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US Grant: the Civil War Years: Grant Moves South and Grant Takes Command*****

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usgrantthecivilwaryI was fortunate to receive a DRC of this two volume biography of America’s greatest general, US Grant. Thanks go to Open Road Media and Net Galley for providing it in exchange for this honest review. This is the sixth Grant biography I’ve read, and aside possibly from Grant’s own memoirs, which are valuable in a different way than this set, I have to say this is hands-down the best I have seen. Catton won the Pulitzer for one of his civil war trilogies, and this outstanding biography is in the same league. Those with a serious interest in the American Civil War or military history in general should get it. It’s available for purchase now.

When I had read a couple of US Grant biographies, I told myself that enough was enough, and that I should push away from this one subject in favor of others. I am glad I ignored my own advice, because I have come away from this prodigious, in-depth study with a deeper understanding than anything else has provided.  It’s over 1100 pages long, and over 800 pages once one discounts the end notes and index, but it is as great a pleasure to read at the end as at the start, if not more so.

Is this a good choice for someone new to the American Civil War? Generally speaking (if you’ll pardon the pun) I’d say no, but for someone otherwise well versed in military history or with a tremendous interest level, time, and stamina, it could be. Because Catton is known as an expert in this field, I especially enjoy not having to review his citations. I know his sources will be strong, and one brief overview convinces me this is true.

The first volume starts with his less than glorious entry into the war. As many know, he had been a member of the regular US army during the conflict with Mexico, and had fallen apart and had to go home. Now he is back, but only after a string or two has been pulled by a family friend, and even then, his task is a daunting one. Volunteer soldiers don’t take orders or submit to discipline as a West Point soldiers do, and when he arrives, it seems the lunatics are running the asylum. One of the things that I am impressed with anew every time I read about Grant is his unerring judgment, the social radar that is an indisputable part of his talent. By knowing where to go easy on his men and how to bring them into conformity where it’s most important, he creates a solid force to move South with.

The battles of Belmont, Fort Henry, Fort Donelson, and the tragic but technically successful battle of Shiloh open up the Mississippi River for the Union and divide the South. Catton uses a number of anecdotes that are new to me, and his congenial tone, occasionally caustic wit, and spot-on analysis leave me both energized and contented at the same time.

The second volume, however, is where I learn the most. Until I read this biography, I haven’t understood exactly how great a risk Lincoln takes when he orders that the US military forces should be given the ballot, an unprecedented move, as he himself runs once more for the highest office. His opponent, McClellan, is a former Union general that at the war’s outset, was at the top of the chain of command.  He didn’t go home a happy man, and now he is running as a Copperhead, the moniker given those in the North that want to end the war and let the South leave the Union, slaves and all. And though I know it is often the case that soldiers and sailors choose to support their Commander in Chief at the ballot box, I haven’t fully recognized how badly this may go for Lincoln. Doesn’t every soldier want to go home? This is the Democratic ticket’s promise; end it now and send them home.

On top of all that, Lincoln and Grant, who think a lot alike, clamp their teeth together and endure the white knuckled ride that they know they’ll be facing when they decide against further prisoner exchanges with the South. There are two strong reasons for this decision: first, the South refuses to recognize Black men in uniform as soldiers, and won’t exchange them, assuming that all of them must be escaped slaves, including those with Northern accents. Grant declares that no prisoners will be swapped until the South is willing to parole every Northern soldier, and he means it.

In addition, both Lincoln and Grant realize that the South is running low on manpower. There are thousands of their soldiers sitting in military prisons; to trade them out and risk seeing them back in uniform is to turn a military contest into a war of annihilation. With prisoner exchanges, the war will last longer, and there will be more death. In a peculiar way, refusing to exchange prisoners is the more humane policy.

In an election year, this is a tough sell. There are families up North that have been notified that their son, brother, father, is a prisoner of the enemy, and word has by now been spread as to what kind of conditions those poor men face. How much harder is it to vote for Lincoln and the fight for the reunification of the republic when to do so is to prolong the time their loved one sits behind bars, slowly starving? Lincoln and Grant could temporarily resume prisoner exchanges until after the election, but they stand on principle, and it pays off.

Another thing that I don’t really grasp until I read the second volume is Grant’s relationship with the Army of the Potomac, a collection of men that to some extent have been poisoned with McClellanism. It’s a real tightrope walk, and he is deft in his dealing with it. I can’t tell you everything he does here; that’s the point of the book, after all. But I came away with a renewed respect for General Sheridan, and an interest in reading biographies of that general also.

How much of Sherman’s march through Georgia and then to the sea is Grant’s idea, and how much of it is Sherman’s? I come away understanding this better than before as well, although I have read both Grant’s and Sherman’s memoirs. Catton has a way of crystallizing events without oversimplifying them.

And I nod with solemn satisfaction at the cold fury Grant experiences when he learns of the assassination of President Lincoln and the attempts on the lives of others, including himself.

I still shiver with pleasure when I reread the denouement, in which Grant sends General Weitzel and his troops, some of whom are Black, into Richmond when the Confederate capitol falls. I want to cheer as the throngs form for the military review in Washington DC after the war has been won; all those thousands of soldiers, all those citizens and international visitors in the stands and on the sidewalks, singing “John Brown’s Body”. Think of it!

I promised myself to be brief, and I haven’t really done that, but this is the least I can bring myself to say about this excellent biography. If my review is too long to hold your attention, then this two book series—even while allowing for the fact that Catton is a far better writer than I—will also be more of a meal than you are prepared for.

But for those with a sufficiently great interest level and stamina, I cannot imagine a better memoir of Grant for you to buy and enjoy. Enthusiastically recommended!

Murder in Dragon City, by Qin Ming**

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murderindragonIs there a killer on the loose in Dragon City, one that’s trailing body parts everywhere he goes?  I received my DRC in exchange for this honest review, thanks to Net Galley and Amazon Crossing.  This collection of stories l is written by a Chinese medical examiner, translated to English by Alex Woodend. I’m always up for something new, and so I took my galley and curled up. Unfortunately, this one just never gelled for me. I tried setting it aside, reading other things and coming back to it, hoping that with fresh eyes I would like it more than I had before; finally I had to face the fact that I couldn’t write a happy review and also be honest.

It happens.

Undoubtedly the strongest aspect of this story in my view is, as one might expect, the forensic detail and physical knowledge the author commands. But that can cut two ways, if you’ll pardon the expression. Some of us just love gore, and the more fleshy fingers or toes that land in sizzling oil, the more we eat it up.

On the other hand, some of us are completely grossed out by frequent, grisly findings, and this author put his thumb on my “ick” button and never took it off.

One other thing I like and that’s consistent is that Chinese cops that find corpses or find themselves in strange, scary situations don’t feel compelled to feign indifference. There’s no noir to be found here, just honest cops that yelp when they are scared and that dive when they hear a loud noise near a crime scene. The candor is refreshing and sometimes funny.

Obviously, each story has a different spin to it, but the tone overall is much the same.

I confess that the last time I studied Chinese government and culture was in the post-Mao period, before the largest Stalinist types of government fell apart; I don’t know what life is like for women these days in China. But the author never seems comfortable portraying women as people that are female. Women are featured and discussed as political bigwigs, servants, and technicians, but we never see them acting in concert with men or each other. There’s a clump of men, and then…there’s this woman. Sometimes. The woman is always featured as “other”. The male cops gather and discuss whether any woman would be ruthless enough to commit the crime in question, but by this point I was so green around the gills that I didn’t want to find out whodunit or why. I just wanted to be done, which I am.

And Every Morning the Way Home Gets Longer and Longer, by Fredrik Backman****

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 “When a star fades, it takes a long time for us to realize, as long as it takes for the last of its light to reach Earth…When a brain fades it takes a long time for the body to realize.”

andeverymorningthewayhome

Frederik Backman’s new novella provides us with a philosophical yet poignant glimpse of an elderly man trying to hang onto his memories, and the love of those that must say goodbye to him inch by inch. I received my DRC from Net Galley and Random House Alibi in exchange for this honest review.  This novella will be published November 1, 2016.

They say that each generation corrects for the one before it, rendering us more like our grandparents sometimes than our parents themselves. So it is with Noah and Grandpa. Grandpa calls his grandson “Noahnoah”, because he likes his grandson’s name twice as much as anyone else’s. Sometimes Noah’s father Ted comes to see Grandpa, and when he mentions Noah, Grandpa doesn’t know who that is. Sometimes Grandpa knows everyone; sometimes he doesn’t. Sometimes he mistakes one of them for the other.

But Grandpa—who has no other name in this book, having taken on the generic persona that Western society tends to give us as we grow very old—shares a special bond with his grandson, and it is his grandson that comes to him, still, with questions about life and the universe.

Grandma is no longer living, but theirs was a happy marriage despite their dispute about God and the afterlife.  Noah says to his grandfather, “’Grandma believed in God, but you don’t. Do you still get to go to Heaven if you die?’”

Grandpa tells him, “’Only if I’m wrong.’”

The years pass. As usual, Grandpa wants to know about school, but he has forgotten that Noahnoah isn’t a student anymore; he’s become the teacher. On the other hand, school is better than ever now. And so it goes.

This story is brief, and I read it in just a couple of sittings. Despite the cover art, it isn’t necessarily a book for children.  It’s a wonderful story in that it shows us a gentle way of dealing with aging—which can be so hard to do, particularly if Alzheimer’s makes the elderly sufferer angry with no reason—and it also helps us learn to let go. For some, this might be a good grief story. For others that had to let go without being able to be with the beloved family member much in their final years, it might be painful, because the grandson and father both spend time with this man as he declines.

I can see ways in which this story might help a YA reader with not only a strong literacy level, but the ability to think abstractly, cope with Alzheimer’s or another form of dementia in an elderly relative that means a lot to them, but I would advise the parent or guardian to read it first, and then decide. There’s no sex, no profanity; just pleasure, love, joy, and aching sorrow.

The Whole Town’s Talking, by Fannie Flagg*****

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 “Up on the hill, Lucille Beemer said, ‘Good morning, everybody.’

“Two hundred and three people just waking up answered, ‘Morning’.”

thewholetownstalking Fannie Flagg is legendary, and rightly so. In fact, at one point in my reading of this DRC, I reflected that someone with her power to move people has power indeed; how fortunate that she uses her gift to benefit the rest of us. I don’t know about you, but I am ready to read something that provides a level of reassurance that all has not gone sour in this world, and that everything passes, sooner or later.  I was  fortunate to read this free and in advance thanks to Random House and Net Galley, but it’s one of the very few books for which I’d have paid full freight if it came down to it. It hits the shelves November 29 and is available for pre-order right now.

Our story begins with the first residents of what will become Elmwood Springs. Lordor Nordstrom arrives from Sweden, and after months of searching, finds the perfect place for his dairy farm in a pleasant spot in Missouri. The year is 1889. He puts up a house, buys some cows, and then, as a founding father, he decides he will donate a piece of land, because every town needs one thing for sure…a cemetery.

“Lordor guessed that preparing a place to spend eternity and trying to figure out how many places to set aside for himself was what made him think about his future.”

I went back and reread that sentence a couple of times; it begins our second chapter. Oh my but Flagg is droll. If one were to read this gem with half a mind on other things, nuggets like this might be missed.

The years go on, and with brief, colorful chapters, Flagg develops the town, introducing new residents that move in or are born here, and at first it seems as if the story is cotton candy, all fluff and sugar. But just as the impression is formed, it is vanquished, because our author is just warming up. Moments that are poignant, bittersweet, and darkly funny are sprinkled in lightly as we start, because after all, we are new to Elmwood Springs.

But the longer we stay there, the more intimately we become acquainted with its denizens and their peccadilloes, and then the more emotional aspects of the story unfold, almost as they might within your own large family or tightly knit community. Flagg convinces me that these people are my people, and her characters are so brilliantly developed, so utterly convincing that even when one of them does something surprising, I understand how that has come to pass.  And every time I think I see where she is headed with one thread or another, she surprises me.

About a fourth of the way in, someone dies and we find them interred, of course, at Still Meadows. But there’s an engaging twist to this aspect of Flagg’s story: the first person to pass wakes up when someone new arrives and greets them. They may be six feet under, but they can see what’s happening at the cemetery, along with everything that can be seen from the cemetery, just fine. And so the discussions that took place in life continue after death, and the dead look on avidly and wait for word of the loved ones they left behind.

As the story develops and characters’ lives are more deeply explored—always remaining more light than dark, and without a single word anywhere that isn’t needed—it occurrs to me that she just may have done it again.

Some people like to take gadgets apart to see what makes them work; I enjoy doing that with literature. And so I find myself looking back at my highlights and notes, looking for what, apart from a dry, accurate wit, makes this writer’s work so special. Some of it is an alchemy whose elements can never be described perfectly, taking ordinary Americans and spinning them into gold. But part of it is undoubtedly her deep respect for working people, and her readiness to see redeemable qualities in characters that upon first glance seem abrasive and unlovable:

“Ida had always been different. At school, when all the kids used to play church and one would be the preacher, another the preacher’s wife, a deacon…Ida said she wanted to be God, because she was the only one who knew how to do it.”

But later, once she was grown, “Someone else remarked, ‘By God, if Ida had been a man, she would have made general by now.”

She also acknowledges that once in awhile, someone comes along that no matter what heroic effort is made on their behalf, will never do anything good for anyone. Hey, it happens.

The comments that are made by various characters reflect both the character’s outlook and usually, the prevailing attitude of the time period as she rolls the town steadily forward to 2016.

And this leads to one cautionary note: as with all of Flagg’s work, it is essential to read the chapter and section headings, which provide context. This reviewer once taught a group of teenage honors students that were unable to make heads nor tails of Fried Green Tomatoes, and I discovered it was because they weren’t reading the chapter headings, and so they didn’t know what the time period was or whose point of view they were reading. Don’t let that happen to you!

Finally, I want to thank the author for the kindly manner in which she draws teachers.  Fannie Flagg, every teacher I know that talks about books, loves your work. We need the encouragement sometimes, and your friendly regard means a great deal.

Highly recommended to everyone.

The Girl from Venice, by Martin Cruz Smith*****

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thegirlfromvMartin Cruz Smith is the best-selling author of Gorky Park and the Arkady Renko series. His new stand alone novel, The Girl from Venice, shows he hasn’t lost his magic, and it quickly became my favorite DRC once I began reading it. Thanks go to Simon and Schuster and Net Galley, from whom I received an advance copy in exchange for an honest review. You can get this book today.

Cenzo Vianello is a fisherman from the tiny village of Pellestrina, an ancient place steeped in tradition. He once had two brothers, but now has only one; Hugo died in Mussolini’s Africa campaign, and his remaining brother Giorgio is a movie star as well as an influential member of the Fascist government. Cenzo detests him for his politics, but even more for having stolen his wife Gina, who died when a bomb fell on the movie set to which Giorgio had escorted her.

All of this is background, complex and deliciously ambiguous in many aspects. It is within this context that Cenzo finds the girl, Giulia, floating like a corpse in the lagoon. To his surprise, he finds she is alive. She is Jewish, from a wealthy family and on the run. She figures that if the poet Byron could cross that lagoon, then so can she. Cenzo hates to spoil her dream, but he tells her this is a dangerous plan, and for many reasons. He develops a plan for her rescue, but later finds he is ambivalent about having turned her over to someone else. Is she safe? Does she remember him? Who can he trust, and who not?

One must, after all, be careful who one embraces.

“The trouble was the war. It should be over. Instead, the Americans were taking forever while Mussolini ruled a puppet state and the Germans, like decapitated ants, went on fighting.”

 When one fears defeat, one may become desperate; in some ways, the Fascists now have little to lose, and so their behavior becomes more extreme. There are partisans that oppose the Fascists, but it’s difficult to be sure who is sincere, and who is a double agent.

Part of the suspense inherent in successful spy novels is the feeling of looking over your shoulder, wary of everyone all the time. The relationship between Cenzo and Giorgio is particularly well developed and is intertwined with this aspect of the story; we never know whether one of them is going to kill the other, and when Giorgio says he will help Cenzo, we wonder whether he is helping lead him into a trap.

Although Giulia provides us with a premise and a scaffold for the story, not to mention a really beautiful book jacket, hers is not the character we see developed. The characters that are meaty and interesting are the brothers.

That being said, Smith should get credit for including an interesting female side character in Maria, the wife of the consul of Argentina, a woman with shadowy business and motive. Maria isn’t there to seduce anyone, not really; she’s also not a victim. In a field riddled with endemic sexism, I was happy to see this progressive element, and was fascinated by the brief, spectral appearance of her husband from his sickbed.

This story is a page-turner, an unmissable tale that will keep your light burning late and distract you from your daily pursuits until it’s over.  Don’t miss this one.

The Vanishing Year, by Kate Moretti****

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thevanishingyear 3.5 stars, rounded up for this one. I received my copy from Atria Books and Net Galley in exchange for an honest review.  I am impressed most by the first half of the book, and particularly with regard to character, Kate Moretti is a rock star.

Our protagonist is Zoe Whitaker, and we learn that Zoe grew up as Hilary—with one “L”, and no political baggage—and then chose to adopt “Zoe”, the name on her birth certificate prior to her adoption. There’s a lot more mess here than there needs to be, the adopted-child angst, the guilt over having not given her mother Evelyn the funeral she deserved, and fear, fear, fear.

Moretti does a wonderful job of building suspense, and part of this is the vague but real tension, the constant shoulder-checking, wondering if someone has found her. It makes us wonder who, and it makes us wonder why. Bit by bit, she unspools tidbits of the past in the way you might expect someone that needs a friend and is learning to trust a new confidant might do.

Moretti’s main character is beautifully sculpted. Some novelists that withhold information to build tension hang onto so much that we don’t get to know our protagonist, but I was perched right on Zoe’s shoulder, or hanging out with her newly discarded friend Lydia, asking her why the heck Zoe is so passive. Is fear the only language Zoe knows? I felt close to Zoe, and I wanted her to tell me more.

Meanwhile, there’s the marriage. Henry Whitaker, an immensely wealthy man, sees Zoe across a crowd and homes in on her. Those familiar with the patterns common to abusive relationships know that this is a red flag; the guy whose gaze lights on a partner and from then on wants full possession of every move, every thought, and every minute. He makes a snap decision like lightning and then never lets up. And Henry has plenty of other red flags too, but he’s not a stereotypic abuser; Moretti is too cunning to permit any caricatures into her novel.

For the first half of this story, I relished the meaty ambiguity, not only in Zoe’s life but in what it represents. Yes, Henry is too possessive, too bossy, but on the other hand, this young woman that has never been known for her remarkable beauty or extraordinary talent has the Cinderella marriage without the stepsisters.

“I might be under someone’s thumb, but I have money now.”

Zoe has no living relatives to her knowledge, apart from the birth mom she hasn’t located and that may not want her when she does. She doesn’t have a degree, and is working at a florist’s shop in Manhattan when Henry finds her and whisks her away. He is devoted to her, provides her with every small thing her heart desires. She has a car and a driver, she has servants, she has clothes, jewels, and the whole nine yards. Everyone defers to her. There’s no restaurant that won’t make room for her at the front of the queue. Tickets to a sold out event? No problem.

It is easy for us to moralize from afar, we feminists with our principles, but economic want can shorten a woman’s life significantly. As this reviewer heads into retirement, I look at the lives of the women I knew when we were school girls, and no matter how clever or talented, their material well being seems tied, more than anything, to who they married and whether they remained married. Ask any woman over age 50 who’s looking for a job and watching those past-due notices land in her mailboxes, both electronic and physical, and many of those same women would be more than happy to let someone else tell them what to wear in exchange for such a well-padded safety net.

And so as Henry’s behavior escalates, I grow more entranced with the story’s Virginia Woolfish aspect, and I expect Moretti to take us up that mountain. How much is too much? At what point does one relinquish the guarantee, if there is one, of not only the basic requirements but luxuries one may quickly grow accustomed to, in exchange for breathing room, the dignity that comes with independence, self-respect, and with apologies to Woolf, possibly a room of one’s own?

But Moretti doesn’t go in that direction; at the last minute she tosses in a tremendous amount of new information that is original yet seriously far-fetched. Those that want a white-knuckle thriller with a female protagonist may be very happy here, but I was sad, left feeling as if the waiter had decided not to serve me and abandoned me after the hors d’oeuvres.

This title was released on October 4, and so if you are eager to see what all the buzz is about, get a copy, and then let me know what you think.

One way or another, Moretti will be a novelist to watch. The subtlety and nuance that escaped her as this novel progressed are still hers to be had, if she chooses to use them. I know I can’t wait to see what she publishes next.

Coming Around the Corner: October Reads to Be Reviewed Soon

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I pride myself on timely reviews, but once in awhile life gets in the way. Over the past month, every household thing that could break has done so…almost, anyway. I don’t want to invite further calamity by suggesting it’s all happened already. And so, though nobody is dead or dying, I am behind. Here are the titles you can look forward to seeing reviewed soon, soon, soon:

fireloveratruestory      thebirthdayboys       theeducationofdixiedu  eventhewicked    fidelity missionjimmystewart thevanishingyear.png   doubtinthesecond  beingadog

murderindragon.png     thegirlfromv.png    americangothic

thegraveyardapar.png   silence.png    usgrantthecivilwary

The Postman Always Rings Twice****

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thepostmanalwaysringstwiceWell, they do say karma’s a bitch.

I fell heir to a first edition hard cover copy of this classic 1934 crime fiction. It’s too well worn to be a collector’s item, so instead of selling it, I decided to just enjoy holding a book in my hands that could have been held, hypothetically, by my great-grandparents. I think I enjoyed the crispy yellow pages and the old school print more than I enjoyed the story itself.  With wide margins and plenty of dialogue, it was a quick read, and before the weekend was over I’d finished it.

Our protagonist, Frank, is a drifter that does odd jobs and occasional crimes as he travels through Mexico and the Western USA; the story itself is set in California. He comes to an out-of-the-way place where a Greek immigrant and his wife run a small roadside restaurant. The owner is interested in expanding the business to include car repair, and hopes that a free meal and a bed for the night will lure Frank to stick around and work for him. Instead, Frank stays and finds a white-hot attraction to Cora, the owner’s wife. The two of them make love like cats in a pillowcase, snarling and biting and tearing at each other, and they like it so well that they decide to kill the Greek guy so they can do it together forever.

Those that don’t follow history may not know that at the time this story was published, U.S. xenophobia toward immigrants from Eastern and Southern Europe was at its pinnacle. Jim Crow and the Klan had silenced any open dissent from African-Americans with a reign of terror, but it was somewhat commonplace for Caucasians, who were by far the largest group in terms of population and certainly in terms of power and money, to make nasty assumptions and references about people from Greece, Turkey, Italy, and the surrounding area.

So it’s within that context that Cora declares that although her husband Nick loves her and treats her really well, he repulses her because he’s “a little soft greasy guy with kinky hair”. He wants her to have his baby, and she doesn’t want to touch him. She’d hate to go back to turning tricks, but she would far prefer to be with fair, blonde-haired Frank than Nick Papadakis.

The story arc here is flawless, and I can see how it became a classic, but it has many aspects that haven’t aged well. There are nasty remarks about Mexicans; Cora urgently wants Frank to know that she’s white, even though her hair is dark. She isn’t “Mex”. And although I understand that some people do like rough sex, I had to take a deep breath when Frank became aroused and showed it by blacking Cora’s eye for her.

Right. So you see what I mean.

The way the story is plotted is ingenious, and the characters are consistent all the way through; the ending is brilliantly conceived and executed.

For me, though, one reading is enough.