Tag Archives: historical fiction

Gods of Howl Mountain*****

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GodsofHowl“Christ’s father let him die on that cross,” she said. “I understand why he done it.” She leaned closer, whispering, “But Christ never had no granny like me.”

Rory Docherty has come home from overseas “with war in his blood”; he’s come home to the mountains of North Carolina, and home to Granny May, the local herbalist—some also say she’s the local witch. His mother Bonni is in a mental institution, which was even a worse place to have to go in the 1950s than it is now.  Rory doesn’t know for sure what broke her, because she hasn’t said one word in the years between then and now; Granny May knows, and withholds this powerful secret for reasons of her own. The life of the Docherty family is seldom easy, having Bonni erased from their midst has hit them hardest of all.

I read this book free and early, thanks to Net Galley and St. Martin’s Press. I’m not permitted to share my galley with anyone else, but I can do this: I can read it as many times as I damn want to. And although I can count on one hand the number of times I’ve done that, out of the five or six hundred free novels that I’ve received in the last few years, I’ll do it with this one.

But back to Rory, to Granny May, and to Eustace, the wily, ruthless old bootlegger that owns Howl Mountain and almost everyone on it. And back to the sweet-faced preacher’s daughter that has lit a fire under Rory’s troubled heart. Granny May would have him stay away from those snake-handling holy rollers, but Rory is utterly bewitched, and when the lights are on at the storefront church, he finds himself there too.

The characters and the setting are what drive this novel, but what also drives it are the cars, most specifically Maybelline, the custom-made vehicle that can outrun Federal revenue agents.  I’m generally not interested in cars; if they run, that’s good, and if I will be comfortable inside them, that’s better. But Brown has some magic of his own, and the way he crafts this ride, which is the family’s main source of income and their most valuable piece of property apart from the mountain itself, is magnetic. It is almost a character itself.

The balance of power is shifting on Howl Mountain now. Rival Cooley Muldoon seeks to unseat the Docherty clan; threats to Granny May have taken ominous forms, and she waits on the porch with her pipe and her gun late into the night. She storms into the brush to find what, exactly, has made the cry like a panther on her roof.

“Death, which walked ever through these mountains, knew she would not go down easy.”

This is likely the go-to novel of 2018. I cannot help but think that Rory Docherty, Eustace, and Granny May will join the ranks of beloved literary characters whose names are recognized by a wide swath of the English-speaking world.

If nothing else, Brown has taken the hillbilly stereotype that some still cling to and in its place leaves believable characters with nuance, ambiguity, and heart.  It’s a showstopper, and you won’t want to miss it.

White Houses, by Amy Bloom*****

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“Lorena Alice Hickock, you are the surprise of my life. I love you. I love your nerve. I love your laugh. I love your way with a sentence. I love your beautiful eyes and your beautiful skin and I will love you till the day I die.”

I pushed out the words before she could change her mind.

“Anna Eleanor Roosevelt, you amazing, perfect, imperfect woman, you have knocked me sideways. I love you. I love your kindness and your brilliance and your soft heart. I love how you dance and I love your beautiful hands and I will love you till the day I die.”

I took off my sapphire ring and slipped it onto her pinkie. She unpinned the gold watch from her lapel and pinned it on my shirt. She put her arms around my waist. We kissed as if we were in the middle of a cheering crowd, with rice and rose petals raining down on us.”

 

WhiteHouses

A sea change has occurred in the way mainstream Americans regard lesbian relationships. This book proves it. We would have laughed at the possibility in the 1980s, that a major publishing house would one day publish this novel depicting a revered  First Lady in such a (covert) relationship—while she was in the White House, no less. But Amy Bloom tells it, square and proud, and she lets us know that this is only fiction by an inch or two. Many thanks go to Random House (I will love you till the day I die) and Net Galley for the DRC, which I received free and early in exchange for this honest review.  This novel is now for sale.

Nobody can tell a story the way that Bloom does it, and this is her best work yet. The story is told us by Lorena Hickok, a journalist known as “Hick”, an outcast from a starving, dysfunctional family, the type that were legion during America’s Great Depression. The voice is clear, engaging, and so real that it had me at hello, but the story’s greatest success is in embracing the ambiguity at the heart of the First couple, Eleanor and Franklin Delano Roosevelt. So many great things done for the nation; so many entitled, thoughtless acts toward the unwashed minions they knew. A new friend, a favorite visitor brought from cold hard poverty, here and there, to occupy a White House spare bedroom and provide stimulating conversation, a new viewpoint, and to demonstrate the administration’s care for the common folk; then dumped unceremoniously, often without a place to go or money to get there, when they became tiresome or ill or inconvenient. The very wealthy, privileged backgrounds from which the Roosevelts sprung provided them with myopia that comes with living their whole lives in a rarefied environment. It is fascinating to see history unspool as Eleanor visits coal camps and picket lines, visits textile mills where children labor; but then of course, she repairs to the best lodging available before her journey home commences. And Hick is welcome when she is convenient, but she is banished for a time when there’s too much talk.

And yet—oh, how Lorena loved Eleanor, and the reverse was true, but not necessarily in the same measure, with the same fealty, or the same need.

Social class, the dirty secret America has tried to whitewash across the generations, is the monster in the Roosevelt closet. And FDR, perhaps the greatest womanizer to grace the Oval Office, has his PR people tell everyone that he has no manly function what with the paralysis, and that all those pretty girls that come and go are just there to cheer him up. He makes JFK look like a monk in comparison.  Yet we cannot hate him entirely, because of the New Deal:

“He was the greatest president of my lifetime and he was a son of a bitch every day…He broke hearts and ambitions across his knee like bits of kindling, and then he dusted off his hands and said, Who’s for cocktails?”

I have a dozen more meaty quotes I’d like to use here, but it’s much better if you get this book, by hook or by crook, and find all of them for yourself.  It’s impressive work by any standard, and I defy you to put it down once you’ve begun.

Highly recommended.

Dangerous Crossing, by Rachel Rhys***

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dangerouscrossingDangerous Crossing is an historical mystery set at the outset of World War II. I was invited to review it by Atria Books and Net Galley; it was published earlier this month, and you can buy it now.

Our protagonist is Lily Shepherd, a young woman in need of a fresh start. Her family’s scant resources are tapped in order to send her via cruise ship to Australia, where she is to enter domestic service. On board she meets Max and Eliza Campbell, wealthy, obnoxious, and carrying some skeletons of their own. We have Maria, a Jewish refugee, along with George, a Nazi sympathizer.  Helena and Edward are adult siblings, and there’s romantic tension crackling between Lily and Edward. Along the way are exotic ports of call such as Cairo, Egypt and Ceylon; these are places Lily would never have hoped to see under ordinary circumstances, but fate surprises her.

Rhys does a fine job of managing historical details, and in particular the social stratifications that existed in British society during this time period and the limitations they imposed.  The ending has more than one interesting twist. On the down side, I find the figurative language to be stale at times and the relationships overwrought in places. I felt that the story could do with some tightening up. However, fans of a traditional mystery will find this is a fine mystery to curl up with on a chilly winter night. The varying perspectives of the cruise’s passengers dovetail in many ways with those we see today, and many will notice an eerie familiarity in these characters from an earlier time.

Recommended to those that enjoy cozy mysteries and traditional historical mysteries.

The Girl in the Tower, by Katherine Arden*****

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TheGirlintheTowerOh hey now…do you hear bells?

There are plenty of reasons to read this luminous, intimate, magical novel, the second in the Winternight Trilogy. You can read it for its badass female warrior, an anomaly in ancient Russia; you can read it for its impressive use of figurative language and unmatchable word-smithery; or you can read it because you love excellent fiction. The main thing is that you have to read it. I was overjoyed to be invited to read it in advance by Atria Books in exchange for this honest review; thanks also go to Net Galley for the digital copy. The book is available to the public tomorrow, December 5, 2017.

Vasya is no ordinary young woman. She sees and hears things few others do. Take, for example, the domovoi that guard the home; the priests discourage belief in such creatures, but they’re right there. She can see them. Then there’s the matter of her extraordinary horse, Solovey, who is nobody’s property and nobody’s pet, but who makes a magnificent friend and ally. And then of course there is the Frost Demon, a mentor and intimate acquaintance with whom she has a complicated relationship. But these are only parts of her story. The whole of it is pure spun magic that no review can adequately describe.

In ancient Russia, there are three kinds of women: some are wives; some are nuns; and some are dead. Vasya is determined to be none of these. Everyone that cares about her tries to explain how the world works so that she can make her peace with it. Her father is dead now, and so her brother, who is a priest, and her elder sister Olga both implore her to be reasonable. And even the Frost Demon wants her to face the facts. He tells her:

“Having the world as you wish—that is not for the young,” he added. “They want too much.”

Nevertheless, Vasya sets out into the winter woodlands with Solovey; she’s dressed as a man for the sake of safety. She learns that bandits have kidnapped the girls of a village that lies in her path, and everywhere she sees the depredations, the burned homes and ruined fortresses that have been laid waste by the Mongol invaders that have preceded her. She vows to rescue the girls and to seek vengeance, and as one might expect, she brings down a world of ruin and pain upon herself in the process.

A character like Vasya comes along perhaps once in a generation. Together with the first story in this trilogy, The Bear and the Nightingale, it has the makings of a classic. My one small wish is not to see it become a romance rather than what it is now—brilliant historical fiction and deeply moving fantasy. At the same time, wherever Arden takes the third volume of her trilogy, I know she can be counted on to do it better than anyone else.

Can this book stand on its own if the first title isn’t available? Arden ensures that the reader has the basic information necessary to jump into the story, and yet I urge readers to get both books if at all possible. To disregard the first in the series is to cheat oneself.

This reviewer seldom keeps review copies on the shelves here at home. There are too many books and never enough space. This title (and the one before it) is an exception to this rule; I will love this series until I die.

You have to read this book.

Best of the Year: 2017

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2017 has been a stellar year for literature, and when I sat down to rate my top ten, I found myself stymied. Working up to it by offering the best of each genre seems more approachable, although still daunting. Most … Continue reading →

Love and Other Consolation Prizes, by Jamie Ford****

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“‘We all have things we don’t talk about, Ernest thought. ‘Even though, more often than not, these are the things that make us who we are.'”loveandotherconsolation

Ford is the author of Hotel on the Corner of Bitter and Sweet, which is one of my favorite novels, and so I was thrilled when I saw he had written another historical novel set in Seattle. Thanks go to Net Galley and Ballantine Books for the DRC, which I received free in exchange for this honest review.

Ernest is a small child when his mother, who is dying, wrenches herself away from him and puts him on a boat to the USA. He attends a charity boarding school and then is raffled off, a free orphan to a good home, by the Children’s Home Society at the Alaskan Pacific World’s Expo. It is Flora, the madam of a Seattle brothel, that claims him and brings him to the city. There he is essentially a house boy, and he forms a warm friendship with two young women employed there, Fahn and Maisie.

The narrative is divided between two time periods, the first following Ernest as he leaves China and arrives in the USA at the dawn of the twentieth century, and the second in the early 1960s when he is elderly and his wife, Gracie, is suffering from dementia. There’s an element of suspense that is artfully played as we follow both narratives, trying to untangle whether the woman that becomes “Gracie” is Maisie, Fahn, or some third person.

But Ford’s greatest strength is in bringing historical Seattle home to us. The characters are competently turned, but it’s setting that drives this book, just as it did his last one. Ernest lands in the city’s most notorious area at the time, a place just south of downtown known as the Tenderloin:

He had never once been near the mysterious part of Seattle that lay south of Yesler Way, a street better known as the Deadline. His teachers had talked for years about sewer rats that plagued the area, and rattlesnakes, and about the wolves that prowled the White Chapel District, waiting to sink their teeth into the good people of Seattle, which a local song had dubbed the Peerless City. Ernest had imagined lanky, sinuous creatures with sharp claws and tangles of mangy fur, but as he looked out at the avenue, all he saw were signs for dance halls and saloons.


Ernest’s years at the brothel prove to be the best of his young life, primarily because the rest of it was so much worse. Every time a rosy glow starts to form around the brothel and the condition of the women that work there, Ford injects an incident that is stark and horrible to remind us that trafficking in human beings and their most intimate acts is criminal and should never be condoned. Miss Flora is a relatively benign madam because it is better for business, not because of any sentimentality toward the women she employs. This comes to us all the more starkly when her own daughter’s virginity is raffled off to the highest bidder.

All told, this is good fiction, poignant, warm, and moving. Two things give me pause: the ending seems a little far-fetched, and the depiction of the suffragists, who are some of my greatest heroes, is so hostile that it borders on the misogynistic. However, the latter is peripheral to the main story, winking in and out briefly, and overall this novel is an appealing read. It will particularly appeal to Seattleites and to Asian-Americans.

I recommend this book to you, with the above caveats, and it for sale to the public today. 

The German Girl, by Armando Lucas Correa***-****

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thegermangirlThe German Girl arrived in my mailbox, a nice surprise from Atria Books. This novel is historical fiction, an international bestseller translated into many languages; it tells the story of Hannah, a survivor of the Holocaust who was sent to Cuba, and her namesake, Anna, who lives in present day Manhattan. This title is available for purchase now.

Hannah is born into a Jewish family just before Hitler’s rise to power. As white supremacy becomes the new order, her picture is taken by a photographer, and it’s titled “The German Girl”. With her blonde hair and blue eyes, she is exemplified as the perfect Aryan child. No one associated with the magazine or the government knows that she is Jewish. And of course, her father, who has been working furiously and quietly to get passports out of Germany for all of them, is absolutely livid. Who dared do this without his permission, and more to the point, what repercussions will there be once someone in a position of authority realizes the error that’s been made?

As the World War II generation dies out, it is essential that works like this one continue to be published. Though it’s fictional, there are primary documents in the back—photographs and the guest book signatures for a cruise ship that bears a lucky cargo away from Nazi shores. There’s also a bibliography, something few writers of historical fiction provide.

The reader should know that this is not a page-turner. It’s a story for those with a particular interest in historical fiction and the history of World War II. It’s written in a relatively formal style, words that one sinks into rather than tears through. Those looking for a steady, steep story arc aren’t going to find it.

Recommended to those interested in the refugees that fled the Nazis; it’s a worthwhile reminder that white supremacy never leads to good results.

 

If the Creek Don’t Rise, by Leah Weiss*****

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IftheCreekDon'tRiseLeah Weiss hits the literary scene with electrifying Southern fiction August 22, 2017. If the Creek Don’t Rise is a story told with tremendous heart, and it’s one you won’t want to miss.  Weiss writes with swagger and grace, and her prose crackles with conviction. Thanks go to Net Galley and Sourcebooks Landmark for the DRC, which I received free in exchange for this honest review.

Our tale unfolds in the hills and hollers of Appalachian North Carolina in the mid-twentieth century. Moonshine stills are as jealously guarded as ever, but now a person can get killed over a Ginseng patch as well.  Formal education isn’t valued by everyone, and it’s hard to come by.  Baines Creek is home to only one educated man, and that’s the minister, Eli Perkins, whose haunting early memories include the exorcism of Pharrell Moody; imagine a phalanx of grim, weapon-bearing deacons converging on a dark woods.

But now, Eli looks forward to having an educated person to talk to. The new teacher, Kate Shaw is a great big woman, middle-aged. She wears trousers “like a man”, and gossip is thick in the air before she’s even met the community. She tells everyone that she was fired from her last job, a smart move since it takes some of the wind out of the venomous rumor mill that greets her.

But Eli is smitten.

Another person that likes Kate immediately is Sadie Blue. Sadie is seventeen and newly married; the nuptials were a combination wager and shotgun affair. Now she’s isolated, lonely, and illiterate, but in Kate, a kindly soul that listens to her without judging, Sadie sees hope. Eli asks what Sadie thinks of the new teacher, and she says, “Got her a globe that spins…Gonna teach me to read.”

Sadie’s mother left her when she was tiny, and so Gladys has raised her. Gladys is Sadie’s grandmother, and she raised her alone after the death of her husband. She doesn’t want Sadie to marry Roy, but she also knows she can’t raise Sadie’s baby herself.  Now Sadie is part wife, part captive, in the home of Roy Tupkin, a rattlesnake-mean abuser. Gladys isn’t the only one that doesn’t like Roy.  Marris, who is close to Gladys, observes that “Roy needs killing”, and the sentiment is shared by Kate, who tells the reader that she would like to dismember him limb from limb. “I’d use a rusty saw.”

To be sure, it’s a violent tale full of hardscrabble characters living in horrifying rural poverty. Running water? Maybe, but probably not. Food stamps? Don’t even think it. Worthwhile job skills in Baines Creek involve knowing how to drive in the pitch dark around narrow mountain switchbacks without falling off, and knowing how to package a body for burial when no coffin is ready to hand. There’s a hint of Deliverance here, along with a voice that bears a similarity at times to that of Sharyn McCrumb as well as Fannie Flagg, winking in and out in places, yet it is never derivative. The grimness is broken up with stark, surprising humor that dodges out from behind a tree and catches us unaware.

I highlighted multiple brilliant character sketches, but I can’t quote all of them here;  Birdie, Jerome Biddle, Marris, and Tattler Swann are all unforgettable.  I would want to see this movie if I were assured no one would change any part of Weiss’s narrative.

This story has created a great deal of buzz, and rightly so. Don’t let yourself be left out. This story is recommended to all that love great fiction and that have a strong literacy level.

The Unquiet Grave, by Sharyn McCrumb*****

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theunquietgraveVoice, voice, voice; nobody writes like Sharyn McCrumb. Here her dry, dark humor combines with her expertise in Appalachian culture and above all, her deep respect for the working poor, and the result is a masterpiece of an historical mystery. Thanks to Net galley for the DRC, and to Atria for sending a hard copy galley and a finished copy of this excellent novel. However, had I paid full freight, I’d have come away happy. This book will be available to the public September 12, 2017.

Based upon the legend of the Greenbrier Ghost, our story is set in West Virginia in 1897. Zola Heaster is swept away by the handsome young blacksmith that comes to her tiny Appalachian farming community. Her story is told to us primarily in a first person narrative by her mother, Mary Jane. Magnetic physical attraction overwhelms any common sense Zona may possess—which isn’t much—so when the handsome stranger comes along, Zona tumbles:

“Zona was well nigh smirking at him—cat-in-the-cream-jug smug, she was. Well, Mr. Shue—the name fits the trade, I see—I am Miss Zona Heaster, a visitor to my cousin’s house, here. How do…Well before Edward ‘Call me Trout’ Shue came ambling along, with his possum grin and his storybook profile, we’d had trouble with Zona.”

Before we can draw breath, Zona is pregnant. It isn’t the first time, either, though the first was kept quiet, settled out of the area. As her mother wonders whether Trout will want to marry her, Zona brags,

“’He’d be lucky to have me.’ 
“’Well, Zona, it seems that he already has.’”

Mary Jane doesn’t like her daughter’s suitor, and a number of small but troubling things make her reluctant to see this wedding take place, even given the shotgun-wedding circumstances. We are disquieted, not by huge monstrous overt acts by Shue, but by the small hints that provide a deeper suspicion, a sense of foreboding. Part of McCrumb’s genius is in knowing when less is more.

Ultimately, Zona marries and moves away, and is little heard from. Too little. And here is the mother’s dilemma that most of us will recognize: how much should a mother pry? Will it make things better to follow our nose to the source of trouble; can we help? Or will our efforts only antagonize one or both of the newlyweds? And I love Zona’s father, the laconic Jacob who tells his wife that Zona has made the choice to marry, and she’s made the choice to stay there, so “Let her go, Mary Jane.”

But it’s a terrible mistake.

A secondary thread alternates with this one. The year is 1930; attorney James P.D. Gardner is consigned to a segregated insane asylum following a suicide attempt. His doctor is the young James Boozer, who has decided to try the new technique that involves talking to one’s patients. This device works wonderfully here because it provides Gardner the opportunity to discuss a particularly interesting case he tried many years prior, one that involved defending a white man accused of murdering his wife. The conversation flows organically, rather than as a monologue shoehorned into the prose. I am surprised at first to see McCrumb write dialogue for African-American men; I don’t think she has done this before, although I can’t swear to this.( I have been reading her work since the 90s and may have forgotten a few things along the way.) The dialogue between Gardner and Boozer is dignified and natural, and this is a relief; those that have read my reviews know that there have been others that failed in this regard. And just as the discussion starts to drone—intentional, since one of the two men yawns just at the moment I do—everything wakes up, and we learn about the trial of Trout Shue from a different vantage point.

Every aspect of this novel is done with the authority and mastery of Appalachian fiction for which McCrumb is legendary. The dialect is so resonant that I find myself using it in writing, speech, and even thought—just tiny snippets here and there—and then laughing at myself. And I cannot help wondering how much of it stewed its way into McCrumb’s own conversations while she was writing. You may find it in yours.

The result here is spellbinding, and the use of Appalachian legend, herbal medicine, and folklore makes it all the more mesmerizing. Again, skill and experience tell here. How many novels have I read in which an author’s research is shoehorned in to such a degree that it hijacks the plot? Not so here. The cultural tidbits are an integral part of Mary Jane’s personality, and there’s no teasing them apart. Instead of distracting as it might in less capable hands, the folklore develops character and setting, and ultimately contributes to the plot, when Zona’s ghost returns to let Mary Jane know that she has been murdered.

This is no-can-miss fiction, strongly recommended to those with a solid command of the English language and a love of great literature.

Before We Were Yours, by Lisa Wingate**

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beforewewereyoursLisa Wingate is an established author, but she is new to me. I received this DRC free and early, thanks to Net Galley and Random House Ballantine; it is available to the public Tuesday, June 6, 2017. And although I would love to tell you to run out and buy it right now, in all honesty I have never felt quite so ambivalent about a novel, at least not in recent years. There’s so much that’s good here, but there’s also some terrible material—albeit brief—that any sensible editor would have to question, and that every reviewer that’s paying attention has to notice.

We have two protagonists, both female. Our first is Rill Foss, the member of a large, poor family that lives on a riverboat. She and her siblings are scooped up by the authorities when they are left without an adult present while their mother is rushed to the hospital after complications in childbirth. After a harrowing sojourn at the Tennessee Children’s Home, she and a sister are adopted into a well-to-do, politically connected family, and she becomes May Weathers; yet Rill is still determined to return home to the Arcadia, the boat on which she was raised, where she knows her true parents will be waiting.

Our second protagonist is Avery Stafford, the beloved daughter of a senator that is grooming her to succeed him. All of her life, Avery has known she must consider every decision she makes with the assumption that the public will learn of it. But when she learns of a mystery that might affect the final years of her beloved Grandma Judy, who is in the early stages of dementia and living in assisted care, she follows the threads—carefully, discreetly—in order to learn more about her grandmother and in the process, about herself.

“Am I my father’s daughter, or am I just me?”

The prose is woven in a way that is fresh and delightful in most regards, and I admire the organization of the story as a whole, which is masterfully done. Ultimately, we see where May’s story and Avery’s meet, and although we are given a glimpse of how some aspects of the story will resolve, others are a wonderful surprise. The dialogue between Avery and Trent, a man that assists her in her inquiries, absolutely crackles. The characterization of Trent’s three-year-old son, Jonah, gets my vote as the most adorable tot to ever grace fiction.

There are two areas that hold this story back from a five-star rave here. The first and smaller concern is the depiction of the orphanage to which Rill and her siblings are taken. Wingate tells us in her end notes—which I read first, and you should, too—that the Tennessee Children’s Home Society was real, and that poor children were in fact routinely kidnapped and adopted, for high fees, to affluent families almost as if they were livestock; “Christmas babies” were publicly advertised, especially blond ones. The point is well taken, and Riggs is a well-drawn villain. However, the passages set in this place are so horrible and so harsh that in some ways, it’s almost a caricature. I found myself skimming passages here because I just couldn’t stand it. If I had my way, there would either be a wee bit more ambiguity here, or the section would be shorter. Sometimes less is more.

The other, larger concern here is the cultural deafness in the terms used. Even if racist terms were common among Caucasians of the time in question, finding them gratuitously tossed into this novel, not because they are key to the plot but merely as set dressing, is like finding a rattlesnake in my lunchbox. Why would anyone do this? I refer to the slur on a Chinese man that appears briefly and is not important to the plot; the mammy-like dialect written in for the African-American servant, which appears numerous times; the reference to American Indians of the north as ‘Eskimos’, the offhand references to slave cabins and ‘Confederate’ roses, and most particularly the place in which one of the children threatens a Black woman they think may steal from them by telling her:

“They’ll hang you up in a tree, they will.”

My god. A threat of lynching, just tossed in for flavor!

By the end of the galley, I was in love with the story and its main characters, and I initially rated this book four stars, but in going back over my notes, I realized that as long as the lynching reference remains in the text, I can’t go there, and I can’t do that. And I wonder—why in the world is it used at all? All it does is demonstrate how tough the children are, that they can chase away an adult that might mean them harm. Wingate could have done this dozens of other ways, and yet she chose this one.

So there you have it; it’s a brilliantly crafted story with significant social miscues that threaten to derail all that is done well here. Take your pick; read it or don’t. My own advice is that if you want to go there, get it free or at a discount. I cannot see rewarding a work that contains overt racism that is tossed in to no good purpose, and it’s a crying shame, because otherwise it’s a compelling tale by a master word-smith.