Fragments of Isabella: A Memoir of Auschwitz, by Isabella Leitner****

fragmentsofisabellaIsabella Leitner was a Holocaust survivor, and she scribed her memoir using brief entries similar to a diary in format. The length is just 120 pages, about the size of a novella. I was asked to read and review this memoir free of charge before it was released digitally. Thanks go to Net Galley and Open Road Integrated Media for the invitation. This title was just released, so it is available now for purchase.

I confess I struggle with Holocaust memoirs these days. Part of me has decided not to read any more of them. I am out of the classroom, so my ability to educate young people of today about the horrors of the past is nearly at a standstill, apart from the knowledge I pass on to my grandchildren. Reading another Holocaust memoir isn’t going to make the ending any better; it’s always going to be horrifying, and heaven help me if I should become so accustomed to reading about the Holocaust that it doesn’t affect me that way anymore.

So though I swear off Holocaust memoirs from time to time (and am doing so right now, again), when a particular memoir is offered, frequently there is some aspect of this one that sets it apart from the crowd, and so it is with Isabella’s memories. Not many survivors managed to get out with family members at their side; Isabella and her sisters were unusually clever and imaginative in finding ways to survive. This along with the invitation induced me to roll up my sleeves and revisit this calamitous part of history once more.

When the notorious Mengele motioned with his deadly white glove to send Isabella and one of her sisters to the extermination side, they found a way to creep back around and intermingle with the side selected to be kept alive as workers. At one point they escaped and found an outstanding hiding place…but before they were identified as missing, the Germans began cooking potatoes, a luxury Isabella and her sisters could not resist, and they slunk out of their haystack and into the food line. There are a number of these instances, and I found the short chapters merciful, because I could only read this in small bits and pieces.

Most powerful of all, as far as I am concerned, is the clear, unmistakable truth that Germans knew, absolutely had to know, exactly what was going on around them. As their own lives improved materially, they chose to look the other way as skeletal work crews of Jewish and other prisoners were marched directly down the main streets of towns and villages on a daily basis:

“Germany was one giant concentration camp, with Jews marching the length and breadth of the country, but these refined, sensitive Germans never saw us. Find me a German who ever saw me. Find me one who ever harmed us.”

The memoir is of necessity harsh in its remembrance. The teaser for this story bills it as having been written for young adults, but the background material required to understand some of what is said requires a good deal of pre-teaching.  In other words, if a teacher or home-school supervisor has run out of social studies time and is looking for a shortcut to make up for teaching about the Holocaust, this isn’t it. Frankly, this reviewer and teacher wonders how a full unit regarding the Holocaust could be lower on the chain of important social studies curriculum than anything else, apart from possibly the Bill of Rights (for US students). But if one is determined to substitute one memoir for a longer unit that gives more information, use Elie Wiesel’s Night, which stands on its own.

Finally, any teacher or prospective reader needs to consider exactly how searing this material is, and all the more so to the young mind; to Jewish readers; to anyone with triggers.

I should also mention that a bisexual guard at Auschwitz, a woman that was interested sexually in one of the prisoners, is referred to as “aberrant”, not for being a guard at such a place, but for her sexual orientation.

Do I recommend this memoir to you? Those that are studying the Holocaust should read it; the fact that it’s written by a survivor makes it a primary document. But those that are looking for an engaging, enjoyable slice of history should look elsewhere. There are no light moments, no surprisingly kindly individuals that go out of their way to help. It’s a cold, hard story, and the only joy is provided up front when we learn that she gets out alive and not alone, as so many Holocaust survivors found themselves.

It’s a hard, hard lesson, but given that revisionists are diligently trying to deny that the Holocaust actually occurred, attempting to rake over the evidence as if it were not nearly as serious as we may believe, it also has a great deal of value.

Because Isabella was there.

Lilac Girls, by Martha Hall Kelly***-****

lilacgirlsLilac Girls is the story of three women during World War II. I received a DRC for this book courtesy of Net Galley and Random House Ballantine in exchange for an honest review. I rate this novel 3.5 stars.

The story centers around Caroline Ferriday, an actress and New York socialite that volunteers at the Consulate organizing clothing and other essential items for French orphans; Kasia, a Polish teenager that is active in the resistance movement; and Herta Oberheuser, a doctor given one opportunity to practice medicine under the Nazi regime…at Ravensbruck. All of these are based on people that existed, though the story is a fictionalized account.

Kelly’s debut novel is strong in historical detail and setting. Here she describes Kasia’s home town in Poland:

 

Lublin rose beyond them in the distance, like a fairy-tale city, scattered with old

red-roofed pastel buildings as if a giant had shaken them in a cup and tossed

them on the rolling hills.

 

Whether it’s at Ravensbruck, which was a Nazi concentration camp, at an orphanage in France, or in a glittering nightclub, Kelly nails setting. I would like to see her rely less on crutches such as famous people of that time period that pop into the scene—this device signals a lack of confidence to me, and Kelly can get by without these props.

I also would have liked to see less brand name identification, which looks a lot like product placement. The whole advertising jingle for a particular brand of cookies, and a particular New York department store whose name may actually have appeared some thirty or forty times hindered the novel more than it helped; Kelly will do well to leave her advertising career behind when she sits down to write fiction. But this is her first  novel, and given what I see here, I think we can expect great things from her in the future; she is just getting warmed up.

In addition to crafting resonant settings, Kelly does the world a favor in telling about the experiments done on members of the Polish resistance, known as “the rabbits” because of the way they hop around rather than walking after their legs have been experimented on surgically, often done to them in ways that further medical knowledge in no way at all. Though it is critical to remember that what Hitler and the Nazi regime did to the Jews was real—and it’s more important than ever now that most World War II veterans have died and revisionists would like to rearrange the historical record and count the camps as an exaggeration of the facts—few know of the extent to which other groups were also sent away, often to die before the end of the war. The author makes an important contribution to historical literature by doing this.

That said, I have to confess that I am a little bit disappointed because I have wanted to read more about the resistance movement itself, and when I read the teaser for this story, I thought that one character’s life within the story would center on this aspect of the war. Instead, Kasia is arrested almost immediately, and once inside the camp, her story is in many ways like other Holocaust stories.  It’s horrific, and if you have not read any other stories set during the Holocaust, then you will certainly want to read it. I have read enough Holocaust stories, and this character never stops being fictional for me.  And the same is true for Caroline, who seems shallow and superficial despite her sacrifices and tireless effort.

The character that makes me sit up and take notice is Herta. I can’t recall having read a Holocaust story in which a Nazi speaks to us in the first person, and the gutsy depiction of this opportunistic woman mesmerizes me. The offhand remarks that Herta makes to rationalize her choices as she slides down that slippery slope ethically, letting her standards be eroded in order to further her career and increase her own standard of living, are chilling and immediate. I believe in this character. Kelly is deft in the way she depicts this ambitious but morally pliable, solipsistic individual. There are a hundred chances to make her into a caricature, but Kelly’s subtle finesse steps back every time this might occur, and the result will leave you breathless with horror.

Whether to invest the full jacket price of this novel depends on how deep your pockets are and whether you have read a lot of Holocaust literature. If you haven’t, you’ll want to add this title to your collection. And come what may, Kelly will be a writer to watch in the future.

 

The Nazi Hunters, by Andrew Nagorski*****

thenazihuntersI had promised myself not to read any more Holocaust memoirs. What is to be gained? But when I saw this title available as a review copy on Net Galley, I thought that there is actually something to cheer the spirit in recounting how some of these monsters were tracked down and brought to justice. To date this is the most comprehensive telling of that achievement that I have read. Thanks go to Simon and Schuster and also to Net Galley for the DRC. This book is available for purchase May 17.

Were it not for the efforts of Jewish survivors and the state of Israel, very few of the top-ranking Nazi officers would ever have gone to trial. Following World War II, Allied forces divided small, relatively helpless nations of Europe like a pack of robbers piecing out the spoils after a bank job. Once that was done, there was little energy or funding put into hunting down Nazis. To be sure, there was no logistical way to try and punish everyone in Germany or its neighboring states that had belonged to the Nazi party or its offshoots. There were millions. Some of them joined because it was easier to join than to not join; some did it for job security; and a surprising number did it because they loved Hitler and the Third Reich. No matter how terribly they have behaved, you can’t jail millions of people that did the wrong thing, even when their participation and complicity have resulted in the deaths of innocent millions. And so an agreement was reached that just the top guys would be hunted down and tried in an international court.

By the time the war ended, however, the USA had begun the Cold War with Russia and its satellite states, incorporated at the time as the USSR. Congress was much more interested in funding ways to combat Stalin’s version of Communism than it was in locating war criminals. And this is where Israel became such an important player.

There are passages within this meaty tome that necessarily detail the kinds of horrors visited by one or another Nazi officer in order to illustrate the level of evil the individual in question represented. It is not good bedtime material. But there is far more of the courage, cleverness, and above all teamwork involved in finding these people, documenting their crimes, and bringing them to justice, and that’s what I wanted to see.

Philosophical questions that were examined when I was a kid in school are raised once more. At what point can a person no longer defend himself by saying he was just following orders? At what point does trying to follow the law of the land—even Fascist law—no longer let a person off the hook? Many of those that stood trial were people that had initiated one or another terrible innovation in the torture or murder of other human beings. Others went to trial for their monstrous brutality. Concentration camp survivors bore witness against them. I loved reading about those that had been stripped of everything, horribly tortured and humiliated right down to the nubs of their souls in a position of some power against their oppressors. It felt right.

Addressed here also is the tremendously controversial kidnapping of the butcher Adolph Eichmann. Eichmann lived in a Latin American nation that did not extradite war criminals; Israeli forces ferreted him out, forced him onto an airplane and took him to stand trial in Israel. Those that objected to this illegal behavior ultimately had little recourse. I felt like it was one of those times when a rule is rightfully broken. (See Six Million Accusers: Catching Adolph Eichmann, also reviewed on this blog.)

For researchers and students of history, as well as those with a strong interest in this area, this book is highly recommended.

Alex’s Wake: A Voyage of Betrayal and a Journey of Remembrance, by Martin Goldsmith *****

alexs wakeHolocaust memoirs take on added urgency right now, between the revisionists who want to rewrite history and claim that the entire thing was either a hoax or dreadful exaggeration, and the fact that the eye witnesses and survivors are nearly all dead now. Martin Goldsmith retraces the journey, both academically and where possible, literally, to the places his Uncle Helmut and grandfather Alex were taken. It’s quite a story, and would be a fun read if it were not so horribly, terribly true. As it stands, Goldsmith’s narrative pulls his readers in one slim finger at a time, until we are held firmly to the text and must remain until it’s done.

The narrative starts out introspective and almost dreamlike. If I were not reading this free courtesy of Net Galley in exchange for my review, I think I might have set it aside about twenty percent of the way in and not returned, thinking to myself that of course, I know the Holocaust was real, but do I want to read about it again? It’s not an enjoyable topic, and what good can it do to revisit it? Furthermore, I started to believe that this particular narrative was not so different from other heartbreaking stories, and might be more of interest to the writer and his surviving kin than to strangers like me.

I am glad I kept reading, because just past this point is where we quit the runway and the story takes wing. The writer starts with the visits, first to the Holocaust museum, and then to Europe. He is greeted warmly in his family’s former homeland, and he makes speeches and accepts certificates and expresses appreciation to the family who now occupies what was once the family manse for their clumsy token gesture. The current owners clearly understand that circumstances have skewed things badly, and they want to make it up in some impossible way. They were wondering what he would think of a nice plaque on the building’s exterior noting its place in history and recognizing his family.

He understands these folks aren’t the ones who stole from him. He says and does the right things, but the edge is unmistakably there, as part of him longs to say that if they really want to make things right, to give him back his family’s home. Like many who lost wealth and/or family in the Holocaust, he waxes nostalgic, looking with poignancy at the beautiful place that should rightfully be his.

Here I squirm a bit. I don’t read rich people’s stories for a reason. I don’t believe anybody is entitled to vast wealth. It’s why the only memoirs I avoid are those of the ruling rich.

But another more important principle trumps my usual one: nobody, nobody, nobody should be disenfranchised of even a penny on account of their ethnicity or race. If anyone at all in Germany gets to have a big fancy house, then Goldsmith’s family should. His resentment is righteous; he has the moral high ground here. I think back to an old bumper sticker I once saw, courtesy of the American Indian Movement during the 1960’s that read, “AMERICA: love it or give it back.” And thus is the untenable yet irreparable theft of the Holocaust’s descendents. We can’t fix it, so here’s your framed letter, your trophy, your plaque, your award. His ambivalence runs deep and is clear and harsh. It should be.

From there, Goldsmith’s family saga telescopes out in a way that is so deft, I don’t even catch the transitions. This is rare. I spent years of my life teaching teenagers how to make transitions in their writing, and usually when it is well done in professional writing, I sit back and admire it, like the French paintings he describes. I love to watch good transitions happen, but the very best are noteworthy in that I am so deeply into the text that they float by unseen. It’s almost magical. And so, as the family’s tale is told, we see the larger picture of France and French fascism.

Many of us today want to believe that all of France and much of Germany was simply too afraid of the fascists to resist, but Goldsmith unflinchingly grabs us by the hair, makes us look. There are cheering throngs that are thrilled when the fascists take power. They aren’t trembling; they are overjoyed. This is how fascism works, in demonizing a sector of the population, others believe themselves lifted up.

In the end, I was glad to have joined Goldsmith on his journey. For anyone with a serious interest in World War II; the Holocaust; the face and effect of fascism; or contemporary European history, this gem is not to be missed.