He Will Be My Ruin, by K.A Tucker***

hewillbemyruinMaggie Sparkes, heir to a fortune, is called to New York City when her closest friend, Celine Gonzalez, is found dead. Did Celine really commit suicide? Maggie doesn’t believe it for a minute, and when she finds Celine’s personal effects hidden away with a note, she believes it even less. Thanks go to Net Galley and Atria for the DRC and invitation to read and review this title. It was released February 2, 2017 and you can get a copy now.

Maggie and Celine grew up together; Celine’s mother Rosa was the housekeeper and nanny to Celine’s very wealthy family, and so apart from school, the girls were inseparable. Now Maggie is determined to find out what happened to Celine.

The cast of characters here is limited to Maggie, Celine’s neighbor Ruby, who was my favorite character, a cop named Doug, and two hunky men, both of whom were involved at some level with Celine. Jace is an investor; Grady is the property owner of Celine’s building, and both are described as immensely attractive. Who can be trusted? Who is a killer?

The limited number of characters and repetition—how wealthy and philanthropic Maggie is, how creative and hardworking Celine was—makes for an accessible read. The vocabulary is adult level but not out of range of the average reader. For those that are newly venturing into reading English language novels, this is a great place to start, because if something important slides by you the first time, you’ll be told again.

As for me, I prefer more nuance in my literature. When Maggie tells us how things went in high school, she wasn’t merely a debater, she was the captain of the debate team. Likewise, Celine wasn’t just a student actor, but scored the role of Juliet. Having both of them be so perfect within their realms of interest keeps them from seeming real to me. Maggie is rich, and we get told constantly in case we forgot. Maggie has a million charities and wants to save the world, and we’re unlikely to forget that either.

On the other hand, I wasn’t always this old and sometimes cynical. I can recall a younger version of myself that adored the writing of Victoria Holt, and I think that younger self might well have enjoyed this novel. Tucker is a successful, experienced novelist, and I have a hunch this is the pool of readers that find pleasure in her work.

Recommended to those that love Harlequin romances, Victoria Holt mysteries, and readers that enjoy romance but are still relatively new to reading in the English language.

The Impossible Fortress, by Jason Rekulak*****

Happy Release Day! This exceptionally engaging YA title is available today, and you should read it.

seattlebookmama's avatarSeattle Book Mama

theimpossiblefortressThe Impossible Fortress has been generating a lot of buzz since last summer when the review copies came out, and rightfully so. It’s hard to believe this is a debut novel, because it’s smoothly designed and hugely original. It’s written with a deftly woven plot that never misses a step; engaging characters that are nearly corporeal, they are so well sculpted; and an utterly captivating voice that unspools the narrative. Best of all, it’s hilarious! I thank Net Galley and Simon and Schuster for my DRC, which I received in exchange for an honest review. This title comes out February 7, 2017.

When this reviewer retired from teaching, I buried myself in books I had long wanted to read, and I promised myself that I would never have to read another young adult novel. That promise to myself still holds true, but now and again I see a premise so…

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Forever is the Worst Long Time, by Camille Pagan****

Happy release day! This title is available to the public today.

seattlebookmama's avatarSeattle Book Mama

 “Each story is different. Every story ends with loss.”

foreveristheworstCamille Pagan is the author Life and Other Near Death Experiences. Thank you Net Galley and Lake Union Publishing for the DRC, which I received in exchange for an honest review. This title is for sale February 7, 2017.

The story starts in the second person, with the narrator speaking to us intimately; he is James Hernandez, and soon we realize that he is speaking to a child about her mother and his memories of her. The narrative is therefore intimate in tone, but also carefully measured and paced, beginning in 1998 when James meets Lou and unspooling toward the present.  I have read oh so many novels in which alternating viewpoints are used to keep the reader’s attention from wandering, and this fresh approach had me at hello.

James is Rob’s best friend; James’s own childhood home was dysfunctional…

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Always, by Sarah Jio****

alwayssarahjioAlways, Sarah Jio’s much anticipated new release, takes on the homelessness epidemic using the powerful medium of fiction. I received my copy in advance in exchange for an honest review; thank you Net Galley and Random House Ballantine for the DRC. This title is available to the public today, and if you have enjoyed Jio’s other novels, I am confident you’ll like this one too.

Kailey Crane is a journalist living in Seattle during the 1990s, and she has the whole package: a great job, a wonderful city, and a wealthy, handsome fiancée. It’s the life other little girls dreamed of but didn’t get.  Then one night as she and Ryan are leaving a restaurant, she literally bumps into a long lost love. Cade McAllister is the man Kailey had been going to marry until he disappeared. He practically vaporized. Stunned and humiliated, she picked herself up and rebuilt her life, and now here he is, a half-crazed homeless man living downtown on the streets.

What the heck happened?

Kailey wants to marry Ryan, but she also wants to help Cade find housing, medical care, and food. Ryan makes it easier by agreeing that she should do the right thing. Quickly she learns that it isn’t as simple as it seems. There’s a whole safety net in place for people like Cade, except that it doesn’t work. In fact, without her own ready access to Ryan’s money, she can do virtually nothing for Cade. But it’s all right, because Ryan is on the side of the angels; he sees that this cause is a just one, and he’s a generous guy. He’s in love, and he’s feeling expansive.

The problems begin when Kailey starts missing key wedding events because she’s off helping Cade, or trying to. She becomes so involved with one thing and another that before she knows it, she’s over an hour late. There are out of town relatives that are present, but where’s the bride? And before we know it, she’s telling lies, and sometimes they don’t even seem necessary. I want to reach through the pages of the book, yank Kailey into the kitchen and talk to her.

What  are you doing, girl?

Fissures in her relationship with Ryan turn into fractures as he senses the level of her obsession, and he doesn’t see things as she does anymore. His material interest is involved, since a project his development corporation is about to undertake conflicts with an already established homeless shelter in Pioneer Square, a historic part of Seattle’s downtown. He questions why so many resources are required for the homeless; aren’t these mostly drug addicts and crazy people? There ought to be a simple way to dispatch the problem.

A strong story overall is somewhat tarnished by what feels like a glib ending. I recall a favorite episode of the Muppets when Miss Piggy is working a jigsaw puzzle, and she hates to be wrong, so she slams a piece into a hole where it doesn’t belong and howls, “I’ll make it fit!” The ending of this story brought the episode back to me, because Jio seems to be doing more or less the same thing.

Recommended to fans of this successful romance writer.

The Signal Flame, by Andrew Krivak*****

Happy release day to Andrew Krivak! This one is head and shoulders above the rest. If you are ready to get lost in a book, it’s for sale now.

seattlebookmama's avatarSeattle Book Mama

thesignalflameThere are good writers, excellent writers, and of course, indifferent writers, but once in a rare while there’s a writer that makes me sit up straight and take notice, someone with that special spark of genius that no money can buy nor school can teach. Krivak’s work is exquisite, the product of both power and restraint. If you love historical fiction, you have to read this book, which comes out January 24, 2107.

I was lucky and read it free in exchange for an honest review, thanks to Scribner and Net Galley. If you read my last review of a DRC, you know I call them as I see them; I see this one as standing, at the end of 2017, as one of perhaps a dozen that will still shine after I’ve read between one and two hundred others.

Bo, our protagonist, is the grandson of Slovakian immigrants, and…

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Forever is the Worst Long Time, by Camille Pagan****

 “Each story is different. Every story ends with loss.”

foreveristheworstCamille Pagan is the author Life and Other Near Death Experiences. Thank you Net Galley and Lake Union Publishing for the DRC, which I received in exchange for an honest review. This title is for sale February 7, 2017.

The story starts in the second person, with the narrator speaking to us intimately; he is James Hernandez, and soon we realize that he is speaking to a child about her mother and his memories of her. The narrative is therefore intimate in tone, but also carefully measured and paced, beginning in 1998 when James meets Lou and unspooling toward the present.  I have read oh so many novels in which alternating viewpoints are used to keep the reader’s attention from wandering, and this fresh approach had me at hello.

James is Rob’s best friend; James’s own childhood home was dysfunctional and bleak, and so Rob’s family included him on family vacations and other family-only events. They weren’t just close friends growing up; they were almost brothers. And so when James falls head over heels in love and decides to marry, the first thing he does is send for his BFF. They are introduced and James is asked to be best man at the wedding.  But in one of those blind random moments of fate, James himself falls madly in love with Lou the minute he sees her.

What would you do in a similar circumstance? Get over it and do it fast, of course. It’s just not possible. But years later, when the marriage founders and Lou walks, James can’t help himself.

There is foreshadowing in plenitude here, and the voice at the outset and at the end are what keeps those pages turning. Of course, there’s also mystery, because the speaker is telling us some things, but clearly withholding others.

If you have to like a protagonist in order to enjoy a novel, then this may not be your book. James isn’t merely flawed; in the book’s middle, he’s whiny.  I check my notes and find that in one place I wonder if Woody Allen will option the rights, and in another, I curse and request a violin. Seriously, I want to smack James upside the head and say sure, you shouldn’t have, but you did and it’s done, so man up and get over it already. But around the three-quarters mark, the whole thing takes another turn, one entirely consistent with what has gone before, and once again, it is a book I don’t want to put down till the last page is turned.

Those that enjoy fresh new fiction should consider this book even if romance is not generally a favorite genre. Pagan is an interesting writer, and now that I’ve read this, I want to go back and read the other things she’s written.  She’s already gained a lot of buzz—and a movie deal—with her first title, and I suspect she will be someone to watch in the future.

Don’t get left out.

House of Silence, by Sarah Barthel**

houseofsilenceThe premise of this historical romance had me at the get-go: Isabelle Larkin is engaged to marry wealthy, powerful Gregory Gallagher, but she calls it off after she sees him commit murder. Her family doesn’t believe her, and embarrassed, they have her trucked off to a sanitarium, where she meets Mary Todd Lincoln. I thank Net Galley and Kensington Publishing for the invitation to read and review. This book becomes available for purchase December 27, 2016.

Barthel’s story has some nice moments. I love the bit where our protagonist ruminates about the impropriety of unlacing her boots in a place where they might be seen; let no one think her a loose woman!

However, there are also moments when the narrative hiccups in a way that startles me. Ultimately, this happens so frequently that the spell is broken, and instead of being transported to a different time and place in the way one is with strong literature, I am reminded all too often that this is a galley, and it’s one that needs a hands-on editor before it should see daylight.

Every writer of historical fiction has to make a choice. Are we going to use exactly the same forms of language and speech that were common to the time, or are we going to ease up just a little and use the book’s note to the reader to explain that this has been done intentionally for the purpose of creating a more accessible novel?  This of course doesn’t even include the extremely risky, though occasionally very successful choice to move an historical tale to the present setting; modern Romeo and Juliet stories immediately come to mind.

Barthel has chosen to play it straight and use the speech of the time, but every now and then, a phrase or sentence of twenty-first century casual speech flies in and lands mid-chapter, a bit like a flying saucer. Suddenly I see “As if I cared about sex at a time like this”, and “I hope you are all right with that.” There are a lot of these moments inserted into a page here or there of otherwise-Victorian prose, and they keep me from buying into the premise.

I hope that this story will be re-released somewhere up the road, and if so, I would be happy to reread it and possibly recommend it to the reader. It’s a shame to see such an excellent premise spoiled with what is essentially sloppy editing. But in its present form, I can’t recommend it to you.

Point of No Return, by Martha Gellhorn*****

pointofnoreturn.jpgI want to give a shout-out to Open Road Media for the way they value the First Amendment. Every now and then I review something they’ve given me and rate it with one or two stars, and each time I wonder whether my outspoken criticism will get me knocked off their list of auto-approved readers. It’s never happened. It gives me a little extra joy, therefore, when I’m asked to read and review a book that is straight-up excellent, because everyone will know my five star rating is the real deal. Thanks, Open Road…and happy holidays to you, and to my faithful readers, too.

This exceptionally strong World War II story was a New York Times best seller when it was first published in 1948. Open Road Media has brought it back to us digitally, and I read it free in exchange for this honest review. I thank Open Road and Net Galley for inviting me to do so. Martha Gellhorn was at Dachau a week after its liberation, and her experience frames part of the narrative, the fictional tale of Jacob Levy, US soldier in Europe. This excellent war story is available to the public Tuesday, December 20, 2016.

It’s hard to miss the irony: Levy answers the call to duty, but his commanding officer is unhappy to discover that a member of his personal staff, his driver, is Jewish. He’s never had a Jew in his outfit before and doesn’t want one now; still, there’s nothing much he can do about it, so he forges grimly onward.

Levy, on the other hand, has heard stories and eventually sees situations in which nearly nobody gets out of a wildly dangerous situation alive except for his boss. He decides—as soldiers sometimes do—that his commander is lucky, and therefore the closer to that officer a man is, the likelier he is to share in that luck. He serves so faithfully and dependably that his commander eventually changes his mind and decides he likes Levy, without Levy ever learning that he’d been unwanted.

Our story starts when Levy joins the army in the United States, but quickly shifts to Europe. The most poignant scenes are those in Luxembourg, where the shell-shocked troops are astonished to find a semblance of normal life. There are houses that have people in them, food cooking, and glass in the windows. It is here that Jacob meets Kathe, and although there is no common language spoken between them, they fall in love anyway. For the rest of his part of this war, he will hold dear to the notion of a little home in the Smoky Mountains where he and Kathe can raise a family together.

I had sworn off Holocaust stories, telling myself that I already know about it; I no longer have students to whom to impart the information; from now on, I will only read what I want to read. But I appear to have landed on a list of reviewers that read this sort of book, and once I was invited, I decided I could read just one more. And I am so glad that I did.

The reader should know that the Holocaust is nothing more than rumor for 80 percent of the book. We aren’t looking at 300 pages of horror. There are battle scenes that are vivid and raw; Jacob participates in the Battle of the Bulge. People die; nobody can write about World War II accurately without imparting the fear, the grief, and the alienation that its participants and witnesses endured. But most of it is about Jacob as a person, what he thinks and feels. In other words, this is more the story of one soldier’s life than it is military history.

Technically this story isn’t historical fiction, because it wasn’t written 50 years or more after the events it describes. However, it will impact the reader as if it is, because the World War II was a very long time ago. So I recommend this book to those that love first rate historical fiction; that like to read about the European theater of World War II; or that like a good romance.

The Girl from Venice, by Martin Cruz Smith*****

thegirlfromvMartin Cruz Smith is the best-selling author of Gorky Park and the Arkady Renko series. His new stand alone novel, The Girl from Venice, shows he hasn’t lost his magic, and it quickly became my favorite DRC once I began reading it. Thanks go to Simon and Schuster and Net Galley, from whom I received an advance copy in exchange for an honest review. You can get this book today.

Cenzo Vianello is a fisherman from the tiny village of Pellestrina, an ancient place steeped in tradition. He once had two brothers, but now has only one; Hugo died in Mussolini’s Africa campaign, and his remaining brother Giorgio is a movie star as well as an influential member of the Fascist government. Cenzo detests him for his politics, but even more for having stolen his wife Gina, who died when a bomb fell on the movie set to which Giorgio had escorted her.

All of this is background, complex and deliciously ambiguous in many aspects. It is within this context that Cenzo finds the girl, Giulia, floating like a corpse in the lagoon. To his surprise, he finds she is alive. She is Jewish, from a wealthy family and on the run. She figures that if the poet Byron could cross that lagoon, then so can she. Cenzo hates to spoil her dream, but he tells her this is a dangerous plan, and for many reasons. He develops a plan for her rescue, but later finds he is ambivalent about having turned her over to someone else. Is she safe? Does she remember him? Who can he trust, and who not?

One must, after all, be careful who one embraces.

“The trouble was the war. It should be over. Instead, the Americans were taking forever while Mussolini ruled a puppet state and the Germans, like decapitated ants, went on fighting.”

 When one fears defeat, one may become desperate; in some ways, the Fascists now have little to lose, and so their behavior becomes more extreme. There are partisans that oppose the Fascists, but it’s difficult to be sure who is sincere, and who is a double agent.

Part of the suspense inherent in successful spy novels is the feeling of looking over your shoulder, wary of everyone all the time. The relationship between Cenzo and Giorgio is particularly well developed and is intertwined with this aspect of the story; we never know whether one of them is going to kill the other, and when Giorgio says he will help Cenzo, we wonder whether he is helping lead him into a trap.

Although Giulia provides us with a premise and a scaffold for the story, not to mention a really beautiful book jacket, hers is not the character we see developed. The characters that are meaty and interesting are the brothers.

That being said, Smith should get credit for including an interesting female side character in Maria, the wife of the consul of Argentina, a woman with shadowy business and motive. Maria isn’t there to seduce anyone, not really; she’s also not a victim. In a field riddled with endemic sexism, I was happy to see this progressive element, and was fascinated by the brief, spectral appearance of her husband from his sickbed.

This story is a page-turner, an unmissable tale that will keep your light burning late and distract you from your daily pursuits until it’s over.  Don’t miss this one.

The Postman Always Rings Twice****

thepostmanalwaysringstwiceWell, they do say karma’s a bitch.

I fell heir to a first edition hard cover copy of this classic 1934 crime fiction. It’s too well worn to be a collector’s item, so instead of selling it, I decided to just enjoy holding a book in my hands that could have been held, hypothetically, by my great-grandparents. I think I enjoyed the crispy yellow pages and the old school print more than I enjoyed the story itself.  With wide margins and plenty of dialogue, it was a quick read, and before the weekend was over I’d finished it.

Our protagonist, Frank, is a drifter that does odd jobs and occasional crimes as he travels through Mexico and the Western USA; the story itself is set in California. He comes to an out-of-the-way place where a Greek immigrant and his wife run a small roadside restaurant. The owner is interested in expanding the business to include car repair, and hopes that a free meal and a bed for the night will lure Frank to stick around and work for him. Instead, Frank stays and finds a white-hot attraction to Cora, the owner’s wife. The two of them make love like cats in a pillowcase, snarling and biting and tearing at each other, and they like it so well that they decide to kill the Greek guy so they can do it together forever.

Those that don’t follow history may not know that at the time this story was published, U.S. xenophobia toward immigrants from Eastern and Southern Europe was at its pinnacle. Jim Crow and the Klan had silenced any open dissent from African-Americans with a reign of terror, but it was somewhat commonplace for Caucasians, who were by far the largest group in terms of population and certainly in terms of power and money, to make nasty assumptions and references about people from Greece, Turkey, Italy, and the surrounding area.

So it’s within that context that Cora declares that although her husband Nick loves her and treats her really well, he repulses her because he’s “a little soft greasy guy with kinky hair”. He wants her to have his baby, and she doesn’t want to touch him. She’d hate to go back to turning tricks, but she would far prefer to be with fair, blonde-haired Frank than Nick Papadakis.

The story arc here is flawless, and I can see how it became a classic, but it has many aspects that haven’t aged well. There are nasty remarks about Mexicans; Cora urgently wants Frank to know that she’s white, even though her hair is dark. She isn’t “Mex”. And although I understand that some people do like rough sex, I had to take a deep breath when Frank became aroused and showed it by blacking Cora’s eye for her.

Right. So you see what I mean.

The way the story is plotted is ingenious, and the characters are consistent all the way through; the ending is brilliantly conceived and executed.

For me, though, one reading is enough.