Opposable Thumbs, by Matt Singer*****

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Gene Siskel and Robert Ebert were the best known film critics in the United States during the last quarter of the twentieth century. Their often fractious debates on television opened up a new conversation among its viewers. Entertaining, principled, and deeply analytical, they said what they really thought in every forum available, without concern for bruising the egos of industry titans or corporate sponsors. Matt Singer recounts this important chapter in television—and film—history, and he does it well.

My thanks go to NetGalley and Putnam Books for the review copy. This book is available to the public right now.

In the beginning, Siskel and Ebert were journalists and professional rivals working for competing Chicago newspapers. They were invited to share a stage on a local TV station, and the program was successful beyond everyone’s wildest expectations. The hardest to sell on the notion were Gene Siskel, who felt sure he could carry the show on his own without Ebert, and Ebert, who wanted it for himself without Siskel. The two men hated each other on sight, but the energy that crackled between these two tremendously articulate critics made outstanding television; viewers understood immediately that what they brought to the screen was completely authentic. Eventually, the pair took their skills to a larger network with syndication, and soon became famous nationwide and even beyond.

I was a kid when these two took to the airwaves, and as I grew older, I never watched them. At most, I saw their faces flicker by as I channel surfed. I had nothing against these men in particular; I never watched talk shows, which is what this felt like to me. And I tell you this because—as you can see from my rating—I love this book. Perhaps this is a good measure of how the show’s fans will feel about it.

Over the years, the men became friends, almost in spite of themselves. Both held journalistic integrity as the highest of ideals, and this quality helped them bond. Roger Ebert famously dissed Chevy Chase’s newly released movie on the Tonight Show, with Chase sitting next to him on the sofa. This wasn’t an angry gesture, just the unvarnished truth. (Perhaps Carson shouldn’t have asked him what he thought.) Together they waged a campaign against movies that glorified violence against women; they saw this trend as a backlash against the third wave of feminism. I believe they were right. In everything they did, their analysis was deeply intelligent, and their explanations and debate points were simple enough for any member of the general public to understand what they were saying.

For fans of the show, this book is an absolute must read, and for those that are interested in film criticism, film history, or any adjacent topic, I would say the same. I am not especially interested in any of these, but I do love a good biography, and this is that. If anything, it made me wish, just a little, that I had watched their program. Perhaps I will surf the internet and find an old one that I can view.

Highly recommended.

Gator Country, by Rebecca Renner***-****

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3.5 stars, rounded upward.

Rebecca Renner is a journalist who has written for National Geographic and a host of other prestigious newspapers and magazines. Gator Country is her first book. Lucky me, I read it free and early. My thanks go to Macmillan Audio and Net Galley for the review copy. This book is for sale now.

Gator Country is the true story of wildlife officer Jeff Babouta and the sting that brought in a number of poachers and slowed the ravaging of the alligator population in the Florida Everglades. Babouta is coasting toward retirement when he is approached, and although he is reluctant, he is eventually convinced that he is the best qualified officer to carry out this assignment. To do it, he has to live away from his family for years, posing as a newbie gator farmer. This is a legal profession, but it’s also one that is rife with poachers. In order to bring the poachers in, he must first convince them to mentor him and befriend him in his farming operation. He spends years gaining their trust and learning from them, but then has to turn them in.

I thought hard about whether to read this book, because generally speaking, I don’t have warm feelings toward cops, and the past ten years have intensified that sentiment. But rangers and other wildlife cops are a bit more ambiguous; some of them do more good than harm. So it is with Babouta.

There are, Renner tells us, basically two types of poachers. Some are the small, independent people that she says are just trying to feed their families, and some are the large scale despoilers, those working on a large scale to provide gator parts to buyers from China, where they are prized for their medicinal properties and folk cures. Renner is sympathetic toward the former but not the latter.

In following Babouta’s story I pick up odd bits of knowledge. I have never been to the Everglades, nor do I plan to, and so had I not read this book, I would probably never have known that there are bottlenose dolphins there. Who knew? There are a number of such tidbits that I pick up along the way, and this is one of the best things about reading—or listening to—nonfiction.

That said, the audio becomes a complicated read for two reasons. One is that the narrative skips around a great deal. The main part is Babouta’s, but we also hear about Peg Brown, a legendary poacher whose name keeps coming up as Babouta converses with his new colleagues. I have no idea why I or any reader needs to know so much about the guy; from where I sit, Brown hasn’t earned his place in this book, but then it’s not my book. The story is needlessly complicated by Brown as well as a handful of other bits that are woven into the narrative, such as the journalist following along, and we would be better off without these.

The other issue with the audio is that when we shift the point of view, the person whose story we’re hearing has exactly the same voice as Babouta. Now and then I would have to pause and run it back, just to figure out who we’re talking about, or hearing from.

Even though the synopsis makes it crystal clear that the book is about wildlife poaching, rather than an alligator version of Jaws, I expected to hear of some close calls, some scary moments. But the scary moments are mostly about humans.

At the beginning, this book was such a snooze that in order to force myself to keep listening, I found other things to do with my hands. About a third of the way in, however, the story woke up, and after that I was mostly interested, apart from the occasional divergence of topic and point of view. For those that are sufficiently interested to want to read this book, I recommend that you either stick to the print version, or if you strongly favor the audio, get the print version to help you stay oriented and follow along. I would also try to get it free or cheap, unless you have an endless amount of cash to burn.

Kinfolk, by Sean Dietrich*****

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“Thanksgiving is not about being happy. The holiday is not about mirth and beauty and the warmth of gaiety. Thanksgiving is about fulfilling family obligations and being miserable the way the good Lord intended.”

When we meet our protagonist, Nub Taylor, it is Thanksgiving night, and he and his cousin and best friend Benny are three sheets to the wind, idling in a rusty old truck across the street from the dignified, stately home of Nub’s daughter, Emily. Nub has been invited to dine there, but knows better than to attend. Emily is a widow; she married up, and every mover and shaker in town has shown up. No, Nub won’t be joining them. Nothing good would come of it.

My thanks go to Net Galley and Harper Muse for the review copy. This book is for sale now.

Our story is set in the 1970s in a tiny town in Alabama. Nub is long divorced from Emily’s mother, who keeps her distance these days. He takes his meals at the Waffle House, and that includes today:

“Waffle House did not close on Thanksgiving because Waffle House never closed. Waffle House was like the Vatican, only with better hash browns. Nobody on staff at the Waffle House had a key to the store, not even the manager. Because there were no keys. The doors were never locked. Waffle House just went on and on. Sort of like a disco.”

It is here that he meets Minnie. Minnie is fifteen years old and well over six feet tall. Why is this girl spending her holiday here, instead of with her kin? The answer is that she has none. Her father is in prison, and her mother has just recently killed herself.  

Of course, Nub doesn’t know these things at first, but something about her calls to him. Perhaps all children of suicide victims wear something similar in their expressions; Nub had lost a parent the very same way, and he has never gotten over it. How does anyone? He knows “the cardinal rule about suicide. You don’t talk about it.”

Now, Minnie is orphaned and she is pregnant, courtesy of a thoughtless, spoiled local boy that told her he loved her, then laughed behind her back. And so it is that Nub realizes, as he learns more about Minnie Bass, that perhaps he may have a chance to redeem himself.

This is a wonderful story, full of warmth and a lot of heart. Dietrich is a master story teller, able to create viscerally real characters that leap from the page and a narrative that billows with home truths. There is no question that Kinfolk is among the finest books to be published this year.

Highly recommended.

Mothman’s Merry Cryptid Christmas, by Andrew Shaffer***

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My thanks go to Net Galley and 8th Circle Press for the review copy. This book is for sale now.

When I saw the cover of this children’s book, I thought it had strong possibilities. It’s original, and I thought it was conceptually strong, so I read it. Having done so, I have come away underwhelmed.

For a book like this, a takeoff on Rudolph the Red-Nosed Reindeer, two things are important. We need resonant, bold, eye-catching artwork to engage the little person that is reading it, or to whom it is being read, and we need a regular cadence. We’re supposed to be singing this book to the same tune as the song, and while the text certainly rhymes, it’s nowhere near in pocket. It’s awkward as hell, actually. Get out your metronome and try it, I dare you.

And as for the artwork, it can best be described as minimalist. When I saw Mothman on the cover, I was thrilled. Kids would love it, I thought. But that’s basically what’s on every single page. Mothman, plus a small amount of unengaging other stuff. There’s no bold artwork at all, and very little art of any kind. The illustration of our protagonist is the entire show, over and over.

I’ve since learned that this is a series. I haven’t seen any of the other books, but I’m going to guess they are more of the same. In fact, if I continue writing much longer, I will talk myself into dropping the rating to 2.5 stars instead of 3.

It feels lazy to me; it didn’t come close to meeting my expectations. When I took the galley, I thought that if this book was as good as I hoped it might be, I would purchase a copy of it for my grandsons. I’m not going to do that now, and if I won’t, I cannot recommend you buy it either.

I Did It for You, by Amy Engel****

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Amy Engel is the author of The Roanoke Girls and The Familiar Dark, both of which were unrelentingly creepy, and I loved them. When I saw that she had written another, I had to read it. My thanks go to Net Galley and Random House Dutton for the review copy of I Did It for You. This book is for sale now.

Greer Dunning’s sister, Eliza and her boyfriend, Travis, were murdered when they were teenagers. One minute they were making out in his car, and the next, boom. Someone shot them dead, right through the window. The guilty party was eventually caught and charged, and eventually admitted what he’d done, but it never made sense, especially not to Greer. She had a hunch that the killer, an intellectually disabled fellow with little imagination, had not acted alone. But he has said nothing about it, refused to provide a motive, and what he knew, he took with him to the electric chair.

Greer moved on. She finished school, moved from her hometown of Ludlow, Kansas to Chicago, where she works as a middle school counselor. But now a similar crime has occurred back in Ludlow, and Greer feels the pull, the urge to turn toward home and find out for real just what is going on.

This is a solid mystery, though not one with the sort of page turning urgency as the other two. It’s deeply atmospheric, and there’s a melancholy, brooding mood that’s thick and rich, and this is becoming Engel’s signature quality. The internal monologue is an absorbing one.

The choices that she makes while she is home make sense in a strange way, and parallels form in the most unexpected of places.

The solution itself doesn’t work for me. What? No. But the journey we take to get there makes this novel worth reading.

The only problem with writing a big-deal debut novel is that you’ve set the bar high, and readers develop stratospheric expectations for each subsequent book. So it is here. I Did It for You is a decent read, but it isn’t The Roanoke Girls, and it isn’t The Familiar Dark. Instead, it is simply a good book.

For mystery lovers that have never read anything by this author, this book is recommended. For those that have, you may want to get this one free or cheap, rather than paying full cover price.

The Celebrants, by Stephen Rowley***

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I enjoyed Rowley’s novel, The Guncle, which came out in 2019. When I was invited to read and review The Celebrants, I jumped at the chance. Unfortunately, it didn’t do a thing for me. Nonetheless, my thanks go to Net Galley and Putnam Books for the review copy. This book is for sale now.

As a child, we once had a bird bludgeon itself to death on our sliding glass door, unable to accept that the invisible barrier was really there. Reading this book made me feel just a bit like that bird. I’d liked Rowley’s last book. Other Rowley fans liked this book. So why…(BAM!)…why…(BAM!)…why could I not get into it?

I think it all boils down to privilege.

Had I read the premise more carefully, I might have avoided this trap. A group of seven college friends, grief-stricken after losing the eighth friend, agree to meet every few years and give each other mock funerals to celebrate the lives that still exist among them.

What rarefied conditions must exist to make such a thing possible? Imagine having the resources to be able to drop everything and fly off to wherever the meeting is held. Air fare. Childcare. Housing. But as I read the abundant dialogue in this thing, such trivialities are seldom mentioned. These are people that for the most part came from money, and they have money now, and they assume they will have as much, if not more, in the future.

Of course, the story is not about money and privilege. It’s about taking stock of their current lives and comparing them to their youthful expectations. There are secrets. There is baggage. And now, in their middle aged years, they are older, wiser, and in many ways, sadder.

Oh honey. They think they’re old now? My ass!  My children are middle aged. Get a fucking grip.

So okay, I am probably not the ideal audience; and yet, I will remind you that I didn’t volunteer for this. I was selected. Someone clearly believed that I am within the target audience.

I initially felt some of this when I began reading The Guncle. The protagonist there was a successful actor with a pile of money; and yet, the challenges he faced, first with the death of his partner, and then with the homophobic relative that tried to keep him from taking the children that had been entrusted to him, won out. The presence of well-written children helped a good deal, and the humor was completely on point. I cannot fail to appreciate an author that can make me laugh out loud.

I didn’t laugh out loud this time.  It’s grim, but it’s wealthy-people grim, not working class grim. If you don’t know the difference, then we all know which one you are.  I rolled my eyes a great deal, but it’s even harder to read when you do that, so I borrowed the audio from Seattle Bibliocommons. It didn’t help a bit, apart from making it possible to take in the book and roll my eyes at the same time.

I see that this title has been nominated for the Goodreads Choice awards, so clearly, a lot of people have loved this book. But I am not one of them.

Recommended to rich people that believe their lives to be harder than they actually are.

The Meth Lunches, by Kim Foster****

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Kim Foster and her husband, David, create a food pantry in front of their house—and later, inside it—during the pandemic. It begins with the employment of one hungry handyman who’s also an addict, and from there, it mushrooms. This is her memoir of that time, and also a philosophical treatise on poverty and hunger in the United States.

My thanks go to Net Galley, RB Media, and St. Martin’s Press for the review copies. This book is for sale now.

When Foster’s family moves from New York to Las Vegas, one of the first thing she notices is the meth. It’s everywhere. Perhaps it is the milder weather; addicts in New York have to find a spot out of the weather during much of the year, but Vegas is in the desert, mild enough for the unhoused to sleep just about anywhere, warm enough that addicts don’t have to hide themselves away to get high.

The pandemic hits Vegas hard. So many people make their living from some aspect of the entertainment business, and for a while, it is a dead industry. And so, after hiring a man with an obvious dependency to do work on their property—work that he never completes—and hearing his story, the Fosters decide to convert the little free library in front of their home to a little free pantry. And from there, it mushrooms.

The pantry begins small, but Foster is a chef, and she can’t stand the notion of just putting out pre-packaged crap when she can cook food with fresh ingredients that will make others feel better. And as the book takes off, I momentarily regret taking this galley, because I generally hate stories that drop recipes into the middle of the plot. If I want cooking information, I’d rather go to a cookbook, or to a recipe website. And it was right there in the title, after all: The Meth Lunches. It’s pretty obvious from the get go that lunch is going to be juxtaposed with social issues.

But as the story continues, I don’t hate it after all. For one thing, this whole book is nonfiction. There’s no plot that is sidelined by a recipe. The whole point is that that Foster considers food, and the act of feeding others, to be a sort of therapy. She makes the point well.

Eventually, the scale of the operation becomes mind boggling. Multiple freezers to hold meat; trucks that deliver food. The pantry begins as an out-of-pocket gift from the Fosters to the down and out of Las Vegas, occasionally supplemented via Venmo from friends, when they are able to help. Inevitably, the pantry finds its way into the local media, and networks form with other food banks and nonprofits.

In between all of this, Foster develops relationships with some of the people that come by. She and her husband are foster parents—ironic, given their name, right? And we hear not only about what the children they house and love have experienced, but also about the children’s biological families. Because although it’s officially discouraged, Kim strongly feels that the children heal best if their biological parents are in their lives in whatever limited way is possible. So before we know it, she is deeply involved with some horribly dysfunctional adults as well. And it is the stories she tells about interacting with them and the children, two of whom she and David eventually adopt, that make this story so riveting.

At the outset, she intends for the pantry to be a resource for local families that have homes and kitchens, but whose finances have taken a huge hit due to the pandemic. The very poor already have resources, she reasons. But of course, the homeless find her, and she doesn’t turn them away.

And here is the rub, the only aspect of this book that I dislike. She tells us that one unhoused person in four is mentally ill, and she believes that this official figure is low, at least in Las Vegas. And then she talks about those with addiction issues.

But what she never gets around to discussing at all—unless she does it so briefly that I miss it—is the unhoused people that are not chemically dependent on anything, whose mental health is stable, but who don’t have a permanent residence because they straight-up ran out of money. To hear her tell it, you’d think they don’t exist, and you know that’s not so. So many American families live from paycheck to paycheck, even when the economy is said to be booming. And I feel that she has left these people without faces or voices. And that, in turn, perpetuates a stereotype, the one that suggests that everyone that is homeless is there because they’re either crazy or junkies or both. I use the offensive terms intentionally, because that’s how the stereotype works. 

And the stereotype in turn begets a lie, the insinuation that nobody has to be unhoused. Don’t use drugs. Get mental health care. Get over yourself. And whereas I can see that Foster doesn’t intend to promote such thinking, and in fact takes a hard line over poverty existing at all in such a wealthy nation, when she doesn’t give space to the many, many individuals and families that are out there because the wage earner was laid off, or because they were just squeaking by but then the rent increased, it does distort her overall picture. I don’t come away from this book thinking that most of the homeless are not using meth or any other dangerous, life-altering street drugs, even though it’s true.

Nevertheless, this is a poignant, stirring tale that won’t be told by anyone else, because it can’t be, and bearing in mind the caveats above, I recommend it to you, both as audio and print.

The Mystery Guest, by Nita Prose****-*****

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“The maid is always to blame.”

4.5 stars, rounded upward.

Author Nita Prose introduced Molly the Maid to us in 2022. Now Molly is back. She’s the head maid now, and considerably more confident than when we first met her. Her boyfriend Juan Manuel has moved in with her, but he is conveniently out of town for most of this novel, and it’s just as well, because there’s another murder about to occur at The Regency Grand Hotel, and once more, Molly will be instrumental in identifying the killer.

My thanks go to Net Galley and Random House Ballantine for the review copy. This book will be available to the public November 28, 2023, so you can plan your gift lists accordingly.

The hotel is in high gear, planning for the big gathering that will introduce the large, new, lovely tearoom. Business has been down at TRG since the murder last year, and this special occasion should bring new life into the hotel. In fact, Molly has given up her vacation with Juan so that she can see to the set-up; everything must be cleaned, shined, and buffed to perfection. You see, famous author J.D. Grimthorpe has an important announcement to make, and he’s chosen the tearoom as the venue from which to do so.

The stage is set, and the fans arrive. Molly’s protégé, Lily, has arranged the tea cart perfectly. Grimthorpe takes the podium, and is presented with his tea. After doctoring it to his own tastes, he takes a sip and ascends the stage once more, but before he can get to the surprise announcement, he keels over dead, right on top of Lily!

Lily is terrified. She’s always been a quiet one, but now she is virtually mute. When the police come in to question her, Lily is nearly undone.

“Molly, I’m afraid.” Her eyes are round pools of trepidation.

“I know,” I say. “But why?”

“Because a famous man is dead. Because they always blame the maid. You of all people should know that.”

“You’re not in any trouble, Lily.”

“Bit soon to tell,” the detective replies.

With that, we’re off and running. The book is one hell of a page turner, and it’s over before I know it. There’s lots of spunky dialog that jumps off the page. I seldom regret putting away my book because I spend so much time reading each day, but for this one, I stayed up late.

My only quibble—a small one—is that a key part of the solution is a bit of a reach. But this is a fun story, and so I make a quick note and move on.

For those that enjoy a sparkling mystery interspersed with wry humor, this book is for you. The profound respect for the working class is icing on the teacake.

Highly recommended.

Happiness Falls, by Angie Kim*****

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Angie Kim’s barnstorming best seller in 2019, Miracle Falls, showed us that she is a force to be reckoned with. Now she’s written something even better. My thanks to go Net Galley and Random House for the review copy. This book is for sale now.

I admired Kim’s debut novel, but because of its complex nature, it was a fair amount of work to read. Happiness Falls is every bit as brainy, but it’s streamlined, with just five important characters and a handful of secondary ones, so the reader can spend more time enjoying it and trying to puzzle out the solution, and less time trying to keep up with the plot and recall the intermittently appearing characters as it progresses.

As with her debut, this story features a main character with special needs. Eugene Parson has Angelman syndrome, a rare disorder that has rendered him incapable of speaking. This is a problem, because one day, Dad and Eugene go to the park for their daily walk, but Eugene comes home alone, bloody, disheveled, and tremendously upset. What happened? The family’s concern intensifies when Dad’s backpack is found floating downstream, but Eugene cannot speak. And so, the mystery that is interwoven into this family drama is established.

The story is told in the first person by Mia, Eugene’s older sister. Mia’s twin, John, rounds out the siblings, and their mother is the fifth family member. It’s set in Virginia during the pandemic; however, plot and character are much more important here than setting.

The mystery—what has happened to Dad—is wholly original because of the critical role played by Eugene’s communication challenges. Originality becomes more important to me every time I pick up a mystery; once you’ve read several hundred of these things, sameness can produce tedium. But this novel has much more going for it than that. The characters are absolutely believable. The teenagers are all convincing; they are age appropriate, bright but occasionally impulsive. Best of all is that there is no abuse story tucked in here. Their dad is or was a loving one, and the same is true of their mother. The parents have navigated bumps in their marriage, but by the time we hear of them, they’re fine. There’s no horrific baggage waiting to ambush us. These are nice people whose lives are complicated solely by the need to assist Eugene, whom everyone also loves. I make a point of telling you this, because I am sick to death of stories about terrible mothers. I’ve had enough of them, and am delighted Kim doesn’t go there.

Our narrator, Mia, is cleverly drawn; she is the family cynic, and she’s the family motormouth, and so if we occasionally wonder why Mia is telling us everything in such detail, it’s because Mia is a talker.

There are twists and turns all over the place. Just when I begin to think I might have a handle on this mystery, Kim throws in something else that leaves me gaping like a guppy. What? Huh? Oh. Well, there goes my theory. What now?

Because I came to this post-publication, I checked out the audio version at Seattle Bibliocommons to help me catch up. The audio is very well done. Initially I didn’t find Mia’s narrative voice appropriate because she seemed mighty chirpy for a girl that may have just lost her father; however, once Mia’s character is further developed, which doesn’t take long, I realize that the chirpiness is part of Mia’s denial. She’s very close to her dad, and she can’t bear to think that he is in danger, or worse.

I have rarely felt any interest toward any profound learning disability, but Kim made me care about Eugene and Angelman’s.

This novel is brilliant, a standout for 2023. I highly recommend it to all that love a good mystery or family story.

Scattershot, by Bernie Taupin*****

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I was a teenager when Elton John’s music exploded onto the radio, and to this day, there are certain songs that I play in celebration, or when I need my mood lifted. For decades it lay in the back of my mind, wondering what was behind these lyrics or those. Never one to delve into the lives of celebrities all that often—a few shallow attempts convinced me that usually the most interesting thing about them is their work, which I’ve seen or heard already—I nevertheless filed it away, to find out about those lyrics one day.

Retirement came, and so with extra time to spare, I finally learned that Elton didn’t write those words. None of them! It was his writing partner, Bernie Taupin. I found this out only after reading an Elton John bio. I searched for one of Bernie’s and found empty air instead. When I saw this galley, I had to read it, and I am so glad that I did. Big thanks go to Net Galley and Hachette Books for the review copy; this book is for sale now.

Sometimes a public figure will publish a memoir, but either openly or secretly, they require a ghost writer, and in the cases of some others, we may wish that they had. Taupin, however, is a writer, and boy does it show! His eloquence is undeniable, hilarious in some places, moving in others. His judgment is unerring, knowing when to be brief and when to use detail, and his candor is refreshing as well. The result, for me, is that when I’ve finished reading, instead of the usual five or six quotes that I’ve highlighted so that I can select one or two to use later, I instead find that I’ve highlighted eighty-eight, and some of these are multiple pages in length! I’ve spent an hour trying to choose which one to share, and it’s hard because they’re all brilliant. Since choosing just one is impossible, let’s just go with the first, which is near the beginning of the book, the beginning of the Bernie and Reg (Elton, later) show. The chapter begins:

“Sheila hated my coat. I can’t say I blame her. It hung on a hook on the back of our bedroom door like a Neanderthal artifact from the Natural History Museum…when it rained, which was often, it smelled like an uncured yak hide. Afghan coats were in style, as were kaftan jackets, three button tees, and velvet pants. I’m positive we didn’t succumb to the latter, but as for everything else, my new best friend and I did our very utmost to look the part…Sheila was Reg’s mother.”

Born in a tiny, isolated hamlet into the very bottommost scrapings of the working class, Bernie knew from an early age that he wanted out. He loved his family, and later, when money came his way, he took good care of his parents, but he never wanted to live in that place again, and became Californian down to the marrow of his bones the instant he landed in Los Angeles.

Taupin doesn’t hold much back, that’s for sure. The most essential ingredients of a top notch autobiography are that the person has lived an interesting life; knows how to write about it; and is willing to talk about just about every aspect of it. Taupin gets top marks in all three areas. Early on, I became concerned about his attitude toward women, given that the first we learn of his having married is when he makes a side reference to his first marriage dissolving, and I thought, Seriously? You tell us all of the everything, but don’t even mention your marriage? Small wonder it didn’t take. I maintain that concern through two more marriages that get little ink; but then we reach his current, and most likely permanent union, and everything changes and I feel much better.

Taupin has stories about just about every celebrity on the planet, and he does talk about the inspirations for his lyrics. I would have finished this book much sooner, but the greatest joy of reading a rock and roll musician’s memoir is reaching back to listen to the songs whose lyrics he scribed, as well as the many musical influences that shaped him. (Country western, I kid you not!) This book became such a prominent part of my day that my family was leery of turning up during the lunch hour, because I had passages to read aloud. And yet they had to admit that many of them were pretty damn good.

This book is highly recommended to all that love rock music, Elton John, and also to those that just love a resonant, well written memoir.