A Long Petal of the Sea, by Isabel Allende*****

Allende has long been one of the writers I admire most, one of the few novelists to gain permanent space on my bookshelves. Her stories are distinguished by her devotion to social justice issues, particularly in Latin America, and to feminism. She’s known in particular for her use of magical realism, which I confess makes me a little crazy when she imbeds it in her nonfiction titles, and also her wry, sometimes subtle humor. Much of what she writes is historical fiction, as it is here, and she is a stickler for accuracy. Her research is flawless. She has prestigious awards from all over the world. Literature teachers love her.

My thanks go to Net Galley and Random House Ballantine for the review copy. This book is for sale now.

In A Long Petal of the Sea, she takes on a particularly ambitious task, creating a fictional family and charting its course from Spain following the failure of the Spanish Revolution, to Chile, to other points in Latin America, and then back to Spain once more. There are a lot of characters to keep track of, with different threads for each that separate, then braid together again and so on. There are at least three generations here, but primarily the story is Roser’s.

It’s a well written story, though it is also the sort of literary fiction that takes a fair amount of stamina. If you’re in search of a beach read, this isn’t it. I confess I didn’t enjoy it as much as I often enjoy Allende’s work, but I also believe it’s unfair to judge an author solely by what they have already written. If this was the first book by this author that I had ever read, I would give it five stars, and so that is what I’ve done.

My one disappointment is that we don’t learn more about the Spanish Revolution and the Spanish Civil War. This is an event that’s very difficult to find in quality historical fiction and literary fiction, at least in English, and I was excited when I saw this book was based on it. Then by the 25% mark, we’re out of Spain and it leaves me sad, because I wanted to know more about that period and place.  I also missed the usual Allende humor, which she uses in other books to break up tense passages and shoot down sexist behavior in her characters; her last book, In the Midst of Winter, made me laugh out loud more than once. That humor is in short supply here. The feminist moxie, however, is in splendid form, and the class and internationalist perspectives that I treasure are alive and well.

A book should be judged on its own merits, and I’ve done that, but I want to add a shout out to an iconic writer who’s still publishing brilliant, ambitious books at the age of 78. My own goals for that age, should I be fortunate enough to see it: I’d like to be breathing; to be able to see and hear most of what’s around me; and I’d like to not be completely crazy. Publishing great literature? Perhaps not. I am delighted that Allende can do this, and I hope she has more stories in the works.

A note on the audio version: I supplemented my review copy with an audiobook I found at Seattle Bibliocommons. It’s an approachable way to get through a complex, multifaceted story, but I don’t like the way the reader voices the elderly male character. The harsh, guttural-sounding tones are too near to a stereotype. Happily, the story is mostly Roser’s, but the unfortunate noise pops in fairly regularly all the way through, and it makes for a less enjoyable listen. For those with the time and inclination for the print version, it may be your better choice.

For those that love epic historical fiction, I recommend this book to you, although if you haven’t read Allende, also consider some of her early work.

In the Midst of Winter, by Isabel Allende*****

IsabelAllendefall2017Unless you’ve been hiding under a rock somewhere, you already know that Allende is a luminary that owns the literary lane of magical realism, and is renowned for her fictional immigration stories. But it’s her accessibility, the way she spins her tale as though speaking to a good friend, along with her sparkling great humor and feminist spirit that keep me coming back for more. My bookshelves may be crowded, but when I have to clear old books away to make room for new, my Allende shelf is never up for grabs. These are books I will read again, and that’s a thing I don’t do much. In the Midst of Winter is one I read digitally and free, thanks to Net Galley and Atria Books in exchange for this honest review, but sooner or later I will have to find a hard copy to complete my shelf.  You will want to read it too.

The narrative shifts between three main characters. Richard Bowmaster is a 60 year old human rights scholar that has recruited 62 year old Lucia Maraz, a lecturer from Chile, to his university. Evelyn Ortega is an undocumented Guatamalan refugee that works as a domestic.  She filches her boss’s Lexus to go buy diapers for her charge on an icy day in Brooklyn and collides with Bowmaster’s car. Bowmaster is a pain the ass, but he nevertheless agrees, by inches, to help Evelyn.  The story shifts between the present day crisis—there’s a body in the trunk of the Lexus, and it’s impossible to call the cops if there’s a chance Evelyn may be deported—and the back stories of all three characters.

Allende never pulls her punches. There’s no realistic way to talk about Guatemala, about the atrocities that people like Evelyn flee, without including violence, and the details here ensure that we won’t forget once the book is done. There’s rape here, and some rape survivors may have to give this one a miss. For everyone else this is a no holds barred must-read. The author deftly alternates the difficult, horrific scenes with lighter material, and this not only makes the book an easier read, it heightens the pace and makes the gritty passages more memorable. There is also less magical realism in this novel than in her others; but make no mistake, Allende’s signature style is here in full force and voice.

The way Bowmaster is developed, inch by inch, into a civilized human being is indeed mesmerizing. Feminist readers will cheer for the way Lucia owns her destiny. Older women aren’t old ladies; they are women first, and nobody drives it home better than this writer.

My favorite moment is that between Marco, Lucia’s Chihuahua, and a moose, a memorable bit of side business.

Undocumented immigrants are a greater part of our national conversation than ever, and so there’s no better time to read Allende. Like all of her work, this book is funny, smart, tender, wrenching at times, and in the end, it tells us that humans are intrinsically good. I came away with a lighter heart and a spring in my step.

You have to read this book, and it will be for sale Tuesday, October 31, 2017.