Category Archives: beach reads

Hook’s Tale, by John Leonard Pielmeier***

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HooksTalePielmeier’s debut novel gives poor, maligned Captain Hook an opportunity to share his side of the story. The teaser promises a “rollicking” story, and at first it seems to be exactly that, but it runs out of steam early on. Nevertheless, thank you, Net Galley and Scribner, for the opportunity to read and review.

At the outset, Captain James Cook (his name isn’t Hook!), named for the famous sea explorer, describes himself as looking nothing like the “unbearably pompous actor”, a clear reference to the hilarious Cyril Ritchard, who played Hook in the twentieth century complete with high heeled boots and a beauty mark; however, our pirate assures us, those periwinkle blue eyes do fit the bill. There is an assumption that the reader is well steeped in both the stage and cinematic depictions of the character, and it seems like a fair one. I love reading Hook’s fond and hugely original description of Smee, and our introduction to Hook’s pet crocodile.

“I named it Daisy, after my mother.”

Unfortunately, somewhere between the ten percent and twenty percent mark, the narrative founders, and the most frustrating part for this reviewer is that it’s hard to pinpoint exactly what goes wrong. The concept is strong, the voice clear, and yet my interest is gone before the quarter-mark is reached, and at that point I am reading for duty rather than pleasure. I came away with two considerations.

The first is the linear quality of the prose. The formal, old-school language is fun at the outset, but it might be more powerful if alternated with a present day narrative. Hook could have a grandson or other present-day relative that contributes; since Hook marries Tiger Lily, that might be a way to get there. Readers of the digital era may not have the patience to read the rather Victorian-sounding dialect all the way through. An alternating narrative would probably pick up the pace and make for a more compelling arc.

The second consideration is audience. There are two characteristics here that suggest completely different types of reader, and they don’t overlap very well, which may make for a small readership. We have the Boomers and those that came right after them, folks that may have seen the Cyril Ritchard version of Captain Hook on television. It was a childhood favorite of this reviewer, and you can watch the entire thing here:

https://www.youtube.com/watch?v=r6K2M…

The assumed knowledge and detailed descriptions jibe with this audience. But then there is the other sort of detail, the gore and guts that are more suited to a young reader, perhaps one in his early teens. Older readers may wince at the graphic gore here, decapitations and intestines and fountains of blood—I certainly did—but younger readers that are more likely to love it are unlikely to tolerate the formal prose style adopted. It’s hard to tell whether the writer had a particular audience in mind, but if so he shot wide of the mark.

Another possibility is that the story really is better as a visual medium. Reading about people flying is not as enjoyable as seeing them do it, and I say this as a person that prefers the printed word over film almost always. J.M. Barrie’s work itself is difficult to plow through, and also racist as hell; the story took wing on stage and screen. In addition, the stage version was the first time an actor had been hooked to cables and “flew” in front of a live audience; what seems like corny, ancient technology now, was new and exciting then.

All of this notwithstanding, you may love this book. It was released July 18, and is for sale now.

What I’m Reading

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I’ve been experimenting with ways to share what is coming up next. Usually I put this on a different page, but then it also tends not to get seen, likely due to the absence of share buttons. Let me know what you think. Is it better to post it separately, or do you like it here?

 

Here are books I’ve finished reading, and as soon as a sane moment presents itself in my uncharacteristically busy domicile, you will see them reviewed here:

Mystery

 This is what I am reading now; all are good, but some are outstanding. [Imaginary drum roll goes here.]

Southern Fiction

Holding, by Graham Norton*****

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holdingIrish novelists are rocking the publishing world this year, and Norton’s debut novel is among the best of them. My great thanks go to Net Galley and Atria Books, who provided me a free and early read in exchange for this honest review. You should get it and read it. Atria will release it August 1, 2017.

Our protagonist is Sergeant PJ Collins; the setting is the tiny Irish town of Duneen. PJ is ecstatic when a corpse is uncovered at a local construction site. At last, something noteworthy has occurred in his sleepy village, and he can’t wait to tell everybody. He starts with his housekeeper, Mrs. Meany:

“I’m after finding a body.”
“You what?”
“A human body!”
He had waited his whole life to utter those words, and it felt as good as he had always imagined.
“God spare us!” Mrs. Meany gasped.

The villagers are convinced this is the body of Tommy Burke, a man loved ardently by two local women. Evelyn has never married; she and her two sisters still live in the family manse in which they were raised. Is Evelyn bat-shit crazy, as some people suggest, or is she merely frustrated and lonely?

Brid also loved Tommy. They were to be married, but he upped and disappeared just before the wedding. She is currently locked in a joyless union; she and her husband remain together for the sake of the children and the farm. It isn’t easy.

And then there’s our protagonist, PJ, who is graying at the temples, never having known love. He hasn’t even had a girlfriend. He went on a date, once, and the girl guffawed when he wasn’t able to situate his large self into a theater seat to view the movie. That was enough for him. He’s married to his work, and she’s a lonely mistress. At the end of the day there’s only Mrs. Meany, his aging housekeeper, and she will have to retire, sooner or later.

But things are about to change.

UK readers may have been drawn to this novel by its author, who is also a celebrity and has a television show, but I had never heard of him. I won’t forget him now.

One cautionary note: there’s some sharp, dark humor involving religion that will make this a poor fit for some readers. I loved it, but the devout may not. There’s also a fair bit of bawdy language.

For those that enjoy dark humor, this one is hard to beat. As an added bonus, it is ultimately uplifting, and reminds us that one is never too old to find love in this world.

Amish Guys Don’t Call, by Debby Dodds****

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AmishGuysDon't Amish Guys Don’t Call is funny, absorbing, and ultimately lifting. Dodds has a great heart for teenagers, and this title is one that should grace every high school and middle school library, and will also attract parents and teachers of adolescents. I read it free and early thanks to Net Galley and Blue Moon Publishers. This book will be available to everyone June 13, 2017.

Samantha is still smarting from her parents’ divorce and her father’s inattention when her mother moves them to Lancaster, Pennsylvania, which is the heart of Amish country. Samantha has been in trouble for shoplifting, and the urge increases when she is in stressful situations. To her surprise and delight, she strikes up a friendship with Madison, who in turn pulls her into the most popular circle at school.  The one thing that gets in Sam’s way is her wholesomeness. She doesn’t drink, smoke, or use street drugs; not only is she still a virgin, but she’s never had a boyfriend. Madison tells Sam that all of this can end, with some careful time and grooming. Thus is “Project P” launched.

Despite the name of the boyfriend project, this book is free of explicit sexual situations. We see drug use, and sexual situations arise, so those considering whether this title is right for your teen or group of teens should bear this in mind. If in doubt, buy a copy for yourself and read it first.

At a big party held at night in a cornfield by Amish boys during their Rumspringa, a period in which some Amish groups permit their adolescents a taste of what the outside world is like and tolerate sometimes-extreme behaviors as a rite of passage, Samantha meets a young man named Zach. He’s handsome, and he’s drawn to her. We can tell from his behaviors (as well as the book’s title) that he is Amish, but it takes quite awhile for Sam to catch on. She is obsessed with his failure to provide her with his cell number. Is there another girl in the picture?

This story was a fun read, but I don’t recommend it to general audiences apart from those that really enjoy a wide variety of YA novels. Every nuance is explained thoroughly, and so whereas the text is accessible to students—with vocabulary at about the 9th grade level—most adults will want something more nuanced.  That said, if I were still in the classroom, I would purchase this title. Because the subject matter might provoke conservative parents, I would not use it as assigned reading or use it as a classroom read-aloud, but I know that a lot of students will want to read it.

Recommended for teens that are not from highly conservative backgrounds.

We Are Never Meeting in Real Life, by Samantha Irby*****

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wearenevermeetingGet out your plastic and go use the restroom, because this book will leave you holding your sides. Samantha Irby mines what ought to be old material but isn’t, at least not by the time she is done with it, and her edgy, plain-truth humor may leave you breathless by the time the last page is turned. My thanks go to Net Galley and Knopf Doubleday for the DRC, which I received free and early in exchange for this honest review. This book has just been released and is available for purchase.

Much of the base level subject matter is eternal and well worn: needing to use the bathroom while stuck in traffic; dating; racism; attempting to lose weight. But Irby has a fresh take on everything. She refers to herself as “old”, and since at 36 she is the age of this blogger’s eldest child, I suspect that I am not her target audience. But so much of what she says is eternal, and her take on current social concerns such as cop violence and the horror of stumbling upon a bunch of white people in the hinterland performing a Civil War reenactment complete with Confederate flags is welcome and resonant. The thread in which she voices the horror of being away from a major urban center is one I share. I have not laughed at potty humor since I was twelve, but the essay containing the traffic jam bathroom emergency on the way home from the dorm made me laugh hard enough to shake the bed, and my husband—a silver-haired Japanese gentleman old enough for Social Security—laughed hard enough that he was doubled over. The passage where she discusses having squandered money on things she doesn’t need just to prove she can do it is just one instance where I laugh because I am surprised. What writer ever admits this? Irby does.

Other aspects of this wonderful collection of essays were more educational than resonant, but also good to read. Can Black women admit they have mental health issues and still be Black?

Her cover model represents the cat from hell, Helen Keller:

“’I know where they keep the euthanasia solution,’ I whispered into the downy fur on top of her head.”

Every book blogger knows the pressured feeling that comes with scooping up a galley right before publication. When I begin the book, all I want is to read it fast so I can review it in a timely manner; yet by the time I turn the final page, I am disappointed that we are done here.

Highly recommended to strong women with an offbeat sense of humor, and those that love them.

Watching the Detectives, by Julie Mulhern*****

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“’There’s been an incident…Mrs. White in the study with a revolver.”

watchingthedetectives
Mulhern is on a roll. This is the fifth book in the Country Club Murders series, but I plunged in without having seen the first four, and it was still a treat. Thank you, thank you to Net Galley and Henery Press for the DRC, which I snagged free and in advance in exchange for this honest review. It is now available to everyone.

The story is set among the Caucasian upper middle class of the 1970s, and Mulhern renders the period—when this reviewer was a mere, blushing wisp of a girl—so well that I checked twice to see whether it was an older title being re-released.

Ellison Russell is our protagonist, and people keep dying at her domicile. It’s become a nuisance, and there’s a cop that thinks it’s too great a coincidence. Ellison’s in a jam, and her thirteen-year-old daughter Grace isn’t helping. She sulks when they are told they must leave the house for a few days because it’s a crime scene, exclaiming that people have died at their house before and they didn’t have to leave. It’s just not fair!

Ellison is a widow, and a merry one at that; she has a flirtation going with a local cop whose name is Anarchy—a guy who believes in rules– but her main man is Mr. Coffee. He’s always there for her.

I moan when Ellison’s mother is introduced—yet one more overbearing mother, I thought, and authors always blame everything on mothers, just like everyone else does—but then I am surprised by where she takes it. I won’t say more lest I ruin it for you. But I will say this: every overused or overworked plot element is here for a reason, either to take it apart, or to make fun of it. Mulhern considers every word in this dandy novel carefully, and the result is splendid.

As the story unfolds there are other witty tidbits tucked in here and there, such as a character named Margaret Hamilton who is such a witch. But the frippery and snarky humor aren’t the whole package; while the mystery is a romp, serving up the snobbery of the petit bourgeoisie with a sharp skewer, this excellent novel is also a nicely turned feminist manifesto. While the mystery is a fine 4-star beach read, the author’s purpose is a strong one that’s delivered well. It is for this aspect that the fifth star is given.
Highly recommended for strong women and those that love them.

Before the Rain Falls, by Camille Di Maio***

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beforetherainfallsThose looking for a sweet, light romance will find it here and come away happy. It was just published, and you can get it now. Thanks go to Net Galley and Lake Union Publishing for the DRC, which I received free of charge in exchange for an honest review.

The story is divided between three protagonists, and the narrative alternates to include each of their points of view. Two of the characters are Della Lee, a very elderly woman recently paroled from a life term in prison for the murder of her sister, and Paloma Vega, a young doctor that’s returned to her hometown on the Texas border to take care of family business.

One thing that drew me to the title is that the most important characters are both women, and it is they that prove to be the most dynamic. Our third character, Mick Anders, is a journalist seeking Della’s story. He is changed by it, and yet really his character exists as a foil for the two women. So far, so good.

Because the premise starts with the woman who’s spent her entire adult life in prison, I was expecting something grittier. Women in prison haven’t really made it into a lot of fiction, and so my interest was piqued. I was also hoping for a social justice angle, and to be fair, the teaser promises no such thing, and so to an extent, this disappointment is one I brought on myself. Though Della’s reminiscences as she unspools her memories for Anders recount some of what she went through, it really isn’t a prison story, but the story of Della’s own life and the sacrifice she has made.
The parallels between Della’s life and Paloma’s intrigued me and I was hoping the novel would veer in the direction of literary fiction, some allegory perhaps; something subtle and open to the reader’s interpretation. This isn’t that either. Soon the parallels feed into a tidy package, and the coincidences are just too many. I had reconciled myself to the likelihood that this really would, in fact, be a straight up historical romance, and if the end had been crafted in a more nuanced way I could have given it four stars, but instead it is predictable, and when that happens there can’t be magic, because the Great-And-Powerful-Wizard’s curtain has been pulled away by the unlikeliness of the story. Toto has the curtain in his mouth, and instead of looking at Della, at Paloma, and Nick I am looking Di Maio and saying, Oh come on. Seriously?

Some of the better moments in the story are the side elements, the interaction between Paloma and her sister Mercedes, an adolescent smarting from Paloma’s abandonment when she moved away. Paloma is wooing her back into a sisterly relationship, and her clumsy missteps and the ways in which she corrects herself are resonant and absolutely believable.

Although Della’s back story feels over-the-top to me, her present, the return to her home after seven decades away, the changes in the home and the strangeness of being back in the world and at liberty are also well done. The author does a nice job in crafting Della’s present-day setting and wedding it to her story.

Those looking for a traditional romance, something to pack for a vacation that will leave a warm, fuzzy afterglow will enjoy this novel, and to them I recommend it.

I Found You, by Lisa Jewell****

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ifoundyouAlice has found a good looking man on the beach, and she’s brought him home. See what I’ve found! With just this much information, I am immediately engaged, wanting to have a conversation with this woman about risks, about dangers. For heaven’s sake, what about your kids? Friends, this is only the tip of the iceberg. Lisa Jewell’s hot new novel goes on sale April 25, 2017. I read mine free and early, thanks to Net Galley and Atria Books in exchange for an honest review.

The level of suspense is heightened by shifting points of view. We have the man himself, who has amnesia and doesn’t know his name. Alice has her children name him, and they decide to call him Frank. Her teenage daughter Jasmine rolls her eyes, and I want to grab Alice and say, “Oh no you didn’t!” But since I can’t do that, I read on instead.

Frank has nightmares and we are privy to them, as well as the fragments of memory that come home to him in shards and fragments, bit by bit.

We also have two other, separate story lines. One is that of Lily Monrose, whose husband Carl has vanished. She is just twenty-one years old and came with him to UK from Kiev. He showered her with affection and gifts, found them a home, set up housekeeping, and one day, he failed to return from work. What the heck?

And then we have a vacationing family with a narrative set in the past, featuring teenage siblings Kirsty and Gray, who fall into bad company one summer.

Naturally we wonder from the get-go how these disparate elements will come together at the end of the book. Is Frank really Carl? Is Carl really Gray? Is Frank…well, you see what I mean.

The thing that I love about Jewell’s work is that her dynamic characters are always women, and she develops them well. Alice isn’t always a lovable character; her impulse control and judgment are less than stellar. She tells Frank at the outset:

“I’m not the most together person in the world and it doesn’t take much to make all the wheels fall off.”

She promises her friend Derry, who has seen her through some dark times that were partly due to her own terrible instincts, that she is letting Frank stay in the mother-in-law apartment in back of her home. It has a separate entrance; she will lock the door to her home, and it will just be for one night. But then, the dog likes Frank, and so she takes down the safeguards—the locked door, the one night, the keeping him in a separate place from her family—in breathtakingly swift succession, and I am with Derry, who asks Alice to remember what happened before.

Before what? I turn the pages a little faster.

Meanwhile, the police are way too slow in trying to help Lily, who is isolated in her exurban apartment; she is frantic. Her mother wants her to stop looking for Carl and come home, and it sounds like a smart idea to me, but then I have never lived in Kiev, so who knows? The longer Carl is gone, and the more we learn about him, the more I want to take Lily to the airport. Fly away little bird, there’s nothing that is good for you here!

The hardest buy-in for me is at the beginning, because really, people don’t just get amnesia. Not from car accidents, not from shocking experiences, not from anything. It’s almost unheard of, the stuff of bad old movies. But a good author can sell anybody anything, and I want to know what happens next, so I tell myself, fine then. Amnesia it is. And the way the rest of it unfurls is fascinating. Flawed but appealing, believable characters combined with strong pacing make this addictive novel the one you want at the vacation cabin, the beach, or just for a rainy weekend curled up in your favorite chair.

Recommended to those that love good fiction.

The Perfect Stranger, by Megan Miranda*****

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“To get blood out, you’d have to do a deep clean. With bleach.”

the-perfectstranger

Fans of Miranda’s may rejoice, and those that haven’t read her work will have to start now. This riveting psychological thriller may leave you jumping at strange noises and sleeping with the lights burning, but oh, it will be worth it! I read this book free and in advance, thanks to an invitation from Net Galley and Simon and Schuster, but it’s available to the public Tuesday, May 16, 2017, and you won’t want to miss it. It’s the perfect story for the time in which we live, with alienation, deception, fear, and misplaced trust looming large.

Leah Stevens has some boundary issues, and it’s lost her a position in journalism. Disgraced, she decides to leave town and start over in the Pennsylvania countryside. She gets a teaching job there. A former roommate, Emmy Grey, surfaces just in time to go along with her and split the rent on a house in the woods. It’s a terrific house, but there are noises at night.

Leah says there are cats under there, scratching, scratching.

They have hardly settled in before things start to go amiss. Strange events occur that leave her frightened. When the woman’s body is dredged from the lake, Leah realizes it’s been awhile since she has seen Emmy. They work different hours, but still…shouldn’t she have seen her by now? She’s late with her share of the rent.

Leah feels as if someone is watching her at night through the glass doors at the front of the house.

This spine-tingling journey keeps me guessing every step of the way. Every time I think I see a formula starting to unspool, Miranda does something different, something I didn’t see coming. And as Leah trusts her instincts to protect her, we see for ourselves just how bad her instincts really are. Ultimately, she decides to get out of the house and ends up at the end of the road, at “the last no-tell motel”.

The plot here is taut and original, but the success of the story hinges on character. Leah’s past transgressions are vague at the outset, and we readers can tell it’s a dark time that she doesn’t like to talk about. But as the lies and the layers of deceit are peeled away one by one, we realize just how poor her sense of boundaries really is. Leah is so believable that she’s almost corporeal; I want to grab her by the wrist, haul her into the kitchen and talk to her, but even if I were able to do that, she wouldn’t listen to me.  Her personality is divided, part savvy journalist, objective and focused; half overly trusting, vulnerable waif. Her capacity for self-preservation is more limited than she knows. Is she going to make it out of this thing in one piece?

I can’t say more or I’ll ruin it for you, but this is the book you’re looking for, whether you are going to the beach or just need time to escape right here at home.

Just be sure to toss a blanket over those big glass doors before you settle in to read. Trust me.

The Widow of Wall Street, by Randy Susan Myers*****

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thewidowofwallI was invited to read and review this title by Net Galley and Atria Books. To be honest, I wasn’t sure I wanted to read it. What, Wall Street? What does that have to do with the real lives most of us lead? But when I noted that the story involves an enormous tumble off that golden pedestal, I was intrigued. I am really glad I accepted the offer to read, because it contains a feminist subtext that I had no idea would be here. This story will be available to the public April 11, 2017.

I had to read the reviews of others to learn that this is a fictionalized version of the Bernie Madoff scandal, but if you approach it as straight fiction it’s just as good. The premise is that Phoebe marries Jake when she is very young, and she’s grateful to him, because she’s in the early stages of pregnancy with a little gift planted in her by a college professor who groomed her, screwed her in the upstairs lounge at school, and then dumped her so he could move on to the next nubile young lady in her class. It’s a time in history when becoming a single mother was an absolute taboo for any Caucasian woman of the middle class. Perhaps you had to be there, but I am telling you it was simply unthinkable. Not only would she have lost friends; her entire family would have lost friends, and maybe relatives also. The social stain was one that did not wash out.

And while we are talking about the time period—starting in 1960—I need to point out that Myers has nailed, with brilliant yet discreetly woven detail, the settings of the time periods between then and now in a way that’s undeniable and that draws me further into the story. Some authors try to use shortcuts in writing historical fiction, and when they do it you can tell they don’t have a grasp of the period: they toss in the names of popular celebrities, clothing styles, and other prominent bits of pop culture that they could glean from a ten-minute web crawl. Myers does the opposite. She focuses on the story and character, character, character, but the time period comes out in the background, as it should, with every aspect from the slang of the period, to its social mores, to every aspect of daily living. This reviewer grew up during the 1960s and 1970s, and as the story progresses, I find myself thinking, “I remember that!” I highlighted a hundred references that won’t fit into this review just out of sheer admiration.

Those that just want a beach read can get this book and use it as such, but for those that want to peel off the layers and look for what’s underneath, the feminist message is one we can relate to today easily. The assumptions that are made about her as a wife, that she is an appendage, and the way her family treats her speak to me. In some ways, I find myself thinking of Charlotte Perkins Gilman’s “The Yellow Wallpaper”, in which a woman simply becomes part of the home environment; at one point Phoebe notes that her family doesn’t want to hear her talk, and they don’t even really want to share their own stories with her, but she’s like a lamp that should be present when desired for whatever purpose suits the moment.

In the end, when her husband goes to jail for having stolen every penny from his investors, Phoebe has a choice to make. She can stand by her man, trying to eke out a little stash for his prison account so that he can buy candy bars and stamps, or she can live her life without him. To some it might seem to be an obvious decision, but by the time he is jailed, she is past sixty; she has lived her entire adult life with this man, and the mind of a senior citizen is not as flexible as a younger one. The way she works through it is riveting.

Read it as a feminist folk tale or read it as a beach read; one way or the other, this novel is highly recommended. (less)