2024.

I probably should have read the promotional blurb more carefully, because here’s a fact: I have very little interest in birds. But I saw the name Amy Tan, and her work is always wonderful; I figured that the birds would sometimes be metaphors for other things, and that there would be a significant nonbird component to her essays. However, this little book is exactly what the description indicates: a book about the birds she’s seen in her backyard, along with her very own illustrations. And so, even though the book is by an iconic author, I soon found my eyes glazing over. I tried changing sections, since sequential reading isn’t important here; no joy.

It’s really just birds.

So, as a general read for fans of Tan’s writing, I have to call this a three star read. However, as a niche read for birding aficionados, particularly in California, this might well be a five star read. I’ll split the difference and call if four stars.

Recommended to those that love birds and bird art.

Darling Girls, by Sally Hepworth****

Sally Hepworth writes creepy, spooky stories involving families, and I have friends that swear by her, but this is the first of her books that I’ve read. My thanks go to Macmillan Audio, St. Martin’s Press, and NetGalley for the invitation to read and review. This book will be available to the public April 23, 2024.

Jessica, Norah and Alicia are closer than most sisters, even though they are not biologically related. All three spent most of their formative years at an Australian foster home called Wild Meadows, under the gimlet eye of Miss Fairchild, an abusive foster parent. Miss Fairchild was adept at keeping up appearances, but once a visitor—an infrequent occurrence—was gone, the place got dark. The woman was cruel and unpredictable, dreaming up horrifying punishments for even slight perceived infractions. Open rebellion was unthinkable. But it was when she began accepting babies that they resolved to turn her in.

Now all are grown, but they remain tightly bonded, and the call comes in: bones have been found under the foundation of the razed house. They must all report to the local police, which in turn means returning to the vicinity of Wild Meadows.

I can see why this author has such a loyal following. The way the narrative flows is flawless, and although we transition often from the past to the present as well as between the three girls’ stories, there’s never even momentary confusion. The list of characters is kept manageable, and all of them are believable. I begin reading via audiobook because that’s the version that was offered me, but once I began, I asked for and received the digital galley also. Usually this is a necessity in order to keep up with what I am hearing, but I scarcely needed it. Narrator Jessica Clarke provides the perfect listening experience.

For me, the joy of this well written novel is somewhat dampened by the horrors of the girls’ experiences. The child abuse is so cruel, and so specific that I sometimes stopped listening early and went away with a ball of lead in my gut. I suspect that this is something most likely to be experienced either by those that were themselves abused as children, or—like me—those that have worked with such children. Although part of me still wanted to know what came next, another part of my thought that if I wanted this kind of nightmare, I should just go back to work!

Reader, you probably know what you can read and what you should stay away from. If this sort of novel is unlikely to haunt you, go for it. I doubt there are many that can do this thing better. With that caveat, this book is recommended to those that enjoy the genre.

Butt or Face? Volume 2, by Kari Lavelle****

This engaging little science book for early readers is a gem. My thanks go to Net Galley and Sourcebooks Landmark for the review copy. This book will be available to the public April 2, 2024.

The title is the content in a nutshell. One page has a large, sometimes whole page photograph, but we don’t know what animal it belongs to, or what end we’re looking at. These are cleverly chosen and stumped me about half the time. When I set it down, my spouse picked it up, began leafing through it, and I heard him say, “What? You’re kidding!”

There is no real story here. You open the book, and you leap right in. Picture, then the solution, right down the line. Whereas I like a bit of scaffolding and accompanying narrative myself, I also know that there are children that will prefer this book exactly the way that it’s written. Children in early elementary school that are in the stage of development in which they find potty jokes gut-bustingly funny will absolutely adore it.

I was previously unfamiliar with Lavelle’s work, and hadn’t seen the first in the series, but after perusing this one, I knew my grandsons had to have it, and since this one won’t be out till spring, I bought the first volume of Butt or Face for the second grader’s Christmas gift. That’s a strong endorsement.

The Ghost Orchid, by Jonathan Kellerman****-*****

4.5 stars rounded upward. My thanks go to Random House Ballantine and NetGalley for the review copy. This book will be available to the public February 6, 2024.

The Ghost Orchid marks the thirty-ninth entry in the Alex Delaware series, one of the longest series in publication. It’s easy to see why it’s lasted so long. The protagonist and side characters are engaging, and the dialogue never loses its sparkle.  In this one, Alex has been recovering from a savage beating that he took at the hands of the murderer in our last mystery. Milo, his BFF, is a homicide cop who often hires him to assist the LAPD with cases where a psychologist is needed, but now Milo is so mired in guilt that he can hardly look at his friend. Finally, with a nudge from Delaware’s longtime (and slightly boring) girlfriend, Milo includes him in another case, and we find snappy dialogue that never fails to entertain.

This time it’s a double homicide in Bel Air. The man and woman are found by the pool, naked and dead. The investigation reveals that he is the son of a mega rich European shoe magnate; she is the wife of another rich man, a young, socially awkward member of the ruling elite who isn’t pleased to learn what his wife has been doing when he’s away on business. But then we learn that she was using an assumed name, and so the whole thing is even more mysterious. Who is this dead woman, and who killed her?

At the same time, Alex is engaged to interview a child in his early teens whose adoptive parents have decided to bail. They are divorcing; neither of them wants the kid.

The main storyline is a lot of fun. Everyone enjoys seeing the super-rich suffer. With wealth of this magnitude, there’s no chance any of Kellerman’s readers will identify with the male murder victim or the husband of the female victim, either. The way it’s resolved is believable, and it’s done without any of the prurient or kinky sex that Kellerman inexplicably included for a handful of books in this series a few years back. The half star is withheld from my rating because the other storyline, the one about the teenager, sort of fizzles without going anywhere, and it’s hard to see why he included it in the first place. Kellerman’s career, and this series, were originally launched around crimes where kids were involved, often as witnesses, and those initial books are fascinating. I’d love to see the author return to his roots, write some more episodes that incorporate his credentials and experience in child psychology.

You can read it as a stand alone novel if you choose, but you’ll want to read the others afterward.

Nevertheless, if you are looking for a fast, fun whodunit, this book is a hard one to beat. I highly recommend it to those that love the genre.

I Did It for You, by Amy Engel****

Amy Engel is the author of The Roanoke Girls and The Familiar Dark, both of which were unrelentingly creepy, and I loved them. When I saw that she had written another, I had to read it. My thanks go to Net Galley and Random House Dutton for the review copy of I Did It for You. This book is for sale now.

Greer Dunning’s sister, Eliza and her boyfriend, Travis, were murdered when they were teenagers. One minute they were making out in his car, and the next, boom. Someone shot them dead, right through the window. The guilty party was eventually caught and charged, and eventually admitted what he’d done, but it never made sense, especially not to Greer. She had a hunch that the killer, an intellectually disabled fellow with little imagination, had not acted alone. But he has said nothing about it, refused to provide a motive, and what he knew, he took with him to the electric chair.

Greer moved on. She finished school, moved from her hometown of Ludlow, Kansas to Chicago, where she works as a middle school counselor. But now a similar crime has occurred back in Ludlow, and Greer feels the pull, the urge to turn toward home and find out for real just what is going on.

This is a solid mystery, though not one with the sort of page turning urgency as the other two. It’s deeply atmospheric, and there’s a melancholy, brooding mood that’s thick and rich, and this is becoming Engel’s signature quality. The internal monologue is an absorbing one.

The choices that she makes while she is home make sense in a strange way, and parallels form in the most unexpected of places.

The solution itself doesn’t work for me. What? No. But the journey we take to get there makes this novel worth reading.

The only problem with writing a big-deal debut novel is that you’ve set the bar high, and readers develop stratospheric expectations for each subsequent book. So it is here. I Did It for You is a decent read, but it isn’t The Roanoke Girls, and it isn’t The Familiar Dark. Instead, it is simply a good book.

For mystery lovers that have never read anything by this author, this book is recommended. For those that have, you may want to get this one free or cheap, rather than paying full cover price.

Bright Lights, Big Christmas, by Mary Kay Andrews****

I tend to avoid heartwarming holiday stories and romances because so many of them are infused with saccharine and require the reader to put their I.Q. in a box until the book is over. But two years ago, I was happily impressed with Mary Kay Andrews’ The Santa Suit, and so when I was invited to read and review Bright Lights, Big Christmas, I happily agreed. My thanks go to Net Galley, St. Martin’s Press, and Macmillan Audio for the review copies. This book is for sale now.

The Tolliver Christmas tree farm is an institution, not only at home in North Carolina but as far north as New York City. As a child, Kerry sometimes accompanied her family to New York to set up a tree stand and sell the trees, but as an adult, she’s had other priorities. This year, though, she finds herself unexpectedly jobless, while at the same time, her father’s health prevents him from executing the task. Kerry must take his place, traveling to the Big Apple with her brother, Murphy. They set up the stand, and they sleep in the ancient pink trailer nicknamed “Spammy” because of its resemblance to a canned ham. Adventure awaits.

Kerry’s love interest pops up before we’re even ten percent into the story, but it appears that the author planned for us to know that, and it doesn’t hurt anything. Over the weeks they are in New York, various small (and large) crises present themselves and are worked out with team work, ingenuity, and the occasional well-placed bribe. They have Murphy’s dog Queenie with them, but she is primarily left in the background where she belongs.

What I appreciate most about this novel is how well grounded the plot is, and the author’s restraint in not permitting any elements to go over the top. There are a host of stereotypes possible, but every time I see one coming, Andrews chooses a different path, and it keeps the story fresh and original. Small details that might be overlooked by someone less detail oriented are seen to, and it keeps the narrative credible. Examples are the need for a shower or bath, given the length of their stay in a trailer without working plumbing; the cost of living in New York; the hazards of theft and vandalism, especially active at Christmas. None of these sidetracks the plot or slows the pace, but the questions a reader might have are tidied away, and this makes for greater enjoyment.

One small criticism involves a situation where theft and vandalism occur at a time when Murphy has to be away, and immediately, other men folk clamor over the need to have someone—someone with a Y chromosome, folks—to do lookout duty, protecting the fair damsel, her trees, and so on.

Apart from that, this is a delightful story. However, for awhile I wasn’t sure I liked it, because I was listening to the audio version, which is poorly done. The male characters are voiced in a way that is choppy, wooden, and unconvincing; but worse is Kerry’s voice, which is performed in a high-pitched, girly-girl voice so off-putting that it took me awhile to realize that the problem wasn’t the author’s, but rather the voice actor’s. The children’s voices are much better, and I actually howled with laughter when the baby in a stroller wailed!

As the story reaches its climax, Kerry has to make some serious choices, and I admire the way this part is resolved. The side character Heinz, an elderly man that lives in the neighborhood and often stops by the tree stand, is terrific.

When all is said and done, I rate the printed version of this novel 4+ stars, and the audio version 3+ stars, with an overall score of 4. I recommend the print version of this book, but not the audio.

Mother-Daughter Murder Night, by Nina Simon****

Nina Simon’s debut novel, Mother-Daughter Murder Night, marks a fine beginning to an auspicious career. My thanks go to Net Galley and William Morrow for the review copy. This book is for sale now.

The story unfolds with three generations of women—Lana, Beth, and Jack—solving a murder mystery together. Lana, the grandmother, has just received dreadful news from her doctor, and she’s forced to rely upon Beth, her estranged daughter, for help to and from chemo appointments. Jack is her granddaughter, Beth’s daughter. Although all three are important characters, Lana is the protagonist.

Lana doesn’t deal well with helplessness.

No sooner has she moved into the little beach house in central California where the other two reside, than Jack, a teenager with a job as a kayak tour guide when not in school, finds a dead body while she is working. Suspicion initially falls on Jack, and so Beth and Lana dive in, first seeking to prove that Jack is innocent, and then, led by Lana, to find out who actually did it.

Amateur sleuth books come with an inherent challenge to the author, because obviously, civilians that have never worked in law enforcement are badly outmatched by actual cops. They don’t have the tools, the connections, or the experience to carry it off, and so such mystery novels sometimes end up looking ridiculous. Simon holds her own here nicely.  Another issue I see frequently is with characters that are children. Jack is a teen, and she’s a bright girl, but Simon doesn’t fall into the trap of creating an unbelievably smart teen in order to justify making her walk and talk exactly like an adult. Jack has the naivete and occasional bad judgement common to kids her age, and because of this, the story rings true.

There are a couple of things that I’d change if I could. First, the whole “fiercely independent” and “tiny firecracker” personas are badly overused and becoming a cliché. The second may be partially due to my own false assumptions. Between the cover and the title, I initially thought this would be a comic caper, with the women planning to mete out some vigilante justice with hilarious missteps and hijinks along the way. Although the book has its moments, it’s not as funny as I anticipated.

Nonetheless, this is a fun read, easily followed, and with more character development than one usually sees in a novel of this nature. The chemo occasionally seems a little too easy on Lana, but it’s not beyond the pale; after all, different people tolerate these things at different levels. There’s never a moment where I slam down the book due to disbelief. I appreciate the working class realism in Beth and Jack’s lives.  

I recommend Mother-Daughter Murder Night  to those that enjoy the genre, and I look forward to seeing what Simon writes next.