Tag Archives: romance

The Violets of March, by Sarah Jio

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thevioletsofmarchThe Violets of March is a crossover title, part cozy mystery, and partly—maybe mostly—romance.  I purchased it for myself years ago, back when I was teaching, not advance-reading, and buying all my own reading material. It’s not a bad book, but given that I had paid full jacket price for the trade paperback version after reading some rave reviews, I felt let down. It’s a pleasant read, but it didn’t live up to its hype.

Nevertheless, once I had it in my collection, I was glad of it, because at the time, the other books I was reading were the sort that grab the reader by the hair and won’t let go till they’re done. I needed a calmer, more sedately paced novel to read at bedtime, and this was it. It held my attention, but it didn’t keep me awake when it was time to turn out the light.

Our protagonist is Emily Wilson, whose life, up till now, has been lovely. She is a successful author and married to a gorgeous man; what more can she want from life? But then one day he announces he is leaving her for someone else. Boom. Gone. She retreats to the home of her beloved aunt on Bainbridge Island, which is off the coast of Washington State, to lick her wounds. While there she finds herself ferreting out mysteries buried long ago. The plot becomes a story inside a story, and three different narratives are counter posed, two from the past, one from the present.

At the same time, Emily commences dating again. Here I am comfortable, because this isn’t erotica, it is an old fashioned love story, with the protagonist trying to choose between two men, one an old flame from high school, the other a local man she hasn’t known before.

The character development is not what I might hope for, but then this is a debut novel. It’s shallow, but it’s also soothing. It held my attention until I got a little bit sleepy, and then it didn’t anymore, which was exactly what I needed.

In addition, it is the sort of novel one could hand to a bookworm daughter of a fairly young age, if her reading level and interest were there, without worrying about content. Likewise it could grace the shelves of a middle school or high school classroom without a concern that parents would storm the school (as once occurred when I put The Color Purple on my honors shelf).

That said, I won’t pony up full cover price for this author again. But then, I rarely do that anymore anyway.

Those seeking a light romance with some cozy historical mystery elements to read at bedtime or on the beach could do a lot worse for themselves. It’s a matter of taste and priority.

The Girls, by Emma Cline*****

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thegirlsThe Girls is a fictionalized account of the Manson Murders, a terrible killing spree that stunned the USA in the 1960s before any mass shootings had occurred, when Americans were still reeling from the assassinations of President Kennedy, his brother, Senator Robert Kennedy, and Dr. Martin Luther King. Manson, a career criminal with a penchant for violence yet possessed of a strange sort of charisma, attracted a number of young women and girls into a cult of his own founding. Later they would commit a series of grisly murders in the hills outside Berkeley, and it is this cult and these crimes on which Cline’s story is based. Great thanks to Net Galley and Random House for the DRC. This book will be published June 14, 2016.

Evie is an only child of the middle class; she is well provided for, but her parents have split up and her presence is getting in the way of her mother’s love life. Evie needs her mother’s attention now that she has entered her teens and so she pushes the limits in small ways, then in larger ones. When it becomes clear that her mother just doesn’t want her around, Evie looks elsewhere and finds herself drawn to a feral-looking young woman named Suzanne, who has unsuccessfully tried to shoplift something from a nearby store. Before long, Evie is sleeping on a mattress at the rural commune where Suzanne lives, eating from the communal kitchen and being used sexually by the group’s charismatic leader, and then by a man in the music industry that Russell, the founder, wants to please in the hope of having his music published.  Russell dispenses hallucinogenic drugs freely to make the girls more compliant.

We know immediately that this place, the commune, is not a good place. When we find that the babies  born to young women that live there—in this era before Roe versus Wade gave women the right to choose—are segregated from their young mothers and the pitiful way they regress and attempt to attach themselves to various females in search of a mother or mother figure, that’s a huge tell. But when Evie arrives she doesn’t want to know these things, at least not yet. All Evie wants is to be with Suzanne.

The story’s success isn’t anchored so much in the story line, a story that’s been tapped by previous writers, but in the dead-accuracy of setting, both the details of the time and in every other respect as well, from home furnishings, to slang, to clothing, to the way women were regarded by men. The women’s movement hadn’t taken root yet. This reviewer grew up during this time, and every now and then some small period bit of minutiae sparks a memory. In fact, the whole story seems almost as if a shoebox of snapshots from pre-digital days had been spilled onto the floor, then arranged in order.

The other key aspect that makes this story strong is the character development. Evie doesn’t have to live in poverty among bad people, but she feels both angry at her mother and hemmed in by the conventional expectations of her family and friends. Her boundary-testing costs her the loyalty of her best friend, really her only friend, and so she casts about for a new set of peers. Her mother prefers the fiction that she is still visiting Connie, the friend that has disowned her, and this lie provides Evie with a lot of wiggle room on evenings when her mother is with her boyfriend and finds it convenient for Evie not to be home.

As for Evie, what has started out to be an adventure, a bold experiment in branching out from the middle class suburban life she’s always known, gradually begins to darken. But the worse things get, the more important it is to her to prove her fealty to Suzanne, to not be rejected a second time as she was with Connie. Hints are dropped that probably she ought to just go back where she came from before it’s too late, but she is determined not to hear them.  I want to grab her by the sleeve and get her out of there; Evie won’t budge. Once she is in trouble at home for the things she had done on behalf of the group, her desire to avoid her home and stay with Suzanne grows even stronger, which leads her into more trouble yet. Clues are dropped that something big is going to happen, something that our protagonist maybe should avoid, but she plunges forward anyway with the bullheaded determination peculiar to adolescence.

All told, Evie’s future doesn’t look good.

Readers among the Boomer generation will love this book for its striking accuracy; those that are younger will feel as if they have traveled to a time and place they have never seen before. One way or another, Cline’s masterful storytelling weaves a powerful spell that doesn’t let go until the last page is turned. Riveting, and highly recommended.

‘Til Death Do Us Part, by Amanda Quick***-****

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tildeathdousI was looking for good historical fiction and ran across this novel, which is also a mystery and romance. It’s a little different from much of what I read, and reminds me a bit of Victoria Holt, whose work I read voraciously as a teenager and younger woman. I received the DRC courtesy of Net Galley and Berkley Publishing Group in exchange for an honest review. This title will be available to the public April 19, 2016.

Calista Langley is a spinster, which is what unmarried women were called a century ago. She runs salons in her home for the purpose of intellectual discussion, a chance for men and women to get to know one another in a socially acceptable setting before they commence the courting ritual. But Langley has a stalker. A man has been using a long-disused dumbwaiter to hoist himself up to her bedroom, where he can watch her in the shadows. He leaves grim mementos mori—associated with death—on her pillow for her to find. Her initials are etched in them, a particularly chilling detail. We know fairly early who it is that is doing this, but Calista herself does not know.

“This is what it had come to—a life lived on the razor edge of fear. The sense of being watched all the time and the ghastly gifts were playing havoc with her nerves…Her intuition was screaming at her, warning her that whoever was sending her the gifts was growing more obsessed and more dangerous with each passing day. But how did one fight a demon that lurked in the shadows?”

At about the same time, Trent Hastings has come to see her, convinced that she is corrupting his sister Eudora, a client and frequent guest at the salons held in Calista’s home.

The overall tone of the story is a trifle melodramatic for my taste right now, but if you had given me this book thirty or thirty-five years ago, I would have worn it out re-reading it and then passed it on to my friends. The romantic scenes are steamy yet tasteful . Quick can raise our interest to a higher level just building up to a kiss than many of the writers of erotica are able to do with everyone’s clothes on the ground and explicit information left, right, and center.

In fact, though I often make a point of letting my readers know when a book will be objectionable to conservative Christian readers, in this case I feel confident in saying you should be fine here. The language never gets hotter than an occasional “damnation!”

One thing that was especially interesting to me was the minute detail given to Victorian funeral customs and the odd accessories that were popular then. It never occurred to me, for example, that anyone would spend good money on a tear-catcher, but some folks did. For the more practical purchasers, the coffin bell is a handy way to let everyone know that you’re not dead after all, and would like out of this box, please!

All told, this was a fun, accessible read. I rate it 4 stars as a YA novel, and 3.5 stars rounded up for general audiences.

The Portable Veblen, by Elizabeth Mckenzie*****

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theportableveblen“There is a terrible alchemy coming.”

Veblen has led an insular life, focusing her energies on genealogy, a love of nature, and oh dear heaven, her mother. The fact is, her mother is both dominant to an extreme degree, and frankly more than a little bit squirrely. But when Veblen meets Paul, her life changes dramatically; but even more so than most young women, she finds that she needs to be flexible to accommodate Paul, whose needs are different from her own.

A huge thank you goes to Net Galley and Penguin Random House Publishers for permitting me a DRC. I nearly let this title pass unread by me, thinking, because of the cover art, that it was going to be a cutesy animal story, its humor no doubt cloying. I could not have been more mistaken, and so thanks are also due to whatever journalist’s review was posted in my hometown newspaper. Realizing my error, I rushed to the computer to see if it would still be possible, at this late date, to read it free.

It was indeed.

Dr. Paul Vreeland, neurologist and researcher, seeks some normalcy and order in his life. He was raised in a communal environment by parents determined to avoid the rat race and its social conventions as well. All of them. Had he been raised in an urban environment, someone would have probably called the authorities and had him removed from the filth, the drugs, and oh yes, the dreadful embarrassment. When he meets Veblen, he senses that she is fresh and unpretentious, but does not fully grasp just how much she wants to be like his parents—well, minus the drugs.

When Veblen is under stress, she starts anthropomorphizing squirrels. She is certain she can talk to them and that they understand what she’s saying. The stranger her mother behaves, the more Veblen is drawn to squirrels.

And now, a personal note. A good friend of mine took a respite from the grinding, long hours of social work, and for awhile she worked as a wedding planner. It didn’t last long. Having had so much experience dealing with disparate personalities in her initial career, she often felt the urge to hurl herself between the prospective bride and groom, upon whose union tens of thousands of dollars was being lavished. She wanted to cry out, “Just get away from each other, both of you! This marriage will be over before the year is over, so just don’t go there!”

And this is what I wanted to do as of the 33 percent mark. I wanted to haul Veblen back to the rundown cottage she occupied by preference, and haul Paul back to his state-of-the-art medical facility, and have them never see one another again.

Then again, their relationship is hysterically funny, and all of us can use a good laugh, followed by another, and yet another.

The reader can approach this hugely original tale on one of two levels. It can be read as literary fiction, with the squirrel as metaphor. Or one can just read it, and sit back and howl with laughter.

One way or the other, this unbelievably clever, hilarious book is available for purchase now, and it is highly recommended to everyone.

Major Pettigrew’s Last Stand, by Helen Simonson*****

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majorpettigrewHad this story not received such wide acclaim and been made into a movie (which I’ve yet to see, but I watched the Oscars), I would probably never have gone near it. I like working class protagonists, and I don’t read many romances, because often as not, they are corny, soft porn, or both. But I saw it at the library and decided to give it a try, and I quickly remembered, upon reading it, that some rules are made to be broken. So even if you usually don’t read romances, and even if a retired British pensioner is not your idea of an interesting protagonist, this should be the exception to the rule.

 I loved this story!

Major Pettigrew has difficulty with some sorts of change. He doesn’t want to see his village built up and the green spaces developed. He has lost his wife and his brother, and loss of any type is very difficult. His solitude is not splendid; he is a lonely, lonely man.

And in some ways, he seems to have lost his son, who has become arrogant, dismissive, and wants nothing more from him than his wallet and his bank card.

On the other hand, he has found something really precious, but what he has found is so controversial that the whole wide world seems to be against him.

Perhaps the hook for me was the interracial marriage, since mine is one also. But on the other hand, maybe the hook is just excellent writing. A really great writer can make us enjoy a genre we didn’t think we cared for; I believe this is one of those.

I hit a certain point in this story and could not go to bed until it was done. I usually read lying down before I go to sleep, but I was literally sitting upright on the edge of my bed leaning forward when this climax broke.

You have to read this story. It’s glorious, and it’s available to the public. Highly recommended!

The Two-Family House, by Linda Cohen Loigman*****

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TheTwoFamilyHouse What an amazing book! Once I began reading Loigman’s masterful historical fiction, my other galleys waited, meek and neglected until I was done with this one. Thank you twice, first to Net Galley and second to St. Martin’s Press for giving me a DRC in exchange for this honest review.

I have seldom seen such brilliant character development in a novel. Although Loigman is proficient with setting, it’s really the characters that drive this book. It begins just after World War II. Mort and Rose live downstairs with their three daughters; Abe, Mort’s brother, lives upstairs with his wife Helen and their sons. Though Rose and Helen are not biologically related, they are emotionally closer than many sisters. And what a great thing it is when they both find themselves pregnant, just when they believed they were finished having babies! Mort has wanted a son forever, and his resentment has begun to damage his marriage. He isn’t abusive, but he is cold toward Rose. When she says another baby is on the way, he becomes almost sentimental, making a deal with the cosmos that if he treats his wife well enough, she will bear him a little boy.

Helen loves her sons of course, but she sure would like a daughter; just one. Please.

And then during a blizzard, both women go into labor. Nobody can get to a hospital, and no doctor can reach their home. Instead, a midwife makes her way into the bedroom where both of them labor. Two babies are born.

This story grabbed me by the front of my shirt and wouldn’t let me go. Where I ordinarily make remarks about pacing, setting, and characterization, my e-reader is instead full of indignant comments. First I have become annoyed with Rose, and jot down notes about the things she says and does as if I were gossiping; eventually my remarks are made to Rose herself, because all of these people are so real to me, and she is behaving so badly. The author’s development of her characters, primarily Rose, Mort, and Judith, is so subtle and so sly that at first I wonder if I am imagining the change; eventually I just want to grab Rose and yank her into the kitchen for a good talking-to.

Maybe you think I have said too much, but there is oh so much more. I never saw the ending coming until we were there, and it was so cleverly done. When the story was over, I felt bereaved in a way I had not felt since I read The Goldfinch.

Those that love excellent historical fiction, strong literary fiction, good family stories or all three have to read this book. I gobbled it up early and had to sit on my hands for awhile prior to reviewing; a number of other books have passed between then and this writing, but The Two-Family House still stands out in my mind as having met excellence and surpassed it.

This book is available for purchase March 8. Highly recommended!

The Readers of Broken Wheel Recommend****

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thereadersofbrokenwheel“What is it with this town?”

Sara comes all the way from Sweden to visit Amy, who lives in Broken Wheel, Iowa. When she arrives, she learns that Amy is dead, yet the townspeople ask her to stay anyway; in fact, they expect her to stay. And once she is there, Sara seems to belong to the town, like the last jigsaw puzzle piece being thumbed into place. She brings Hope to Broken Wheel, both figuratively and literally.

And now I have to pause for a moment in order to acknowledge Net Galley and Sourcebooks for providing me with a galley to review, free of cost. This romantic beach read rates 3.5 stars by my reckoning, and I round those stars upward. I was greatly entertained.

Sara doesn’t have a lot going on back home. She worked at a bookstore, but it closed. At first, upon arriving in Broken Wheel and finding that her host has died, she figures she should leave, but everyone insists that Amy knew she was dying and wanted Sara to use her house for two months nevertheless. They make is sound like a sacred bequest; also, without a volunteer to drive her to the airport, she is sort of stranded anyway. The icing on the cake comes when her parents order her home. What young woman wouldn’t stay right where she is in such circumstances, since she doesn’t need parental funds? Oh heck yes!

The story evolves, developing multiple characters, the town itself, and of course, Sara. Multiple romances pop up. There are problems with pacing and the writing is uneven in its proficiency, but those problems are all within the first third of the book. Once the reader pushes past that point, I can guarantee you’ll want to finish the rest of it.

A fun read, enjoyable for those looking for a fluffy, engrossing book to take on vacation or curl up with over a solitary weekend.

The Longest Night: A Novel, by Andria Williams***-****

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thelongestnightanovelIn her debut novel, Andria Williams gives a fictionalized account of a meltdown that occurred (in real life also) in Idaho Falls, Idaho. The narrative is intimate, the characters palpable; all told, this was a strong read. Many thanks go to Random House and Net Galley for this galley, which I was given free of charge in exchange for an honest review; I rate this novel 3.5 and round it up. The book becomes available for purchase January 12, 2016. You’ll see this post again sometime nearer publication.

Those of us that lived through the 1960’s will recognize how authentically Williams renders even the smallest details in setting, both the physical and social, of the Unites States during that time period. Home, clothing, and point of view are rendered expertly. This writer personally loved the depiction of a blend of meat, starch, and dairy with some canned fruit tossed in as a “balanced meal”. Yes, yes, and yes. Even more, I love the moment when our protagonist, Nat, tells her children, “A little sugar will perk you right up.”

I swear to you…this is what it was like!

Add to the extremely narrowly defined social mores of Caucasian Americans living in middle income homes during this time, the even more rigid expectations of military wives at that time, and a woman could nearly suffocate. And people grew up much faster back then; in one’s mid-twenties, it was usual to be not only out of the house and married, but to have a couple of kids, maybe not to even live near any family.

So when Nat’s husband, Paul, is transferred from sunny San Diego to Idaho Falls, Nat knows she and the girls will just have to make the best of it. She puts on her cheerful-helper smile and launches herself wholeheartedly into this new, stark environment. And Paul will be working at the Idaho Falls nuclear research facility. Note that this was not a place that generated power for anyone or anything; further, it was outdated. And we experience a definite chill when Paul sees things that are dangerous and should be reported, and he is cautioned not to make waves.

A particularly attractive character (from a literary standpoint) is Paul’s boss’s wife, Jeannie, a complex, fascinating character who would have had a lively career of her own had she been born in another time. At one point she loses it with her husband:

“Oh, how I wish I had your job,” Jeannie sneered. “I would be so much better at it than you.” And you know she would have been, too. Not any nicer, but definitely more proficient.

There are so many other fascinating details here, but I can’t spoil the surprises. A small but frustrating discrepancy toward the story’s end left me a bit confused at an otherwise exciting time in the story, and that is where half a star fell off my rating.

But don’t let it stop you from reading this gem. This will be an author to watch in future years!

Nirvana, by J.R. Stewart****

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NirvanaNew rating and review based on updated DRC:

Larissa Kenders is a musician living in a post-apocalyptic world; her lover Andrew is missing. This newly revised young adult novel is a winner, and it will be published  November 10. Thank you to Blue Moon Press, Net Galley, and Adam Mawer at DigiWriting Book Marketing Agency for including me on the second spin. It was time well spent.

The problem on Earth began when the bees began to die. How can anyone grow food, flowers, or anything else if pollen can’t be transferred? And indeed, how does pollen get from one plant to another without the bees? Corporate giant Hexagon has created an alternate world, and humans are dependent upon the company for their sustenance. Nirvana is a virtual world that workers can visit, for a hefty price, on their days off. The question Larissa has, then, is whether the Andrew she sees in Nirvana is the virtual Andrew of her memories, or whether he may in fact still be living, hiding out from those that may wish him gone.

Various topics are explored, from alienation and the question of whom to trust—one that will resonate with teenage readers—as well as environmental issues such as GMOs, and more futuristic philosophical questions. Edward Snowden comes up, and why should he not, in a story in which many researchers have uploaded their brains to the Cloud so that their work will remain once they are gone?

I was one of a handful of reviewers that read the first draft of this book. I reported that it was dreadful because it lacked character development. This new and vastly improved version creates a Larissa Kenders that is believable, a character to whom we can bond. The remaining stereotypes, such as the jealous female that is our main villain, along with the preponderance of males rather than the usual fifty percent of the population, are problems that are so rife within the genres of science fiction and fantasy that it’s hard to hang the whole problem on this one writer, who has created a truly original and interesting plot .

Teachers considering its classroom use should be forewarned that there are a couple of sexual situations; the porn industry, a pet project of one of the villains, also gets multiple mentions. I should emphasize that this reviewer sees no problem with today’s teenagers reading the book, since most of them have seen far more explicit material on their own. But those that teach in school districts so conservative that the villagers bring everything but flaming torches to the school board meeting may want the information ahead of time prior to going out of pocket for a classroom set.

In revising his story, Stewart has plucked victory from the ashes; a job well done.

 

The Guilty One, by Sophie Littlefield *****

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Sophie Littlefield, author of the Bad Day series (A Bad Day for Sorry, etc) has hit a new level of excellence with The Guilty One. Many thanks to Net Galley and Gallery Books for the DRC! This book goes up for sale on August 11, and if you love a good novel, this one is for you.

Our chief protagonists are Maris and Ron. Maris is Calla’s mother…or she was. Calla is dead now. The court has convicted Karl of her murder, a heartbroken, enraged loss of control over a bad teenage breakup. Ron is Karl’s father, and as we open our first setting, he is considering jumping off the Golden Gate Bridge. At the last minute he decides to phone Maris, and ask her whether to jump or not.

theguiltyoneIt shows a good deal about Ron’s character, weak and lacking in integrity, that he not only phones Karl’s victim’s mother to dump the responsibility on her, but also wears a windbreaker to the bridge because his travel guide mentions that it is cool and windy there, even in warm weather.

The last time I read Littlefield’s work, it was the Bad Day series. The first book won multiple awards and was deeply satisfying, a savvy, witty dig at domestic abuse. The same topic enters this discussion in a more oblique fashion. In her earlier series, she seemed to lose momentum as the series unfolded, and it appeared to me that she couldn’t decide whether she wanted to write a series that was mostly of the detective fiction genre, or mostly romance. Here, she has taken a giant step away from mystery and detective fiction, and this straight-up fictional story is told with grace, maturity, and authority. It’s obvious right there in the first few pages. I was reading a handful of galleys at the time, and my first note to myself was “See now, this is good writing.”

Maris has lost her marriage, and at first it appears to be a consequence of Calla’s death—so few couples can experience the death of a child and stay together—but as the story progresses, it becomes clear that a split was in the works long before this. And Maris makes a decision that resonates with me. She drops everything and everyone, more or less, and without thinking, going purely on instinct, starts over in a new place, with a greatly reduced standard of living. At first I wonder whether Maris is merely slumming, seeing how the other half lives, but deep down, I have to trust Littlefield not to do anything so shabby, and she doesn’t. Maris is the one we root for, the one that drives the plot forward and pulls us in.

Ron and Deb have stayed together as Karl has gone through the trial and been found guilty, but the strain is there. Ron starts out entirely believable and not very likeable. He never becomes the stand-up individual that Maris is, but he is a dynamic character, complicated and interesting. He undergoes a lot of change as the story progresses.

Throughout this riveting novel, there was never a moment when the veil lifted and I recalled that these characters weren’t real. I raced toward the end with a sense that I had to see how it came out, and then when it was over, I felt a sense of loss, wanting to turn another page and find Maris still there so I could check in with her, like a good friend. And that is ultimately the hallmark of great writing.

Get online. Take a bus. Get in the car. Hijack a plane—okay, maybe not—but do what you need to do in order to get a copy of this accessible, compelling new fiction. Littlefield rocks it. You can pre-order it now, so you will be able to read it right away. If you do, you too will want to stand up and cheer!