The Wonder Boy of Whistle Stop*****

They say that old writers never die, and I hope that’s true. With her last novel, The Whole Town’s Talking, Flagg announced that she was done. It was her final novel. I was sad to hear it, but grateful to have been able to read every wonderful thing she’s ever written. She has given us so much! And then, imagine my joy when I opened my email to find an invitation from Random House and Net Galley to read and review this sequel to Fried Green Tomatoes at the Whistle Stop Café, which is possibly my favorite novel of all time. Over the moon, friends. And it’s for sale now.

The tricky part of a sequel to such an iconic story is in trying to live up to what’s come before. In this case, I don’t think anyone can. That said, this is nevertheless a delightful book, and I recommend it to you, although you won’t get the full advantage from it without reading the first magnificent book first.

The format mirrors that of the first novel, (and from here forward, I will refer to it by initials: FGTWSC,) with time periods and points of view that come from a variety of settings and individuals. Whistle Stop, Alabama is no more; the freeway passed the town by, and the rest of modern transportation and technology did the same. When we return there, it’s difficult to find; boarded up buildings, tall weeds, trash, and kudzu. In fact, the start of this book is depressing as hell, and for a short, dreadful time, I wondered if the author might be slipping; but no.

The protagonist is ostensibly—from the title—Buddy Threadgoode, son of the late Ruth Jamison. Again, I find myself scratching my head, because Flagg’s protagonists are women, girls, and women. And actually, that’s true here also. Buddy is an old man, and he’s been sent to live a Briarwood, a retirement home for the elite. His daughter Ruthie married the son of the local bourgeoisie, and consequently he’s been mothballed in the nicest possible place; but he hates it, of course. He doesn’t make a scene, but who wants to be warehoused if they can help it?

However, most of the action centers on his daughter Ruthie, and then later, our old friend, Evelyn Couch. (Friends have told me I resemble this character, and I’m good with that comparison.) Evelyn gained confidence in the first novel, much of it courtesy of Ninny Threadgoode, and now she’s done nicely for herself. Husband Ed has gone to that man cave in the sky, but she has recovered from the shock and then some. And it’s roughly halfway into the story that Evelyn enters the story in a big way, and with the groundwork well established, the story takes wing.

As with the original FGTWSC, the key to keeping up with the ever-changing settings and narrators is in the chapter headings. If you skip them, you will be lost. (This fact has been established by trial and error in teaching the book to honor students in literature class.)

Flagg is a feminist, and her work reflects her subtle but unmistakable passion for social justice. Again, with the first half of this book I feared she had lost her edge; once more, I see in the second half that I am mistaken. She was just warming up. Unlike so many of the novels I’ve read recently, this story gets better and better as it progresses. At 45%, it seems like a pleasant, harmless story, and a bit of a disappointment. At 56%, I’m sitting up straighter and noticing things. At 75% I’m laughing out loud. And from there to the finish, I don’t want it to end.  

I’ve seen some lukewarm reviews for this book, and it’s understandable, in a sad way, because those reviewers are weighing this book against its predecessor. And no, this one isn’t quite as brilliant as the first, but if I deny the fifth star on that basis, then I need to go back and weed out at least 96% of the other five star reviews I have written, because FGTWSC is a matchless novel. If instead I weigh this story against those others, it stands up proudly.

When push comes to shove, I think all of us need a feel-good story like this one—which it is, despite the sorrowful beginning—all of the time, but now more than ever. Civic engagement is important, but stepping away and restoring oneself is every bit as crucial. Do yourself a favor. Switch off your news feed for a couple hours and snuggle down with this book. You’ll be more effective later for having given yourself time to recharge now.

Highly recommended.

The Broken Road, by Peggy Wallace Kennedy**

“I was perhaps Daddy’s most important legacy of all.”

Thanks go to Bloomsbury and Net Galley for the review copy, which I read free and early in exchange for this honest review.

I was a child during the Civil Rights era, and although I didn’t live in the American South, I recall news footage of Kennedy’s father, George Wallace, the man that the author rightly attributes as a harbinger of the Trump movement. Instead of “Make America Great Again,” Wallace urged his constituents—including the Klan, whom he openly welcomed to his campaign—to “Stand Up for America.” When the federal government signaled that it would enforce the segregation ban, Wallace made headlines around the world by literally standing in the door of the schoolhouse in order to turn the first Black student away from a public school in Alabama.  My own father was a redneck of the first order, but even he distanced himself from this extremist. Wallace ran for U.S. president but was defeated; upon returning to the governor’s mansion, he was shot and paralyzed from the waist down. By that time Malcolm X was dead and could not have told us that this was a case of chickens coming home to roost, and yet it may well have been.

Although the book’s summary suggests that Kennedy is vastly different from her father politically, her prose indicates that her true, bitterest grievances all center on his philandering betrayal of her sainted mother and his failure to be a strong provider and dedicated family man. She tells us that even in the 1960s, she felt his racist rhetoric was wrong, and so I waited for what I thought must surely come next: the moment she either confronted him or simply moved out of the house to another part of the country to restart her life in saner surroundings. None of this happened, as it turns out. She stayed in the governor’s mansion, thrilled by the relative affluence and privilege she regarded as her due following a tumultuous, sometimes impoverished childhood.

The title is taken from a Hemingway quote, and in her own story designated the location of her maternal grandparents, whose simple, homespun nurturance provided relief to her mother and herself when her father went on the road politicking and didn’t send money home for them to live off of. At the beginning of the book she uses the expression often enough to beat it to death, but once her father becomes governor she rarely speaks of these kind, gentle people. Toward the end, she parenthetically notes that her grandmother died at some point back in the middle of the book.

It’s interesting that although Lurleen Wallace was elected governor in order to circumvent what was at the time a state law against successive terms for her husband, the author says nothing at all about her mother’s civil rights policies. We see that she won the governorship in a landslide and was loved by all, and yet if her policies diverged much from George’s, that would have created screaming headlines. It’s just one of the many inconsistencies within this memoir.

The last several chapters are devoted to her father’s redemption politically, or so she asserts. He never hated African-Americans, she tells us, but only did and said those things in order to gain office. Later in life, he asked a handful of Civil Rights leaders for forgiveness and spoke in Black churches about his error. She follows this up by pointing to the large numbers of Black voters that returned him to the Capitol.

I find myself wondering a lot of things, and foremost among them is why anyone would consider a candidate that makes the cold-blooded decision to promote violent racism for the sake of gaining office to be morally superior to one holding the genuine belief in the inferiority of other races and ethnicities. Wallace, she tells us, didn’t sign onto the Klan’s program because of his convictions, but because of what they could do for him. And while the parallels she draws with Nixon are apt ones, the rationalization of her late father’s destructive, ethically bankrupt lifetime is chilling in its own way, but she underplays this aspect of his career.

Her “daddy” lived long enough to appoint her 26-year-old attorney husband to the state bench.

The second star here is reluctantly provided because she does some very nice things at the outset with regard to her description of time and place in the life of poor white folks in mid-twentieth century rural Alabama.  If you’re looking for a silver lining to this wretched work, there it is. It’s all I can find.

I would place this book in the child-revenge category along with Christina Crawford, Patti (Reagan) Davis, and Carrie Fisher.  Read it if you want to wallow, but when you’re finished, you will likely want to shower and gargle.

Gods in Alabama, by Joshilyn Jackson*****

godsinalabamaThis book was just what the doctor ordered. Whenever I find myself steeped in too much important-yet-grim literature, I have a handful of go-to authors that are guaranteed to leave me feeling better about the world. Jackson is one of them. I bought my copy of this book used via Powell’s City of Books, online using the gift certificate they bestow on reviewers from time to time. I recently won another one and have ordered some more books by this writer to brighten the winter to come.

Arlene had vowed never to return to her family in Alabama. Dark things have been done there, and she did some of them herself. Let’s examine, for instance, the murder of Jim Beverly. Arlene promised God that if he let her get out of the state after it occurred, she would never return, and despite her family’s hurt inquiries, she never has. Now things are different, though. A visitor from her hometown has come to her apartment asking about Jim. In addition, Arlene’s boyfriend Burr, who is African-American, has told her that if she won’t introduce him to her people, regardless of what they are like or how they will treat him, he will leave her. And so Arlene is forced to break her vow with the Almighty and head south.

Arlene’s family is unforgettable; Aunt Flo, who raised Arlene after her mother’s breakdown, is one of the finest strong female characters of all time. I have read several books since I read this one, and yet Arlene and Flo are still riding around in my head. That’s what excellent literature does.

As to Jim Beverly and Arlene’s vow, there’s more to all of it than meets the eye, and the ending is so surprising yet so completely believable that I can only roll my eyes in admiration. Highly recommended to those that love excellent fiction.