Cathy Williams was a real person, and Sarah Bird steps up to tell her story, marrying an engaging narrative with historical fact. Though I am mighty late, I received this book free and early. My thanks go to St. Martin’s Press and Net Galley for the review copy.
Cathy Williams was born a slave, though her mother told her to regard herself not as a slave, but as a captive, one of noble warrior blood whose destiny was freedom. The American Civil War led General Philip Sheridan to the tobacco farm in Missouri where Cathy and many others performed forced labor for “Old Mister.” Sheridan chooses her to work in the kitchen; she isn’t pretty, and he figures she will do what she’s supposed to, rather than being caught up in romance. She and other former slaves work in exchange for meals and protection against Rebel slave-hunters.
The American Civil War is my favorite historical period to read about, and I have a soft spot for Sheridan, so this makes the story all the sweeter for me. Before my retirement, I was a history teacher and the civil war was what I taught for one term every school year, yet I didn’t find any inaccuracies here. That’s a rare thing.
Usually, stories that are set during this period hit a climax when the war ends, and soon after that, the book is over. Bird doesn’t do that here; after all, this story isn’t about the war, it’s about Williams. Victory is declared, everyone whoops for joy, and we’re not even halfway in it yet. I like this, because it shows some continuity, and one must wonder, at times—so the war ends, and then what? The South is decimated. The army virtually dissolves. What becomes of those we have been reading about? Reconstruction starts and fails, we know this; yet one wonders about individual stories.
After the war, the army is still Cathy’s home. She is a big woman, and when a soldier friend is murdered, she takes his army coat and dresses herself up as a man, becoming Private Cathay, and she joins the Buffalo Soldiers. In real life, she is the only woman to do so.
I won’t even try to recount the many experiences Williams has; in some ways, it’s a less exaggerated version of Forrest Gump, or Little Big Man, but an African-American woman is the subject, and the story is true. Bird did some top-notch research for this thing, and between that and her considerable skill with character development, pacing, and dialogue, the result is pure gold.
It starts a little slow, but patience will reward you. There’s a fair amount of violence—how could there not be—and a number of ugly situations that might make this a bad fit for a classroom read-aloud, and that’s a shame, but the story had to be told this way. I recommend it for high school libraries, and Black History Month shelves; it might also make a fine gift for your precocious reader, depending on your comfort level and theirs. The very best thing to do, younger readers or no, is to read it yourself. I alternated my review copy with the audio version that I scooped from Seattle Bibliocommons, and the reader is a standout, so I recommend it in that form as well.