Empire of Ice and Stone, by Buddy Levy****

Empire of Ice and Stone tells of the voyage of the Karluk, a brigantine vessel that sailed from Canada to the Arctic in 1913. It was led by Captain Bob Bartlett, the world’s best ice navigator at the time, and Vilhjalmur Stefansson, a “visionary” leader in search of wealth and fame. My thanks go to Net Galley and St. Martin’s Press for the invitation to read and review; this book is for sale now.

This well told narrative details a part of history of which I have read very little. As school children, most of us in the Western developed nations read of the early explorers, but stories of voyages in the twentieth century are few and far between. This is why I take this one on, but I begin to wonder partway into it whether it is more than I have bargained for.

The first half is more than a little confusing, because there are so (so, so, so) many names to remember, and almost all of them are Caucasian men—as is usual for the time and situation. About halfway into it, I abandon my efforts to memorize all of them, and once I am satisfied with memorizing the names of the two leaders plus “Auntie,” (more in a moment) and the ship’s pets, I calm down a bit and it’s easier to follow.  I am fortunate enough to receive the audio galley as well as the digital review copy, and that combination makes it easier to follow.

That said, this is not gentle reading. There is death—in many cases slow and terrible—and betrayal around every corner. I understood that there would be some of that when I took the book, but I’ll tell you right now, if you, dear reader, have any sort of mood disorder or are going through a dark time personally, you may want to stay away from this thing.

As the bodies begin to pile up, I start to feel angry, and I remain so, to some degree, until the book is done. Because this was a dumb thing that these men did. Their ship wasn’t up to the task, they cut too many corners at the outset, and this more or less spelled doom for many of those aboard. I can’t help speaking to these men as though they can hear me, and I’m asking what the fuck got into them to do this at all? If everyone had stayed home, most likely all of them would have lived to a ripe old age. True, they made some scientific discoveries; yet air travel was just around the corner, and the whole thing could have been done much more safely later on.

The story has a definite hero (Bartlett,) and a definite villain (Stefansson,) and the farther into the voyage we go, the more obvious this becomes. However, I would have liked to hear a good deal more about the other hero. Levy tells us that a lot of these men would have been dead before the rescuers arrived had it not been for the Innuit woman that was hired, along with her small children (!) to travel with them, and the narrative bears this out. Time and again, when they are on the razor’s edge of starvation, she comes up with an innovative way to use the environment around them to provide calories. Not always delicious calories, to be sure, but alive is alive. “Auntie” is a total badass, and deserves more ink; possibly not much information is available, given the biases of the time.

The book feels longer than it actually is; however, given the amount of complex information provided, it probably shouldn’t be pared down further. At the same time, I kept thinking that this would be so much more approachable if Jeff Shaara were doing the telling (via historical fiction.)

For those that are very interested in the history of early sea voyages, and to researchers, this immaculately researched book is recommended.

Lies My Mother Told Me, by Melissa Rivers**

I hadn’t heard of Melissa Rivers, but when a friend mentioned that the daughter of the legendary comic, Joan Rivers, had an audio book nearing its publication date, I wanted it. My thanks go to Net Galley and RB Media for the review copy. This book is for sale now.

Joan Rivers was an icon, one of the first fierce women to breach the world of standup, an old boys club if ever there was one. She was scrappy, fearless, and very, very funny. Like all of the early women comics, she incorporated a good deal of self-deprecating humor, a defense against all of the nasty things that reviewers and audience members might throw at her, but she also made fun of the rich, the famous, and the powerful.

Joan died in 2016, and although she was eighty-one years old, news of her passing came as a shock. She hadn’t been ill, and had been admitted to a hospital for surgery of a fairly minor nature; her death was caused by errors made by the doctors and hospital. Her only child, Melissa, had been developing a standup career of her own, and now steps fully into the spotlight left vacant by her mother’s death.

I had never heard of Melissa or her work when I found this audio book, but I expected great things; often a talent is passed down within a family, after all. Sadly, there’s no joy to be had here. Melissa’s tone is grating and abrasive; whereas Joan sometimes veered in that direction, she had the skill and instincts that told her when to pull back or soften things. Joan’s trademark phrase, “Can we talk?” created a sense of intimacy, and drew me in. Melissa’s repels me. Apparently, I am not alone; I was playing this audiobook while preparing dinner, and when other family members came into the kitchen, they either wanted it turned off, or they left immediately. Nothing she said made any of us laugh, or even smile. Nothing. I have never heard a comic so obnoxious.

Wikipedia tells me that Melissa Rivers is known for her work in comedy, and for philanthropy, as heir to her parents’ considerable estate. I haven’t seen or heard any of Melissa’s other work, but if this book is representative, she might do better to focus on her charity work, brightening the world by embracing the causes dearest to her parents’ hearts, and her own.

Not recommended.

She Regrets Nothing, by Andrea Dunlop****

“Love,” she thought, “is for the rich and foolish.”

SheregretsLaila is just twenty-three when her mother dies, and she is astonished when her cousins appear at the funeral. Cousins? What cousins? In fact, they are from her father’s side of the family, long estranged—and they are very wealthy. Cousin Liberty wants to make amends, and nobody has to tell Laila twice. She ditches her home in Michigan, leaves her spouse, a dull dentist who’s blindsided by her sudden departure, and heads for New York City, to live in the style to which she would like to become accustomed.

Lucky me, I read this darkly funny story free courtesy of Atria Books and Net Galley. It was released Tuesday, so you can get a copy of your own now.

As Laila arrives in New York, the reader cannot help but worry for her. She’s never been to New York before, and she has very little money. She’s brought a few pieces of her mother’s jewelry, the only things of any value her mom had owned, but she doesn’t want to sell them. As she meets her newly found kinfolk and settles into a guest bedroom, it’s instinctual to wish we could grab her by the wrist and yank her back out of there. Careful Sweetie, you’re playing with fire. They’re being nice to you now because you’re new. When the novelty wears off, they’ll spit you back out again. New Yorkers are tough, and nobody uses people and discards them as quickly as the very rich—right?

There are at least a dozen places where I make predictions that prove incorrect. For example, given Laila’s trump card that makes her a possible heir, I find myself waiting for the DNA test that will prove she actually isn’t related to them at all…but that doesn’t happen. I can tell things won’t work out the way she anticipates because the author drops so much wry foreshadowing. But what she does with it at the end is both completely consistent with the protagonist as we know her, and a complete surprise as well.

Part of the joy this novel sparks is its understated quality. Some writers will drop something amusing into the storyline, but then they have to go back to it, explain it, make sure the reader got it and at that point it’s cold and lifeless. None of that for Dunlop. Stay on your toes; if you’re paying attention you’ll get it, but if you are distracted, oh well. Think of it like trying to catch a cab right after the theater lets out; watch out or you’ll be left behind.

I confess that I have read neither of the novels to which this one is compared in the promotional blurb, but to me, the humor is similar in some ways to that in The Nanny Diaries.

If you need a giggle—and frankly who doesn’t—you should order this snappy, cleverly turned novel. It’s a fast read and it made me laugh out loud.