A Bound Woman Is A Dangerous Thing, by DaMaris B. Hill*****

This compact but potent collection of poetry is so good that it hurts. DeMaris B. Hill spills America’s historical shame across the printed page with the articulate rage and power of the generations she writes about. My thanks go to Bloomsbury and Net Galley for the review copy. This collection becomes available to the public January 15. 2019. 

The keys to reading Hill’s poetry are in the introduction, and in additional brief introductions at the beginning of each poem. These are broken down into five sections that depict the different ways in which women of color have been bound over the centuries, and Hill points out that Black resistance didn’t start with Black Lives Matter, and it didn’t start with Dr. King and Rosa Parks either. American Black folk have been fighting for their rights for centuries, but some periods have been better publicized and more widely recognized than others. 

The introduction is not long by most standards, but I found myself impatient to read poetry, so halfway through it I skipped to the poetry; read the collection; and then I went back to reread the introduction from the beginning. After that I went back over the poems a second time, lingering over my favorites. The review copy was a rough one, and it’s hard to read poetry if the spacing is whack. Your copy is almost guaranteed to be cleaner, but you may choose to read these more than once anyway. Strong poetry will do that to you. 

Each poem is devoted to an African-American woman that has fought in one way or another, and the conclusion is written for Hill’s son. The book is billed as a collection that takes us from Harriet Tubman to Sandra Bland, which it does, and both of these poems are resonant and in the case of Bland, achingly sorrowful. My own favorites were those written about Eartha Kitt, who was familiar to me, and Ruby McCollum, who wasn’t. The poem about Alice Clifton made me wish I could unread it, because it is harsh and horrible, but in case it wasn’t clear from the get go: Hill isn’t writing to spare our tender feelings. She’s pissed, and she’s right to be. 

These poems contain some of the finest figurative language I have read anywhere.

Highly recommended for those that seek social justice and that love excellent poetry. 

I Been in Sorrow’s Kitchen and Licked Out All the Pots, by Susan Straight *****

IBeeninsorrow'skitchenWho knew that there is a completely separate people living on the Sea Islands off the coast of South Carolina? They are descendants of escaped slaves, and the language they speak, known as “Gullah” or “Geechee”, is a dialect similar to Creole English, but it also uses sentence structure that is borrowed from African languages and what Wikipedia calls African “loan words”. I was introduced to this culture by this wonderful novel, written by the talented Susan Straight. It was written some time ago, but remains a personal favorite; your best bet is to order it used.

The story’s protagonist is Marietta, who grows up in this isolated environment in the 1950’s, She’s written several good novels, but this one may be the most memorable so far. Her protagonist lives in an almost unreachable island off the Carolina coasts. Deep back in a nearly impenetrable area that is technologically about 100 years behind, a flushing toilet and an electrical outlet are unseen. Yet tourists somehow get there (god, aren’t they everywhere?) and so she and her family eke out a living by cutting the reeds that grow in the swamps and weaving them into intricate baskets.

She learns early that if a girl (teenage life is unknown in this culture) is six feet tall and very dark, the pale tourists will be frightened and they’ll leave. This gave me pause. I’m not generally into the whole ‘white guilt’ thing; I prefer action to introspection. But I did wonder: if a very dark woman who was seated near me suddenly stood up and she was six feet tall (to my just over five feet), would I take a step back? I don’t think I would now, but there was a time when I would have. The startled reaction comes from isolation and unfamiliarity. I grew up in a very Caucasian neighborhood; there were hundreds of students in my graduating class, and except for the foreign exchange students, there was only one African-American student. The first thing I did, upon gaining independence, was to move straight to the inner city. Isolation wasn’t for me.

But let’s get back to Marietta. When her mother dies, she is forced to move to the mainland, and experiences culture shock. She has to learn to speak standard English; everything is extremely different. Seeing the world through Marietta’s eyes made me view things very differently. What comes of it is a really off-beat civil rights lesson.

How many white authors have the nerve to write as if they can see into the very soul of an African-American protagonist? I only know of one, and I think she carries it off really well. It’s a gutsy thing to do. There’s good reason for it: Straight grew up as virtually the only Caucasian in a Black neighborhood in Riverside, California. Culturally, she considers herself Black.

If this sounds interesting to you, give it a try. See what you think, and let me know. I hope to add a discussion page to this site, which is nearing its one-week anniversary. What could be a better topic for conversation than a really good book?