Tag Archives: book review

The Reel Civil War: Mythmaking in American Film, by Bruce Chadwick****

Posted on by

thereelcivilwarI found this gem at my favorite used bookstore in Seattle, Magus Books, which is just a block from the University of Washington. Its strength, as the title suggests, is in tracing the story of the American Civil War as told by the cinema. Those interested in the way in which movie impacts both culture and education in the USA would do well to find this book and read it.

Chadwick spends a considerable amount of time and space carefully documenting the myth produced by Gone with the Wind, a completely unrealistic, idealized portrait of the ruling planter class of the deep South. Many of us would, in years gone by, have been inclined to dismiss this concern by saying that after all, the book and movie were primarily intended as a love story, but Chadwick demonstrates that this is not so. He ferrets out actual interviews with Margaret Mitchell herself in which she insists that this is exactly the way it was. Her sources? Former plantation owners, of course.

To this day, if an avid reader goes to Goodreads.com and under the caption “explore”, goes to “listopia” and from there selects a list of readers’ favorite Civil War titles, GWTW will place within the top ten, and sometimes be the foremost title, selected over nonfiction as well as more accurate fiction. I find this horrifying.

The research regarding the Civil War itself is nothing I haven’t seen before, but Chadwick makes excellent use of strong secondary sources to document the fact that Black folks in the pre-war South were neither happy nor well treated. He takes apart the myth Mitchell constructed in a meticulous manner, one damn brick at a time. Hell yes. About ten percent of the way into the book, Chadwick’s removed, scholarly tone changes to one of articulate outrage, and I found this tremendously satisfying.

Chadwick follows Civil War films forward, after first also examining Birth of a Nation, a painfully racist film which was famous at the time because of its length; its original claim to fame was not content, but technology. For those that have not seen the film, this will be interesting reading also, and those that have seen it may pick up some new information as well.

A couple of generations later, the more realistic and highly acclaimed Roots television miniseries told the story of Black America in a way that hadn’t been represented on film before. Chadwick is again careful in his documentation and clear in his explanation.

The book’s final film treatment is of the most positive and accurate film depiction of African-Americans is the film Glory. This reviewer used this film in the classroom. It depicts the Black Massachusetts infantry that tried to take Fort Wagner and in doing so, inspired President Lincoln to order more Black troops to be armed and trained for combat in the American Civil War.

For those interested in the connection between film and American history, and of the American Civil War in particular, this book is recommended.

The Travelers, by Chris Pavone****

Posted on by

thetravelersChris Pavone is rapidly becoming a huge name in the psychological thriller genre. He is king when it comes to suspense; I was lucky enough to read the DRC for The Accident, his very successful mind-bender that came out in 2013. I was impressed enough by it that I also picked up his first novel, The Expats, on my annual pilgrimage to Powell’s City of Books in Portland. And so when I saw this little gem dangling on Net Galley, I wanted it right away, because Pavone had already shown me twice that he is a strong writer. Thank you Net Galley and Crown for the terrific read; I got this free in exchange for my review.

Will Rhodes works for a travel magazine, a journalist in a dying industry. He flies hither and yon, sampling food at promising little bistros; he knocks around the European countryside searching for the perfect photo, the little out-of-the-way piece of paradise no one else has written about. And while he is abroad, he makes a mistake, one that will come back to disrupt his life immeasurably. That’s how most spies are recruited: not out of patriotism or any ideological sense of mission, but in order to keep one’s darkest business concealed. Play it our way, friend, and nobody’s gotta know what you did.

Will’s boss Malcolm is also his closest friend. Well, he thinks so, anyway. There are a few things Will doesn’t know about Malcolm. He doesn’t know about the secret room. He doesn’t know to what extent he’s being monitored.

Will and his wife are trying for a baby, but there are things about Chloe he doesn’t know, too.

At the story’s outset, I began to feel as if the book was more about who sleeps with whom, and who knows what about each other’s sex life, than it was a thriller. I was ready to throw up my hands at one point, but I knew Pavone’s work and trusted that there must be a reason for all this, and oh my, yes there is. We can’t get to the spy versus spy material without going into all those hotel rooms.

The ending was deeply satisfying, if a trifle unlikely. We believe it could happen this way because Pavone has sold us the rest of the story, and so we follow him up one rocky cliff side and down another to the denouement.

This captivating thriller is available for purchase March 8, 2016. Put it on your list.

The Fugitives, by Christopher Sorrentino****

Posted on by

The fugitivesSandy Mulligan is a renowned author, but he’s hit a crisis. He’s left his wife and children for someone else, and it didn’t work out. Now he’s taken to the hinterlands to try to write the book he’s contracted to produce. Meanwhile, he runs across John Salteau, who claims to be an Ojibway storyteller, but it doesn’t ring quite true. Like Mulligan, Salteau is hiding from something. And if that isn’t enough, we have Kat Danhoff, herself a refugee of sorts, and she has landed in the same tiny burg, first to write about Salteau, and then to write about Mulligan interviewing Salteau. And before I can say more, I need to tell you that this clever satirical work was given me free of charge by Net Galley and Simon and Schuster in exchange for this honest review. It goes up for sale on February 9, 2016.

Early in the book we read of Mulligan’s infidelity, and I have to tell you, reader, that the explicit sex scenes and above all, the words selected to describe them, are not words that I am comfortable with. I am from the Boomer generation; if you are younger and don’t mind passages of erotica dropped into your novel, you might find this is a five star read for you. I was horrified, and read through it quickly.

Where are my smelling salts?

Where were we? Ah yes, the story. The dialogue in this thing is absolutely hilarious at times, and although Mulligan’s literary agent is a secondary character, I loved the sly, deliberate way Sorrentino crafted what we must regard as the typical agent, one who just wants him to write something, anything for heaven’s sake, so they don’t lose the deal. If Mulligan needs to retreat to the wilderness of Northern Michigan, then fine. Go. “Go walk in the footsteps of Hemingway, catch a trout or something…”

Mulligan does a lot of walking, alrighty, but what he does not do, is write. The internal dialogue is rich in many places; in a few, I wanted a red pen to edit it down a bit. The fact is, Mulligan is an exasperating character, but that’s okay; he is intended to be so. Not every protagonist is supposed to be lovable.

And so he ruminates endlessly, thinking of everything except his book. He recalls his affair, the one that snapped his already-fragile marriage like a twig. When the whole thing is over, he realizes that he could as easily had a conversation with the other woman’s underwear as he could have with her. But it’s too late now; water under the bridge. A lot of it.

Kat is from Chicago; she is married but also restless. She cheats in her marriage, but doesn’t turn it into a spectacle the way Mulligan does. Her work involves travel, and what Justin doesn’t know won’t hurt him.

Underlying all of this is the question of the storyteller, John Salteau. He’s a fake. Danhoff can smell it a mile away. At one point she witnesses him telling school children a Nigerian folk tale. What the hell? Her journalist antennae twitch, and she is on a mission.

Sorrentino is not a novice, and has been nominated for the National Book Award for Sound on Sound, a novel he published in 1995. His experience shows. His capacity to render setting immediate (and sometimes really funny) is important, because he constantly changes it up, bouncing us back and forth to the points of view of three different characters, switching from first person to third in the wink of an eye. If he isn’t proficient, the reader will get lost. As it is, this is a hyperliterate read, which suits me just fine, but if your mother tongue is not English, you might want to consider something else.

No one could possibly predict the way this story ends!

Recommended for those that love strong fiction.

Chameleo: A Strange but True Story of Invisible Spies, Heroin Addiction, and Homeland Security, by Robert Guffey****

Posted on by

 

ChameleoastrangeChameleo is a twisted but true story of an addict who unwittingly becomes an experimental subject in a classified government research program, and the bizarre events that took place then and in the aftermath. My thanks go to the author, who provided me with a copy in exchange for an honest review.

Dion Fuller (not the person’s actual name) had been released from a psychiatric hospital in Southern California. He had procured some heroine and nodded off, permitting various equally marginal characters access to his home. Sometimes he was out of it and had no idea what was happening. It was likely during this time that the guy with the stolen classified documents and a couple dozen pairs of night-vision goggles belonging to the US government made his way into Dion’s apartment. The ensuing chaos proves once and for all that just because a person is crazy does not mean nobody is out to get them. Just ask Dion!

Guffey, the author, is a Cal State creative writing teacher who found himself involved in Dion’s situation. He had a free term at the same time that Dion, an old childhood friend, called for help. With a certain amount of necessary remove, he did his best to advise his friend while taking copious notes. Soon he became convinced that his old friend was not hallucinating.

“Imagine a ridiculous college fraternity with the resources of the entire black budget of the United States of America deciding to play one long prank on some faceless guy in San Diego. And imagine that the faceless guy is you.”

The author’s description of a malicious antic known as “Street Theater” in government circles reminded me of the dirty tricks that the Democratic Party played on the Nixon camp during the early 1960’s—cruising into town in advance, for example, and moving street signs around so that the Republicans would get lost and be late to a speaking engagement—which were later used in turn by Nixon’s Committee to Re-Elect the President in 1972. Dion hoped that leaving his home, which was located very near a Naval installation, would make it all stop, and it did. He left California and headed cross country, but every time he got close to a US military installation, a whole train of personnel would follow him once more, like a trail of ducklings after their mother, right out there in the middle of the freaking desert.

Guffey’s story, which includes the Masons, the Illuminati (note the cover), and assorted other conspiratorial ingredients that would ordinarily cause me to stay completely fucking clear of this whacked out tale, follows Dion as far north as Minnesota, then oh dear God, to Seattle where Guffey was staying. But just as it seems it can’t get any more strange and stressful, the whole thing becomes hilarious! Your humble reviewer sat and laughed out loud about two-thirds of the way into the story, and the lighter tone that marks the book until near the end is what prevents the whole thing from degenerating into a bottomless abyss.
My only quibble with this story—and it’s a small one—is that if we must read entire transcribed passages of conversations, then the persons involved in the conversation in question should all be named, with no pseudonyms involved, so that the reader can use that transcript as a primary document if they want or need to. If that can’t happen, then some of these conversations ought to be summarized or paraphrased, at least in places. But this shouldn’t keep you from getting a copy of this memoir and reading it.

In fact, those that question authority and wonder just how far the US government has strayed from its stated ideals will welcome this strange little book, which is just well documented enough to convince me that it’s entirely true.

It’s available for purchase now.

Lonesome Dove, by Larry McMurtry*****

Posted on by

lonesomedoveSince when do I read westerns? Since never…until a Goodreads friend recommended this title. He knew I liked history and historical fiction, and I couldn’t dismiss the recommendation, not only because this person has never steered me wrong, but because this book won the Pulitzer. That doesn’t guarantee I will like it either, of course, but it certainly enhances the likelihood. So on one of my increasingly-rare ventures to my favorite local used bookstore, I searched out the title. There it was, 857 pages bound in a beautiful hard cover, foliated-paged tome, for less than ten bucks. Sold!

It took me a long time to read, not because of its length—psssh, my readers know me better than that—but because of its physical size. A very lengthy book in an electronic reader is light weight no matter how many pages it has, but this gorgeous, old school novel was hell on a frozen shoulder. So for a long time I read it in little chunks, propping it on top of pillows on top of my lap. It took awhile, but it was worth it.

McMurtry earned his laurels, that much is certain. I was mesmerized by the way he took us to a place that no longer exists, immense swaths of nothing across the Midwestern USA and Northern Rockies. The idea that a person could travel long and hard for days and still not even be out of Texas just blew me away, and then there was still most of the journey yet to come. There are no roads; the protagonists have a kind-of, sort-of map; a list of rivers to sustain themselves, replenish their drinking water; water their mounts, with water being the equivalent of gassing up; and also water their herd.

I realized that one reason I never chose to read westerns is because I grew up during a time when cowboys were considered the enemy of the American Indian. I didn’t want to be allied with the white guys on the horses. And of course, that was one stereotype I later realized I should not have bought into, because not all cowboys were white guys; most were, for sure, but some were of Mexican heritage, some were Black, and once in a rare while there would be an American Indian riding with the cowboys. And cowboys did not always fight Indians; sometimes they were just moving cattle.

Apart from the almost tangible settings the author creates, we also have some complex relationships. I confess that some of the more peripheral characters among the cowboy crew were hard for me to keep straight. Which one is Dish, and which is Pea Eye? But it didn’t matter that much in terms of ability to enjoy the novel, because the main characters were so well developed, and there wasn’t a stereotype in the pack. Gus is the chief protagonist, and in my mind he was somewhere between Ralph Waite and Tom Hanks. Call, his very quiet, solitary partner, was a tow-headed version of Robert Redford. Lorena, the complicated woman that fell in love with Gus, eventually formed herself in my own mind to resemble country singer Miranda Lambert. Sometimes you just need a face to go with your main characters. Jake turned up as Dan Ackroyd without the sense of humor. Blue Duck is one of the most terrifying villains in literature!

Why go north? There was never any really good reason apart from Call’s wanderlust, and Gus’s unwillingness to be separated from his partner, with whom he had worked since their days as Texas Rangers. Gus also wanted to look up a woman from his past who had settled in Nebraska, and I loved how that played out.

And when all was said and done, I realized that this is one of those haunting stories that will forever remain in my mind. That’s saying a lot; I usually read 8-10 books per month, and often by the time I am invited to host a book giveaway or blog tour by the publisher, I have forgotten the name of the main character and all but the broadest contours of the story being promoted. They approach me 3 months after I wrote the review, and there are 30 books in between that story and the present. But that won’t happen here. In fact, because this wasn’t a galley, I waited to review it until I had the time and felt the urge. I still remember so much, and there have been several books gone by in the interim.

If you have the stamina to read a book of this length—and I have to tell you, though it’s a western it is not all actionactionaction, but rather deeply insightful in many places—and if you enjoy historical fiction, you ought to give this book consideration. It isn’t hard to find it used, and given its exalted status in literature, your local library probably also has a copy. But even if you have to pony up the cover price—pun intended—you could do much worse for your reading dollar.

An outstanding novel.

Thirty-Eight Witnesses: the Kitty Genovese Case, by AM Ronsenthal***

Posted on by

38witnessesAM Rosenthal was a journalist, but in the 1960’s he was moved to write this relatively brief book—if fictional it would be considered a novella—about the failure of neighboring New Yorkers to come to the aid of Kitty Genovese, a woman that was murdered in 1964. I received this DRC free of charge from Net Galley and Open Road Integrated Media in exchange for an honest review.

The crime, one that occurred before drive-by shootings and mass killings in schools and other public places became an all-too-frequent occurrence in the USA, horrified New York and all that heard about it. The killer attacked 28 year old Kitty Genovese as she returned home from work. She lived in a middle class neighborhood, and when police later investigated, they would learn that 38 witnesses heard her scream for help. Nobody called the police until it was too late to save her. This is especially horrifying given that the killer left her bleeding after stabbing her several times, and she had the time, while he moved the car, to approach an apartment building and make her way inside its doors. But before she was able to go further, her murderer parked the car and returned to finish the job. She screamed a number of times, and one man opened his window and yelled at whoever was down there to leave her alone. Later the coroner would testify that had any of the witnesses phoned the police sooner, Kitty could have been saved. Instead she bled to death.

Largely Ronsenthal uses this opportunity to wax philosophical, both about the callous nature of people in general, and of New Yorkers. One New York newspaper managed to infer that it was her own fault by referring to her as a “barmaid” and mentioning that she was not living with her husband; the takeaway from this appearing to be that had she stayed with the mister and been home raising kids, she would not have been in danger. In this instance I think we can surmise that half a century later, any journalist who got that kind of misogynistic garbage past his editor would have heard from readers.

I found this little nugget hard to review. Part of it was due to a stereotype I wasn’t aware I carried; I assumed this attack was somehow related to the mafia (note the Italian last name). Whoopsie! Yes, I know that not everyone that bears an Italian name has a mobster in the family. So it goes.

But also, it’s an unusual piece of writing in that it isn’t really a memoir, isn’t really philosophy, isn’t really sociology. But the overall thesis appears to be that human beings don’t take good enough care of each other. He also uses the occasion to speak in defense of New York cops, who performed their jobs as well as they could in this circumstance. But what timing, given the behavior of NYPD of late! The piece hasn’t really aged all that well.

The writer speaks of a time in India when he himself failed to help others, a time when he regularly strolled past beggars that were ragged, often badly disabled or diseased, and he didn’t help them. He brought this item back time and again to where it felt a little like breast-beating and gnashing of teeth. I wasn’t interested in providing the author with the catharsis he seemed to be reaching for. For that, get a therapist already!

In all, I think his narrative is probably geared more toward native New Yorkers, and since the event is long gone and doesn’t really have a modern parallel, the niche that may be interested has shrunk to New Yorkers of Social Security age.

The writing was fluent, as one might expect of a seasoned journalist, but its prime period has come and gone. I was happy to read it free, but would not have wished to pay for the privilege.

Breaker: A Windy City Dark Mystery, by Richard Thomas*****

Posted on by

breakerawindycityRichard Thomas is a monstrously great writer. In Breaker, a Windy City Dark mystery, he presents us with Ray, a man of unusual and intimidating appearance; a sinister stranger in a white van who victimizes Chicago’s working class school girls; and Natalie, the girl that lives next door to Ray. Though this is the first Windy City Dark mystery I read, I fell in, only extricating myself close to bedtime, because this is not the kind of thing you want entering your dreams. This smashing thriller came to me free of charge from Net Galley and Random House Alibi.

The first thing I usually look for in fiction is strong character development. In excellent fiction, sometimes the setting drives the character; sometimes the setting and character drive the plot; sometimes the plot is driven by character. Breaker definitely falls into the last of these categories. Told primarily in Ray’s first person and counterpointed by Natalie’s, along with a narrative that pops in and out surrounding the white van, the suspense is almost unbearable. The character is so palpable that I impulsively reached into my Goodreads account and checked the “literary fiction” box among my own library categories. The story is dark and haunting; fans of Stephen King, a writer Thomas lists among those that have influenced him, won’t want to miss out on this story. Though it is not driven by the supernatural, the tone and level of nightmarish suspense are quite similar.

Part of the hook is the affinity the reader must feel for Ray after just a short time. He lives alone; others are often afraid of him on sight because of his enormous size and ghastly pallor. His mother is dead, and we learn more about this eerie aspect of Ray’s past as the story progresses. He lives in the city’s gritty underbelly, spends almost nothing of what money he makes as a cage fighter—a sport so much more horrible than boxing—on himself, and he is constantly alone.

Meanwhile, Natalie, the 15-year-old next door, is being stalked by the white van. Because Natalie is kind to him and does not fear him, Ray reaches out to her in an uncharacteristic way and teaches her the self-defense tips none of her high school teachers will ever be able to provide. Their friendship is platonic but the bond is tight.

Meanwhile, the white van has Chicago even more on edge than it usually is; girls are disappearing, and no one knows who is taking them. Every white van begins to look sinister. I found myself gripping my electronic reader, and though I had been resting the arm that held it on a pillow, I found myself holding it up in the air because my hand had nearly tightened into a fist.

It’s that creepy.

I marked a number of really stellar passages—this guy is fantastic with gripping figurative language—but at the end of the day, I am not supposed to reveal any quotes till the book is on the shelves, and I want you to know about this one right now.

It’s up for sale January 5, 2016, and it will help you forget all about your post-holiday blues. Get this book!

Liar, by Rob Roberge*

Posted on by

liarApologies, dear reader; I hate having to pan a book. I only request galleys that I believe will be either good or great, but when I inadvertently find myself with a terrible book, I have to call it as I see it. I have another review about ready to post that will occupy this space soon.

I received this DRC free of charge from Crown Books and Net Galley in exchange for an honest review. To be honest, it is the second-worst galley I have ever read. (The very worst lacked punctuation and was unreadable.) I wondered how a book like this wound up with such a reputable publisher; an internet search tells me that he has written other books that were well received. But I can’t find any redeeming value here. I actually came out of it feeling as if I’d been played, and I read it free.

This memoir is billed as a testament of sorts to the writer’s mental illness. I have a relative who struggles with bipolar disorder, and I like the idea of educating the public and of advocating for greater support and funding for those struggling with mental illness and also addiction issues, which are another key part of this book (If it can be said to have parts at all). The two often go hand-in-hand, the mentally ill using alcohol and/or street drugs to self-medicate. So I was on board when I began reading. But soon, I found excuses to read other DRC’s instead. Today, I made myself finish this thing so I could write the review and move on.

Liar isn’t even really a memoir. Let’s start with the title; some of what is in the book is true, some of it is invented, and we don’t get to know which is which. As if that weren’t bad enough, random dark matters (the death of the last passenger pigeon is one) are dropped into the text in no particular order. In fact, the text itself is not linear. This is clearly intentional, with things that happened (or didn’t happen) from 1977 dropped in between what happened (or not) in 1995, or 1982, etc. to let us see how confused is the mind of the mentally ill individual. The whole book is a mishmash of horrors that may or may not have transpired, just as the stricken person’s mind may not always be able to discern the real from the imagined. But for that, we hardly need a whole book; one short chapter would do the trick. I wanted to believe it would prove to be an artistic and if hard to read, avante garde approach to bipolar disorder; by the end, my head hurt and I was pissed.

How can anyone charge money for this?

Part of the reason I wanted to read Roberge’s galley is because it is billed as “blackly comic and brutally frank”, but it isn’t comic, and it isn’t frank. I found two (very, very darkly) humorous moments roughly between the 15% and 20% mark and thought maybe this was where the story would get rolling. Not so much. Nothing else—and I mean nothing else—was amusing. If it had been billed more accurately as merely dark and brutal, I would not have gone anywhere near it, nor do I recommend it to you. If it were at least entirely truthful, however disorienting and disjointed its telling, I could say it shines a light on the mental health crisis in the U.S., but since some of it is just tossed in for the hell of it and didn’t occur, I can’t even, in good conscience, recommend it to those researching bipolar disorder. How could a researcher cite this book in an academic publication?

The only positive thing I can say about this shipwreck of a book, apart from its accurate punctuation, is that no matter how bad your own life looks right now, it probably looks better than this.

Pawn’s Gambit and Other Stratagems, by Timothy Zahn*****

Posted on by

pawnsgambitPawn’s Gambit and Other Stratagems is a collection of kick-ass science fiction stories, including a novella, produced digitally for the first time. This is the cool thing about Open Road Integrated Media: the publishers find outstanding work from the pre-digital era and bring it to present-day readers anew so that it can be widely read and appreciated all over again. But though these stories were written earlier, many of them have never been published in book form before. I got to check out the collection free in exchange for an honest review, and I struck oil. I wondered why I hadn’t found this writer earlier, since I have been known to binge on sci fi now and then since the 1990’s. What Zahn is best known for is the Star Wars series, which I didn’t read. In passing it by, I nearly missed a fine writer, and I will watch for him in the future.

The settings, situations, and moods within this collection are artfully staggered, ranging from the ethical and philosophical dilemmas that the fertile imagination runs up against when what if scenarios are presented, to surprisingly funny situations. I love the characters Zahn creates, and the way they drive his stories forward. From that first “multi-tentacled grin” of the “Sk’cee” in The Price of Survival, I was hooked. The Giftie Gie Us had an infuriating ending that left me thinking of alternative possibilities. My own personal favorite, Cascade Point, was apparently the favorite of many others also, because it won the Hugo Award in 1984.

A couple of times I noted some gender stereotypes, but for work of its time period in a genre rife with this issue—which is probably why I need time out from my sci fi binges to read other things—it was surprisingly muted. Of 82 marks I made while I read it, only 2 related to gender stereotyping.

There are no weak links, nothing that seems like filler in between good stories; everything here is strong. At a couple of points I had to bite back the urge to laugh out loud while cruising through late at night while my spouse slumbered next to me. My second favorite story is the title novella, Pawn’s Gambit; I found it unexpectedly hilarious.

This brilliantly crafted collection goes on sale January 5, 2016. The only real question for the science fiction lover is how you are going to wait that long. Mark your calendar; you won’t want to miss out on this one.

A Cold White Fear, by RJ Harlick***

Posted on by

acoldwhitefearMeg is alone with a 12 year old in her isolated cabin during a Canadian blizzard, when three escaped prisoners land on her doorstep, one of them injured. She helps dress the wound of the injured man, but then is held hostage, along with Jid, who is like a son to her, and her puppy. This mystery is the seventh in a series, but it was the first I had read, and it is easy to follow as a stand-alone thriller. Thank you to Net Galley and Dundurn Publishers for the DRC, and my apologies in being so tardy with my review. The book has been released and is available for purchase now.

Those that enjoyed The Shawshank Redemption or that are fans of Val McDermid’s mystery series will probably enjoy this story a great deal.

Each of us has a threshold of tolerance for how much terror and violence they can stand in a novel before it stops being entertaining and starts to be just scary and violent. That’s what happened to me here. Roughly eighty percent of this book is set in and near Meg’s cabin, with one aborted effort at escape after another; the writer wants us to also be worried about the puppy, and she played the card well, maybe too well for me. The small moments in which interesting tidbits of Algonquin culture are released, or in which one of the escapees does some small, compassionate deed are eclipsed by the sheer weight of the isolation and brutality present, and I finally got to where I could not stand it anymore around the 65 percent mark, and I skipped to the end and traced it back. That said, I also know that my own tolerance is lower than most. I watch very little television and few movies, and so a little goes a long way where I am concerned.

Harlick deserves a lot of credit for being able to spin a linear plot line with a limited setting, time span, and for most of the story with a limited number of characters. She never loses the reader’s interest or wanders off on a tangent; her facility with setting is good, and the tangibility of the place and people add to the terror experienced by the reader on behalf of the protagonist.

Scary-as-hell fiction from a series writer worth following in years to come.