Charlie and Me, by Mary Neiswender, Kate Neiswender

Mary Neiswender was the first and primary journalist that the notorious serial killer Charles Manson was willing to talk to. She did so at a time in history in which women in journalism were exceedingly rare, and she put up with a whole lot of crap, first in order to remain in her field, and then later to rise to its pinnacle, receiving a Pulitzer nomination.

My thanks go to the University of Nebraska press and NetGalley. This book is for sale now.

Charles Manson was the leader of a group that called itself “The Family,” almost entirely made up of girls and young women that had nowhere else to go. However, people came and went within it, and so those that spoke of it as a cohesive entity were mistaken. Manson was handsome and charismatic despite his small physical form, and he was convicted of the 1969 Tate-LaBianca murders even though he was almost certainly not present at the time.

Neiswender regarded him as a killer, but also was convinced that he hadn’t had a fair trial. She makes a good case. She delayed writing this book until Manson’s death in prison in 2017, as she had promised to keep much of what he said off the record. Once he died, she considered herself to be freed from that agreement. Neiswender died in March of this year, and her daughter has assisted her in seeing that the book was completed and published.

I don’t read a lot of true crime, but I couldn’t put this book down. Neiswender’s observations and insights are fascinating, and she does a fine job of bringing Manson to life—in a way that the public can appreciate without the physical threat the man represented in person.

Highly recommended.

My Name is Emilia del Valle, by Isabel Allende****

“Aren’t you afraid, Angelita?’ I asked her. ‘All the time, but I don’t think about it. I want to die with my boots on my feet,’ she answered…

“I did not know who I truly was until circumstances put me to the test.”

My Name is Emilia del Valle is the newest novel published by feminist icon and author Isabel Allende. The story is a fictionalized account of a journalist that travels from California to Chile, where war has broken out. Because she is a woman, her editor resists sending her, and then, under pressure, agrees that she may go, but only to cover human interest stories in the city. Those that have read any book ever by Allende will know instantly that this is not what our journalist does.

My thanks go to NetGalley and Random House Ballantine for the invitation to read and review. This book is available for sale now.

Like all of Allende’s protagonists, Emilia is a woman that refuses to be constrained by the expectations of the time regarding gender. She is possessed of feverish curiosity, and once she finds herself in the thick of the conflict, she has no interest whatsoever in finding and maintaining a safe, distant place from which to report. She assists the “canteen girls,” who provide water to fallen soldiers, along with minor first aid. Emilia learns first hand about the horrors of war, and she is forever changed by it.

This conflict is one that isn’t widely reported, and Allende writes about it so that it may not be forgotten. Ten thousand died here, mostly men from poor families, killed for no good reason. Emilia’s experiences highlight the disparity in treatment according to social class and wealth, as well as gender.

The writing is first rate as always. However, in most of her earlier novels, the author found a way to intersperse shocking or horrific passages with some that were uplifting, and often very funny. I would bark with sudden laughter at some witticism that I had not seen coming. I wish she had done that here. When there’s too much horror and bloodshed, it is tempting, natural even, for readers to tune out, let the words wash over us. And while there is romance here that provides some relief, I would have liked more.

Nevertheless, those that love historical fiction, social justice, feminism, and especially those that love Allende’s writing will want to read this book.

Gator Country, by Rebecca Renner***-****

3.5 stars, rounded upward.

Rebecca Renner is a journalist who has written for National Geographic and a host of other prestigious newspapers and magazines. Gator Country is her first book. Lucky me, I read it free and early. My thanks go to Macmillan Audio and Net Galley for the review copy. This book is for sale now.

Gator Country is the true story of wildlife officer Jeff Babouta and the sting that brought in a number of poachers and slowed the ravaging of the alligator population in the Florida Everglades. Babouta is coasting toward retirement when he is approached, and although he is reluctant, he is eventually convinced that he is the best qualified officer to carry out this assignment. To do it, he has to live away from his family for years, posing as a newbie gator farmer. This is a legal profession, but it’s also one that is rife with poachers. In order to bring the poachers in, he must first convince them to mentor him and befriend him in his farming operation. He spends years gaining their trust and learning from them, but then has to turn them in.

I thought hard about whether to read this book, because generally speaking, I don’t have warm feelings toward cops, and the past ten years have intensified that sentiment. But rangers and other wildlife cops are a bit more ambiguous; some of them do more good than harm. So it is with Babouta.

There are, Renner tells us, basically two types of poachers. Some are the small, independent people that she says are just trying to feed their families, and some are the large scale despoilers, those working on a large scale to provide gator parts to buyers from China, where they are prized for their medicinal properties and folk cures. Renner is sympathetic toward the former but not the latter.

In following Babouta’s story I pick up odd bits of knowledge. I have never been to the Everglades, nor do I plan to, and so had I not read this book, I would probably never have known that there are bottlenose dolphins there. Who knew? There are a number of such tidbits that I pick up along the way, and this is one of the best things about reading—or listening to—nonfiction.

That said, the audio becomes a complicated read for two reasons. One is that the narrative skips around a great deal. The main part is Babouta’s, but we also hear about Peg Brown, a legendary poacher whose name keeps coming up as Babouta converses with his new colleagues. I have no idea why I or any reader needs to know so much about the guy; from where I sit, Brown hasn’t earned his place in this book, but then it’s not my book. The story is needlessly complicated by Brown as well as a handful of other bits that are woven into the narrative, such as the journalist following along, and we would be better off without these.

The other issue with the audio is that when we shift the point of view, the person whose story we’re hearing has exactly the same voice as Babouta. Now and then I would have to pause and run it back, just to figure out who we’re talking about, or hearing from.

Even though the synopsis makes it crystal clear that the book is about wildlife poaching, rather than an alligator version of Jaws, I expected to hear of some close calls, some scary moments. But the scary moments are mostly about humans.

At the beginning, this book was such a snooze that in order to force myself to keep listening, I found other things to do with my hands. About a third of the way in, however, the story woke up, and after that I was mostly interested, apart from the occasional divergence of topic and point of view. For those that are sufficiently interested to want to read this book, I recommend that you either stick to the print version, or if you strongly favor the audio, get the print version to help you stay oriented and follow along. I would also try to get it free or cheap, unless you have an endless amount of cash to burn.