Forget You Know Me, by Jessica Strawser***

I was invited to read and review this book; my thanks go to Net Galley and St. Martin’s Press.

The story unfolds with a Skype date between besties Liza, who lives in Chicago, and Molly, who remains in Cincinnati where both of them grew up. Molly excuses herself for a moment and leaves the laptop with the camera on; through the camera, Liza sees a masked man come into the house. The connection is cut, and Molly doesn’t respond to Liza’s frantic cell calls to see if she has been harmed. Yet when Liza and a friend drive all through the night to race to the rescue, Molly gives Liza the cold shoulder, not even inviting her in. It is almost as if Molly has told Liza to forget she even knows her.

The premise is a good one, but the title is a problem. It sets up an expectation of a thriller, which this book isn’t. Even lamer, it is based on a quote that nobody actually even says. Moving on.

As we move deeper into character, we see what each of them is dealing with. Liza is lonely and dissatisfied. A tragedy closer to her own home plays out while she is still in the car returning from Cincinnati, and she is shaken by it. Meanwhile, Molly has an autoimmune condition that creates chronic pain, and we learn that because she uses experimental pain treatments, she is deep in debt to a predatory lender. She doesn’t want to tell her husband Daniel what she has done; meanwhile, she is developing a close bond with the male neighbor whose daughter plays with hers. He is a widower, and easy to talk to. At some point, she has to choose whether to remain in her marriage or step away and try again with this other guy.

I enjoy Liza’s character. She’s sassy, smart, and hopeful; I enjoy seeing her interact with her family once she is near them again. I also like Daniel, the spouse in Molly’s troubled marriage. Molly, on the other hand, is a pill, but I am not sure the author intends her to be. We see a lot of the challenges that chronic pain presents, but do we want to? Some that experience chronic pain in their own lives may find some validation here; some of us with chronic pain issues read fiction to escape it, and we don’t necessarily need this reminder.

Ultimately, this is more of a relationship story, and what little mystery it contains—the guy in the mask—is hardly even part of it, and his identity proves to be more fizzle than pop. I suspect this story might receive more accolades of it were titled and marketed as a romance or even just straight fiction. However, Strawser has made a name for herself with psychological mysteries—which I enjoyed a good deal also—and by sticking to her brand, she may see some good sales. The question is whether her readers will still be receptive once they read it.

I hate to be the wet blanket here, because Strawser is a capable writer. I look forward to seeing what she writes next.   This book comes out February 5, and I recommend it  to Strawser’s fans, but get it free or cheap unless your pockets are deep.

Best Literary Fiction of 2018

We’re continuing the countdown! This is a competitive category this year, and the award goes to a debut author as well:

Ohio

Not That I Could Tell, by Jessica Strawser****

NotThatIOne year ago today, I reviewed Strawser’s debut novel, Almost Missed You. When I received an invitation to read and review this, her second novel of suspense, I privately wondered whether she had written the same story all over again: missing spouse, missing kids, and is it foul play or a voluntary departure? But although there are many common elements, possibly what will become a signature aspect of her work, I can promise you that this is a very different story. Thanks go to Net Galley and St. Martin’s Press for letting me read it free and early. This book is for sale now.

Our setting is Yellow Springs, Ohio, and our protagonists are the women of the neighborhood, primarily Izzy, who comes in search of a fresh start after her sister marries the man she had her heart set on, and Clara, a stay-home mom that also recovering from a traumatic past event that is alluded to frequently but whose particulars are withheld till near the story’s climax. And we have Kristen, college administrator and estranged wife of Doctor Paul. All are close neighbors, and these women–along with other women in the neighborhood–form a tight bond.

At the outset I feel as if I’m the wrong reader for this story. It’s all so light and fluffy; I don’t need to know the name of every child in the neighborhood, nor what everyone is wearing. But I also remember that I felt that way at the start of Strawser’s last novel, and I didn’t feel at all that way further into the book, and so I keep reading. Sure enough, the adverbs drop, the wardrobes and cute kiddies fade into the background, and the tone darkens nicely (said the evil book blogger with a sinister smile).

After a lovely fall evening spent bonding with friends around a backyard bonfire, Kristen and the twins have disappeared. The police take a hard look at Paul, who is seeking half of the hefty sum in Kristen’s savings account in the divorce proceedings, but nobody can prove anything. There are no bodies; she may have taken the kiddies and left. Some things are missing that make us think she’s taken off voluntarily, and yet other aspects of her absence send up flags.

Paul, for instance, is a smooth operator, but he isn’t a nice guy.

Strawser weaves a complex, credible plot with a strong feminist subtext, one that tells us there needs to be greater support for victims of domestic violence, and also that for some of us, happy endings are possible without romantic relationships. In addition, it is heartening to see a strong work of fiction that mostly features women characters.

I recommend this novel to women and those that love them, and I look forward to seeing more of Strawser’s feminist fiction in the future.