“Even as a federal agent, I have been on surveillance or supporting an operation and have had an officer approach me and say that the neighbors called about a “suspicious” vehicle, which meant it was a black guy driving a car. I’ve been the man in that suspicious vehicle.”
Matthew Horace worked as a cop at the federal, state, and local level for 28 years, and he is plenty sick of the “toxic brotherhood.” The quote above refers to an incident that occurred in Mill Creek, a (very white) suburb outside Seattle, Washington where I live, but it’s not just here; it’s everywhere in the US. Specifically, he tells us about cities where some of the most notorious cop violence has created resistance such as New Orleans, Chicago, Baltimore, and Ferguson.
There are essays provided by police chiefs from some of these places as well as from Kathleen O’Toole, who was chief here in Seattle; O’Toole’s prose reek of electioneering, the sort of style that speaks for itself. Many of these contributors contradict Horace’s own assertion that the problem is endemic, and is absolutely not a case of a few bad apples. More than one of these essays hold the fascination I’d feel if forced to watch a rattlesnake before it strikes; the sanctimony, the grandiose claims of justice supposedly served. The most interesting of them all is from an African-American police chief in Chicago, whose personal stories of her family members having been abused—including her sons—stand diametrically opposed to what she does for a living, and yet she maintains her tightrope walk, determined to make a difference where only the smallest, if any, seems likely.
By now I should have thanked Net Galley and Hachette Books for the review copy, which I received free and early. This excellent book is available to the public Tuesday, August 7, 2018.
There has been a flurry of books published about this subject since it became national news. More than anything, the internet and cellular phones have stripped the gatekeeping capacity of the major news outlets; cops that were able to beat and even kill people and lie about it later are being outed left and right. Even I, who am an old lefty and have never really believed cops were there to protect ordinary people, am shocked by much of what’s been revealed. I wondered, as I began reading, whether Horace could add to what’s already been said and shown. What could he add to the body of information provided by Ta-Nehisi Coates, Angela Davis, and Matt Taibbi? (Many years ago, Norm Stamper, former Seattle police chief, also wrote an expose that included a chapter on why cops beat Black men.)
As it happens, Horace has a lot of information that I hadn’t read, and it isn’t just a matter of fine detail. For example, who knew that in New Orleans, cops were not merely accepting graft, but actively robbing Black-owned businesses, guns drawn, and making off with their cash and other valuables? It’s the sort of thing that lives in your head for a long time after you read it; but then again, it should be.
The sourcing is impeccable.
Those with an interest in Black Lives Matter, in civil rights in general, or with an interest in race issues within the so-called criminal justice system in America should get this book, for full price if necessary, and read it. Read the whole thing. So much of our future depends on how we respond.
“Try to imagine a world where there isn’t a vast unspoken consensus that black men are inherently scary, and most of these police assaults would play in the media like spontaneous attacks of madness. Instead, they’re sold as battle scenes from an occupation story, where a quick trigger finger while patrolling the planet of a violent alien race is easy to understand.”
I received an advance review copy of I Can’t Breathe: A Killing On Bay Street, courtesy of Random House and Net Galley. I had expected this civil rights title to be a good read but also to be anticlimactic, coming out as it did just after publications by literary lions like Ta-Nehisi Coates and Angela Davis. I am surprised and gratified to see that Taibbi, a journalist for Rolling Stone, holds his own quite capably. The title is for sale, and if you care about justice and an end to cop violence in the US, then you should get it and read it.
Many readers will recognize the title, which constitutes Eric Gardner’s last words and became a rallying cry for protests that spanned the globe. Why would any cop, especially one not acting alone, find it necessary to put an elderly man, a large person but not a violent one, in a choke hold over what was, after all, a misdemeanor at most? Taibbi takes us down the terrible urban rabbit hole, deftly segueing from Garner’s story, the events that led up to his death and the legal and political fight that took place afterward, to the cop killings of others, and the bizarre, farcical prosecution that takes place in the unlikely event that a cop is ever charged with having unlawfully killed another person.
Though my own life is free from this type of harassment and though I benefit from White privilege and have done so since birth, I found it hard to breathe myself as I read Garner’s story, and the behind-the-scenes machinations that result in the maintenance of the status quo. And I trembled, and still do, for the Black men in my family.
I think many people over the age of 40 understand that the attacks we see publicized online, one by one, Black boys and men that have done either nothing wrong or committed a minor offense that most Caucasian people would never be stopped for, have been taking place for a very long time. What we didn’t have was proof; what we didn’t have was the long view that allows us to see into cities, rural areas, and small towns in America such as Ferguson, where Michael Brown was killed. And there’s one other thing: we didn’t have to look at it before if it wasn’t happening in our own community, our own neighborhood. Even those of us with racially mixed families didn’t see the scope of it. Some would prefer not to know.
Here’s Taibbi’s take on how it unspooled:
“The civil rights movement ended in a kind of negotiated compromise. Black Americans were granted legal equality, while white America was allowed to nurture and maintain an illusion of innocence, even as it continued to live in almost complete separation. Black America always saw the continuing schism, but white America has traditionally been free to ignore and be untroubled by it and to believe it had reached the “postracial” stage of its otherwise proud history. That was until cell phones and the internet came along. When the murder of Eric Garner hit the headlines, it at first seemed to lift the veil.”
Taibbi’s smooth narrative and expert pacing doesn’t make this any easy book to read; nothing can. If it’s easy, you’re not paying attention. But if we ignore Eric Gardner, Michael and Trayvon and Freddie and Sandra and all the rest, we are complicit in their deaths. Highly recommended, even at full jacket price.
I had never read Ward’s work before, and now that I have I will follow her anywhere. Sing Unburied, Sing is a literary masterpiece, and one that fits the time in which we live. It opens up all sorts of thorny questions for examination, but like most thorns, it stings. I received my copy free and early courtesy of Scribner and Net Galley. This title is available to the public now.
Jojo and Kayla have been raised by their grandparents in rural Mississippi; Mam and Pop are their source of love and stability. Leonie, the mother they call by her first name as if she were a sister, drifts in and out, using copious amounts of meth and other drugs. Michael, the children’s Caucasian father, is being released from Parchman, the notorious prison where he has been sent after having killed Leonie’s brother, Given. Given comes to her when she’s high. She doesn’t know it, but Jojo and Kayla can see him, too.
The contours of this story have to look familiar to a lot of people, and we are faced with unanswerable questions. Is it better, for example, for children to be raised by grandparents, though they are infirm and exhausted and have earned some time to themselves in peace and without dependents, or is it better for their parent or parents to take them, although they have no money, job, or parenting skills?
Whether it’s the right thing to do or not—and I’ll tell you right now that for Jojo and Kayla, it isn’t—Leonie swoops in and after overcoming her mother’s resistance, takes the children and heads for Parchman to pick up her man. There is no plan at all in place for once he’s been retrieved. Leonie is not the swiftest deer in the forest, and then of course she’s high a lot of the time, and seems to have been solipsistic from the get-go; at one point in the story Mam tells Jojo that his mama just doesn’t have the mothering instinct.
It’s the understatement of the century.
On their odyssey they encounter racist cops, a Caucasian drug-dealing attorney, and a host of other beings, living and not. The narrative is told in the first person by Leonie and Jojo alternately, with a voice from Pop’s past peeking in once the adventure is underway. Although the characters are traveling physically through most of the story, it’s not about setting; it’s about character. We learn these characters so intimately that it’s almost as if we ride beneath their skins, and we also learn Pop’s terrible secret.
None of this description can convey Ward’s alchemy, her capacity to take the language and shape it into something much more than its parts, nor does it adequately relay her skill, authority, and overwhelming power. Ward is a lion.
That said, if you need a feel-good novel, this book is not for you. It’s a dark, tragic, terrible story, and the characters are largely unlovable ones, but none of this should keep you from it. This novel will be talked about for a long, long time.
Highly recommended to those that love excellent fiction.
I’ve been experimenting with ways to share what is coming up next. Usually I put this on a different page, but then it also tends not to get seen, likely due to the absence of share buttons. Let me know what you think. Is it better to post it separately, or do you like it here?
Here are books I’ve finished reading, and as soon as a sane moment presents itself in my uncharacteristically busy domicile, you will see them reviewed here:
This is what I am reading now; all are good, but some are outstanding. [Imaginary drum roll goes here.]
I was originally turned down for a DRC of this novel when I requested it last spring, and I took the unusual step of following up with Atria, more or less begging for it. I’ve been reviewing titles for Net Galley for two years and have received nearly 300 DRCs, so it is a sign of my interest level that I went to this extreme to read this one in advance in exchange for an honest review, and it’s a sign of decency and responsiveness that a representative from Atria Books invited me to review it after all. Although I am grateful , this five star review is not about gratitude, but a measure of the importance I attach to the issues it addresses and the skill with which the story is told.
The story centers on the first African-American cops hired in Atlanta; the year is 1948. This is considered an experiment, and to say the least, it’s awkward. The basic plan is that a small number of Negro—which is the polite term at this time in history—officers will report to a Caucasian supervisor, and they are responsible for patrolling the Black section of Atlanta. There are just eight men in this force. They have no authority to make an arrest, so if someone has to go to jail, they must call for Caucasian police who are considered real police by higher-ups within the city administration.
To say the very least, it’s hard to take.
Mullen’s protagonists here are African-American officers Boggs and Smith, and the problem arises when they witness a crime, the assault of a woman by a Caucasian man in a car. The woman disappears, and no Caucasian cops are interested in hearing what these officers saw that night. The white cops that come in response to the report of a crime demean the Black officers, calling them “boy” and a variety of other horrible slurs. As the white cops leave the scene, “Boggs was still standing in the street. If his rage had been a physical thing, it would have split the car in two.”
Eventually one of the white cops, a man named Dunlow, goes too far in the eyes of his rookie partner, Rakestraw, and the latter finds himself in a tenuous, secret alliance with Boggs.
Light banter breaks up tension in places, but no mistake, this is a brutal story. If it wasn’t harsh, it wouldn’t be the truth. This is one of the rare instances when the frequent use of the N word and other racist, vulgar language is actually historically necessary; you’ve been forewarned. Though Darktown is a useful history lesson, its greater value comes from causing readers to think more deeply about the role police play in western society.
A question I found myself considering, and not for the first time, is how much good Black cops can do even today to combat racism and other ugly biases by the department that employs them. Clearly cop violence toward people of color remains ever present. If this book had been published ten years ago, I would have been concerned that in focusing on past racism, the story might have left us with the impression that racism was a problem only in the past, as if all that mess is over now.
But in 2016, we all know otherwise.
I hope you’ll read this painful but well crafted novel, and reflect some about how the dynamics of power have developed and why. Will a more diverse police presence be the key to equity for those that are so frequently crushed beneath the boot heel of what passes for a justice system in the United States, or is meaningful police reform impossible as long as cops are employed primarily to protect the property of the rich? Would ordinary people be better off if we can, in the words of the old folk song, “…raze the prisons to the ground”?
This book becomes available to the public September 6, 2016. Highly recommended.