A Book of Bones, by John Connolly*****

   ‘Do you mind if I ask what it is you do?’

   The correct reply should have been ‘yes’ for a second time, but he didn’t want to appear rude. It would make her feel bad, and he wouldn’t feel much better.

   ‘I hunt,’ said Parker. He was surprised to hear the words emerge, as though spoken by another in his stead.

‘Oh.’ Her disapproval was obvious.

‘But not animals,’ he added, as the voice decided to make the situation yet more complicated.

‘Oh,’ she said again.

He could almost hear the cogs turning.

‘So, you hunt…people?’

‘Sometimes.’

‘The wheels came down, and the plane hit the ground with a jolt that caused someone at the back to yelp in the manner of a wounded dog.

‘Like a bounty hunter?’ asked the woman.

‘Like a bounty hunter.’

‘So that’s what you are?’

‘No.’

‘Oh,’ she said for the third time.

I love Charlie Parker books, and it’s unusual for me to miss a pub date, which I did and I’m sorry. I was distracted and curious about another horror novel that came out at the same time, which was my mistake because that one wasn’t as good as this one. My thanks go to Net Galley and Atria Books for the galley, and I have learned my lesson: life is short. Read Charlie Parker first.

A body has been found in a junkyard in the American Southwest. Could it belong to Parker’s evil nemesis, Rebecca Mors? Sadly, it does not. Mors and her top stooge, Quayle are across the water, and as usual they’re up to no good. Soon Parker and his massively engaging assistants, Angel and Louis will be there too, and yes: they’re hunting. They are being paid to assist the FBI, but since their work takes them overseas, it must be unofficial. This aspect, together with the story’s supernatural elements and Connolly’s expert plotting, pacing, word smithery and character development combine to make a story so spellbinding that I never once found myself questioning whether one aspect or another is credible. Whilst reading it I was engrossed, and what’s more I was cranky when interrupted.

Key elements of our tale are Parker’s daughters—one living, one dead—and a sentient book, a living malign entity that has appeared in previous Parker stories but is at its hellish worst here. The complex plot surrounding it is so full of twists and turns, shifting alliances and above all, dead bodies that at one point Parker reflects that it looks like “the plot of a very violent soap opera.”

The author’s note at the end tells us that his editors tried to get him to edit the book down, and he balked. Whereas there are some historical tidbits that could probably be eliminated or made briefer, I like it the way it is. Why would I want a Connolly book to end sooner? However, the reader will as usual need a hefty vocabulary and greater than average stamina to enjoy this work. It may not be a good choice for those whose mother tongue is not English.

Can you appreciate this story, seventeenth in the series, without reading any of the previous entries? You will find yourself at a distinct disadvantage, but it’s not necessary to go all the way back to #1, either. I began at the fourteenth and have no regrets.

Highly recommended.

Guest House for Young Widows, by Azadeh Moaveni**

Those of us in the United States don’t have much of a window on the women of ISIS, and I thought this title might help me understand them better. In some ways this proves true, but in the end, I couldn’t finish this book and I can’t recommend it. Thanks go to Net Galley and Random House for letting me read it free and early.

Here’s a quote that provides a thesis:

Many of these women were trying, in a twisted way, to achieve dignity and freedom through an embrace of a politics that ended up violating both…The political fractures from which [ISIS] arose have not been fixed. History has shown that unless conditions genuinely change, a new insurgency always arises from the ashes of an old one.

Moaveni shares the case studies of individual women that have been drawn to the Islamic State. Although the organization provides its women with a measure of security and protection, promoting higher education—in the service of the organization, of course—and sometimes furnishing jobs, it draws not only women that are desperate for food and shelter, but also women from comfortable middle class backgrounds. Once they are in, they find it difficult to leave. Moaveni demonstrates myriad ways in which women provide essential support for ISIS.

There are three things that I liked about this book. The research is well done; the women discussed here provide the reader with individual stories and therefore humanize them; and she acknowledges the disparity between mainstream Islamic belief and ISIS.

On the other hand, despite disclaimers within the narrative, I was overcome by a crawly sensation when I realized that the author’s overall purpose is to rationalize the choices made by women within Islamic State. She says they are relatable; I am appalled and unpersuaded.

Those that dislike a dictatorial regime should indeed advocate for a better system. How great a risk each person is willing to assume is of course an individual decision. But there is nothing that justifies or mitigates the atrocities visited on innocent people by this dreadful pseudo-religion. 

When push comes to shove, the only real dilemma for me is whether to provide one star or two in review. The second star is reluctantly assigned on the basis of the writer’s solid research; yet the ideas within it are entirely abhorrent.

Never, never, and never.