Category Archives: crime fiction

Wildwood, by Amy Pease*****

Posted on by
Reply

“It was in the ratio of good to bad that monsters were distinguished from decent people.”

My thanks go to NetGalley and Atria Books for the invitation to read and review. This book is for sale now.

This book is the second in a new series by Amy Pease; this is her sophomore debut. I didn’t read the first, so I can tell you with certainty that you don’t have to, either. There are frequent enough references to the backstory here that I could follow it just fine, yet I also wondered why I was invited to read this one without having read the first. I’m over it. This is a terrific series, and when the third installment is written and available, I’ll be ready for it.

The setting is an idyllic small town in Wisconsin. “There was something in the water in Shaky Lake that turned even the toughest people into extras in a Hallmark movie.” Yet things are not as tranquil as they appear. A woman is reported missing, and the authorities that enter find blood spattered all over the walls, pooled on the mattress. Why would anyone do this to a young woman that lived alone in a singlewide trailer? But soon we see that nothing is as it appears.

Our protagonist is Deputy Sheriff Eli North, a recently deployed vet recovering from PTSD and alcoholism. I cringe when I read the latter, burned out as I am on alcoholic crime busters, but happily, booze is not at the forefront of this mystery. The sheriff, Eli’s boss, is also his mother. And this is a breath of fresh air; for a while, it seemed as if every mother in every book was a terrible person.

This is Eli’s investigation, but before we know it, the Feds are involved, too. Turns out that the missing woman—she of the blood-covered trailer—was also a confidential informant of the FBI. From there, the story unfurls in a way I find captivating. The ratio of crime-solving to character development is perfect. Whereas one has to suspend disbelief a little bit, it’s not more so than in most mysteries, and I like the way the ending plays out.

Highly recommended to mystery lovers.

The Briars, by Sarah Crouch*****

Posted on by
Reply

In 2024 author Sarah Crouch made her novelistic debut with Middletide, a hauntingly atmospheric mystery set in her native Pacific Northwest. This year she’s produced The Briars, which shows that where Crouch is concerned, there’s no such thing as a sophomore slump.

My thanks go to NetGalley and Atria Books for the review copy. This book will be available to the public January 13, 2026.

Annie is an Oregon game warden, but a ruined relationship sends her packing across the border of Washington State to the isolated hamlet of (fictional) Lake Lumin. There she finds friendship and a measure of solace, as well as an unexpected connection with the area’s mystery man. But all of it threatens to come crashing down when a teenage girl is brutally murdered and left in the woods near his property.

I enjoyed Crouch’s debut novel, but I love this one even more. Crouch depicts the wilderness of Washington State flawlessly, and I can practically smell the evergreen trees and damp, decaying bark as I read. But The Briars is even more about character, and I feel I know Annie, the mystery man known as Daniel, and local ranger Jake intimately. I am sure by about the halfway mark that I know exactly whodunit, but I tell myself that I don’t mind because the narrative is so compelling. In the end, the joke is on me; I don’t already know who killed that girl, and yet the solution makes sense.

I highly recommend this outstanding mystery to all that love the genre.

https://www.goodreads.com/review/show/7803351642

The Best Mystery Stories of the Year 2025, by John Grisham and Otto Penzler*****

Posted on by

John Grisham and Otto Penzler have teamed up and compiled a delightful, high-quality collection of short mystery stories to entertain you. My thanks go to NetGalley, High Bridge Audio, and Penzler Publishers for the review copies. You can buy this book now.

All told, there are 20 stories that made the cut, plus a “bonus” story at the end. This mystifies me; why not just say there are 21 stories? Maybe there’s a tradition of only selecting 20. At any rate, I liked all of them except one, which I’ll explain in a moment. They are all well written, and they encompass a wide variety of subgenres. My favorites are “Home Game,” by Craig Faustus Buck; “Only a Story,” by Kai Lovelace; and “Effie’s Oasis,” by Casey Stegman. I had never even heard of any of these writers, so now I have three new authors to watch for. I was not as fond of “Dream Stuff,” by Lou Manfredo, but that’s because I dislike noir mysteries for the way that women are disrespected. Here’s an example: “Mary Lou, my previously noted overpaid secretary, poked her cute little head into my office…” and it goes on in that vein. I haven’t deducted anything from my rating, because I know that the aspects that I find problematic are part and parcel of noir mysteries, and so I can’t see penalizing this one author in the collection, or Grisham and Penzler, when I know that there are a considerable number of readers that love these stories, and not all of them are men.

One other minor irritation is that I was provided with both the digital and audio versions of the galley, but the stories aren’t in the same order in both books, which led to a fair amount of panicked flipping around my digital copy to try to match up with the story being read. If they’re going to edit the order in one format, I’d appreciate it if they would do it in both so that they match; hopefully this is straightened out in the finished copies.

 But while I’m talking about the audio version, I should also mention that the readers, Marnye Young and Jamie Renell, are top notch. There’s a great deal of dialogue in most of these stories, and they are both pitch perfect in reading the characters’ voices.

Whether you prefer a print or digital copy to read with your eyes, or an audio book that can follow you around while you do other things, you can’t go wrong with this collection. Highly recommended to all that enjoy the genre, and perfect for Halloween.

Sharp Force, by Patricia Cornwell****-*****

Posted on by

4.5 stars, rounded upwards.

Sharp Force is the 29th mystery in the Kay Scarpetta series, and it’s a humdinger. My thanks go to NetGalley, Grand Central Publishing, and Highbridge Audio for the invitation to read and review; this book will be available to the public October 7, 2025.

In writing this wildly successful series, author Patricia Cornwell goes deep into character, which is the best way to write a long running series. There are, after all, only so many ways to kill someone, and only so many reasons for doing so. One can add strange variations that raise questions, and indeed, Cornwell does, but the thing that keeps me on the edge of my seat is not only identifying and stopping the killer in question, but also making sure that Kay and her family are also safe. I’ve been following these folks for the whole series, and knowing that Benton, Marino, Lucy, and even Dorothy, Kay’s obnoxious sister who’s married to Marino are safe. I even worry about the cat, and this time around, we have reason to do so. (For those with triggers: no animal cruelty is involved in this book.) Conversely, there are also long running nemeses such as Dana Diletti, the journalist that will ruin the progress of an investigation in order to gain a scoop, and Maggie, the obnoxious secretary whom Kay fired for cause, but who is still working in an adjacent position, spying for friends in high places. Round all of these off with the disturbing, fascinating Janet, an AI entity developed by Kay’s badass niece, Lucy, a tech genius whose late lover, Janet, is the model for the AI. Janet—the artificial one, since the flesh and blood one was killed several books back—knows too much, and though she is helpful at times, she also has a tendency to stir up trouble within the family.

When all of these characters are stirred into Cornwell’s cauldron, the trite, often obnoxious tropes one runs into aren’t needed or used here, a welcome relief. Kay isn’t going to be knocked over the head and kidnapped; she doesn’t have an alcohol problem and the constant itch that goes with it; she hasn’t been framed and called upon to exonerate herself. (Some of these appeared early in the series, but have been blessedly absent for a good long while.)

There are a couple of recurring features that I would like to see the author avoid. These appear at the very beginning, so the reader has a long time to get over them: for example, why does there always have to be a big storm on the way just as the book opens? And when the narrative commences with Kay and Benton packing to spend Christmas in London on vacation, I roll my eyes and say, “No, we already know something will prevent this trip from taking place. Unpack your suitcases, kiddies, you never get to go anywhere.”  And once again, the murder victim is someone Kay knows. These are small issues and rendered smaller by their appearance early, so I can quickly recover from my annoyance, but honestly, Cornwell has enough skill to dodge these next time, and she should.

I was fortunate enough to have both the digital and audio versions of this novel. Reader January LaVoy, one of my favorites, does a fine job.

The high rating I give this story, despite the opening irritants, is based on how I feel as I’m reading. I read anywhere from six to ten books at a time, located in various forms and on various devices, and while I am reading this one, I don’t have much interest in the others, although some of them are quite good. I cannot deny a strong rating to a book when I itch to return to it, as I surely do; then too, the ending is always important in a novel, and all the more so in a mystery, and this ending is terrific!

One side note: the Scarpetta books form the basis for a new series coming out soon, starring Nicole Kidman—a personal favorite—in the title role. I’m on pins and needles waiting for it!

Highly recommended to those that love the genre.

Clete, by James Lee Burke*****

Posted on by

Mortality is mortality. It comes to you when it’s ready. We don’t set the clock.

The Dave Robicheaux series by James Lee Burke is one of the finest ever written. As the faithful know, Clete Purcel is Dave’s partner in whatever he does. Once they were cops that called themselves “The Bobbsey Twins from Homicide.” (You probably need to be a boomer to get the reference.) Now they are on their own, but they are still like family to one another. This is the 24th in the series, and it’s the first to be told from Clete’s point of view. It’s a brilliant idea for two reasons: first, because Clete is a well written and wildly popular character, and also because it gives us a chance to see Dave through someone else’s eyes, someone that loves him, but isn’t him.

My thanks go to NetGalley and Grove Atlantic for the invitation to read and review, along with my profound apology for being so very late. This book is for sale now.

In this installment, a new drug ring has come to Louisiana, and it’s creating still more violence, more death, and more crime in general. Clete, who is now a private detective, is hired by a woman named Clara Bow. (If the name rings bells, it’s because the real Clara Bow was a famous movie star from the silent film era.) The Clara that hires Clete wants him to look into the activities of her skeevy ex-husband. Once he begins, we hardly have enough time to breathe. Clete hits the ground running, and there are no slow passages till the book concludes.

My favorite passages are the ones in which a woman named Chen, whom Clete rescues, then falls for, tells him how he appears to her. Here’s one: “You always gentleman, Mr. Clete. Your cats sleep on your face and you no mind. The world kill men like you because you brave and you kind.”

Later, Chen promises him that she won’t go back to taking drugs. “That because I go to a meeting every day with the Work the Steps or Die Motherfucker group. The Motherfuckers are very nice.” He advises her not to use that term in public. Don’t you love it?

Like every book in the series, this one moves seamlessly from scenes with quirky characters and dark humor, to glorious literary passages that I have to read more than once just to admire the writing, to passages that are gritty and violent and occasionally terrifying. Let me put it this way: you will never be bored.

Can you dive in mid-series? I did; then I became so enamored that I went back and read all the rest of them.

Highly recommended.

Apostle’s Cove, by William Kent Krueger****-*****

Posted on by

Apostle’s Cove is the 20th novel in the Cork O’Connor mystery series by William Kent Krueger. The series takes place in a fictional town of Aurora, Minnesota near an Indian Reservation. Most of the characters are all or partly Ojibwe (also known as Chippewa, or Shinnob). Apostle’s Cove is an area with spectacular views, and it is home to the malign widow of an enormously wealthy man, who built a mansion there.

My thanks go to NetGalley and Atria Books for the review copy. This book is available to the public now.

This story commences with Cork receiving a call from his son, Stephen, who’s working with The Great North Innocence Project, an organization that helps people that have been wrongly convicted. Cork is a restauranteur and private detective now, but Stephen tells him that during his time as sheriff, Cork sent an innocent man to prison. For 25 years, Axel Boshey has been serving out a lifetime term for a murder he didn’t commit. He confessed to it in order to shield the person he thought to be the actual killer. Now Stephen wants Cork to go back, untangle the mess, and get Axel out of lockup.

The story—and the series—is helped considerably by its appealing recurring characters. The two most compelling ones are the very oldest—Henry Meloux, an ancient wise man that lives in the forest and counsels those that seek his help—and the very youngest, the seven-year-old grandson affectionately known as Waaboo, a child with supernatural powers to whom the spirits speak.

Halloween is fast approaching, and there is great excitement as the small community prepares for it. Waaboo is excited, yet also troubled. The Windigo, a cannibalistic spirit, is nearby, and it’s hungry. It isn’t here for Waaboo, but nevertheless, he is disturbed by it.

The story is complex and, in most regards, believable. I read multiple books at a time, but while I read this one, the others became sidelined much of the time. This series is reliably well written and entertaining, and so it is with Apostle’s Cove.

Can you jump in mid-series? I did. I began reading it with the 18th in the series. Whereas it’s more fun once you recognize the characters, there’s nothing that will confuse a new reader.

Highly recommended to those that enjoy the genre.

Too Old for This, by Samantha Downing*****

Posted on by

Too Old for This is author Samantha Downing’s wickedly funny novel about a female serial killer. She’s retired now, living under an assumed name, but then a journalist comes to her door. She knows things and intends to write about them, and she won’t be dissuaded; then, of course, a woman has to do what she has to do.

My great thanks go to NetGalley and Berkley Publishers for the review copy. This book will be available to the public August 12, 2025.

Lottie Jones is 75 years old, living the quiet life of a single retired woman. Her son, Archie, is grown; Lottie’s chief delights are the bingo nights at the church and a bit of gossip here and there. A quiet life. Years ago, she was suspected of killing three people. Her name was splashed on the fronts of tabloids; she became a local pariah. In the end, however, she wasn’t even arrested following all of the harassment, and she successfully sued the city for damaging her reputation. The settlement was enough to start a new life for herself and her little boy, including the purchase of her home.

After one gets to be a bit older, one’s priorities and pleasures begin to shift. She doesn’t date anymore, for instance, and

“Like so many other things, murder began to feel like a chore instead of a joy. So I stopped. And I hardly ever thought about it, except in that nostalgic way. I didn’t want to go back, but I enjoyed the memories.”

The whole story is just as droll. It’s a strange alchemy, creating a likeable murderer; in the same way, the dissonance between her homicidal activities and the humdrum routines into which she has settled creates a hilarious sort of mental whiplash. One minute she’s warming up her rechargeable chainsaw to dismember her victim; the next she’s stewing about the snide remark someone at church made about the potluck dish she contributed, and gossiping about that person to her more sympathetic friends. And then her future daughter-in-law surprises her by dropping in unexpectedly, and she is concerned about Lottie’s safety, what with living alone, so she brings her a stun gun. “This was very thoughtful of her. No one has ever bought me a weapon before.”

At some point, I realized that after seeing the back of her head on the book’s cover so many times, I had mentally edited in what Lottie’s face would look like if she turned around. I pegged her as a doppelganger for Camilla Parker-Bowles.

The book’s ending is pitch perfect. Highly recommended!

Fever Beach, by Carl Hiaasen**-***

Posted on by

What happened? I used to absolutely love novels by Carl Hiaasen. In his most recent release, Fever Beach, we see a conflict between good—in the person of our main character, Viva Morales—and evil, played by a variety of Proud Boys wannabees and other undesirables. The good person is always good; the bad guys have no redeeming qualities. Only Viva’s ex-husband is a dynamic character.

Still, my thanks go to Doubleday and NetGalley for the review copy. This book is for sale now.

As I read, I keep reminding myself that this is not a book I’m supposed to take too seriously, to lighten up and just roll with it. I certainly used to do so when reading Hiaasen’s work. But perhaps because of the stereotyping and complete lack of nuance, what might otherwise have seemed droll and satirical, instead comes across like a whole lot of cheap shots fired off the bow.

Mind you, I am certainly not a fan of ultraright organizations, and the rising tide of bigotry, fascist ideology and anti-Semitism concerns me greatly. But in an already highly polarized nation and world, all I can think as I read is that this story isn’t helping. It is the snobbery and elitism of the highly educated that has driven a large number of folks into the arms of extreme right; some intelligently reject the elitism and cancel culture consciously, but they aren’t in this book. In real life, those that are poorly educated and/or intellectually handicapped, as the bad guys in this book are, would in most cases give their right arms to wake up “clever” like Viva.  It strikes me as counterproductive to write a book that makes fun of right-wing intolerance, while practicing intolerance from a different angle.

Back in the day, before anyone judged anyone else by the color of their hat, I used to roar with laughter at this author’s work. Did it change, or did I? I would like to think it is the former.

I rated this book 2.5 stars and have rounded it upward, more from a fondness of his early novels than anything else. I do recall reading another of his more recent books—not for review, but just because I felt like it—and saw some of the same problems, so I will tell you that this book will probably work for you if you enjoyed his last one. Apart from that, I cannot recommend it.

Overkill, by J.A. Jance*****

Posted on by

Overkill is the 18th book in the Ali Reynolds series. Ali and her husband, B. Simpson, run a cybersecurity firm. This mystery features two parallel problems. The first is when B’s first wife, Clarice, is accused of a murder that she didn’t commit. B. wants nothing to do with the problem—or Clarice—but Ali is convinced that she should look into it. The second problem is that Cami, the young woman that works for Ali and B., is being stalked while on a business trip. Both problems create a tremendous amount of suspense for the reader, and Jance is an expert at juggling many threads and details without dropping anything, while making the story clear enough that the reader can keep track. I enjoyed this book a great deal, and it’s for sale now.

My thanks go to NetGalley and Gallery Books for the review copy.

One of the things I love most about reading a J.A. Jance mystery is the feminist mojo she brings to every book. It’s subtle and built into the plot, rather than reading like a manifesto, but her sympathies toward working women, both professionals like Ali, and humble housekeepers such as the woman accused here, is manifest. It’s not an unusual mindset to encounter in a novel these days, but Jance has been doing it since long before it was common. In addition, her pacing never flags, and I don’t get confused by her plot lines, even when there are a good number of characters to track.

This is the first time I’ve used an audio version to read any of Jance’s books; I had fallen behind a bit, so I checked out the audio to keep me company on a road trip. Karen Ziemba does a fine job with the narration. I highly recommend this book to those that love the genre; you can read it as a stand alone if desired.

May the Wolf Die, by Elizabeth Heider***-****

Posted on by

“Sometimes, killing is necessary.”

Elizabeth Heider is a scientist with a long, impressive track record. Now she has published her first mystery, May the Wolf Die, as well, proving that some of us can wear multiple hats very well indeed. My thanks go to Penguin Random House and NetGalley for the invitation to read and review. This book is for sale now.

Our protagonist is Nikki Serafino, an investigator living in Italy. She’s out in her boat one day when she finds a man’s corpse, and from there we venture into local organized crime.

The mystery itself wasn’t as engaging as I had anticipated, given the buzz, but there are a few laudatory aspects nonetheless. First, Heider is a scientist, and often when someone is a specialist in some other field, they info-dump so much data into their novel that it loses its sheen. Heider’s restraint here is admirable. The unusual characteristic of the corpse, which I won’t disclose, appeared to be a gimmick that would take over the story, but it wasn’t and didn’t. The ending was solid. But the best and most important feature, the thing that elevates this mystery from three stars to four, is the punchy yet tasteful manner in which Heider deals with sexism and violence against women in the military. There are a couple of stand up and cheer moments that made me sit up and take notice.

This is a debut novel, and a promising start for Heider. I wish her well in her new career.