Terrible Swift Sword, by Bruce Catton *****

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terribleswiftswordBrilliant and highly recommended for those who want the details in their American Civil War account. May be read singly or as the second in Catton’s trilogy.

Catton’s trilogy was written as a Centennial History for the 100th year of Union victory and the preserved integrity of the United States of America. His writing reflects the time period, as a strong historian with a nevertheless very Caucasian focus to his work. “People” means white folk when he does the talking, and to be fair, in 1965, unless a writer was a person of color, this was the unfortunate tendency. Nevertheless I give this work five stars, because I have done quite a bit of reading about this bottomless topic, and he taught me a great deal.

Before you set off to read it, though, whether by itself or as the second volume of a trilogy, look at the subject and the page count. Don’t read it if you are still separating Stanton from Seward or McClernand from McPherson. Be ready.

That said, I never really understood before that the Cumberland Gap is also the Wilderness Road (so, Daniel Boone meets the Civil War, sort of). I hadn’t completely understood that US forces were poised on the border of Kentucky, which had (ridiculously it seems now) attempted to remain neutral between the warring factions, way too much land right there in the middle, but they gave it a go, and said that the first army to cross into Kentucky was the enemy, so Lincoln said to wait till the Confederacy crossed, and the rest is history. And before reading this trilogy, I didn’t realize that there was ever a thought over fighting for West Virginia, which was silly of me. In a time where almost every square foot of the border (and eventually beyond) was a source of contention, why would I have believed that West Virginia could leave Virginia, with all of its resources, and no effort have been made by the Confederacy to keep it? And because McClellan took the (physical) high ground before the opposing forces could get there, he got to be the grand pooh-bah of the Union army, after humiliating poor old Scott whose Anaconda Plan was actually very good.

In fact, McClellan really wanted all the power all of the time, and the nasty-tempered letters he sent back to the missuz (oh how many of us think our correspondence will be kept private?) show that he not only wanted to control the army, but he wanted to be either dictator or president long before the re-election of Lincoln was in question. His slowness and reluctance to do battle with his slave-holding pals down south looks more treasonous the more I read about it. Catton builds a compelling case. But Lincoln had to be very careful in replacing him, as Catton documents it, because the attitude had entrenched itself down into the other officers and to a smaller (but weaker) extent, the rank and file. Ultimately, when Lincoln unseated McClellan, it was the rank and file that pulled the army through to the other side when McClellan weighed the matter to see whether his army would march against its own president to install him in personal, powerful splendor. I tremble to think what might have happened had McClellan been more fortunate, and Lincoln less savvy.

I most of all enjoyed a quote by Lincoln that says it all, and which I don’t recall seeing elsewhere. When a representative of Louisiana Unionists sought his reassurance regarding slavery in 1862, Lincoln responded, “It may as well be understood once and for all, that I shall not surrender this game leaving any available card unplayed.”

Well played, President Lincoln, and well written, Mr. Catton. Onward to the last volume in the series!

Top-Secret Twenty-One, by Janet Evanovich *****

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topsecrettwentyone“Hold on here,” Lula said. “Are we talking a rocket like ZOOM BANG! and everything’s blown all to hell?”

“It was more like BANG WHOOSH!” Briggs said…”And at great personal risk to myself I rescued the hamster.”


“No shit?” Lula said. “Is that true?”


Oh, great literature is good for the mind, but once in awhile we just need a little mind candy to perk up our day, and at that, Evanovich’s Stephanie Plum series excels. We’ve got the usual cast of crazies as well as a war of vengeance between Grandma Mazur and Joe Morelli’s Grandma Bella. We have attack chihuahuas, plenty of explosives, and a trip to Atlantic City. What more can we ask for?

For those reading in digital format, be aware that a teaser for one of Evanovich’s other series books takes up the last 11% of the book. I was crushed when it ended at 89%, because I had expected it to keep going.

Now I will have to read something else until #22 comes along!

Collected Stories by Frank O’Connor *****

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collectedstoriesWhat an unpretentious little book, and who would have dreamed it would be so full of first-rate short stories? Mr. O’Connor wrote from the 1930’s to the 1960’s, and may be one of the finest writers Ireland has produced, which is saying a great deal. Thank you and thank you again to Open Road Media and Net Galley for the ARC. It’s been a real joy to read!

O’Connor’s early life was marked by alcoholism and domestic violence, and he tosses these into the stewpot of his stories that is so congenial, so resonant, that we little know the pain he went through before he wrote them. The quality of the writing is consistent throughout, which is even more remarkable given its length, which clocks in at over 700 pages! At times poignant and wrenching, and at other times witty and a little naughty, though never breaching the bounds of good taste, Mr. O’Connor delivers.

His protagonists are ordinary people, all of them in Ireland. They live in small villages for the most part; some are wives and mothers, some are brave young lads; there are noble priests and those who are not as noble, but all of them are believable and create an instant bond with the reader. His overarching theme is to remind us, in his folksy, understated way, that all of us are human. He lets us know that whether we believe in God or whether we don’t, for the moment we are all each other has.

O’Connor lived through revolutionary times, and was no stranger to the Irish struggle, which is near and dear to my own heart. His famous opening story, Guest of the Nation, focuses on a card game that takes place between Republican soldiers and their prisoners. Its blend of the ordinary with the wrenching emotion that ran high at such a time makes it immortal. The soldiers’ ambivalence and humanity lends it much of its authenticity.

One of my own favorite quotes appears early in the collection in a story titled “The Luceys”, in which Charlie visits his uncle, a priest. Charlie thinks his uncle is eccentric and cannot fathom how the man thinks:

“One conversation in particular haunted him for years as showing the dangerous state of lunacy to which a man could be reduced by reading old books.”

May we all suffer similarly!

I loved the references he made to “a gang of women” outside of Mrs. Roche’s house in “The Drunkard”. I also laughed at his reference to “…the mood of disillusionment that follows Christmas”. And in “Darcy in the Land of Youth”, I liked how Mick traveled to work in England and “He found the English very queer as they were supposed to be, people with a great welcome for themselves and very little for anyone else.” Here I would hasten to add that I am descended of both Irish and English, though I tend to lay claim more to the former than the latter; Mr. O’Connor’s gift is in wryly touching upon the cultural nuances that sometimes lead to misunderstandings, and others to genuine disagreement, culture or no.

I could continue quoting marvelous passages, but I think it is better for you to ferret out some of your own, and let’s face it, if I haven’t sold you on this book right now, I never will.

Except for this one last bit, which is really a commentary on all strong short story collections: this time of year, many of us will have guests in our homes. If yours is a family that reads, you may choose to set something out in your guest room, and short stories are especially lovely for them to have, because whereas one may not finish a great thick book during a visit over the holidays, one can pick up a short story at bedtime and finish that story before turning out the light.

And the glorious thing is, guests don’t expect a book that is left for their perusal to be brand new; they can enjoy a well-thumbed book without worrying if they inadvertently crease a corner. Right now, you have the chance to get the book for yourself, finish it, and then leave it for company.

That’s a good thing to do, because in the end, all we have really is one another.

Dirty Chick: Adventures of an Unlikely Farmer, by Antonia Murphy *****

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dirty chickWriting humor is risky business. If one writes mainstream fiction or nonfiction and the book is not well reviewed, of course it hurts–writing is always personal, at some level–but few things are as painful as the I-thought-this-was-going-to-be-funny review. In writing about her own family and friends, albeit with a few small changes to protect the privacy of the individuals concerned, Antonia Murphy takes her bleeding heart in her own two hands and offers it up to the public for consumption.

Personally, I have never laughed so hard in my life, or at least not recently. My thanks go to her and to the Goodreads first reads program for the ARC.

If my earlier reference to Murphy and the bleeding heart made you wince, you won’t want to read her book, either, because it has lots of gooey, graphic, gross stuff in it. It is edgy humor out there on the edge of wild, like the hinterlands of New Zealand where she has made her home. Well, see for yourself. This is from the prologue, so it doesn’t ruin the book for you:

“As I watched my goat eat her placenta, I was mostly impressed…Pearl had always been a strict vegan, so her sudden craving for raw meat showed a real taste for adventure…The placenta draped gracefully from her hindquarters, a translucent pink train enclosing a network of blue veins. There was a dark red, ropy thing inside, heavy with blood and the color of liver. It was this that Pearl tucked into first, craning her neck to nibble and swallow…”

As I read, I tried to analyze what it was that made her humor work. Part of it was her sense of remove, the dry commentary of the detached observer even when she is right in the middle of everything. But every now and again, something will happen in her personal life that shatters the entire I’m-just-watching thing. For one thing, she has two children, and when one meets with a really dangerous misadventure, Murphy is nearly consumed with the fear, the stress, the confusion that every mother on this planet, save for a frightening few misfits, would feel at such a time. So we laugh at all the icky stuff and her reactions to same, but now and again we remember that she is vulnerable to the same nightmares that we are. It gives us a stake in what comes next, and between the hilarity (most of the book) and the pain (deftly meted in small doses), there is no putting this book down once you reach a certain point.

Here’s how it shook out at our house: I would read a passage to myself, then burst out laughing. I would hustle straight past my husband, a man of delicate sensibilities with regard to animals and biological detail. I knew he did not want to hear it, or read it, or even be reminded of it. Instead, I made for the younger daughter’s room. She is a teenager with a great lust for gore, so of course she loved it. And I know that if I had headed for the adult-son-who-sometimes-lives-here, he would have chortled merrily also.

The narrative of this amateur adventure at farming just sat on my giggle button. Murphy, rather than wanting to control and fix every little (and large) thing that occurs, has this brilliantly mellow approach. Wow, the goats keep attacking the cars. A neighbor observes that eventually, they will break her windshield. Huh. Well…she loves those goats, so she isn’t going to “dead” them (her daughter Miranda’s word). She doesn’t want to sell them, and after all, who would want them? And fences are very expensive. She is, after all, just a renter.

Occasional visions of the landlords returning to find their property trashed would wink into my head, then wink away.

Every time I think Murphy and her husband are in over their heads and everything is completely out of control, she takes on an additional project. When all is falling apart, why not find something more to add to it?

So there’s Jabberwocky, the rapist rooster. They might have to dead him. Everyone likes baby chicks, and the hens can’t get preggers without him, but the thing is, he’s psychotic. Eventually she comes to understand that this is how it is with roosters. They start bad and get worse, and sooner or later, one generally HAS to dead them.

Good god. See what she’s done to me?

I have four more outstanding quotes, but they are too close to the end of the book. and it would ruin it for you. And the fact is, almost every single page has at least one quote that is fucking brilliant. I think I mostly marked the pages that showed transitions occurring in the plot, and that’s all well and good for academics, but this is not an essay, this is a review, and therein lies the distinction.

Because you, dear reader, don’t want to know how the book ends, and you are capable of analyzing all its nuances yourself, should you choose to do so. On the other hand, you could also just get the book, have an outstanding weekend curled up in your favorite reading spot, and then be done with it.

For those not grossed out by the references in this review, this is a sure fire hit. Pick it up when you have the blues, and I guarantee that in minutes your worries will be smaller.

When you look at it that way, ordering a copy of this book is really the sensible thing to do.

The Impossible Exile: Stefan Zweig at the End of the World, by George Prochnik ****

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 theimpossibleexile If you’re looking for a real-life horror story, this one is for you. It is the story of Stefan Zweig, a writer and collector of original musical scores, very well known in Vienna and throughout Europe prior to the rise of the Third Reich. It’s also a Holocaust survivor’s story, to a degree. When one surveys it objectively, his fate seems so much more sanguine than so many others who were unable to escape, or who suffered terrible physical and material misfortune before doing so. And yet it isn’t. Zweig makes it out of Vienna in time…and yet, he doesn’t.

My thanks go to Net Galley for the ARC.

Prochnik is an able writer, and he balances Zweig’s perspective with world events well in most instances; it is a highly literate, well documented biography. It is hard to rate a book like this, because while the writer is proficient, I finished the book not knowing why Zweig’s story was important. The man cut himself off from political resistance, and while he initially helped other Jews who needed to escape, eventually he was so overwhelmed by their need that he not only turned them away, but spoke of them in contempt as “schnorrers” (Yiddish which literally means ‘beggars’) who had not had the prescience to get out in time.

At one point, he is said to have thrown one giant party in order to discharge all of his social obligations in one extravagant evening. He supposedly embraced “all classes”, but the single “working class poet” is the only member of the working class ever mentioned as a guest or friend, and the poetry arguably inches that man toward the intelligentsia and professional crowd that Zweig embraced, when he was embracing anyone.

Depression and mental illness were not understood well in that time, and that had to be the key to his terrible end, which otherwise seems so unnecessary. Without it, the reader may have a difficult time sympathizing with a man who was able to travel the world after his escape and afford servants upon his arrival. I had a hard time liking this protagonist.

Before reading The Impossible Exile, I had never heard of Zweig, but I have read hundreds of biographies, autobiographies, and memoirs, and often they are by or about strangers (or both). Often I find myself seeking out the protagonist’s work after I have read about them, because they have endeared themselves to me as I read their stories. Not so with Zweig. But again, those who have spent any amount of time with a depressed individual know that depression doesn’t merely imbue sorrow; depressives are often angry, moody, or appear lazy when they just won’t get out of bed. Thus, I can understand his difficult nature to that degree (and Prochnik also recognizes it).

My recommendation, then, is for a niche audience only. If you are interested specifically in Stefan Zweig, read Prochnik’s book; I cannot imagine the subject in better hands. If you seek a wide cross section of Holocaust refugee stories, this one is likely atypical enough that it should be included.

If you are looking for a story in which a survivor rises triumphant against adversity, or dedicates himself to helping others after a narrow escape, this is not your story. It is instead, almost unbearably tragic.

Sweet Holy Motherfucking Everloving Delusional Bastard, by Jerome Segundo****

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sweetholyWow. What do I do with this story? It is clear to me that it’s most likely only nominally fictional. This is the saddest funny memoir I have ever read in my life.

Most of you won’t have the benefit of reading the cover letter that first-readers receive, which made me laugh out loud. This man has a gift for writing, and has the potential to be really hilarious. In places, his book is funny, in a dark way. But life has taken the spring out of his step.

He’s been to prison, and he emerged broke, without a license or a home. He had earned a college degree before being incarcerated, but now because his name was tarnished, it is virtually worthless, since he has to get a job under an assumed name. And he has to register as a sex-offender.

I got this from the Goodreads.com giveaway, and it initially gave me serious pause–and gentlemen out there, this is almost reflexive for most women–to see the man say that he was a convicted rapist who had pleaded nole contendre…and I had given him my address. Yes, that’s irrational. But “rape” is a really electrifying term to most of us.

Once I had read the book (and it’s a quick read, partly because I couldn’t put it down till I had the whole story, especially once I had peeked at the ending and come to believe in the guy’s innocence after all) I just wanted to cry for the man. He isn’t a rapist. He was clueless and in a relationship with a really unstable woman, unless he’s made parts of his story up wholesale…and I don’t think he has.

The fact is, the U.S. “justice” system isn’t much of one. More and more often, it serves to isolate and undercut a layer of young men and make them lesser citizens when they emerge, assuming they ever do. And whereas Segundo should have fought the charges against him, he was so physically ill,alienated and demoralized that he didn’t. Where was his family? Did they turn their backs on him, or did he slink away, afraid that they would be ashamed of him?

And I need to say this, too. This business of registering one’s whereabouts for life after having done the time for a crime (which is, as is always the case in capitalist society, unevenly enforced and penalized according to one’s wealth), is absolute bullshit. I say this as an old-school, card-carrying feminist warrior who has marched on the Capitol multiple times for women’s rights. We cannot isolate one group of “offenders” and make them permanent pariahs and then say that we have a rehabilitative system. What’s that about?

There is a lot of really graphic sexual content here. On the one hand, I am an old lady and it embarrassed me, but on the other hand, I have never seen a story where the sexual content was more essential to the telling of the story.

I wish this guy well, and I hope he can rebound and regain some joy in living. If he has become cynical, one can hardly blame him. This is not a light read, but a Lenny-Bruce-like attempt to restore some dignity to his own life and that of others who may find themselves wrongly accused and convicted of one of society’s most heinous crimes.

Duma Key, by Stephen King *****

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dumakeyThis is half horror story, half love story. For every young person who wants to scream because they think King has lost his edge and doesn’t write as brutally as he did when he was younger, there is a woman out here like me, a member of the boomer generation who likes it this way. The song lyrics and the nostalgia resonate for me like no other writer anywhere. The love that binds members of a family together seem so near and so precious in his hands.

No matter what King writes, it gets placed in the Horror section of bookstores. He says so himself. It’s a given. But the stories he writes, while they almost always (maybe always; I haven’t read everything he has written yet) invoke the supernatural, are not always geared toward horror. Sometimes the supernatural is almost secondary. And in this story, I’d call it fifty-fifty.

To be sure, the climax is one that ought to satisfy any diehard horror fan. But there’s something more, too. And you may never look at the waves of the sea in quite the same way again.

Far As the Eye Can See: A Novel, by Robert Bausch ****

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farastheeyeSharply evocative of time and place, Bausch’s novel Far As the Eye Can See is a treat and in some ways an education as well. Bausch’s fictional tale, set during the Grant Administration in the USA around the time of Custer’s last stand, draws on considerable research with regard to the Crow, Cheyenne, Nez Perce and other American Indian tribes. He uses story to drive home his message, which is that neither Caucasian nor indigenous people were either entirely good or entirely in the right, and that the conflict between the two was inevitable.

I only agree with part of that last bit, but I really enjoyed his story. Thank you to Net Galley and Bloomsbury Publishing for allowing me an advance glimpse via an ARC.

Bobby Hale is a deserter from the US army some seven times over. During the latter part of the American Civil War, he took the cash bounty for signing on, went to fight, and left the first chance he got. By using a wide variety of names he was able to do so repeatedly, but he was nevertheless roped into participating in some terrible battle. Were he real, and were he alive today, we’d say he has PTSD.

And there you have it! I always know an author has done a strong job developing their character when I find myself giving out diagnoses. It’s just as well that the character is indeed fictional, since my medical credentials don’t exist either.

Hale is headed west, away from cities and civilization. The idea of holding down a job and answering to a supervisor is anathema to him. The classic (but not stereotypical) mountain man, he is willing to sleep in freezing temperatures out of doors when necessary, climb steep cliffs and slog through ravines, all in the name of independence. But even out west, he inevitably runs into other humans from time to time, and not being completely antisocial, he makes friends, makes enemies, and falls in love. Twice. He finds himself having to make difficult choices a number of times. At other times, he is forced into action before he can really examine his options.

Here we check in with what I call the “ick meter”. Every reader has an independent threshold for bloodshed, human body parts, and other gore. Given that this is a soldier’s story, renegade or not, we would expect to find some of it here. I would not have cared to see Bausch add any more of it than he did; however, my own sense is that there was nothing added that was gratuitous or overdrawn. If you can’t stand reading war stories, you probably already know that by now, in which case, I wonder why you are still with me here.

Another noteworthy detail has to do with his use of place. When he describes the approach to the Rocky Mountains from the eastern part of the USA, I can see those blue mountains and all that sky, because I have driven across the USA a few times, and I have vacationed in Montana and Wyoming. Bobby Hale covers a tremendous amount of ground. If you are somewhat familiar with location in regard to the Black Hills, the Northern (inside the US) Rockies, and the Great Plains, you will probably enjoy the book more than if you don’t have a clue. I think if I were starting from scratch, I might have become confused, because he puts on a lot of miles without pausing to lay out which state lines he is crossing. Actually having been to at least one of these places, even if only to drive through it and notice the difference in elevation, climate, etc. will increase your appreciation and understanding.

As for me, I found it very satisfying. It’s a great read to have ready to hand beside a snug bedside. When Hale froze in the mountains and froze again on the plains, I burrowed deeper into the blankets and found myself even more content than when I began.

A great story for late fall and winter reading in a toasty nest.

The Opposite of Fate, by Amy Tan *****

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theoppositeoffateThough book stores and book clubs bill this as a memoir, it is really a collection of essays and speeches originally published for other purposes. Though I would love to read an actual autobiography written by Tan, this is an excellent anthology, and I cannot deny it the five stars it deserves.

Tan writes about a wide range of experiences, from contracting Lyme disease to writing the screen play of The Joy Luck Club for Disney. It was nice to see somebody say something positive about Disney for once.

But if there is one really urgent entreaty nestled amongst the wide variety of topics addressed here, it is this: Tan would like to be released from her pigeon hole. Though the large number of her books sold is both profitable and gratifying, she feels both awkward and a trifle outraged as well at having been labeled by the press, by school districts who require that her stories be read, and by any number of other sources as an Asian-American writer, or a writer of color. What, she asks, is required just to be called an American writer? She was born in the USA. It’s accurate to say that she has written a lot of stories, both fictional and true, about her mother, who was born in China. But Tan takes exception to being held up as the one person who is supposed to represent all Asian-American writers.

One might imagine other Asian American writers would take even greater exception, if they could be heard.

I confess that I am at least partially among the guilty, having created an Asian studies label on my own bookshelves. Actually, since I am married to a Japanese citizen, the titles written by and about Asian Americans are crowded by vastly more titles written in Japanese, which take a number of bookcases all by themselves. This is not something that happens in most American homes. But yes, I have also regarded Tan as an Asian-American writer, and she is right in saying that regardless of pigmentation or ethnic background, her prose has won her a place on our shelves. Marketing be damned.

I reflected a bit here. My youngest daughter is half Japanese, half Caucasian. We named her for her Japanese grandmother, and we started attempting to teach her Japanese when she was quite young. She has been to Japan and met relatives there. Yet she would rather be regarded as an American rather than an Asian-American. She pointed out to me that my own side of her counts too; does anyone call her an Irish-American because one parent is of Irish descent?

The score stands at parents 0, offspring 1.

But Tan also reminds us that our lives are not about what has happened to us—and she certainly does a fine job of recounting her own varied, sometimes bizarre experiences—but about whether we take charge of them. In the final essay, “The Opposite of Fate”, she contracts Lime disease and it continues to ravage her health and interfere with her writing until she does a comprehensive web-crawl and diagnoses it herself. Leaving the mystery for physicians to unravel hasn’t helped, and so she does what needs doing. That having been done, the official, medical diagnosis and treatment are fairly straight-forward. The cure isn’t easy or quick, but progress is made steadily. She took ownership of her problem, advocated for herself, and received treatment.

Though the message inherent in the title seems obvious, I find it powerful. Most of us know someone—perhaps even in the family—who seems to ride through life helpless and riddled with excuses for everything. There is nothing for these folks that can’t wait another day, and sometimes another and yet another. They don’t “do” things; things “happen”.

I confess it makes me crazy.

Thus I found Tan’s essays keenly satisfying. She tells hilarious stories sometimes, while others are poignant, but all of them involve decisions at some level, though not always up front and pointed. She doesn’t preach, but she also doesn’t duck and cover. When life presents challenges, she rises to meet them.

One could, of course, say that in publishing these stories, she has created a powerful example for Asian-American girls. But one really shouldn’t.

Because the fact is, she has presented a strong, positive example for everybody.

Landscape Turned Red: The Battle of Antietam, by Stephen Sears*****

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landscapeturnedredHow familiar are you with the American Civil War? Can you tell McClernand from McClellan from McPherson? Did you know there was a General Ewell of importance for both the Union and Confederacy? One more miniquiz question: in what states would one find Shiloh, Corinth, and Fredericksburg?

What I am trying to say is that this tome, which is either the definitive work on the battle at Antietam or a strong contender, is written for those of us who are pretty well versed in the basics. It won’t explain the essentials as it moves along; there is an assumption inherent in about 400 pages regarding the approach to this battle (about the first 100 pp), the battle itself, and the consequences regarding same. Sears writes with precision and authority, but he does not write for beginners.

As you can see from the rating, I loved it.

Sears isn’t on a mission to merely recount, blow by blow, what happened when. If he were set on hundreds of pages of injury and carnage, I don’t know that anyone but a masochist would care for that many pages of horrifying detail.

Instead, he sets out to prove that General McClellan, who essentially held the Union Army hostage for the duration of his tenure as commanding general, systematically and deliberately prevented the Army of the Potomac from crushing the Confederate forces. He proves the point. Beyond any question, McClellan chose not to send his soldiers to fight because he was sympathetic toward the slaveocracy and wanted the Confederacy to achieve its goal.

He contemplated participating in a coup d’etat,unseating Lincoln and tossing out the Constitution, but the vast groundswell of demand for such a thing,which he believed existed and might carry him to power, never unfolded. Though he had carved out a base of support for himself and his views within the Army of the Potomac sufficient to cripple its use for the duration of the war, there were also soldiers in this army who were sick of not fighting for their country, and who were pleased to see him leave.

I have read other histories of the Battle of Antietam, and they served the purpose of explaining who fought where, and how much blood was shed. What no one else has done is to lay the blame where it rightfully belongs. This battle should have been an open-and-shut deal, and the Confederate forces should have been disabled and the war brought close to a conclusion. Instead, through his reluctance to fight at all and then only because it was clear that to do otherwise would cost him his job, McClellan managed to make the whole thing a bloodbath that was almost a stalemate.

Technically, it was a Union victory, and that was what Lincoln had to have to declare Emancipation and prevent Europe from recognizing the Confederacy. McClellan opposed (of course) the Emancipation, but he was already about to be fired. The question was a political one; no one wanted him to leave before the elections, lest he make a mess of them. Once Congress was once more filled with majority Republican forces on both sides, it was safe to cut the connection and send him packing.

The manner in which he was fired was done with careful attention to military procedure so that he could not contest it without clearly committing a crime.

I had long felt that too much was going unsaid about General McClellan, but I couldn’t tell what it was. I had a hunch it would not do him credit. It was a little bit like childhood, when the grown-ups around you use coded phrases designed to protect you from the terrible truth, and the longer you are aware that you can’t be told something, the worse that something appears to be. And so it was with McClellan. I don’t know whether he has a bunch of really proud ancestors that other writers feared to offend or why he hasn’t been held suitably accountable before this. Perhaps the evidence was buried too deep.

One thing is certain: Sears has built his case as solid as the Rock of Gibraltar. Once the book is done, there can be no doubt whatsoever. For the serious American Civil War scholar, this outstanding volume provides information that is generally not in circulation, and that is key to understanding Antietam, as well as much of what took place before it.