The Rulebreaker, by Susan Page*****

Barbara Walters was a force to be reckoned with. She was the journalistic pioneer who singlehandedly smashed the glass ceiling that kept women from anchoring network news; over the years she would conduct television interviews with heads of state, criminals, otherwise reclusive stars, and anyone else she deemed newsworthy. She was ruthless in the pursuit of a story, but during interviews, she used velvet gloves to deliver the most searing questions, and her subjects responded.

My thanks go to NetGalley and Simon and Schuster for the review copy. This book is for sale now.

Page has written a full, epic autobiography, starting with Walters’s childhood, which was fraught with uncertainty, and ending with her death. She has written it the way the story of a luminary should be written, touching on the many remarkable aspects of Walters’s life without lingering too long on any one of them. She keeps the pacing brisk, and the tone respectful but frank, never fawning. I can’t imagine anyone doing a better job, including Walters herself; the autobiography, Audition, is the most cited source in the endnotes, but Walters had a tendency to drone while telling her own story, particularly about her childhood, while Page keeps it moving.

Walters grew up in a show business household; her father, Lou Walters, produced live shows, and when they were successful, the family lived in style; when they weren’t, it was hand-to-mouth genteel poverty. His gambling addiction caused the family terrible hardship on numerous occasions, and once she made it in the industry, Barbara was forever writing checks to bail him out of debt. Her younger sister, Jackie, was intellectually disabled, and needed constant care and attention. Barbara remarked that in looking back, she doesn’t feel that she was ever young, as she carried so many adult responsibilities at such an early age.

Breaking into mainstream journalism—not fashion or cooking stories, but hard news—was a tough road. She did it at a time when women weren’t expected, or allowed, to do much of anything outside of mothering, housekeeping, and a small number of stereotypical positions. Any female that dared step outside these tight confines was labeled, not as an attorney, manager, or journalist, but as a “lady journalist,” and so forth. Her job on the Today show was announced—with a bit of urging from Barbara herself—in the New York Journal-American thusly:

“’Dawn Greets Barbara, A Girl of Today,’” the headline over the story read. ‘A very attractive, shapely, well-groomed, coiffed and fashionably frocked feminine member of NBC’s dawn patrol” …adding that she had ‘no wish to become a personality.’ She wants to remain as she is…the prettiest reporter in television.’”

That didn’t last, if it was ever true at all. She fought, tooth and toenail, for every single advancement in her career; mainstream news anchors, male of course, resented her and resisted her, particularly when she was hired to appear as a co-anchor. Her early career was marked with restrictions, with Harry Reasoner and Walter Cronkite subjecting her to endless bullying and requirements of when she could speak on the air—not until they had—and other petty, petulant rules.

But she never gave up, and she never went home.

As is often true for anyone that lives for their career, Walters wasn’t able to maintain any of her marriages or raise her own child. She was busy. This is the one regret she voiced at the end of her life, when she found herself alone, with only her longtime paid assistants to see to her needs.

Page narrates her own audiobook, which I checked out from Seattle Bibliocommons in order to catch up, and I immediately noted how much her voice and intonations resemble those of her subject, albeit without the speech impediment. I enjoyed listening to her.

Perhaps my favorite moment in this book is the moment when a very elderly Barbara Walters falls on a marble staircase after refusing to take the arm of the younger woman offering it. She faceplants, is badly injured, but when she regains consciousness, the first thing out of her mouth is an imperial order: “Do not call an ambulance. Do not call an ambulance.” (Of course they did. They had to.)

Although Walters was never a feminist crusader and generally looked out for herself, her family, and friends rather than her younger peers, we women owe her a debt of gratitude. She forced doors open that were bolted shut, and the ripple effect was immeasurable.

Highly recommended to those interested in Walters, feminist history, and anyone that just enjoys a good biography.    

The Second Coming, by Garth Risk Hallberg***-****

Garth Risk Hallberg is the author of the epic, memorable novel City on Fire, which was among my short list of favorites the year it was published. My thanks go to NetGalley and Alfred A. Knopf for the invitation to read and review his new novel, The Second Coming. This book is for sale now.

The story begins in New York City when Jolie, who is thirteen years old, is nearly struck by a train. Her parents are divorced, and she hasn’t seen her father in quite a while. Ethan is addicted, and his cravings make him unreliable. He makes promises he won’t keep, and Jolie has more or less given up on him, but her brush with death convinces him that she is in a darker place than her mother realizes, and that only he can save her.

Heaven help the girl!

The episode is the beginning of a twisted, bizarre odyssey. Jolie’s mother is distracted, not paying a lot of attention to her daughter, and Jolie becomes involved with a complete stranger, young man much older than herself. As a reader, I became frustrated and wanted to shake Jolie’s mama and tell her to wake up and take care of her kid. Just because they look grown at 13, doesn’t mean they are grown.

On glorious display here is Hallberg’s remarkable word smithery. The man has a gift, and he’s not afraid to use it. Portions of this book were a joy to read, simply because his prose is matchless.

For me, however, the plot and characterization of Ethan got in my way. Addicts and alcoholics in literature are becoming a trope, and I had vowed to myself to steer clear of them. I read the synopsis of this one and knew what I was walking into when I accepted the galley; I had hoped the author’s talent and skill would take a tired old plot point and make it seem new. He partially succeeded; I didn’t throw my reader across the room as soon as the addiction material appeared. But I didn’t love it the way that I loved City on Fire. Also, large portions of this are in epistolary form, from letters that Ethan writes to his daughter, and although they have been edited down considerably between the galley I read and the polished, finished result, they still got in my way.

So, this is a competent effort, but not a magical one. If you enjoy fiction with addicted characters, or if you like books about fathers and daughters, this book may be a happier experience for you than for me. However, I was expecting great things, and I came away feeling somewhat disappointed.

Book Review Hot Air, by Marcy Dermansky*****

4.5 stars. An impulsive choice made at the last minute, and how often do those pan out? Literary fiction, 4 stars. 

Joannie is an author trying to live off the increasingly scant checks garnered by her first–and last–novel. She’s a single parent, and as she and the rest of the world come out of hiding following the pandemic, blinking like naked mole rats, she accepts a date, her first in seven years, from a man that lives around the corner. He has a child too! So it all starts out so innocently, so normally, and might have remained so, had the billionaires not crash landed their hot air balloon in Johnny’s pool that evening.

My thanks go to NetGalley and Knopf for the review copy. This book is for sale now.

I generally avoid novels that feature major characters that are wealthy, but this one had its platinum tongue in its diamond-encrusted cheek so plainly that I decided to take a chance. Here’s what I love the best about it: instead of opening with a humorous passage or two that turn out to be about the only funny material the book has to offer—the sort that makes me suspicious that the author only brought out their A game for the first three chapters, the part that the publisher would see—Hot Air begins with a clever moment or two, and then it ramps up until the climax, at which point I am helpless with laughter. The pair in the balloon—Jonathan and Julia—are the most solipsistic individuals I’ve seen in print in some time, but they want to believe in their own goodness, and the inner conflict, what there is of it, between trying to be at least sort of decent, yet being determined, in the end, to put their own wishes first, is deftly handled. Joannie, on the other hand, is from the real world, and she’s trying to find just a scintilla of personal happiness without screwing things up and making her little girl pay the price. We bounce between their points of view, including the home owner’s, of course, with occasional references made to Jonathan’s personal assistant, Vivian, a young Vietnamese woman tasked with cleaning up all of his messes. Here’s a sample from the very beginning, so I’m not spoiling anything:

“He took a photo of the hot air balloon at the bottom of the pool and sent it to Vivian in a text message. ‘Here’s a challenge for you,’ he wrote. She could take care of it. She was the one who had actually rented the balloon, after all, set up the lessons. It occurred to him that this was her fault. She should have told him it was a bad idea.”

We’re well into the second half of this novel when we hear Vivian’s point of view, and it is a miracle that I am able to avoid spraying my sandwich across the table, it’s so surprising and so funny!

At 208 pages, this little novel flies by, aided by the abundant, punchy dialogue. I haven’t had such a happy surprise in ages; now you can, too! Anyone might enjoy this story, but I especially recommend it to women. If you need some comic relief, get this book! You won’t be sorry.  

Murder at Gull’s Nest, by Jess Kidd*****

Nora Breen has sprung the coop, run away from her home of the past thirty years and come to Gull’s Nest, a rooming house near the sea. “Gull’s nest is that sort of place, isn’t it? Where the dreamers and schemers wash up.” And indeed, that’s our Nora. “A washed up nun…An abandoned friend. Flotsam and jetsam.”

Murder at Gull’s Nest is the first mystery in a series by one of my favorite novelists, Jess Kidd. I’m grateful to NetGalley and Atria Books for the review copy. This singular story will be available to buy in the U.S. April 8, 2025.

Nora is indeed a former nun; she’s shed her holy orders along with her tunic and scapular; she’s asked Christ for a divorce. Now she’s middle aged, and dressed in whatever castoffs were available when she departed. She has very little money, and is appalled at what inflation has done to prices between the time that she entered the monastery and the present day. Her first order of business now is clear, regardless: she must find her beloved friend Frieda, who left the order, came to live at Gull’s Nest, corresponded faithfully, then apparently dropped off the surface of the earth. If she’s alive, Nora will find her; if not, Nora will find her anyway.

She settles into the rooming house, and as she gets to know the other boarders, we get to know them along with her. The owner is a stickler for rules, and the cook and housekeeper—one person—is a tyrant. The food is dreadful! Nora resolves to float along beneath the radar for a bit, get the lay of the land before she does any obvious snooping about. However, since this is a murder mystery, someone dies while she’s still getting her bearings. And in time honored tradition, she irritates the very bejesus out of the local law man, Inspector Rideout, who is still deciding whether this death is due to murder at all.

“’I am not yet investigating a murder, Miss Breen.’

“’Are we not?’

“’No, I am not.’”

Don’t ask me to give away anything else about what happens here, because I won’t. I will tell you, however, that it crackles. Jess Kidd writes everything well: internal monologue? Check! Dialogue? Check! Denouement? Check, check, check!

Get this book and read it. You won’t be sorry.

The Maid’s Secret, by Nita Prose****-******

Molly the Maid is back for the third installment of Nita Prose’s excellent and wildly successful series. My thanks go to NetGalley and Random House Ballantine for the review copy. This book will be available to the public April 8, 2025.

As in the first two books, we find Molly employed at The Regency Grand Hotel; she’s been promoted to Head Maid as well as Special Events Manager. She is engaged to chef Juan Manuel, a lovely fellow that helped fill the void in her life when her beloved Gran died. But everything changes when Brown and Beagle, art appraisers famed for their reality television program, come to do a show at The Regency Grand. Along with all of the “polishing to perfection” that is necessary for such a massive event, Molly decides to bring a few of her late grandmother’s trinkets along; you never know, maybe one of them will be worth something.

Oh, it most certainly is!

Once her rare and valuable object becomes public knowledge, Molly’s life changes completely. She no longer has privacy, which she holds dear; strangers are constantly in her face seeking autographs, and the press won’t leave her alone. Meanwhile, we are apprised of the circumstances leading up to this startling discovery. Gran comes to us from beyond the grave—so to speak—in the form of a diary that Molly didn’t know she kept. Chapters in this book alternate between the present day in Molly’s life, and the past, as told in epistolary fashion by Gran.

I wasn’t a big fan of this method, and I’m still a bit ambivalent, which is where the half star off the rating went. It seems like a lazy way to go about telling a story. However, if an author must use this method, it’s hard to imagine it being done better.

Of course things don’t go smoothly following the discovery of the heirloom; if they did, then there would be no novel. But I will leave the conflicts and resolution to the reader to discover.  As for me, I found the series of events, and the ending, believable enough for our purposes, and I enjoyed the story greatly, despite my misgivings about Gran’s storytelling method.

Recommended to those that enjoy the series; this book may be read as a stand-alone, but will be better enjoyed if you can read the first, second, or both earlier books first.

Only Big Bumbum Matters Tomorrow, by Damilare Kuku

When a novel written and set in Nigeria is so successful that it’s translated into English and sold in the U.S., you know it’s probably one hell of a good book, and Only Big Bumbum Matters Tomorrow is clear evidence that this is true. My thanks go to HarperCollins and NetGalley for the review copy; this book is for sale now.

Our protagonist is Teme (TEE-mee), a young woman fresh out of college who is sure of her next course of action: she must develop a perfect body, starting with her backside. She works and saves her money so that she can have her buttocks enhanced surgically. Everybody loves a woman with a big butt, and once hers is augmented, she can marry anybody she wants. It will be a great investment!

This choice, not surprisingly, blows the roof off her family home. All of the women, her mother, auntie, sister, and others are adamant, and they scheme together, and bicker together, about how to prevent her from carrying out what they perceive to be a dangerous and foolish task. In the process, they reveal their own long held secrets, and also? They are hysterically funny!

The reader should know that the best material isn’t dropped in at the beginning, as is the unfortunate trend. Instead, it starts out fairly serious, and then I find myself snickering a little, and then a little more, and by the end, I am howling! There are quite a number of characters, and not recalling all of them won’t interfere with your enjoyment; however, it’s easier to catch up and also identify certain Nigerian terms that are peppered in, most of which are self-explanatory anyway, if you read digitally. However, because I had fallen behind, I checked out the audio version from the library and followed along as I did my morning exercises, and the audio version is brilliant as well. The lilting Nigerian dialect is mesmerizing!

Although it doesn’t seem like it at first, this novel packs a satisfying feminist punch. I highly recommend it to any reader that has eyes, ears, or both. Don’t miss it!

Finlay Donovan Digs Her Own Grave*****

Finlay Donovan is a full time mom who finds herself short on resources after her attorney husband leaves her for someone else. In the first episode, she finds herself with a corpse that she may or may not have killed; fearing the worst, she disposes of it, and the next thing she knows, her name is on some sort of dark web list of killers for hire. By the time she realizes she’s innocent, it’s too late to put the toothpaste back in the tube.

Other things have happened since then, of course, as we find ourselves now on the fifth installment. Present and accounted for is her nanny and close friend, Vero Ruiz, a woman with the kind of street smarts that can come in handy when the chips are down. In this episode there are several recurring characters, and the reader is strongly advised to go back and read the first Finlay before diving in. It’s not as if you can’t just start with this one, but you’ll be missing half of the jokes and jibes if you do.

My great thanks go to St. Martin’s Press Early Readers program and NetGalley for the review copy. This book will be available March 4, 2025.

Finlay’s nosy neighbor, Mrs. Haggerty, assumes a central role this time around when a body is exhumed from her backyard. Her home is declared a crime scene, and before Finlay even has time to react, the woman has installed herself in Finn’s guest room. A beat or two later, Stephen, Finlay’s ex, husband of her two children, is arrested for murdering the corpse that’s been found!

One of my favorite parts of this series is watching the dynamics between Finlay and her ex. On the one hand, the guy is philanderer, and he’s kind of a weasel. Yet, though Vero urges Fin to let justice take its course and stay out of it, Finlay has to defend him. Stephen is the father of her children, and they don’t need to grow up being told their daddy is a murderer. Also? The child support will dry up quick as a whistle if Stephen no longer makes money. And part of what I love about this, is that, in broad strokes, it outlines a dilemma that any number of women with children face. Life is full of nuance, and although this is not literary fiction, not intended to be known for its depth, it does honor the shades of gray faced by so many women. It makes the whole story more relatable.

Mrs. Haggerty also proves to be far more interesting than we previously believed, and that’s all I’m going to say about that. However, I do admire Cosimano’s capacity to juggle a million tiny, moving parts without creating inconsistencies. Once or twice I have seen what looks like an inconsistency, but then it turns out to have been written that way for a reason, usually to expose someone or something.

As the series progresses, I see more critics howling that the series isn’t what it was. Of course they’re right, in a way; when the series grows, the author has to make changes to prevent becoming a one trick pony. But I admire the way Cosimano handles the growth.

One small moan: yes, yes, yes. We can see that Finlay is hot for Nick, her cop boyfriend (the only trite element so far.) And yes, yes, yes, we can see that Vero is madly in love with her sweetheart, a fellow who she’s adored since her teens. We get it. Finlay and Vero are not a couple. We don’t need it hammered in any further, or at least, I don’t. For that matter, I wouldn’t be all that disturbed if they were. But the increased emphasis on their two romances bears just the tiniest whiff if hysteria. It’s not necessary. Finn’s love for Vero and vice versa, is not a lesbian love, but about the family we choose. So, let it rest already. Relax! The lesbian role is fulfilled by Finlay’s cop sister, Georgia, who stays firmly in the background where, apparently, some in the industry believe lesbian characters belong.

Sheesh!

That wee rant aside, I enjoyed this book very much. I heartily recommend it to you, and I cannot wait to read the next in the series.

The Damages, by Shelley Costa****

Shelley Costa, one of my favorite cozy mystery and humor writers, gave us No Mistaking Death, a new series introducing amateur sleuth Marian Warner in 2023. Here she is back with the second in the series, The Damages. My thanks go to the author, NetGalley, and Level Best Books for the review copies. This book is for sale now.

Marian was confused and hurting when last we saw her; that’s what happens when a normal person shoots someone. She blew out of Carthage, Ohio like the devil was on her tail at the end of the first mystery, but now she’s back, answering the call of a kid who wants her to find his missing sister, Beth. Beth is a courier for a medical testing company, ferrying blood samples from point A to point B. She’s well liked, lives a stable existence, and has told nobody of travel plans, but despite the fact that Carthage is a dinky little town, nobody has seen her lately.

It doesn’t look good.

Marian’s investigation dovetails with a big trial that’s taking place. A local obstetrician is being sued for millions by a couple whose baby he delivered. She has Cerebral Palsy, will never walk, talk, or lead a normal life. The medical malpractice suit is a money grab, plain and simple; if it is successful, Dr. Barish won’t be able to practice anymore. His premiums are already killing him. Is he the reason that Courtney Clemm is in such dire condition? Because she certainly is. It’s hard to look away.

This is a complex tale with a lot of twists and turns, but it’s not the mystery that keeps me engaged, it’s the protagonist. Given that this is just book 2 of a series, Marian is unusually well developed and immensely engaging. Add to this Costa’s trademark wordsmithery, her wry observations and quirky figurative language, and the case is almost beside the point. I’m here for Marian. And that’s good, because—for reasons I cannot understand myself—the pacing here is a little slow in places, though it ramps up to an arresting climax and powerful ending.

All told, this is a well-crafted novel, and I look forward immensely to book 3 in the series. Recommended to all that love a good cozy.

The Answer is No, by Fredrik Backman****

Who can resist a story by Fredrik Backman? His soothing tone and positive message about the nature of humanity is balm for the soul. So although I seldom read stand alone short stories, I leapt on this one right away. My thanks go to NetGalley and Amazon for the review copy. This book is for sale now.

This is one of those stories where you can see what’s about to happen, in broad strokes, right out of the gate. The blurb gives us the contours, telling us that our protagonist, Lucas, is about to have his life ruined by a frying pan; his life is perfect, single with no entanglements. He has no friends that he owes favors; no girlfriend; his life is simple and uncomplicated. He has a nice little apartment that’s his alone; after work, he can eat his Thai food and play his videogames without harassment. He doesn’t bother anybody, and nobody bothers him.

Then there’s a knock at the door, an insistent one; it’s a small klatch of people that introduce themselves as “the board.” Someone has disposed of a frying pan in an unauthorized spot, and they are determined to root out the culprit and penalize them. Everyone is considered guilty until proven innocent! Lucas protests his innocence and makes a few hapless suggestions in hopes of mollifying them, but instead, they draft him to head a committee, and they won’t let him out of it.

This is a pleasant enough story, consistent with Backman’s usual style, but at the same time, because it is a short story, it lacks some of the most agreeable aspects of a Backman novel. In his full length books, Backman creates and develops a massive collection of characters, and he always juggles them brilliantly, developing several and keeping each of them so distinct that the reader can’t forget who is who. Here he is forced, due to the limited length of the thing, to keep it down to a small handful of characters, and while some will likely appreciate this, I miss the complex stories with infinite character back stories and interrelationships. So, as short stories go, this perfectly fine, but for those of us that are fond of Backman’s epic tales, it feels just a trifle anticlimactic.

Recommended to those that read everything Backman writes, and to those that prefer a more streamlined story.

Shattered, by Hanif Kureishi***

A while back, I read a novel by Hanif Kureishi titled The Last Word.  It was not his most successful book in terms of sales, but I was gob-smacked by his cleverness, and so when I saw that he had a memoir coming out, I felt compelled to read it, even though it was likely going to be sad, since it is, at least in part, a memoir of what it’s like to be almost completely paralyzed.

My thanks go to Harper Collins and NetGalley for the review copy. This book is for sale now.

Kureishi is a seasoned writer and journalist, and as he writes about this horrifying event alternately with the earlier parts of his life, we see happier times as well. I thought it would be a narrative that I would need to take in small bursts because of its tragic nature, but that I would nevertheless appreciate it for its brilliance. What a surprise; I can read about his accident, hospitalization, and the experiences he has as a disabled person without a lot of difficulty, but I am drawn up short by the numerous passages about his sexuality.

You see, I am of the old school that believes that just because a thing is true, that doesn’t necessarily mean that its many details belong in a memoir. For example, sometime during nearly everyone’s life, we have digestive difficulties brought on by a case of the flu or some other thing. Has it happened? Yes. Do we need a detailed description of the writer’s vomit and bowel movements? Perhaps not. And this is the way I feel about his fondness for porn, for explorations of his own sexuality with various partners and all by himself (ew!) and even his fondness for street drugs and booze. Why would I want to read about any of this?

Sadly, Kureishi says that he no longer enjoys reading or writing fiction, and since that is the part of his work that I admire, I think we’re done here.

To be clear, he is a capable wordsmith, and those that are curious about what a disability might be like can get a taste of that here, which is why there are three stars and not fewer. I cringe when I read about his plane flight, with people shoving past him, even as they glance pityingly down at him. But like many Boomers, I have tasted a less extreme aspect of this myself, and so Kureishi’s version of it feels to this reviewer like a busman’s holiday.

This book is recommended to those of his readers that have appreciated his earlier nonfiction work, and to those with an interest in the lives of paraplegics and quadriplegics. For others, there are numerous online reviews that include large excerpts, and I recommend reading those before you invest in this book.