Connolly is one of a handful of writers whose names I search when I go to Net Galley. He’s consistently brilliant, and so I am grateful to Atria Books and Net Galley for the review copy. This book is for sale now.
This is number sixteen in the popular Charlie Parker series, which began as detective fiction with mystic overtones reminiscent of James Lee Burke, and in the last volume moved into the horror genre outright. Either way it’s a compelling series. One of my favorite aspects of this series is the author’s incorporation of social justice themes. Here we find a sadistic butcher hot on the trail of the shelter volunteers that assisted Karis Lamb in escaping the father of her child, and a magical book she took with her. Karis died in childbirth and is buried in the woods, and there are nightmarish individuals—human and not—trying to find her child so they can get the book. His adoptive mother and grandfather are determined to protect Daniel at all costs.
“Tell me the special story,” Daniel said. “The story of the woman in the woods.”
Karis’s body is dead, but her spirit is not at rest. She is looking for her boy, and a particularly chilling detail is the repeated use of Daniel’s toy phone to call him from beyond the grave.
At the same time, Angel, one of Parker’s two assistants who is also his close friend, is lying in a hospital bed following cancer treatment, and his partner, Louis, whose impulse control is never tiptop and is now strained to the breaking point, becomes enraged when he sees a vehicle bearing a Confederate flag parked near the hospital, and so he blows up the truck. As events unfold, our supernatural villains and the Backers—sinister characters whose lives hold no joy, and whose fate is eternal damnation—are joined in their pursuit of the Atlas, the child, and now also Parker by some local white supremacists seeking vengeance on behalf of the van’s owner.
As always, Connolly juggles a large number of characters and a complex plot without ever permitting the pace to flag, and he keeps the chapters short and the details distinct so that the reader isn’t lost in the shuffle.
This will be a five star read for most of Connolly’s readers. Rating horror stories is immensely subjective, because some readers may find this book too horrible to be fun, whereas others will appreciate the way Connolly continues to turn up the creepiness and the gore. As for me, I had a rough time getting through the first half. I didn’t want it in my head at bedtime, and the graphic torture scenes prevented me from reading while I was eating. The result is that I had to read much more slowly than I usually would do; there were too many times I just couldn’t face it, and there were other times when I could read a short amount, then had to put it down for awhile. I suspect I am a more sensitive horror reader than most, but there will be some besides me that began reading when this was a detective series, and that may find it too grisly now.
None of this will prevent me from jumping forward when the next in the series comes around.
Highly recommended to those that love excellent fiction, and that can withstand a lot of horror and a lot of gore.
Mallory Ortberg’s feminist horror collection is bound to be the best short story collection of 2018, darkly funny, cleverly conceived and brainier than I realized when I signed on for it. Many thanks go to Henry Holt and Net Galley for the review copy, which I read free and early in exchange for this honest review. This title is for sale now.
Ortberg takes well known children’s stories and fairy tales and injects sinister elements into them, sometimes starting with the exact wording of the story, cited in her endnotes, and then changing it a tiny bit at a time. If you don’t know the story quite well, you may not be able to pinpoint the exact place Ortberg goes off script; some of these are Grimm’s Fairy Tales, which are fairly, uh, grim in the first place and not originally intended for small children. She often combines the influence of a second fairy tale, and everything is beautifully documented at the back, just so you can see how she did it.
At first I wondered if I would react badly to this; I am a grandmother of tiny children as well as a retired teacher, and these stories tread on sacred ground. But it’s done with such genius that all I can do is shake my head in admiration.
There are eleven stories. One of my favorites is the title story, in which a woman is held prisoner by a captor that builds her a fabulous library, but tells her that he will decide what she will read. There’s horror for you. There’s a takeoff on The Little Mermaid that left me with half the story highlighted out of admiration. The Thankless Child features a fairy godmother that is more of a mafia figure, like a supernatural, female Godfather.
But perhaps my very favorite is The Rabbit, which is a takeoff on The Velveteen Rabbit. I began this one with a furrowed brow, because the original story is so dear to my heart, a cherished experience held with each of the four babies I bore and raised. But my prior knowledge is actually a useful thing, because with the original more or less committed to memory, I can see where she begins to alter the story. At first she changes just the tiniest things, and then gradually adds more…and in her version, the rabbit loathes the boy and seeks revenge. In the end it is the same story, and yet different enough that it doesn’t offend me as I suspected it might. She started with apples and made bleeding red oranges.
Ortberg has created a masterpiece of feminist fiction replete with some of the best word smithery found in contemporary prose. It can be read at the surface level, just for your amusement—which is guaranteed to all that enjoy gallows humor—or as a scholarly endeavor. I expected this book to be full of darkly ridiculous stories themed around women’s issues. Instead it is even better, both brainy and hilarious, the best surprise of 2018.
Highly recommended to all that appreciate great feminist fiction and enjoy dark humor.
|Welcome to the spiderpocalypse. Boone wraps up his creepy, crawly trilogy with engaging characters, great humor, and an ending that is deeply satisfying. My thanks go to Net Galley and Atria books for the DRC, which I received free of charge in exchange for this honest review. The book will be available to the public tomorrow, February 20, 2018.
The narrative begins with a recap of our characters and what has gone before in Skitter and The Hatching . Whereas I don’t recommend skipping the first and second books, it’s great that Boone brings us up to speed; with such a complex story, the refresher is useful for both new readers and old ones. And holy Moses, as we join President Stephanie Pilgrim, she is faced with an attempted coup. The military divides into camps, and quick thinking is called for. After all, Pilgrim knows there’s only a matter of time before everything goes “kaploowee.”
Boone has several side characters and plot threads that heighten suspense. We revisit the Nazca line where the first terrible eggs were uncovered; we check in on civilian survivors in places across the US; and in my favorite thread, we join the Prophet Bobby Higgs and his followers. It’s so droll and darkly funny that if you can read it without laughing out loud, you are advised to take your pulse to be sure you are still alive.
Ultimately, of course, what we have are spiders, and here Boone saves the best for last. New to the series is the “Hell Spider”, and the descriptions are his most deliciously satisfying yet:
Boone keeps his prose accessible, yet it’s not dumbed down. There is no explicit sex here, and I can see this as a title that teens will also enjoy. If I still had a classroom, this series would grace my shelves.
Recommended to all that enjoy a good horror series.
Nerds, geeks, and bibliophiles be ready. Marvin Dietz, who in an earlier life was the executioner of Joan of Arc, is leaving Portland, and he’s collected some unlikely traveling companions. Why not join him? I read this story free and early thanks to Meerkat Press, but it’s worth your nickel to seek it out, because there is nothing else like it. This book is available to the public Tuesday, January 23, 2018.
Mike Vale was once a great painter, and now he has been forced out of his record store by a shifty, corrupt landlord, so he heads south to Los Angeles to attend the funeral of his ex-wife. En route he picks up Dietz, who is hitchhiking, and further along the way Casper stows away in the back. The voice with which their story is told is resonant and the word-smithery makes me shake my head in some places—who writes like this?—and in others I laugh out loud. Here’s a sample from the passage where we meet Casper:
‘I want my money,’ Casper said. “My money or my gear. You pick.’
‘Jesus wept,’ the last counterman said before wheeling around on his stool. Then Gary, our mechanic, walked past me and threaded his way through the tables. He laid his hand on the end of the bat… Casper turned and looked at him. What little fight there was deflated out of him like a balloon. Almost lovingly, Gary put him in a headlock.
‘Casper, Duncan sold your meter for a bag of crank days ago. Give it a break. Getting money from him is like getting Thousand Island from a basset hound’s tits, man. You can squeeze all you want, but it ain’t happening.’
As the journey continues, somewhere in California, the Smokes appear. They’re the undead, and they appear as if they are made of smoke. They can’t hear live people or see them, but their personal dramas and torments play out for people in the here and now, and they don’t observe the laws and conventions regarding private safety and property, either. They show up at random times and in random places, causing traffic accidents and other complications. And so we have to wonder if there’s a connection between Marvin, whose many incarnations are recounted to us in his confidential narrative, and these apparitions. The government and the military are at a total loss; the press is enjoying itself, but even the most ambitious journalist recognizes that things have spun out of control.
The plot is complex, and readers must bring their literary skills along for the ride or there’s no point in coming. It’s a story that takes awhile to develop, but it’s more than worth the slow build. The playful use of language and quixotic spirit of the prose are reminiscent of Michael Chabon at his finest hour.
Highly recommended; get it in hardcover.
John Connolly writes two kinds of books. Some of them are good; some are damned good. This is one of the latter. It’s the fifteenth in the Charlie Parker series, and it marks a turning point; previously a thriller series with mystic overtones, it’s now a stew combining multiple genres. Connelly heats his cauldron and pours in a healthy dose of suspense, mixes in some detective fiction, and blends in horror and fantasy as well, along with a pinch of humor. The overall result is deliciously creepy, the kind of story that stays with me after I’ve read a dozen other less memorable books. Big thanks go to Net Galley and Atria for the DRC, which I read free and early in exchange for this honest review. The book is for sale now.
Parker has a haunting past indeed; in the first book of this series, his wife and daughter Jennifer are murdered by a man that has come looking to kill Parker. Our hero sets out to find and kill the man that did it, and he succeeds; yet his thirst for stark, take-no-prisoners justice is not satisfied. Now the father of another daughter, Samantha, that lives with his ex, our current mystery finds Parker in a conversation with the girl’s uncle, who asks hard questions about Parker’s risky behavior. He wants to know why Parker keeps chasing bad guys now that his initial quest has been fulfilled. Why hunt down evil-doers when he might adopt a lifestyle more in line with the best interests of his still-living child? Parker responds,
“I do it because I’m afraid that if I don’t, nobody will. I do it because if I turn away, someone else might suffer the way I have. I do it because it’s an outlet for my anger. I do it for reasons that even I don’t understand.
“But mostly,” said Parker, “I do it because I like it…
“We can’t leave these people to wander the world unchallenged.”
The premise here is that Parker is sent by FBI agent Ross, who he has agreed to work for under terms mostly his own, in search of Jaycob Ecklund, a man also employed by Ross who has vanished. Once Parker’s search for Ecklund commences we learn that the missing man was a ghostbuster of sorts, a man with a basement full of files on the paranormal. Many others are interested in Ecklund also, and the plot ramps up quickly and doesn’t relent until the last page is done.
The plot here is complex, and Connolly weaves in a host of characters, both living and dead. We have The Brethren, most of whom are alive yet already damned. We have Angel and Louis, a pair of characters that have appeared throughout the series that work with Parker; their darkly amusing banter helps lighten an otherwise almost unbearably intense plot. We have clairvoyants; we have The Brethren; the hollow men; we have a number of murder victims, before, during, and after their deaths; there is the Collector, who is tied to Parker like a falcon, and must always return to him.
And we have organized crime figures Phillip and his Mother, who abduct him in order to find out what Parker does and what he knows, in a civilized way, of course.
“There will be tea.”
Mother is the best villain this reviewer has seen in a long time.
The entire book is brilliantly conceived and flawlessly executed. And although Connolly’s series is worth reading from the get-go, those that hop in without having read earlier books from this series will be able to follow and enjoy this shapeshifting mindbender of a novel just fine, but those that genuinely believe in ghosts may not want to read it at night.
Highly recommended to those that love excellent novels of suspense.
Skitter is the sequel to Boone’s monstrous horror novel, The Hatching. Mutant spiders are on the rampage, fulfilling the worst nightmares of every arachnophobe, and president Stephanie Pilgrim has to decide how to save the USA—if it isn’t too late. I received my copy free and in advance from Net Galley and Atria Books in exchange for this honest review; copies will be available to the public May 9, 2017. Don’t miss out.
The first portion of the book is dedicated to bringing the reader up to speed so that those that didn’t read the first book can jump right in. The pacing feels a little slow, and I am thumbing my reader impatiently, wanting to find out what happens next. There is a fair amount of time discovering and discussing cold egg sacks versus warm, throbbing, glowing ones, but the emphasis is there for a reason, and it also makes for a more accessible read to a wider audience. At the 34% mark the ground work is done—so to speak—and the story breaks loose and really flies. The scene in Japan is particularly arresting.
So…imagine a bag of nice, warm spider eggs roughly the size of a bus; think of it as a “giant packet of doom in the corner”. It might hatch at any moment, and although the spiders may kill you, there’s a chance they may not. They spare some people to use as incubators for the next generation to come.
Let me just ask: how is your stomach doing right now? Are you feeling okay?
“Somebody gets bitten and then, what, five hours later they’re opening up and spilling out spiders like a bag of frozen peas?”
After The Hatching came out, I suddenly began noticing the spiders that came into the bedroom at night. It was uncanny how one turned up right after my spouse had fallen asleep, every single night. The spider would start in a far corner of the room—nothing to worry about here, ma’am, just minding my own business—and then gradually either circle to where it was directly overhead, or make its way to a location above the very center of the king sized bed, start a nice web, and commence to rappel doooown. I had never been that aware of them before, but now they seemed ominous. What the hell? Every night? Before he knew it, my spouse, who is nimbler than I, found himself drafted into spider-bombing the attic.
So yes, there is risk in reading this mesmerizing horror tale, but on the other hand, how can you not?
Ultimately, everything that can go wrong on Earth, does. There are mutant spiders from the South Pacific to Scotland, from Asia to Michigan. Quarantine zones fail. Hospitals fail. Other nations have tried everything, including using nuclear weapons on their own soil. And ultimately the president and her advisers wonder whether it is time to break out the Spanish Protocol.
I won’t tell you more than this; you need the book itself, either to take with you on vacation, or to make you feel better about the fact that you can’t go anywhere this year. Afterward, you’ll look at every little spider web in your living space with suspicion, and you’ll know it’s time for spring cleaning…right away!
The good news is that if you’re looking for something dark, then Chaon is your author. I received a copy free and in advance in exchange for an honest review; thank you Net Galley and Random House Ballantine. This book was released today and is available to the public.
The plot centers around a psychologist, recently widowed, who’s coming unstuck. One of his sons has developed an ugly drug habit right under his distracted father’s nose, but his dad just keeps giving him money and doesn’t ask questions. At the same time, the psychologist’s brother, who was sentenced to two life terms for the murders of their parents, aunt, and uncle, is exonerated when DNA analysis is done. Simultaneously a patient of Dan’s comes to him with questions about a series of drowning of drunken college boys that he says he believes are linked. At first, Dan assumes these are paranoid ramblings, but over the course of time, the patient begins to assume greater and still greater importance in Dan’s life, until the reader begins to wonder which of the characters is the psychologist and which is the patient.
The quality of the prose is surreal and at times, dreamlike.
Every reader has a threshold for the level of violence he or she can sustain before a book ceases to be deliciously creepy and instead becomes a thing we wish we never read. I knew when I hit the term “snuff film” before the twenty percent mark that I might be in trouble, but it was a passing reference and since I had an obligation to the author and publisher, I brushed it off and kept reading. I read multiple books at a time, usually half a dozen or so, and I found that this book was the one that I just didn’t want to read. With the publication date upon me, I forced myself through to the end, and have been slightly queasy ever since.
I didn’t have any fun here; it was just too disturbing.
I want to be fair, and so I read carefully in order to see whether there are any clever literary nuances that might improve my rating, and the second star is included here because of some interesting and innovative stylistic tools that are employed. I liked the triple narrative that appears to be taking place simultaneously, and am interested in the business employed with sentence endings that begins with the father and ends with someone else.
The story’s ending is both unpleasant and disappointing, in that it doesn’t present any sort of epiphany or surprise. My reaction to the end of this whole unfortunate thing is, “Oh.”
None of this means that you won’t like this story. There’s a lot of buzz right now about the now discredited belief in Satanic rituals that were in the news during the 1980s, and if this is in your wheelhouse, maybe you’ll like the book. If your tastes run way out on the edge of horror, you might find it more appealing than I do. On the other hand, it won’t make the ending any less anticlimactic.
Recommended to those interested in extreme horror stories and with a bottomless wallet, or that can read it free or cheaply.