The Mercy of the Tide, by Keith Rosson****

themercyofthe The Mercy of the Tide is Keith Rosson’s debut novel, and it’s a strong one. Set in a tiny, depressed town on the Oregon Coast during the Reagan Administration, things start out dark, and they’re about to get a whole lot darker. Thank you, Net Galley and Meerkat Press for the DRC, which I received free of charge for this honest review. This book will be for sale February 21, 2017, and those that love good fiction with a working class perspective will want a copy.

The tiny town of Riptide, Oregon is knee deep in grief. A recent head-on collision claimed the lives of Melissa Finster, mother of Sam and Trina, and June Dobbs, the town’s beloved librarian and wife of Sheriff Dave Dobbs. The blow has left everyone reeling and on edge.

Someone else is missing Melissa too, though he can’t say so. Deputy Nick Hayslip–a Vietnam veteran who has no patience for the madness associated with that category, a vet who figures that you go home when the war is over, you put on your clothes and go to work and therapy is for losers–is coming unstuck. Nobody knows about his past with Melissa, and he finds terrible ways to keep her memory alive.

The teaser for this novel tells us that the story centers around Sam and Trina, and since the author generally writes the teaser, that must be his intention. However, I found Trina to be the weakest element here, and it was the other characters that made this story work for me. Part of this is just pure fickle bad luck for the author; I actually taught deaf kids of the same age as Trina, as well as gifted kids that age; and in one instance, a gifted deaf kid that age. It’s true that the gifts of highly capable children vary widely in scope and range, and that every child is unique, but the vocabulary and abstract concepts Rosson bestows on this kid are just not within the realm of the possible, and so Trina isn’t real to me until later in the book, when things other than her obsession with nuclear holocaust are used in the development of her character.

The most interesting character and unlikely hero here is Hayslip. Also beautifully developed are Sheriff Dodds and Sam’s closest friend, Todd, known familiarly as “Toad”. Alternating points of view from the third person omniscient give us ready access to their thoughts, impulses, and feelings.

An interesting side character is zealous Christian wingnut Joe Lyley, who says in a somewhat uncharacteristic understatement, “These are unlovely times.” I also liked Leon Davies, whose role I will let the reader discover, because it’s such a fun surprise.

The setting is almost an anti-tourist brochure. The Oregon Coast is well known for its wild, rugged beauty, but Rosson chooses to introduce the other reality, that of the many local denizens that endure a hardscrabble working class existence in small, chilly, damp coastal communities that rarely see the sun. The moldering smell of rotting wood, porches and floors with a sponge-like give under foot are dead accurate, although the town of Riptide is fictitious; the recession of the 80’s plunged small beach towns into a depression from which there has never been a moment’s relief.

This is a strong story with a tight, tense climax and a powerful resolution. This darkly delicious novel shows that Rosson is a force to be reckoned with; I look forward to seeing more of his work in the future.

Heartbreak Hotel, by Jonathan Kellerman*****

Happy release day! Fans of Kellerman’s are in luck; this one is for sale today.

seattlebookmama's avatarSeattle Book Mama

heartbreakhotelThis is #32 in the Alex Delaware series, and Kellerman’s writing just seems to get better with every entry. Thanks go to Net Galley and Random House Ballantine for the DRC, which I received free in exchange for this honest review.

For those unfamiliar with the series, Alex Delaware is a semi-retired child psychologist who’s also an adrenaline junkie. His nest is already well padded, his wife still happy in her career, and so he spends most of his time assisting his best friend, an LA homicide detective named Milo Sturgis. The premise is the hardest thing to swallow, but Kellerman makes it easier by letting us know how affluent Delaware is, and recently there’s the added twist that because Sturgis is gay, nobody on the force really wants to be his partner. Thus it seems more natural—for the sake of a good yarn—for Delaware to slip into that position…

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He Will Be My Ruin, by K.A Tucker***

hewillbemyruinMaggie Sparkes, heir to a fortune, is called to New York City when her closest friend, Celine Gonzalez, is found dead. Did Celine really commit suicide? Maggie doesn’t believe it for a minute, and when she finds Celine’s personal effects hidden away with a note, she believes it even less. Thanks go to Net Galley and Atria for the DRC and invitation to read and review this title. It was released February 2, 2017 and you can get a copy now.

Maggie and Celine grew up together; Celine’s mother Rosa was the housekeeper and nanny to Celine’s very wealthy family, and so apart from school, the girls were inseparable. Now Maggie is determined to find out what happened to Celine.

The cast of characters here is limited to Maggie, Celine’s neighbor Ruby, who was my favorite character, a cop named Doug, and two hunky men, both of whom were involved at some level with Celine. Jace is an investor; Grady is the property owner of Celine’s building, and both are described as immensely attractive. Who can be trusted? Who is a killer?

The limited number of characters and repetition—how wealthy and philanthropic Maggie is, how creative and hardworking Celine was—makes for an accessible read. The vocabulary is adult level but not out of range of the average reader. For those that are newly venturing into reading English language novels, this is a great place to start, because if something important slides by you the first time, you’ll be told again.

As for me, I prefer more nuance in my literature. When Maggie tells us how things went in high school, she wasn’t merely a debater, she was the captain of the debate team. Likewise, Celine wasn’t just a student actor, but scored the role of Juliet. Having both of them be so perfect within their realms of interest keeps them from seeming real to me. Maggie is rich, and we get told constantly in case we forgot. Maggie has a million charities and wants to save the world, and we’re unlikely to forget that either.

On the other hand, I wasn’t always this old and sometimes cynical. I can recall a younger version of myself that adored the writing of Victoria Holt, and I think that younger self might well have enjoyed this novel. Tucker is a successful, experienced novelist, and I have a hunch this is the pool of readers that find pleasure in her work.

Recommended to those that love Harlequin romances, Victoria Holt mysteries, and readers that enjoy romance but are still relatively new to reading in the English language.

Heartbreak Hotel, by Jonathan Kellerman*****

heartbreakhotelThis is #32 in the Alex Delaware series, and Kellerman’s writing just seems to get better with every entry. Thanks go to Net Galley and Random House Ballantine for the DRC, which I received free in exchange for this honest review.

For those unfamiliar with the series, Alex Delaware is a semi-retired child psychologist who’s also an adrenaline junkie. His nest is already well padded, his wife still happy in her career, and so he spends most of his time assisting his best friend, an LA homicide detective named Milo Sturgis. The premise is the hardest thing to swallow, but Kellerman makes it easier by letting us know how affluent Delaware is, and recently there’s the added twist that because Sturgis is gay, nobody on the force really wants to be his partner. Thus it seems more natural—for the sake of a good yarn—for Delaware to slip into that position. After all, he’s been doing it for years.

This story involves the homicide of a nearly one-hundred-years-old woman that has consulted Delaware. She paid him generously for his time but confided little about what she planned to do with the information he found for her, and so when she is found dead in her bed, he smells a rat. Sure enough; she was suffocated! Now who would do that to a sweet old lady like Thalia Mars?

Our story takes a million deft twists and clever turns, and in general shows us that what we think we see isn’t always real. We encounter some underhanded, sleazy real estate practices as well as insurance fraud along the way. The case also takes in some interesting LA history.

One aspect of Kellerman’s work that I often forget and then am happily surprised by all over again, is the humor he threads through the narrative, and I laughed out loud more than once.

Although it’s only one page in length, some readers will also want to be aware there’s one graphic, brutal rape. Consider your trigger warned.

At the end of the day, stories such as this one can be curiously comforting. It’s true that tax season is just around the corner, and my toaster just died. But after reading this novel, I can find comfort in knowing that no villains are likely to turn up in my bedroom tonight and burk me in my sleep.  Perspective! There you have it.

This fun story, which went by way too quickly, will be available to the public February 14, 2017. Highly recommended to those that love a good mystery.

Turbo Twenty-Three, by Janet Evanovich**-***

turbotwentytI’ve been a big fan of the Stephanie Plum series since Evanovich launched it over twenty years ago.Twenty? Whoa now, that hardly seems possible. But the first book in the series landed a host of great-first-book awards in 1995, the year before my youngest child was born.  I haven’t missed a single book nor even read any of them out of sequence.

There was a point somewhere along the way when the series started to lose its zip and some of the new fuel the writer injected turned sour. Does anyone recall the bit where Stephanie’s sister moves home from out of state, and one of the sister’s daughters thinks she’s a horse? It was beyond stupid to my way of thinking, but the point is that our author pulled it all back around within the next couple of books and it was funnier and fresher than ever. The last in the series, Tricky Twenty-Two, was an absolute scream, and so although I rarely purchase a book for myself anymore, I plunk #23 onto my Christmas wish list without a moment’s hesitation. And when Christmas is done, I scurry off with my four much-longed-for new books—three of them mysteries– and prepare to feast.

So this is a crushing disappointment. Sad, sad, sad. It isn’t funny enough to actually laugh at even once, and there are aspects of it that actually offend. I consider this sort of odd, given that since her movie deal, Evanovich has actually sanitized a lot of the spicier aspects of her work. The language isn’t nearly as blue as it was when she was new at this thing and had little to lose; the sex isn’t as steamy; and all told, it seems as if her imagination has an agent of its own whispering into its ear, asking just exactly how much revenue she’s willing to risk losing if she pursues this, that, the other creative but risqué notion.

How is it possible then that for the first time in a career of over twenty years and nearly two dozen published mysteries in this series alone, this author has been so politically tone deaf?

As I read one scene involving Stephanie and Lula, a pairing that’s almost always good for a laugh, my face was in a tentative smile, the expression one wears when expecting something funny to happen any minute. And that’s the moment when Lula claims to be extra lucky when seeking employment, because she can check off three boxes; she’s Black, she’s female, and she’s large in size. These should just about ensure that she’ll be hired. And then she tops it off by allowing that the only better thing that could happen would be if she were in an altercation with a cop and got beaten up and landed on YouTube.

Once I see this, I’m not laughing, and now I’m not smiling anymore either. It’s time to put the book away, read something else, and come back later when my blood pressure has settled.

The story continues; it isn’t funny, but it also isn’t dull. My attention is held, and I’m still somewhat convinced that it’s just about to get funny. And that’s when Lula says she is going to make money online by pretending to wake up one day “feeling like I’m a dude” and go use the men’s restroom. She’ll go in, “have my positive experience”, capture it on film and get rich. And of course, there are trans people all over America getting filthy rich just by identifying with a different gender than the one assigned them by nature and their parents…right?

Not so much.

I do find two amusing parts in this story. The first is some understated business with Stephanie’s parents. It’s the only subtle humor she employs, and maybe that’s why it works so well. I love seeing her mom and dad respond to uncomfortable situations.

The second is an entirely unexpected yet believable twist on the whole Morelli-or-Ranger thing, which had begun to go stale. I won’t spoil it for you, because you may still want to read this book.

One other obvious twist is that the writing, which has always been accessible to a reader that’s made it part way through high school, has been dumbed-down considerably. I find myself distracted by the number of four and five word sentences; where’s the fluency? I check the vocabulary and recognize that she’s dialed it down to a fourth grade level. I’ve administered vocabulary tests to fourth and fifth graders, and I find myself having flashbacks of the sort a retired teacher doesn’t really need. What the hell, Janet? Are we marketing to the functionally semi-literate now?

Nevertheless, I’ll be reading #24 when it comes down the pike; but not until I can get it used or free. My wish list is now reserved for other things.

The Fifth Petal, by Brunonia Barry***

thefifthpetalA teenage boy named Billy Barnes dies on Halloween night; everyone knows that he was trouble, and no one is too surprised to see him come to a bad end. But police chief John Rafferty has a job to do, and he sets out to discover who the killer is. The setting is Salem, Massachusetts, the location of the Salem Witch Trials centuries ago and now the Mecca of Wiccans and others that practice witchcraft of various types, not to mention throngs of tourists that show up every autumn.  Chief Rafferty wonders what the connection is between this murder and those of 25 years earlier, dubbed “The Goddess Murders”.

Thanks go to Net Galley and Crown for the DRC, which I received free in exchange for an honest review. This book will be available to the public January 24, 2017.

Barry is an experienced novelist, but her work is new to me. This title can be read as a stand-alone novel, but there’s a tremendous amount of detail here. Perhaps having read The Lace Reader, an earlier novel that other reviewers tell us has some of the same characters that are present here, would make this book less complicated and easier to sort through; then again, if Barry had chosen fewer secondary threads to follow, the reader could relax more and enjoy the book anyway. More on that in a minute.

Rose Whelan is a Salem native, has shouldered the “unofficial blame” for the Goddess Murders; she maintains that a banshee took up residence in her body and left her with no choice. Rose has gone from the psych ward, to homelessness, and back again; Rafferty and his wife Towner have offered her a room indoors, but she won’t leave the tree outside their home for long at a time, lest bad things happen. She has bad memories, and they give her unquiet dreams:

“On that horrible night, after it happened, after the shrieking stopped, the world had quieted and then disappeared.  Rose had found herself staring into an eternal emptiness that stretched in every direction and went on forever.  When the keening began, Rose had believed that the sound was coming from her own lips. Then she’d seen the tree limbs and branches start to move with the breath of the sound itself, their last leaves burning in the black sky like crackling paper. Then the trees had begun to speak.  Come away now, the trees had said. Come away.”

The imagery here is amazing, as you can see; this aspect is the story’s greatest strength.

Our protagonist is Callie, who’s new in town. Rose had been her surrogate mother after her mother, one of the Goddesses, died. She had lost contact with her and is stunned to find her in such bad shape.  Brunonia does a fine job of highlighting the challenges of helping the homeless, not to mention the stereotypes that follow them. There’s a lot of Celtic lore that I also really like reading about.

The parts that disturb me are those throughout the book that reinforce the stereotype of women as being constantly in competition with one another, unable to get along and help each other.

However, the main thing that gets in the way of this being a really great read is the vast amount of detail about way too many things. At the 60 percent mark, my notes indicate that I wish the author would decide what, other than the primary plot line of the whodunit, she wants to feature. We have witches past; witches of the present; mean nuns; and way more about the healing properties of quartz bowls than I ever want to hear about. At this point in the book I am ready to throw in the towel and call it a 2 star read; I felt as if the mystery had degenerated into a New Age infomercial. I note that I can scarcely recall who’s dead, and who’s accused.  But it’s a DRC and I have an obligation, so I forge on.

And that diagram! The diagram of a five-petal flower is created, changed and discussed in such infinite, numbing detail that my eyes are half-crossed by the time we make our way to the climax. Once we’re there, though, the story becomes more cohesive and I like the way she resolves it.

Those that have read Barry’s other books and liked them will enjoy this one; likewise those that are drawn to various aspects of modern spiritual healing and Wiccan practices will also be pleased. For myself, I would enjoy her work more if she didn’t try to jam such an extensive collection of minutiae into a single novel.

Best of 2016: Mystery

This category includes everything within the same zone: thrillers, suspense, detective fiction, crime fiction. If it’s related, I’m rating it here. I expected this to be my toughest call because I read so many books of this genre, but when I had a look at the original titles I’d seen this year, and then eliminated those crossover novels that had already been awarded as the best of some other genre on this site, it was down to three books. Unbelievable…but not at all mysterious.

MY TOP THREE:

 

Her Nightly Embrace, by Adi Tantimedh*

hernightlyembraceI was invited to read and review this title by Net Galley and Atria Books. I thank them for the opportunity.  The first two chapters showed signs of promise, but in the end, this book is poorly written and for most, it will also be offensive. I can’t recommend this title. That said, it’s about to become a television program, so perhaps you will enjoy it more than I do. But I have to call them as I see them, and if they give this writer a host of awards, I will still say this book is worth one star and nothing else.

Ravi Singh is our protagonist. He has dropped out of a program of religious studies, to his father’s profound disappointment, and become a detective. He had something of a breakdown, and under stress he sees Hindu Gods that no one else can see. An added pressure is financial; he has bills to pay, and his mother has racked up some gambling debts for which she may be harmed if not paid soon. I warmed to the unlikely loan shark, and I thought this was going to be a fun read. And if it had been well written, it would have been.

In other reviews, I have occasionally noted the way in which a tired, overused plot device may become brand new and almost magical in the hands of a capable writer. This one works the other way around. It’s a unique, if somewhat gimmicky idea, but the author will have to develop a vocabulary before I can enjoy his work.

Profanity has never been a hot button for me. I’ve been known to toss the “f” word into my own reviews when feeling particularly warmly. Unfortunately, Tantimedh uses the word the way I’ve heard teenagers do it; when someone is too lazy to consider what word might be interesting and hasn’t been overused yet, the “f” word can become noun, verb, adjective, and interjection. Everything, everything, everything in this book is said, by either narrator or in dialogue, to be “fucked up”.  By the 40% mark I was so distracted, and it was so obvious that I wasn’t going to engage with the text as I had hoped, that I started keeping track to see whether my perception was accurate. Was I being snarky, or was that word—and a few other similar ones, especially the mother-f word—all over the place? And as I started highlighting, I was amazed to find it on almost every page. Some pages were miraculously free of it, but then there’d be another page where I found it twice, or thrice. At this point I gave myself permission to skip to 80% and see whether something wonderful would happen at the end to redeem this thing. It’s been known to happen; just not here.

I’ve only panned a title I was invited to review once before, and that was because of ugly racist references throughout the text. I’m generally a generous reviewer. But suddenly I felt as if I were before a class of eighth graders once more, explaining that not only will profanity offend some readers, but when it’s overused, it’s often because the writer doesn’t want to do the work to find a more specific or eloquent term.

Whether the issue is due to a translation issue—I didn’t check to see if this was published in something other than English originally—or laziness, or a lack of facility as a writer is moot. The end result is the same.  This is bilge. Save your money.

The Big Book of Christmas Mysteries, edited by Otto Penzler*****

TheBigBookofXmasNote to the reader: I originally posted this when my blog was just a few months old, and I was still struggling with basic issues, such as how to insert the book cover into the text. Now the holiday season is here again, and I am running my review–with some basic technical adjustments–one more time, because in the past two years, I haven’t found a Christmas book I like better than this one. It’s the only book I’ve found since I’ve been writing reviews that I found worth actually buying not just one but two copies at full price to give as gifts. For those that love Christmas stories and mysteries, this one’s for you!

I received this wonderful collection last year as an ARC from the “first read” program via the Goodreads.com giveaways. At the time, I didn’t have a blog; I reviewed it on Goodreads and because I liked it so well, I also reviewed it on Amazon. Then, while I was on the site, I bought two copies to give as gifts. I have never done that with an ARC before or since (so far), but it is so wonderful that I wanted others to have it, and I wasn’t willing to share mine.

Now the season is upon us. This blog will be punctuated by worthwhile Christmas books of a secular variety. I guess it is a typical retired-teacher behavior to decorate my home with brightly jacketed Christmas books when others are getting out their craft supplies and hot glue guns. At any rate, if you buy just one Christmas book for yourself or someone else, and if the reader enjoys mysteries, this is the best you will find.

The stories are organized according to category in a format and layout that is congenial all by itself. There are ten sections, starting with “A Traditional Christmas”, with the first entry being one by Agatha Christie; it is a story that has aged well, and I don’t remember having read it even though I thought I’d read everything by that writer. There are a few more, and range from just a few pages, double columns on each page, to 25 or 30 pp. Then we move on to “A Funny Little Christmas”. The first there is a story by the late great Donald Westlake, and I gobbled it up and then felt bad that I hadn’t saved that story for last, because I adore his work and he’s gone and can’t write anything more. But I perked up when I noted that yet another section, “A Modern Little Christmas”, has an unread (by me) story by Ed McBain. There are many others. The final section, “A Classic Little Christmas”, bookends the anthology neatly by finishing with Dame Agatha. All told there must be about sixty stories, maybe more.

The anthology, edited by the brilliant and acclaimed Otto Penzler, is billed as having a number of rare or never-published short stories, and I think it’s a true claim. There are many mystery writers I’ve read and enjoyed here, and others I had never even heard of, but found immensely entertaining. I haven’t skipped any yet, but even if I find something I don’t care to read, the book is worth owning. I know that already. It is also billed as an anthology to warm the heart of any grinch, and indeed, there has been at least one story with a satisfyingly creepy ending.

One of the charming things about anthologies is that one can read a single story in a sitting and not feel too bad when it’s time to put the bookmark in and go get something done. Then it waits there to greet us as we return from executing less pleasurable tasks, a reward that invites us to sit down, curl up with good cup of coffee or the dog or both and have a cozy read. It also makes the book a lovely thing to keep where guests can access it, because they can enjoy it even if they haven’t time to read more than a story or two in between other activities.

…but I’m keeping you. You could be reaching for your car keys, your bus pass, or even better, going to another window to find this book online and order it. Once you see it, you will most likely feel as I do…unwilling to part with your own copy, yet yearning to get at least one more for somebody else! Get the plastic out and do it right away.

The Legacy, by Gary Gusick***

thelegacy Gusick’s hero, Detective Darla Cavanaugh, became an instant favorite of mine when I read the screamingly funny Officer Elvis, and so when I saw that Random House Alibi was about to publish this third book in the series, I scrambled quickly over to Net Galley to snatch up a DRC. Though Gusick is a tremendously courageous writer, one that seeks to stand uncompromisingly on the side of the angels, this time he’s stepped over a line in the sand that was better left uncrossed. I look forward to the next book in the series, but am not sure I can recommend this one.

The book will be available to the public December 6, 2016.

Darla has been planning a leave of absence. She and her husband, a doctor that runs the only remaining abortion clinic in Mississippi, have been unable to have a child of their own, and there’s a baby waiting for them in China. But she has to go quickly, or the adoption won’t go through. It is then that she receives a special request to investigate a murder. She says no; this is one time her family comes first. But the summons is from the governor. His daughter is dead, and he wants Darla to find out who did it.

This reviewer actually has an elderly relative that was tapped to investigate the murder of a governor’s aide in the 1980’s, and he didn’t want to do it either. There was a question of organized crime being involved, and it was dangerous. But as he pointed out at the time, there are some things you can’t say no to. It’s like being invited to tea with the queen; you have to go. And so it is with Darla.

By far the most endearing character here is Darla’s partner, Rita Gibbons:

“Rednecked Rita was…half a licorice stick short in the manners department, a deplorable character flaw in the state of Mississippi.”

When a witness that’s being interviewed coolly inquires as to whether Rita is a “Natchez Gibbons”, Rita tells her that she is actually a “Red Hills Trailer Park Gibbons”, from outside of Louisville.  And oh, how I wanted to engage, because this character is enormously entertaining, but there’s a problem, and it is at the core of the story’s premise.

You see, at the beginning of the story, we learn that Caitlin Barnett, the governor’s adopted daughter, who is African-American, was found hanging from a tree on the campus of Ole Miss. And once we have a lynching—whether it’s racially motivated and a real lynching, or whether there’s an ulterior motive and perhaps the body was posed there to deceive us—we can’t have any fun.

Here’s my litmus test to see if I am overreacting: I imagine giving this novel to one of my African-American family members to read, and I imagine what their reaction to it would be. Would they give Gusick props for pointing out that racism is still alive and flourishing in American society? Would they be glad that he has raised the issue of the Confederate flag? Or would they be slightly queasy, as I was? And immediately I knew that I would never, ever ask any of them to read this book, and if I did, they would probably take my husband aside sometime soon and inquire as to whether I was on any strange new medications.

In other words…no. Once there’s a lynching, or the appearance of one in a story, there can be no giggles, and we can’t rock and roll. It’s a hot stove top kind of issue; it’s not something we can touch, whatever our fine ultimate intentions might be, if we’re going to be partying anytime soon.

I still admire Gusick. Who else would have the rare courage to open oh, so many cans, and release oh, so many worms? But if one has the heart of a lion, one also needs some judgment, and this is where his story comes undone.

Although I cannot recommend this book to you, I look forward to reading this author’s work in the future. He’s done great work before, and he’ll do it again.