|I was invited to read and review this title by Net Galley and Atria Books. To be honest, I wasn’t sure I wanted to read it. What, Wall Street? What does that have to do with the real lives most of us lead? But when I noted that the story involves an enormous tumble off that golden pedestal, I was intrigued. I am really glad I accepted the offer to read, because it contains a feminist subtext that I had no idea would be here. This story will be available to the public April 11, 2017.
I had to read the reviews of others to learn that this is a fictionalized version of the Bernie Madoff scandal, but if you approach it as straight fiction it’s just as good. The premise is that Phoebe marries Jake when she is very young, and she’s grateful to him, because she’s in the early stages of pregnancy with a little gift planted in her by a college professor who groomed her, screwed her in the upstairs lounge at school, and then dumped her so he could move on to the next nubile young lady in her class. It’s a time in history when becoming a single mother was an absolute taboo for any Caucasian woman of the middle class. Perhaps you had to be there, but I am telling you it was simply unthinkable. Not only would she have lost friends; her entire family would have lost friends, and maybe relatives also. The social stain was one that did not wash out.
And while we are talking about the time period—starting in 1960—I need to point out that Myers has nailed, with brilliant yet discreetly woven detail, the settings of the time periods between then and now in a way that’s undeniable and that draws me further into the story. Some authors try to use shortcuts in writing historical fiction, and when they do it you can tell they don’t have a grasp of the period: they toss in the names of popular celebrities, clothing styles, and other prominent bits of pop culture that they could glean from a ten-minute web crawl. Myers does the opposite. She focuses on the story and character, character, character, but the time period comes out in the background, as it should, with every aspect from the slang of the period, to its social mores, to every aspect of daily living. This reviewer grew up during the 1960s and 1970s, and as the story progresses, I find myself thinking, “I remember that!” I highlighted a hundred references that won’t fit into this review just out of sheer admiration.
Those that just want a beach read can get this book and use it as such, but for those that want to peel off the layers and look for what’s underneath, the feminist message is one we can relate to today easily. The assumptions that are made about her as a wife, that she is an appendage, and the way her family treats her speak to me. In some ways, I find myself thinking of Charlotte Perkins Gilman’s “The Yellow Wallpaper”, in which a woman simply becomes part of the home environment; at one point Phoebe notes that her family doesn’t want to hear her talk, and they don’t even really want to share their own stories with her, but she’s like a lamp that should be present when desired for whatever purpose suits the moment.
In the end, when her husband goes to jail for having stolen every penny from his investors, Phoebe has a choice to make. She can stand by her man, trying to eke out a little stash for his prison account so that he can buy candy bars and stamps, or she can live her life without him. To some it might seem to be an obvious decision, but by the time he is jailed, she is past sixty; she has lived her entire adult life with this man, and the mind of a senior citizen is not as flexible as a younger one. The way she works through it is riveting.
Read it as a feminist folk tale or read it as a beach read; one way or the other, this novel is highly recommended.(less)