I Been in Sorrow’s Kitchen and Licked Out All the Pots, by Susan Straight *****

IBeeninsorrow'skitchenWho knew that there is a completely separate people living on the Sea Islands off the coast of South Carolina? They are descendants of escaped slaves, and the language they speak, known as “Gullah” or “Geechee”, is a dialect similar to Creole English, but it also uses sentence structure that is borrowed from African languages and what Wikipedia calls African “loan words”. I was introduced to this culture by this wonderful novel, written by the talented Susan Straight. It was written some time ago, but remains a personal favorite; your best bet is to order it used.

The story’s protagonist is Marietta, who grows up in this isolated environment in the 1950’s, She’s written several good novels, but this one may be the most memorable so far. Her protagonist lives in an almost unreachable island off the Carolina coasts. Deep back in a nearly impenetrable area that is technologically about 100 years behind, a flushing toilet and an electrical outlet are unseen. Yet tourists somehow get there (god, aren’t they everywhere?) and so she and her family eke out a living by cutting the reeds that grow in the swamps and weaving them into intricate baskets.

She learns early that if a girl (teenage life is unknown in this culture) is six feet tall and very dark, the pale tourists will be frightened and they’ll leave. This gave me pause. I’m not generally into the whole ‘white guilt’ thing; I prefer action to introspection. But I did wonder: if a very dark woman who was seated near me suddenly stood up and she was six feet tall (to my just over five feet), would I take a step back? I don’t think I would now, but there was a time when I would have. The startled reaction comes from isolation and unfamiliarity. I grew up in a very Caucasian neighborhood; there were hundreds of students in my graduating class, and except for the foreign exchange students, there was only one African-American student. The first thing I did, upon gaining independence, was to move straight to the inner city. Isolation wasn’t for me.

But let’s get back to Marietta. When her mother dies, she is forced to move to the mainland, and experiences culture shock. She has to learn to speak standard English; everything is extremely different. Seeing the world through Marietta’s eyes made me view things very differently. What comes of it is a really off-beat civil rights lesson.

How many white authors have the nerve to write as if they can see into the very soul of an African-American protagonist? I only know of one, and I think she carries it off really well. It’s a gutsy thing to do. There’s good reason for it: Straight grew up as virtually the only Caucasian in a Black neighborhood in Riverside, California. Culturally, she considers herself Black.

If this sounds interesting to you, give it a try. See what you think, and let me know. I hope to add a discussion page to this site, which is nearing its one-week anniversary. What could be a better topic for conversation than a really good book?

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And Ladies of the Club, by Helen Hooven Santmeyer *****

andLadiesoftheclubThis tome was touted, at the time of its first publication, as the book written by “a little old lady in a nursing home”. May we be forever ashamed to pigeon-hole the elderly in such a manner again. What they MIGHT have said, is that this woman was a college dean of students and a professor of English. She was too busy to finish her book until her retirement. How lovely it was that she lived long enough to see it published!

In sumptuousness and richness, it is like Gone With the Wind without the racism. Most wonderfully of all, it is written in the manner in which time seems to go by, as we follow the life of a woman graduating from a women’s college in the late 1800’s. When she is young, a single year takes up many chapters, but when she is very elderly, one chapter spans years and years. As we age, time goes by so quickly.

Her use of the language is so brilliant that I now count hers as one of my favorite novels. It is thicker than some dictionaries, but infinitely more absorbing, and so I read it twice, once when I was a young mother with my first tiny babes at home; we were poor enough that I saved box tops and waited for double coupon day to buy groceries, but the Book of the Month Club was our one luxury, and they sent this. I read it again later when I was teaching. I gave my mother a copy for Christmas one year, and she loved it too.

I just may go back and read it again..
If you have grown up in the era of instant gratification and sound bites, this is not your book. This is a book to curl up with on a chilly afternoon and let the world fade away. Patience and a fairly high vocabulary level and awareness of the past will help, but give it a try if you aren’t sure. It will be worth it.

Fried Green Tomatoes at the Whistle Stop Cafe, by Fannie Flagg *****

friedgreentomatoesIf I had to whittle several decades of reading down to thirty favorite books, this one would make the cut. It is wonderful on so many levels. Flagg has published a number of glorious, whimsical yet not shallow novels, always set in the deep South. This one is the jewel in her literary crown.

Have you seen the movie? If you have, this book may be easier for you to read. I read it, and absolutely (as you can see) loved it. The issue for other readers I’ve talked to is that the book hops back and forth in terms of setting, including time period, and it doesn’t provide an obvious heads-up that this is what is happening.

There are two stories being told, one that of a contemporary woman who is unhappy with her life, menopausal and fearful that she is losing her husband’s attention, bored and feeling worthless. She is spending part of her weekend at a nursing home where her husband’s wife resides, but the woman hates her and won’t let her in the room. It is in the lobby where she is faithfully stationed, downing the candy stash from her purse for comfort, that she meets one of the home’s residents, who tells her pieces of her life story, a little more each visit. But in the book, we are taken back in time in other ways. Suddenly we are reading a small town newspaper, and if you are a person who skips chapter headings, you’re likely to find yourself entirely confused.

I won’t give away more of the plot, but for the time in which it was written, this novel bravely took up one progressive (IMHO) cause about which not much was being written. It’s very subtle. Other parts of the story will leave you laughing so hard that you either can’t catch your breath, or if you are old enough, you may not hang onto…something else.

Highly recommended.

One of Ours, by Willa Cather *****

OneofoursI always seem to love Willa Cather’s writing. Just imagining the country as it was a hundred years ago or more is time-travel of the imagination, and Cather can help a person get started, with her meticulous research and careful, thought-provoking shaping of the protagonist and other characters as well. I feel that the cover description provided on this site is a spoiler, since it takes the reader at least halfway through the book; if you haven’t read it yet and like strong historical fiction, save the goodies as a surprise.

I don’t have any publishers to thank here. I bought this novel on my annual pilgrimage to Powell’s City of Books in Portland, Oregon, where I grew up. Once I’d read the first chapter, I wondered why I hadn’t read it before. It’s not as if I’ve ever been too busy for books.

Claude is a wonderful protagonist; he is flawed, and I find myself wanting to go up to him, as if he were before me, and tell him he needs to stand up for himself. And I want to yell, “Don’t DO it! Don’t marry her!” But he is at Cather’s mercy, and she shows us what love and beauty look like, but poor Claude also sees some real heartbreak. As a mother of grown sons, I identified somewhat with his mother, even though she is not a main character.

Tipperary, by Frank Delaney *****

Aside

review “The most eloquent man in the world”? It’s entirely possible.

This hyper-literate narrative inside a narrative inside a narrative unfolds as a simple tale at first, then becomes more complex as this deft tale-spinner pulls the scope out one notch at a time.

In addition, we are provided with a passionate re-telling of the atrocities visited on the Irish by the Anglo and Irish-Anglo ruling class. Delaney puts such genuine feeling into the narrative of the republican movement as it progressed in the early 20th century that I am surprised the writer doesn’t find himself on the do-not-fly list. His honesty and appreciation of the struggle is refreshing, at times surprisingly witty, and disarming.

At the story’s beginning, I really do not care much for Charles O’Brien and his stalker-like behavior toward April Burke. No means no. What’s WITH this guy?

But then later, the narrator (who is a character within the story) says more or less the same thing, and in due time, I find myself warming toward this awkward but well-meaning fellow. And as the narrator’s camera zooms out and encompasses so much more, I read more closely.

Occasionally I made the error of trying to read it AFTER I took the sleeping pills, and found I had to go back the next time and reread. It is not a story for the short attention span or one who wishes to multitask; it is absorbing, and requires one’s entire focus. But I found it rewarding enough to devote the necessary time and attention, and even found myself doing web-crawls to see how much of one or another historical detail was true, and how much was fictional or unknown.

In the end, my book was jammed full of sticky notes, and I felt as if I had traveled over oceans and centuries. An eloquent story, indeed!

All Quiet on the Western Front, by Erich Maria Marque *****

This has been labeled the best anti-war novel ever written. I agree. We see the first world war (“The Big One”) through the eyes of a young German soldier.

Some have held “Johnny Got His Gun” to be the best anti-war novel; I disagree, because that novel holds out no hope. When all is lost at the beginning and never gets better, it fails to draw the reader’s emotion. Marque is singularly skilled at reaching right down into the reader’s chest and wrapping his scholarly fingers right around our heartstrings. (Don’t look for this term in a physiology text.)

AQWF, on the other hand, develops character and setting sufficient to take us there, to nearly climb inside the skin of someone going through the experience.

Is there such a thing as a war worth fighting and dying in? I think so…but very rarely so, and this novel helps us understand the need for restraint and caution.

Note to teachers: though this is outstanding literature and many students enjoy it, it requires a very strong reader in terms of ability and vocabulary.

Billy Bathgate, by EL Doctorow *****

I have to admit, E.L. Doctorow is one of those writers whose work is a sure fire hit for me. I love historical fiction, and I admire great word-smithery. Doctorow is skilled with both.

This one is a period piece, a look at a hard time and the ugly risks that some folks took from desperation and perhaps a misplaced idea of what greatness might look like. To be sure, the government wasn’t exactly setting a good example; those who searched for less-than-conventional means were, in my view, right to reject the American Dream as a lot of smoke and mist. But organized crime is another form of corruption. Doctorow shows that pretty well too.

All told, it isn’t the moral I seek in a book like this, so much as a good story. Doctorow is a master storyteller, and the reader will always get his or her money’s worth.

I buy a lot of books used, but for this man, I pay full cover price and am glad it’s available. A treasure.

The Living, by Annie Dillard *****

When I got home from my annual pilgrimage to Powell’s City of Books, I looked over my treasures. Those that had been on my wish list got read first. Now I am down to the books I bought because a Powell’s employee liked them, or from impulse (rare). I also sometimes buy a book if it has won awards and is in a subject area of interest to me.

This book made me wince when I saw I had paid 75% of the original price. It did not look promising.Stained, or fly-specked around the edges; pages yellowing and about to fall out. What had I done?

On the surface, it is historical fiction about the development of Bellingham, WA. A snore (unless you live there MAYBE), right? But then, why was it a New York Times best seller, if it was a waste?
Flip to the author page…Guggenheim Foundation grant, National Endowment for the Arts, Washington Governor’s Award…okay, okay, I would read it!

The story was praised by others as “epic”, and it is true. The characterization and plot are first-rate. There are many families whose lives are followed, and yet, even with sleeping pills under my belt (metaphor; I don’t sleep wearing a belt), I kept track of them all and even more, felt as if I knew them. The writer was true to her characters, and there was nothing formulaic or tossed in as filler to meet a deadline. It was s story about PEOPLE who were shaped by their environment. Some of it filled me with joy, and other parts broke my heart. I was sorry to reach the last page, even though this was a long, leisurely read.

The page numbers are deceptive. It clocks in under 400 pages, but in trade paperback size, it packs a whole lot of words onto each page. (Think small type, slim margins).

This is not a book to be rushed through. Once you are hooked–and if you enjoy historical fiction, or even strong, well built, dynamic characters (and multiple characters are dynamic here!), this is good read by a cozy fire. Buy it for yourself this winter, or get it for a friend.

Cloudsplitter, by Russell Banks *****

 cloudsplitterThis book is a novel based on what truth is available. The story centers on Owen Brown, the youngest and last living son of John Brown. What I was looking for, of course, was information about John Brown himself. However, because he understood the need for secrecy in his movements, considered himself (and usually really was) a hunted man, he did not leave copious journals. In fact, writing was not one of his talents. What he did care about were the 3 million men, women and children shackled to the plantation system, sometimes literally. He was the only white man recorded in history to have been friends (real friends) with Black people, who understandably were deeply suspicious.

Telling it all through Owen’s eyes is a strong device. Banks is a really good writer, and I think this is my favorite among his published works.

The question that hangs in the air for historians interested in this time period, and in Brown in particular, has always been whether he was sane or a madman (and as a history teacher, I have to say that at least one text mentions him only briefly, and comes down strongly on the side of his being a crazy man).

There is one undeniable fact, whichever side one takes: he was the first white man to kill and die for Black men. At that time, and for a long time after, his name carried great respect among Black men and women in the U.S. I am inclined to agree with them.

In these modern times, we know that it is possible to be mentally ill, and yet not be unable to function. I’m willing to bet that most families, if you trace the lines hard and long enough, will have at least one such person. And reading this novel convinced me that this was the case with John Brown.

Owen’s life was not an attractive one. At times, it appeared that their father had deserted the family; he would go away on one religious/political (for Brown, they were inseparable) mission or another, and not come back for years. There were times that the children of the family nearly starved to death, and their lives were not only desperately poor, but beset by constant danger. The stress alone might be enough to unhinge almost anyone.

I think I should leave the story as Banks tells it to the reader. His prose is brilliant and compelling. This is a very long book, but I finished it pretty quickly, because I couldn’t leave this family in danger until I had seen the very end. Banks brings characters alive in a way few writers do. I was a member of the Brown family until the book was over; their struggle became mine, and each poor decision made me flinch and my stomach felt leaden. Doom!

It also left me with the question we can never answer: what if Brown had waited another (roughly) ten years to lead the revolt? Might he have met with greater success?

If you like seeing characters developed well and also like historical fiction when it is done well, this book is terrific. (It is also very large, and heavy. If you have a nook or Kindle and it is available, consider reading it that way).

The All-Girl Filling Station’s Last Reunion, by Fannie Flagg *****

Big, big fun! I recently read this wonderful new work by the famous and always hilarious Fannie Flagg. One of Flagg’s hallmarks is that she spins over-the-top characters so real you can almost see them, but then she sneaks in subtle metaphors and other devices so clever that for me, it takes awhile to sink in.

As she did in Fried Green Tomatoes (a personal favorite), she morphs back and forth between the present and the bygone era of World War II, homing in on the WASPs–women who served as pilots for the armed services, ferrying planes from one part of the country to another so that all military male pilots could do other things.

The story starts in the present with the key protagonist, Sookie, who is informed one day by mail that she is adopted. Given that she is already having a few anxiety issues, this is the last thing she needs. As women go, she feels like a failure; she is a little finch, and does not stand a chance of fulfilling the thunderous expectations of her adoptive mother, who was a Blue Jay from the get-go. When the bomb drops on Sookie, she realizes that she has been reading the wrong horoscope all this time! Her mother has made such a fuss about family bloodlines and heredity, and it turns out that her long-gone ancestors are “total strangers”! She is about ready to come unstuck.

I won’t spoil the rest of it for you. In a completely entertaining manner, Flagg drives home the inequity dealt women pilots during this time period, who received no veteran status, medical benefits, or pension for their service to the country. The 39 who died on the job had no death benefits, either. I salute Flagg (oh, sorry, bad pun!) for putting her literary muscle behind a feminist cause at a time when many sneer at feminism as a thing of the past.

One minor detail that I mention for those who are Japanese-American, Japanese, or close to someone who is: because Pearl Harbor is mentioned here, vintage (but nevertheless painful) use of the “J” slur is used here. It is contextual, and it passes by quickly, but just as many folks blanch at reading Twain’s fiction for the “n” word, so do those who are stung by the “J” word (myself among them) need to know it’s coming. It just helps to be prepared. It isn’t done in a mean-spirited way, and I am glad I read it. But sometimes it helps if you can brace yourself.

The plot is well-paced and is less complex than Fried Green Tomatoes, which hosted a variety of settings that required the reader to carefully scan the heading on the first page of a given chapter in order to be properly oriented. This is more of a quick back-and-forth. It was my fun, light reading at bed time. My only real regret is that it’s over.

Get a copy right away if you love Fannie Flagg as I do!