Long Walk to Freedom, by Nelson Mandela*****

longwalktofreedomI read this memoir, one of the most important of our era, before I was writing reviews. I bought it in the hard cover edition, because I knew I would want it to last a long time and be available to my children and their children. It was worth every nickel. It’s lengthy and requires strong literacy skills and stamina, but if you care about social justice and are going to pull out all the stops for just one hefty volume in your lifetime, make it this one.

The first two or three chapters flow like molasses on a hot day. Mandela is laying his ground work, but it’s tedious at the start. Fight your way through it, because the story to follow–and we’re talking about the huge majority of the book here–is absolutely riveting, and in many ways is a tremendous lesson in struggle as well.

Mandela is gone, but he is still a luminary figure in world history. In writing his memoir, some of which he did in prison, he was not following any publishing house’s advice about grabbing the reader right at the get-go. He didn’t need to toss in the usual teasers or follow a blueprint, because he was Mandela. An immensely articulate individual, an attorney before he devoted his life purely to the downfall of Apartheid South Africa, he was capable of telling his story brilliantly in many languages, and he did it.

This autobiography chronicles Mandela’s life, first as the son of a tribal chief, then as an educated Black man under apartheid (a dangerous thing to be), then the journey, both outward and inward, from attorney to the leader of a revolution. You will read about his time on Riecher’s Island, the notorious prison, and the various experiences he had in the courtroom and in captivity. He tells of the cunning ways those who were jailed for political reasons created to communicate and to an extent, continue to lead from inside prison. And he breaks up the horror with an occasional vignette of a surprisingly kindly jailor or other authority figure who does small, decent things when no one is looking.

If you are interested in the history of South Africa and the defeat of Apartheid, this is a must-read. If you ever, as I did, had a “Free Nelson Mandela” poster in your living room…read this, and celebrate.

Tail Gunner, by RC Rivas****

tailgunnerTail Gunner is the memoir of a member of the Royal Air Force during World War II. I was fortunate to receive a copy free in advance from Net Galley and Endeavor Press in exchange for an honest review. It’s both compelling and informative.

Those accustomed to modern air travel may find it hard to imagine flight during this time period. There was no source of heat, and of course it’s far colder in the sky than on the ground.  Our author was a turret gunner, and it turns out that the turret and the nose are the two coldest parts of the plane. He stoically assures us there is no reason to be too cold up there if one dresses properly, and then lays out the multitudinous layers that must have made flyers look like old-fashioned versions of the Michelin man, but with head gear and a parachute. He describes the layers of ice that formed on the metal inside the turret, and how his oxygen mask freezes while it is on his face.

None of this is all that important once one is shot down, however.

My interest in military history is recent; I studied and taught history for a long time, but for most of those years, I preferred to study the causes of war, and so my primary interest was more political and theory-based. Maybe this is why it never occurred to me that the pilot is always the boss inside a military plane regardless of the ranks of various officers. Rivas points out that there really can’t be a discussion when the pilot says to jump; the point is well taken!

This novella-length memoir is recommended to those with an interest in World War II, particularly its aeronautic aspects, and also to academics and researchers, given that this is a primary document.  It was released to the public April 8, so you can buy a copy for yourself.

Immunity: How Elie Metchnikoff Changed the Course of Modern Medicine, by Luba Vikhanski***-*****

immunityElie Metchnikoff is credited with several medical discoveries, some of which were found before Mother Russia was entirely ready to receive them. This interesting though technically challenging text is the story of his life, and especially of his scientific career and achievements. Thank you Net Galley and Chicago Review Press for the DRC, which I received in exchange for an honest review. This title will be available to the public April 1, 2016.

In the latter half of the nineteenth century, Russia still had a tsar—a royal ruler with power similar to that of an emperor—and it still had serfs, who legally could not leave the plots of land assigned to them to farm for the benefit of royal landowners. It was not an ideal climate for science or any other aspect of enlightened thinking, but Metchnikoff was not only gifted, he was immeasurably stubborn, and by such methods as posing as a college student in order to sneak into lectures, he achieved an excellent education and began to pave new inroads toward discovering how the human immune system works.

His theory that cells in the human body swarm around and dispose of microbes that enter the body in order to kill germs was true, but proving it to those with authority in Russia was not an easy thing to do. Only recently had germs been discovered to cause disease; not so long before, it was assumed that God smote certain people or their loved ones in retribution for their bad behavior or thoughts. Being a scientist in such a place was challenging, and eventually, after being snubbed repeatedly by the German academics he sought to win over, Metchnikoff found his way to Paris, and the Pasteur Institute, where he would spend the bulk of his career.

His refusal to participate in elitist cliques that feasted on 8 course gourmet meals while half of London starved warmed my heart, as did his refusal to be roped into other social pretensions. Really, in another time and place, this would be my kind of guy.

Here I must disclose the fact that the sciences are not my forte. Only since retirement from teaching in the humanities have I found the time and confidence to explore memoirs of famous scientists. Last autumn I read and reviewed the biography of Dr. Bennet Omalu, the man that discovered a brain disease that was the result of repeated blows to the head consistent with American football. Cheered by my success in understanding and reviewing that fascinating story, I decided to tackle this one…with less satisfactory results.

I have never been good at understanding science. It’s that simple.

So if science and in particular the history of immunology or disease is your wheelhouse, this may be a four or five star read for you. But although I am not scientifically minded, I do have a sturdier education than the average American, and so I think I’m being fair in saying that the average reader-on-the-street that picks this up due to general interest rather than exceptional training may find it to be a great deal of work.

I did check the endnotes; I always do. So unless the author has simply invented a lot of sources in other languages than English—which seems very unlikely indeed—then I can safely say that this author has relied primarily on sources that the average English-speaking reader will not be able to tap into. Strong documentation from a wide variety of sources.

Recommended to those with a higher than average facility for matters of science, and for those interested enough to wrestle with challenging material.

The Autobiography of Mark Twain, Volume 3, by Mark Twain****

autobiomarktwainv3Huge thanks go to Net Galley and University of California Press, who provided me with a DRC in exchange for an honest review. It has taken me some time to read and rate it because once I had the DRC for Volume 3, I decided I should hunt down volumes 1 and 2 and read those first. Now I am finally finished, and it was well worth the effort.

First let’s talk about the obvious thing: how dare I rate Twain four stars rather than five?  I considered the matter and reflected that if Twain himself were to rate it, he might say the same. The reason is that, as he plainly states more than once in his narrative, he is writing not for posterity, but for bulk. An unfair copyright law that was present at the time he began his autobiography permitted a copyright to stand for only 42 years, after which the work entered the public domain. Twain hired a lobbyist to attempt to gain an amendment offering the author the option to renew the copyright, and ultimately he won. But when he started the autobiography, his plan was to write 500,000 words and then republish each of his books with a portion of the autobiography attached so that it could be called a new work and thereby merit a brand new copyright. Twain’s wealth had been considerably depleted by dishonest people in his employ, not once but three times. He had made a fortune, but much of it was gone, partially due to an unscrupulous publishing agent and then later to two household employees he regarded as close to him as family. The double blow of losing so much money and learning of the duplicity of people he had loved and thought loved him was a bitter pill indeed.

So the book contains filler, and this he unabashedly admits. And at times I had found myself wondering why he included all of the letters he had received from cute children he had met onboard a ship, but until I found the bald statement that he needed 500,000 words, I had attributed it to his eccentricity. No, not so much. There is gold in this memoir, and if you like Twain, or history, or both, you should buy it and read it. He says things nobody else has said, and so even once you realize you have entered into a portion of the memoir that is just plain filler and you skim till that section ends, the next things you read will be worth your time and money.

I promise.

Twain stipulated that the autobiography in its entirety must not be published until he had been dead 100 years. He did this because if he wanted to say someone was a rotten scoundrel and then give details that might well draw a lawsuit, he could go ahead and say it; he also said he didn’t want to hurt the feelings of said people’s children or grandchildren. I’d say he succeeded. Some of those he consigns to the flames are individuals contemporary readers won’t recognize. However, he hated President Theodore Roosevelt with a fiery passion, and he doesn’t mince words where he is concerned.

Most of the memoir is not angry in tone, however; there are places where I laughed out loud. The way he talks about Carnegie, who mentally catalogued every compliment ever paid him and then went through the entire litany when one visited, adding new ones but never removing or abbreviating the old ones, just cracked me up.

Most of all, I loved his explanation of the privileges conferred upon us by old age, one of which was the right to pitch a fit if one felt like it:

“But indeed the older you grow, the less secure becomes the furniture. When I throw chairs through the window I have a sufficient reason to back it. But you–you are but a creature of passion.”

Toward the end  I wanted to sit down and cry with him. He lived a long life, but the outcome was that he outlived three of his four children—a little boy that died shortly after birth, as well as two of his three daughters—and also his lovely wife, whom he adored, and his best friends. The autobiography was to provide support for the two daughters that he feared would not see a nickel from his earlier works because of the copyright laws.

Then two things happened almost simultaneously: the law was changed, with the amendment he had fought for added so that his copyrights could be extended; and the daughter that still needed his financial support, a woman that had spent much of her life in an institution because of epilepsy but now had medication that made it possible for her to be at home with a private nurse, died in the night.

It was right before Christmas, and she had been planning a surprise for her father, a Christmas tree decorated in an unusual, very artistic and tasteful manner, as he discovered when he entered her private sanctuary after her death. There were over fifty Christmas gifts there in various stages of wrap, many of them for people Twain says he would not have even thought of shopping for, and so he just sits in that room with his memoir, and he sobs. His other daughter, Clara, has married an affluent man and is very happily married; she won’t need his money. And now Jean is gone. Twain records the fact that the purpose the autobiography was to serve no longer exists…and he stops writing.

It’s enough to break your heart.

And so it ends, but it is an epic work.

For those planning to get this memoir, I give two crucial bits of advice: first, look at the title of the book carefully. Make sure it is this exact title. If it’s turned around—if for example the title becomes “Mark Twain’s Autobiography”—that’s not the one you want; it’s a knock-off and it’s not really even readable. It’s cheaper, but it is a false economy. The Twain Project took painstaking care in sorting and assembling what amounted to two whole file drawers full (or ten feet of files) of Twain material, some of it duplicated, some of it in his own handwriting, and some of it dictated, then typed by someone else. It was a huge job, and UC did it right.

The second bit of advice is not to worry too much about reading volume 2, or if you do, purchase the book that includes volumes 1 and 2 together. For some reason, even after all the effort that was expended into the organization of this hefty memoir, there is some duplication that renders most of volume 2 the same as portions of volume 1. Maybe it was Twain’s intention to duplicate it and so the Twain Project did so to honor his wishes; I can’t say. But everything you need in order to read this memoir in its entirety can be found in volumes 1 and 3.

Even with the filler, it is amazing work, and I highly recommend it to those that love Twain; those that love history; and those that love great memoirs.

Autobiography of Mark Twain, Volume I, by Mark Twain*****

automarktwainoneInitially I was surprised not to have seen the autobiography of such a famous individual before. Twain, I learned at the outset, composed his memoir with the stipulation that it not be published until 100 years following his death, because he wanted to be entirely frank about some situations and persons without incurring the displeasure of them, their children, or their grandchildren. Twain died in 1910, and his memoir had been finished just four months. For those of us living now, it was worth the wait. Although I was fortunate enough to snare the DRC for volume 3, I had to go out and hunt down volumes 1 and 2. It’s well worth obtaining and reading for those with the attention span and literacy skills it requires.

There is a lot of material here, and you may be tempted to sample bits here and there using the table of contents. I strongly advise against it. Some of Twain’s most brilliant writing regards things you would not expect to care about. The dispute with a landlord in Italy as his wife lay dying in the villa has the full intensity, concentration, and fire he has to offer. Although I will never know for sure, I suspect that Twain was one of those rare individuals who became even more savagely articulate when angry. The heat of his rage is tremendous and oh so eloquent.

A lot of this writing is gut-bustingly funny, but some of it is also really subtle, and if you rush, you may miss it. I enjoyed reading what he thought of Jay Gould and John Rockefeller; of President Theodore Roosevelt; and of Satan, for whom he confesses that he feels a tremendous sympathy. In other passages he becomes poignant, particularly in speaking of the deaths of his wife and daughter. Nobody but Twain could say it just like this.

Should the reader ignore my advice and choose to jump around, thus missing occasional references to things mentioned earlier in the text, at least do this: be sure to read his remarks about dueling.

The memoir is not linear. He tried several times to sit down and write his life end-to-end, and destroyed some drafts; others he merely abandoned, and they made the assembly of the autobiography, most of which he dictated, all the more complicated as a result. The University of California has done a splendid job of isolating the random repetitious bits at the back of the book in an appendix, while putting the rest of it together in a way that while not linear, makes sense. There are a few interesting photos at the end as well.

Those engaged in the teaching of college level creative writing, of simile, metaphor and other figurative language may indeed want to read this magnificent memoir and pluck some favorite passages for use as examples.

Twain’s life story is not for those with limited focus or who need immediate gratification with minimal effort. This volume, all 738 pages apart from the appendix, kept me company at bedtime when everyone else in our home had the lights turned out and I was the only one still awake. In those small quiet hours I studied the prose of the master, and occasionally had to leave the bedroom in order to laugh out loud, lest I wake my spouse. I would be sorry to have finished, but volumes 2 and 3 still await my attention.

For those that love the English language, and for those with an eye for history, this memoir is not to be missed!

Tuesdays with Morrie, by Mitch Albom*****

tuesdayswithmorrie My older sister gives away most of the books she reads when she is done. She doesn’t have a lot of shelf space, and she likes the idea of other people getting to read something free. So imagine my surprise when, seeing how much I liked Randy Pausch’s The Last Lecture, she gave me this book and said, “You may want to read this.” Almost as an afterthought, I asked, “Do you want it back?” I was amazed when she said, “Yes. Take your time, but I would like it back.”

This was a first!

I did take my time. My sister lives in Portland, and I hadn’t yet drifted into the wonderful world of advance reader’s copies, so I had come home to Seattle with bags and bags of new treasures from Powell’s City of Books. Those I’d been wishing for were the ones I read first, and then I moved into the curiosities. When I started this one, I realized right away that it was an important read.

I’d thought a fair amount about dying lately; we’d lost someone, and my thoughts followed them from time to time. Reading the positive way that Morrie approached death was inspirational to me. Instead of stiffening and pulling away from others when he knew his physical form had become unattractive to people, he took a chance by asking for what he needed, and his wishes were met because of who he had been earlier in life, and because of his mentorship as a younger man.

I loved the little aphorisms, said in the midst of really awful pain, such as “Don’t leave too soon…but don’t stay too long”.

The fact that so many people came from miles and miles away to see him off speaks well of the character of this old man. His willingness to own the self-absorbed person he had been, and to credit the old man’s influence, speaks well of the writer.

And for me…it helped me accept what will happen one day, with a little more grace. That is a life-changing thing. Not many books change my life, but I think that Tuesdays With Morrie has.

Don’t be afraid, as Morrie says. Death isn’t contagious. Even if you are young, well, and fit…don’t be afraid to read about death. It may do you some good.

When Breath Becomes Air, by Paul Kalanithi*****

This beautifully written memoir is for sale today, and definitely worthy of a re-blog!

seattlebookmama's avatarSeattle Book Mama

whenbreathbecomesairPaul Kalanithi was a promising young physician who had nearly finished completing ten years of training as a neurosurgeon when he was diagnosed with Stage IV lung cancer. His twin ambitions had been to become a neurosurgeon and to write. When he realized how little time was left of his too-brief life, he decided to spend his remaining time writing this book. Thank you, Net Galley and Random House Publishing House for the DRC. Dr. Kalanithi died in March 2015, but he left this luminous memoir behind as part of his legacy. It is available to the public January 19, 2016.

The memoir starts with fond adolescent memories that left me dumbfounded, not only at the level of privilege he was born into, but the assumptions that go along with that. I was afraid I would fall into the uncomfortable place of not being able to generously review a dead…

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When Breath Becomes Air, by Paul Kalanithi*****

whenbreathbecomesairPaul Kalanithi was a promising young physician who had nearly finished completing ten years of training as a neurosurgeon when he was diagnosed with Stage IV lung cancer. His twin ambitions had been to become a neurosurgeon and to write. When he realized how little time was left of his too-brief life, he decided to spend his remaining time writing this book. Thank you, Net Galley and Random House Publishing House for the DRC. Dr. Kalanithi died in March 2015, but he left this luminous memoir behind as part of his legacy. It is available to the public January 19, 2016.

The memoir starts with fond adolescent memories that left me dumbfounded, not only at the level of privilege he was born into, but the assumptions that go along with that. I was afraid I would fall into the uncomfortable place of not being able to generously review a dead man’s memoir. To make matters worse, I read two other memoirs that bitterly recounted the arrogance of doctors. I set this one aside about a third of the way into it until I could look at it with fresh eyes, and I am glad I did.

The spell of entitlement is broken by the forty percent mark; in fact, when he decides to continue in college simply because he isn’t done learning—a luxury that would never occur to most of us—I find myself interrupted mid-eye-roll when he mentions that in order to afford his apartment, he has to take a part time job. Now we are back in the realm of the real, and I can relate to the author.

With deft pacing and remarkable eloquence, he takes us into the world of the medical student, and we go with him to his first dissection and learn a few basic facts about the brain, including what tumors, both benign and malignant can do, and what priorities are generally set in maintaining its function. He explains why doctors sometimes recommend against heroic measures to continue a patient’s life when the patient inside is forever gone. There is information that should be shared, and information that should sometimes be saved for later; we see this from a much more personal vantage point later on.

And upon Kalanithi’s own diagnosis of terminal cancer, which has invaded his lungs and his brain, he is left “searching for a vocabulary with which to make sense of death.” Once his medical options are gone—oh, so swiftly!–he delves into poetry, philosophy, and even religion in order to come to terms with what he knows will happen, as well as the frustratingly ambiguous aspect of not knowing how long that will take.

Despite the fact that his death interrupted his writing, Kalanithi’s work is eloquent and absorbing, and it really didn’t feel as if it were under length to me. Maybe its brevity is what prevents it from becoming too emotionally taxing for the reader to absorb. It should rank high along with the work of Mitch Albom and Randy Pausch as a story that helps us learn to let go. Because as he points out, death will come for each of us. It always wins; the only question is when.

This book contains an epilogue written by his wife Lucy, but it stands quite nicely on its own.

Recommended for those facing death or dealing with loss, as well as for those who just like a powerful, hyper-literate memoir.

A Thousand Naked Strangers: A Paramedic’s Wild Ride to the Edge and Back by Kevin Hazzard *****

AthousandnakedstrangersTake a former journalist; make him a paramedic in a high-poverty, high-danger area for a decade; then turn him loose again to write about it, and he will play his readers like violins and make us like it. A Thousand Naked Strangers is a high octane, gloriously visceral ride in an ambulance and out of one, through Southeast Atlanta, Georgia. Thank you to Net Galley and to Scribner for the DRC. Since I read multiple galleys at a time and I loved this one best, I tried to feed it to myself in small nibbles, like Mary Ingalls hoarding her Christmas candy, but it was just too riveting and I could not stay away.

At the memoir’s beginning, our guy is just looking for work. With just a few months of training, he can become an EMT. His journalistic career wasn’t working out as he had expected, and he found himself working as a paperboy instead, delivering the newspaper for which he had written. That’s about as rock bottom as it gets.

He becomes an EMT; then he sets out to discover whether he wants to commit to the extra year and a half of schooling required become a medic. Once in, he’s hooked, not so much in spite of the risk and unpredictability of the job, but because of it.

And when you think about it, what other job pays so very little, involves so much danger, and gets so little respect? Teaching comes to mind, but being a rescue worker trumps even that, particularly for the low pay and insane hours–holidays missed–to do it, a person needs to be young, and to be an adrenaline junkie. And for a decade, Hazzard fits that description.

When he starts out, he is callous, as youth often are, speculating with his partner about what constitutes the perfect call. The perfect call, to their way of thinking, has requirements that are measured in the number of dead and wounded, the amount of danger. Does the patient have to survive in order for it to be a perfect call? Nah.

Over the years he matures, and he becomes more respectful of the patients with whom he deals. He talks to addicts, hookers, and children in a way that is forthright and kind. The job takes a lot out of him, but it also gives him a lot. He grows up. He deals with the dead; the nearly dead; those that are feigning death; and those that are just looking for a free ride somewhere. He delivers babies in record numbers, and he transports a guy on a roof down to the ambulance. He sees just about everything, from suicides to homicides, from the domestically abused, to the kid with a roach in her ear. He plays the wildest imaginable pranks, and once in awhile he gets called on the carpet for it.

Some of the incidents described in this memoir are just drop-dead funny, if you’ll pardon the pun, and I laughed out loud more than once. Some are incredibly dark. Some just left me with a feeling of awe. But although the tone changes many times, the pacing is absolutely consistent. Hazzard’s journalistic background shows; every single word is there for a reason. It is tight, taut, and urgently compelling, all the way through.

So it’s entertaining, but it’s also educational. I didn’t know the distinction between an EMT and a paramedic before I read this memoir. I also didn’t know that not a holiday goes by without someone having a heart attack. I didn’t know that just about everyone, regardless of their level of intoxication, says they’ve had two drinks. And I didn’t know about the tension between paramedics and firefighters, between paramedics and cops.

There’s more, but you can’t have it all in this nifty review; I’ve given you enough to move forward. If you want your own job to look easier, get this memoir. If you’re retired and have a little more time to read now, get this memoir. If you are staying home with little kids and wonder when you should call an ambulance and when you should deal with your own mess, get this memoir. And if you are considering going into the field yourself? Get this memoir!

It’s for sale January 5, 2016, but you can order it right this minute.

Chameleo: A Strange but True Story of Invisible Spies, Heroin Addiction, and Homeland Security, by Robert Guffey****

 

ChameleoastrangeChameleo is a twisted but true story of an addict who unwittingly becomes an experimental subject in a classified government research program, and the bizarre events that took place then and in the aftermath. My thanks go to the author, who provided me with a copy in exchange for an honest review.

Dion Fuller (not the person’s actual name) had been released from a psychiatric hospital in Southern California. He had procured some heroine and nodded off, permitting various equally marginal characters access to his home. Sometimes he was out of it and had no idea what was happening. It was likely during this time that the guy with the stolen classified documents and a couple dozen pairs of night-vision goggles belonging to the US government made his way into Dion’s apartment. The ensuing chaos proves once and for all that just because a person is crazy does not mean nobody is out to get them. Just ask Dion!

Guffey, the author, is a Cal State creative writing teacher who found himself involved in Dion’s situation. He had a free term at the same time that Dion, an old childhood friend, called for help. With a certain amount of necessary remove, he did his best to advise his friend while taking copious notes. Soon he became convinced that his old friend was not hallucinating.

“Imagine a ridiculous college fraternity with the resources of the entire black budget of the United States of America deciding to play one long prank on some faceless guy in San Diego. And imagine that the faceless guy is you.”

The author’s description of a malicious antic known as “Street Theater” in government circles reminded me of the dirty tricks that the Democratic Party played on the Nixon camp during the early 1960’s—cruising into town in advance, for example, and moving street signs around so that the Republicans would get lost and be late to a speaking engagement—which were later used in turn by Nixon’s Committee to Re-Elect the President in 1972. Dion hoped that leaving his home, which was located very near a Naval installation, would make it all stop, and it did. He left California and headed cross country, but every time he got close to a US military installation, a whole train of personnel would follow him once more, like a trail of ducklings after their mother, right out there in the middle of the freaking desert.

Guffey’s story, which includes the Masons, the Illuminati (note the cover), and assorted other conspiratorial ingredients that would ordinarily cause me to stay completely fucking clear of this whacked out tale, follows Dion as far north as Minnesota, then oh dear God, to Seattle where Guffey was staying. But just as it seems it can’t get any more strange and stressful, the whole thing becomes hilarious! Your humble reviewer sat and laughed out loud about two-thirds of the way into the story, and the lighter tone that marks the book until near the end is what prevents the whole thing from degenerating into a bottomless abyss.
My only quibble with this story—and it’s a small one—is that if we must read entire transcribed passages of conversations, then the persons involved in the conversation in question should all be named, with no pseudonyms involved, so that the reader can use that transcript as a primary document if they want or need to. If that can’t happen, then some of these conversations ought to be summarized or paraphrased, at least in places. But this shouldn’t keep you from getting a copy of this memoir and reading it.

In fact, those that question authority and wonder just how far the US government has strayed from its stated ideals will welcome this strange little book, which is just well documented enough to convince me that it’s entirely true.

It’s available for purchase now.