4.5 rounded upward.
The time is the 1950s; the place is Moab, Florida, a tiny town where everyone knows everyone else. Winston Browne is the sheriff; Eleanor Hughes is a frustrated single woman that fears she is headed for spinsterhood; and a small girl, Jessie, is on the lam from a creepy cult that considers her to be “a little abomination.”
I read this book free, courtesy of Net Galley and Thomas Nelson Publishers. It’s for sale now.
The story begins with Winston in his doctor’s office. There’s bad news about his chronic cough. Tests show it’s not only malignant; it’s metastatic. In other words, Winston should put his affairs in order.
Winston is a friendly guy, but he’s also an introvert. He tells no one of his condition. He’s single, and there’s no family to warn, so he goes about his life about the same as before he learned his diagnosis.
Jessie is awakened in the middle of the night by one of the Sisters, who hustles her into a waiting vehicle. She’s being busted out of the Temple compound by softhearted women that know the girl is doomed if she remains. Jessie has an independent spirit, and so when she is dropped off at the train station with instructions of where to go and who to trust, she follows her instincts instead. Her instincts take her to Moab, Florida.
Eleanor—you can call her Ellie—is fed up with Jimmy. They’ve dated for year upon year, and she is so frustrated by his inaction that she can scarcely stand the sight of him. If he is so crazy about her, then why doesn’t he propose? She’ll never have a husband or a family, and it’s all his fault. But then Winston comes along, and the birds sing in the trees.
For the first half of this book, I thought it would be a four star read. It was a good enough tale, but I had my reservations. For starters, where are the Black people in Moab? If we’re meeting the townsfolk—and we surely are—how is it that all of them are Caucasian? A visit from Jackie Robinson is all well and good, but this is Florida, for heaven’s sake. Is Moab a sundowner town?
I run a quick search, knowing that the African-American population during this mid-1900s was much lower than it is now, and I am grudgingly convinced that there might well be a little town in the boondocks with only white residents. Back then, it could have happened, so…okay.
It is during the second half that everything falls together and I am swept away by the characters. No more consulting the Google oracle; the intimacy has become too strong for me to step back.
It’s difficult for me to find a feel-good book without schmaltz. Most books that are billed as heartwarming tend to make me roll my eyes or retch a little. Dietrich works magic, though, and although it takes a minute or two to reel me in, ultimately I am captivated. The droll, understated humor that drops in and out at just the right moments is a key element. The captions that appear regularly make me guffaw more than once; don’t skip over them! They’re terrific. The text is punctuated now and then by contributions from the Moab newsletter, whose minutiae underscores just what a dull place this town usually is.
However, let me also say a quick word here about the audio version. I began reading this book close to the publication date, and so when I was partway into it, I checked out the audio book from Seattle Bibliocommons. By doing so, I could extend my reading sessions, switching over to the audio when I had to do something else with my eyes and hands. The author reads his own narrative, and he has a wonderful voice, warm with just the right amount of drawl. The best way to enjoy this book is to access both the print version and the audio; if you must choose one or the other, it’s a toss-up, perhaps with a slight edge toward the audio.
Some readers will be pleased to know that there is no off color language or sex involved. If a movie were made based on this book, it would most likely show a General Audiences rating.
Highly recommended to those that love a feel good story, historical fiction, or Southern fiction.