Tag Archives: historical fiction

The Last Road Home, by Danny Johnson****

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thelastroadhomeThe Last Road Home, bold and impressive new fiction by Pushcart Prize nominee Danny Johnson, came to me free thanks to Net Galley and Kensington Books in exchange for an honest review. It tells the story of Raeford “Junebug” Hurley and his friendship with neighboring twins, Fancy and Lightning Stroud. Junebug is Caucasian; the twins are African-American, politely referred to during that time as ‘colored’ or ‘Negro’. The story is set during the Civil Rights movement of the early 1960’s, but in rural North Carolina, the Klan stands tall and strong and absolutely nothing has changed in terms of race relations. Junebug finds himself riding on the fence rail from hell. This fascinating tale will be available to the public in late July. Those that love good historical fiction should read it.

The book begins with one horrible loss after another. At age 8, Junebug’s parents are both killed in a car wreck, and he goes to live with his grandparents.  His life is pleasant and stable, helping his grandpa run the farm, but then his grandpa dies too. And by the time his grandmother dies, I have decided that the theme of this story must be grief and loss, or given the number of religious references, perhaps there is some sort of Christian redemption theme here. And on both counts, I find I am mistaken. Johnson is a masterful storyteller, and there is nothing simplistic in how this novel unfurls.

For while Junebug has plenty of questions about the religious fervor that pervades small towns of the South during this era, by the time he buries his grandma, he has had it with religion. “The preacher said a prayer, asking the Lord to be with me in this time of grief. I’d had all of God’s shit I could take and didn’t need His sympathy. If he said it was ‘God’s Will’, I might choke him.”

I wanted to stand up and cheer.

At age 15, orphaned and the sole remaining member of his family, he is on his own. “Fifteen was considered adult in farm years.” Lightning leaves home suddenly, unhappy with the limitations placed on Black men in his part of the world. Fancy is left behind, and she is the only friend Junebug has within walking distance of home. As friendship turns to passion, both find themselves occupying a dangerous place in their community. Given that they are cold shouldered simply for appearing in town together to run an errand, the thought of letting their feelings for one another be known is terrifying.  He recalls his grandma’s admonition:

“’Junebug, you need to understand that cruelty and memory have been married together a long time in the South.’”

Johnson does an outstanding job of depicting white neighbors’ responses to the notion that our protagonist is linked romantically with Fancy. At first they are able to maintain the age-old fiction that she is his housekeeper, but she goes home at night, then sneaks back in darkest night to lay beside him. The muted references, little hints given by Caucasian elders nearby to guide the young white farmer away from a liaison that doesn’t fit local expectations, are rendered skillfully. There are a number of really vicious racial epithets tossed casually around by the local landowners, not always even in anger, sometimes in ugly jokes, as this writer knows from childhood experience is the way racists behave when a white supremacist perspective is not something being fought for as an outlier, but rather the dominant, even comfortable, norm. As the book continues, not only anti-Black pejoratives, but also nasty terms regarding Jews and Asians are tossed into the vernacular. None are gratuitous; they are an undeniable part of the setting, which would be revisionist without them.

Fancy and Junebug seem doomed. He tells her, “It feels like my life’s sprung a lot of leaks, and I’m running out of fingers.” She points out that she only has ten fingers too.

I was watching for the pat ending, the comfortable happy fiction that novelists are often drawn toward. Every time I thought I knew where the story was headed, it went somewhere else. Johnson is brilliant at breaking apart stereotypes, making setting real and immediate, and his character development is strong apart from some minor inconsistencies toward the end. And his framework is materialist by and large, showing that our surroundings and role in life shape us in ways we sometimes don’t expect.

Those interested in this period of history or that love excellent fiction should order this book. It will be available to the public July 26, 2016; strongly recommended.

Radio Girls, by Sarah-Jane Stratford*****

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radiogirlsFearless women change history.

Radio Girls is a fictionalized account of the British Broadcasting Corporation and the remarkable women that shaped it. As we near the centennial of women’s right to vote in the USA and the UK, Stratford’s riveting historical fiction could not be better timed. I received my copy free and in advance thanks to Net Galley and Berkley Press in exchange for this honest review. I am overjoyed to be able to recommend this new release unequivocally. You have to read it.

Maisie Musgrave is born in Canada and raised in New York City. Tossed out of the nest without a parachute by unloving family, she makes her way to Britain, the place her heritage began. She wanders into the BBC half-starved and looking for an honest way to pay for her room and board, hoping in the meanwhile to meet a man she can marry for financial security.

At the BBC she meets supervisor Hilda Matheson, who fears nothing:  “Give that woman an inch and she takes the entire British Isles,” a colleague remarks.

Under the firm and commanding wing of Matheson, Maisie’s confidence and talent grow daily. It’s a very good thing, because over the course of time, more will be demanded of her than secretarial skills and errand-running.  My busy fingers marked one clever, articulate passage after another to share with you, but to enjoy Stratford’s fresh, humorous word-smithery, you really need the book itself.

Occasional historical figures drop in—Lady Astor, who was a moving force in the development of the BBC and a champion of women; Virginia Woolf, early feminist writer and crusader. Yet Stratford metes out these references in small enough batches that it’s clear she isn’t relying on them to hold her story together; rather, they are the cherry on the sundae.

Setting of time and place, pacing, and a million twists and turns in plot make this a good read, but it’s the character development that makes it a great one. I found myself wanting to talk to Maisie and cheering her on when she broke through to higher ground personally and professionally. I feared for her when she veered into dangerous waters and nearly wept with relief each time she was able to extricate herself and move forward. There isn’t a slow moment or an inconsistent one, and the protagonist is just the character women need to see right now as we move forward too.

How much of this is based on truth and how much made up for the sake of a great story? Read the author’s notes; she spills it all.

All told, Sarah-Jane Stratford’s historical feminist tale is perfect for today’s modern feminists—and those that love us.

This book is available to the public Tuesday, June 14. Change the screen and order a copy for yourself now. You won’t want to miss it!

 

Union Soldier, by Gordon Landsborough***

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unionsoldierI received this title courtesy of Endeavor Press, who invited me to read and review their material directly; I thank them for the invitation to read and review this Digital Review Copy free in exchange for an honest review.

Our protagonist is McGaughey, a physician with a troubled past who enlists as a Union soldier because he cannot enlist as a doctor. He falls in love with a young woman named Sara, and so this relationship is a key aspect of the book. He moves heaven and Earth to see that she is allowed to stay with his unit, even introducing her as a laundress, a thing I never knew Union troops enjoyed.

Landsborough does a middling job of character development and creates an aura of mystery around McGaughey. I found his depiction of Union soldiers in general alienating. For me, the American Civil War was the last really righteous war the US fought, and so his characterization of most recruits as men that would do anything rather than serve, men that were rough, dishonest and usually of poor character demeaning. I suspect he was striving for realism, or perhaps he truly believes the war should never have occurred at all. Those that take this position may find themselves enjoying the novel more than I did.

Setting was a problem for me. Whereas his descriptions of the immediate area in any given situation were well done, I could never place this story on the map. On the one hand, Flagstaff is mentioned several times and so I was thinking of Arizona. The prominent role given American Indians tells us he has to be in the West. But the Sioux confederation is in the North, primarily in the mid-western USA, and so I was confused.

Landsborough does a creditable job of pointing out that the American Indian was still fighting for justice during this time period. The US government strove to fulfill the integrity of the nation, but didn’t do well by native peoples.

The stereotype that McClellan was an unskilled general whereas Lee and Jackson were brilliant is a tired old saw. A more in-depth look at these generals demonstrates that McClellan was entirely capable but actually sympathetic to the Confederate cause. Considerable evidence proves that his failure to succeed militarily in most situations was intentional. Lee made a number of errors as did Jackson, who was often unreliable when he was expected to show up, but both were bold, and for a time their energy and boldness paid off. I would have liked to see more knowledge of the war itself in this story, which turns out to be more a Western and also a romance than a Civil War tale. To be fair, it was billed as a western, but I latched onto the title and expected something more.

For those that enjoy Westerns or historical fiction that contains romance, this book may be of interest.

The Kaminsky Cure, by Christopher New***

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thekaminskycureThe Kaminsky Cure is a satire of Nazi Germany previously published and now offered anew in digital format. Thanks go to Open Road Integrated Media and Net Galley for the invitation to read and review, and for the DRC, which I received free of charge. This title is available to purchase now.

Who would have thought it possible to satirize such a terrible time and have it come out in anything other than terrible taste? But New carries it off, using a pre-school aged child in a mixed family—with one Jewish parent and one Anglo parent—as his narrator. Several times the precocious tot points out aspects of his own narrative that are actually impossible, as for example when the child tells us exactly what is contained in something written and then blandly points out that he cannot read yet. It just makes it funnier.

The appealing thing about this novel is that it brings up the reality which should be obvious to any thinking person that has paid any attention to this particular time and place: most Germans as well as Austrians were entirely in favor of Hitler’s takeover, and although there were Jewish families, many of them in fact, that wanted out of Nazi-occupied Europe as quickly as they could go, there were others that had never embraced their culture and had converted to Christianity in some cases generations earlier; and such is the case with our protagonist’s family, which wants only to pass itself off as Aryan so that it can join in the party. Young Martin, the protagonist’s older brother, longs to become a member of the fearsome SS, Hitler’s storm-troopers. Ah, the uniforms! The ferocity! The authority!

Our toddler-narrator, meanwhile, observes his own family with platonic remove, contemplating which members have violated one edict or another and should therefore be turned in to the authorities. After all, that’s one of the things he has learned in school. Children are the future, and it’s up to them to weed out those older folk that fail to comply with important social changes.

It’s what Hitler would want him to do.

There’s one twist and then another, but overall I found that the story’s momentum lost steam as it progressed, because there was really just one joke here, and it could only be played so many ways before it became repetitious. Nevertheless, it’s wholly original, and when faced with an event as horrific as the Holocaust, one either has to laugh or cry.

And amazingly, New has created a way to help us laugh, at least for a little while.

Everyone Brave is Forgiven, by Chris Cleave*****

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everyonebraveisforgivenThis is one of those rare novels that I have passed by multiple times despite all the buzz it has generated, because it looked as if it was out of my wheelhouse. A socialite. Pssh. A British officer. Sure. But eventually the enormous buzz among readers and booksellers made me curious. The last time I had this experience, the novel was The Goldfinch, and once I had begun it I gasped almost audibly at what I had almost let slip away from me. And so it is with Cleave’s brilliant novel, historical fiction mixed with more than a dash of romance.  I was lucky enough to get the DRC free of charge in exchange for an honest review; thank you Simon and Schuster and also Net Galley. This luminous novel is available to the public Tuesday, May 3, and you have to read it. It is destined to become a classic.

Our protagonists are Mary North and Alistair Heath; she is dating his best friend, and he is dating hers.  The night before he is to leave to serve in the British armed forces, a moment flashes between them in which they know they want to be together; when he leaves, each grapples with issues of personal loyalty when thinking of the other.

If talent were a mountain, then Cleave would be Everest. If talent were an island, Cleave would not be Malta, but rather all of Britain. And Cleave’s use of word play, first to show how undaunted British youth were by the challenges ahead, and later in a sharper way as the characters learn terrible things and develop a new definition of what courage looks like, is bafflingly brilliant, the rare sort that makes lesser writers hang their heads and understand—this will never be you.

My primary reservation about this novel was that it dealt with the social elite, and my first thought was oh heavens no.  That poor rich girl is going to have to suck it up like everybody else. But I underestimated Cleave and what he was about to take on; Mary, Alistair, and the secondary characters around them begin with a set of assumptions that under his unerring pen seem not only reasonable, but the sort of normal to which their entire lives have accustomed them. Their cavalier approach to the war, from those that serve from those like Tom who at the outset, believe they will “give it a miss”, is the entitlement that has cradled and preserved them from the realities of the greater world all their lives.

And it’s about to change.

 

Any other city would be chewing its knuckles and digging a hole to hide in.    Alistair    wanted to yell at people: The bullets actually work, you know! What they did not understand was that the city could be extinguished. That every eligible person could die with the same baffled expression that he had seen on the first dead of the war, in those earliest shocking days before the men had learned to expect it. I’m so sorry—I think I’m actually hit.

 

In turns amusing, poignant, tender, and heartbreaking, this is a novel you will want to reserve hours of your most private moments to read. You may find yourself taking an unexpected sick day so that you can finish it. Based on the overall story of the author’s grandfather with changes, added details, and embellishments, all of which the protagonists would agree are first rate, Everyone Brave is Forgiven is an unforgettable story of love, war, and innocence lost.

 

Second Daughter: the Story of a Slave Girl, by Mildred Pitts Walter**

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seconddaughterstoryofaslavegirlSecond Daughter is historical fiction based on the true story of an enslaved woman that went to court and won her freedom in New England around the time of the American Revolution. I received this DRC free from Net Galley and Open Road Integrated Media in exchange for an honest review. And it’s just as well, because if I had paid any money at all for this brief but troubled book, I would be deeply unhappy.

First, let’s examine the positive aspects that allowed the second star to happen. Walter has nailed setting, and when Aissa, the girl that serves as our narrator, describes the kitchen of her master’s house, we are there and can see it all. Here she does an excellent job. Other settings are also well told.

Second, the length, just 119 pages, is accessible for young adult readers, many of whom find it difficult, in these technologically advanced times, to focus all the way through a full length novel.

Unfortunately, the problems outweigh the virtues. I have two issues that plant this story on my literary wall of shame. The first is technical, the second philosophical.

Technically I see this as a decent if unmemorable read, and were I to judge this strictly on the writer’s skill, I would call this a three star novel. Overlong passages of narrative, often unbroken by action or dialogue and in lengthy paragraphs, are likely to hit the average adolescent’s snooze button early on. The choice to tell everything in past tense as opposed to the more widely used literary present deadens the pace further. When we finally do get a passage of dialogue, it is so stiff and stilted that not even the most engaging teacher, when reading this out loud to her class, could possibly breathe life into it. One character is depicted as speaking with a Sambo-like dialect, all “dis” and “dat”. If one is going to use a dialect, make it respectful and readable.  This verges on mimicry, and any Black students in the room that haven’t tuned out or gone to sleep yet are going to be pissed, and rightly so.

I can see that Walters meant well in writing from the point of view of a Black slave girl and in depicting a victory gained by Black people on their own behalf, as opposed to the usual torture, death, and despair that represented those kidnapped and forced into slavery. But this is also where I have to step back and ask what the ultimate effect of this book will be on students that read it.

For the average or below average middle school student, reading all the way through even a fairly brief novel such as this one will likely be the only book they make it through during the term in which slavery is covered in the social studies, humanities, or language arts/social studies block. Part of the power of good literature—which this isn’t, and in some ways that may be for the better—is that it drives home a central message. I can envision students that pay attention to this book, perhaps because the teacher is particularly engaging and has driven home its importance, and then walking away from the term’s work convinced that all any slave in any part of the USA ever had to do to get out of his or her predicament was to find a good attorney, take the matter to court, and bang, that’s it, we’re free. Let’s party.

This novel addresses a relatively brief period in the northern states, where slavery had been legal but had not been as widespread as in the Southern states. King Cotton had not become the dominant economic mover it would become by 1850, when its grip on all of US governmental institutions would be absolute. By then, northerners made their money indirectly from the cotton industry in everything from shipping, boat building, rope making, and banking to growing crops for consumption by Southerners and in some cases, for their slaves.

If one is going to teach about slavery, far better to do so as part of an American Civil War unit. It’s a tender, sensitive, painful thing for children of color, but it’s not okay to deceive them, however unintentionally, with the misimpression that all slaves had options that they didn’t.  Better to use portions of Alex Haley’s Roots; teach about the vast but much-ignored free Black middle class in the north that was the primary moving force behind the Underground Railroad; or to show the movie “Glory” in class to emphasize the positive, powerful things that African-American people did during this revolutionary time, than to emphasize something as obscure, limited, and potentially misleading as what Walter provides here.

I am trying to think of instances in which this book might be part of a broader, more extensive curriculum such as the home-schooling of a voracious young reader, yet even then I find myself back at the technical aspect, which results in a book that is dull, dull, dull. Literature should engage a student and cause him or her to reach for more, rather than make students wonder if it will ever end.

In general I have resolved to read fewer YA titles than when I was teaching and treat myself to more advanced work during my retirement. I made an exception for this title because the focus appeared to be right in my wheelhouse, addressing US slavery and the civil rights of Black folk in America. I regret doing so now, but it doesn’t have to happen to you too.

Save yourself while there’s time. Read something else. And for heaven’s sake, don’t foist this book on kids.

Lilac Girls, by Martha Hall Kelly***-****

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lilacgirlsLilac Girls is the story of three women during World War II. I received a DRC for this book courtesy of Net Galley and Random House Ballantine in exchange for an honest review. I rate this novel 3.5 stars.

The story centers around Caroline Ferriday, an actress and New York socialite that volunteers at the Consulate organizing clothing and other essential items for French orphans; Kasia, a Polish teenager that is active in the resistance movement; and Herta Oberheuser, a doctor given one opportunity to practice medicine under the Nazi regime…at Ravensbruck. All of these are based on people that existed, though the story is a fictionalized account.

Kelly’s debut novel is strong in historical detail and setting. Here she describes Kasia’s home town in Poland:

 

Lublin rose beyond them in the distance, like a fairy-tale city, scattered with old

red-roofed pastel buildings as if a giant had shaken them in a cup and tossed

them on the rolling hills.

 

Whether it’s at Ravensbruck, which was a Nazi concentration camp, at an orphanage in France, or in a glittering nightclub, Kelly nails setting. I would like to see her rely less on crutches such as famous people of that time period that pop into the scene—this device signals a lack of confidence to me, and Kelly can get by without these props.

I also would have liked to see less brand name identification, which looks a lot like product placement. The whole advertising jingle for a particular brand of cookies, and a particular New York department store whose name may actually have appeared some thirty or forty times hindered the novel more than it helped; Kelly will do well to leave her advertising career behind when she sits down to write fiction. But this is her first  novel, and given what I see here, I think we can expect great things from her in the future; she is just getting warmed up.

In addition to crafting resonant settings, Kelly does the world a favor in telling about the experiments done on members of the Polish resistance, known as “the rabbits” because of the way they hop around rather than walking after their legs have been experimented on surgically, often done to them in ways that further medical knowledge in no way at all. Though it is critical to remember that what Hitler and the Nazi regime did to the Jews was real—and it’s more important than ever now that most World War II veterans have died and revisionists would like to rearrange the historical record and count the camps as an exaggeration of the facts—few know of the extent to which other groups were also sent away, often to die before the end of the war. The author makes an important contribution to historical literature by doing this.

That said, I have to confess that I am a little bit disappointed because I have wanted to read more about the resistance movement itself, and when I read the teaser for this story, I thought that one character’s life within the story would center on this aspect of the war. Instead, Kasia is arrested almost immediately, and once inside the camp, her story is in many ways like other Holocaust stories.  It’s horrific, and if you have not read any other stories set during the Holocaust, then you will certainly want to read it. I have read enough Holocaust stories, and this character never stops being fictional for me.  And the same is true for Caroline, who seems shallow and superficial despite her sacrifices and tireless effort.

The character that makes me sit up and take notice is Herta. I can’t recall having read a Holocaust story in which a Nazi speaks to us in the first person, and the gutsy depiction of this opportunistic woman mesmerizes me. The offhand remarks that Herta makes to rationalize her choices as she slides down that slippery slope ethically, letting her standards be eroded in order to further her career and increase her own standard of living, are chilling and immediate. I believe in this character. Kelly is deft in the way she depicts this ambitious but morally pliable, solipsistic individual. There are a hundred chances to make her into a caricature, but Kelly’s subtle finesse steps back every time this might occur, and the result will leave you breathless with horror.

Whether to invest the full jacket price of this novel depends on how deep your pockets are and whether you have read a lot of Holocaust literature. If you haven’t, you’ll want to add this title to your collection. And come what may, Kelly will be a writer to watch in the future.

 

The Girls, by Emma Cline*****

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thegirlsThe Girls is a fictionalized account of the Manson Murders, a terrible killing spree that stunned the USA in the 1960s before any mass shootings had occurred, when Americans were still reeling from the assassinations of President Kennedy, his brother, Senator Robert Kennedy, and Dr. Martin Luther King. Manson, a career criminal with a penchant for violence yet possessed of a strange sort of charisma, attracted a number of young women and girls into a cult of his own founding. Later they would commit a series of grisly murders in the hills outside Berkeley, and it is this cult and these crimes on which Cline’s story is based. Great thanks to Net Galley and Random House for the DRC. This book will be published June 14, 2016.

Evie is an only child of the middle class; she is well provided for, but her parents have split up and her presence is getting in the way of her mother’s love life. Evie needs her mother’s attention now that she has entered her teens and so she pushes the limits in small ways, then in larger ones. When it becomes clear that her mother just doesn’t want her around, Evie looks elsewhere and finds herself drawn to a feral-looking young woman named Suzanne, who has unsuccessfully tried to shoplift something from a nearby store. Before long, Evie is sleeping on a mattress at the rural commune where Suzanne lives, eating from the communal kitchen and being used sexually by the group’s charismatic leader, and then by a man in the music industry that Russell, the founder, wants to please in the hope of having his music published.  Russell dispenses hallucinogenic drugs freely to make the girls more compliant.

We know immediately that this place, the commune, is not a good place. When we find that the babies  born to young women that live there—in this era before Roe versus Wade gave women the right to choose—are segregated from their young mothers and the pitiful way they regress and attempt to attach themselves to various females in search of a mother or mother figure, that’s a huge tell. But when Evie arrives she doesn’t want to know these things, at least not yet. All Evie wants is to be with Suzanne.

The story’s success isn’t anchored so much in the story line, a story that’s been tapped by previous writers, but in the dead-accuracy of setting, both the details of the time and in every other respect as well, from home furnishings, to slang, to clothing, to the way women were regarded by men. The women’s movement hadn’t taken root yet. This reviewer grew up during this time, and every now and then some small period bit of minutiae sparks a memory. In fact, the whole story seems almost as if a shoebox of snapshots from pre-digital days had been spilled onto the floor, then arranged in order.

The other key aspect that makes this story strong is the character development. Evie doesn’t have to live in poverty among bad people, but she feels both angry at her mother and hemmed in by the conventional expectations of her family and friends. Her boundary-testing costs her the loyalty of her best friend, really her only friend, and so she casts about for a new set of peers. Her mother prefers the fiction that she is still visiting Connie, the friend that has disowned her, and this lie provides Evie with a lot of wiggle room on evenings when her mother is with her boyfriend and finds it convenient for Evie not to be home.

As for Evie, what has started out to be an adventure, a bold experiment in branching out from the middle class suburban life she’s always known, gradually begins to darken. But the worse things get, the more important it is to her to prove her fealty to Suzanne, to not be rejected a second time as she was with Connie. Hints are dropped that probably she ought to just go back where she came from before it’s too late, but she is determined not to hear them.  I want to grab her by the sleeve and get her out of there; Evie won’t budge. Once she is in trouble at home for the things she had done on behalf of the group, her desire to avoid her home and stay with Suzanne grows even stronger, which leads her into more trouble yet. Clues are dropped that something big is going to happen, something that our protagonist maybe should avoid, but she plunges forward anyway with the bullheaded determination peculiar to adolescence.

All told, Evie’s future doesn’t look good.

Readers among the Boomer generation will love this book for its striking accuracy; those that are younger will feel as if they have traveled to a time and place they have never seen before. One way or another, Cline’s masterful storytelling weaves a powerful spell that doesn’t let go until the last page is turned. Riveting, and highly recommended.

‘Til Death Do Us Part, by Amanda Quick***-****

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tildeathdousI was looking for good historical fiction and ran across this novel, which is also a mystery and romance. It’s a little different from much of what I read, and reminds me a bit of Victoria Holt, whose work I read voraciously as a teenager and younger woman. I received the DRC courtesy of Net Galley and Berkley Publishing Group in exchange for an honest review. This title will be available to the public April 19, 2016.

Calista Langley is a spinster, which is what unmarried women were called a century ago. She runs salons in her home for the purpose of intellectual discussion, a chance for men and women to get to know one another in a socially acceptable setting before they commence the courting ritual. But Langley has a stalker. A man has been using a long-disused dumbwaiter to hoist himself up to her bedroom, where he can watch her in the shadows. He leaves grim mementos mori—associated with death—on her pillow for her to find. Her initials are etched in them, a particularly chilling detail. We know fairly early who it is that is doing this, but Calista herself does not know.

“This is what it had come to—a life lived on the razor edge of fear. The sense of being watched all the time and the ghastly gifts were playing havoc with her nerves…Her intuition was screaming at her, warning her that whoever was sending her the gifts was growing more obsessed and more dangerous with each passing day. But how did one fight a demon that lurked in the shadows?”

At about the same time, Trent Hastings has come to see her, convinced that she is corrupting his sister Eudora, a client and frequent guest at the salons held in Calista’s home.

The overall tone of the story is a trifle melodramatic for my taste right now, but if you had given me this book thirty or thirty-five years ago, I would have worn it out re-reading it and then passed it on to my friends. The romantic scenes are steamy yet tasteful . Quick can raise our interest to a higher level just building up to a kiss than many of the writers of erotica are able to do with everyone’s clothes on the ground and explicit information left, right, and center.

In fact, though I often make a point of letting my readers know when a book will be objectionable to conservative Christian readers, in this case I feel confident in saying you should be fine here. The language never gets hotter than an occasional “damnation!”

One thing that was especially interesting to me was the minute detail given to Victorian funeral customs and the odd accessories that were popular then. It never occurred to me, for example, that anyone would spend good money on a tear-catcher, but some folks did. For the more practical purchasers, the coffin bell is a handy way to let everyone know that you’re not dead after all, and would like out of this box, please!

All told, this was a fun, accessible read. I rate it 4 stars as a YA novel, and 3.5 stars rounded up for general audiences.

Work Like Any Other, by Virginia Reeves****

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worklikeanyotherReeves makes her debut here with a deeply moving, haunting tale of a man that tries to do the right thing and finds his entire life miserably, horribly gone wrong instead. Thank you to Net Galley and Scribner for the DRC; this book is available for purchase March 1, 2016.

Roscoe marries Marie, the woman of his dreams, a woman that speaks little but recognizes every bird call in the state of Alabama. When her father dies, he gives up being an electrician, work that he loves, in order to move to the farm they inherit. Unlike his father-in-law, Roscoe’s own father has always looked down on farming as a poor man’s last resort. Roscoe thinks he has found a compromise by bringing electricity, and with it mechanized farm tools, to Marie’s father’s farm; he won’t have to sweat in the fields, and he has found a way to continue doing the work her prefers. Pirating electricity from the lines out on the highway is against the law, but it’s nothing to make a man do hard time. If he is discovered, he’ll pay a fine and the electric company will install a meter. No harm, no foul.

That’s what he thinks, anyway.

Everything goes to hell in the blink of an eye when someone dies grabbing hold of a live wire located on his improvised set up. He is charged with manslaughter; with a halfway decent attorney, he should be able to get the sentence suspended or reduced, since no harm was intended, but Marie chooses not to hire anyone to represent him. She tells the state to give him a court appointed attorney, and instead she pays for an attorney for the man that has assisted him, knowing that the state of Alabama will come down harder on a Black man, a man that has worked for her family since she was a tiny child.

She can afford two attorneys, as we later learn. It isn’t about the money. It’s about blame. It’s about cold, hard vengeance.

We follow Roscoe as he makes his way through the trial, bewildered not to find Marie in the courtroom. We follow him through his years in prison, a system that tells the public it is there to correct bad habits and teach men skills they can use for the future. It’s a cruel, cold lie. And so although Roscoe’s experience is better in some ways than that of Wilson, who is sent to the end of the prison reserved for men of color, his sentence is much longer, with parole denied again and again as Marie fails to advocate for him.

Reeves is a genius with prose. Were I to rate this book solely on her skill as a writer, this would be a five star review, hands down. The kind of lyrical quality shown here is not a thing that can be taught; at some point, the word smithery put to use here is a matter of talent, and Reeves possesses enough for all Alabama.

My sole concern here is credibility. I don’t want to give too much away because you should read this novel, but I have to say that the way the last portion of the book plays out could never, never occur in the Jim Crow heart of Dixie. One could almost imagine some of it occurring in a different way, one closely guarded and unseen by the community, but to have things set up as they are when Roscoe finally gets out of prison and have the local storekeeper be aware of it, regard it as either normal or as private business that is no concern of his, strains credulity beyond the most magical prose. That house and farm would have been burned to the ground. It could never have happened.

Reeves has developed Roscoe’s character with depth and intimacy, and this is the greatest strength of her story; the first 75% of the plot is also well paced, with tension gently building as a story arc is meant to do. But the spell is broken during the last portion by the problem mentioned above.

Reeves is an author likely to go forward and do great things, and this is a strong debut. Apart from the one distraction mentioned, this book is highly recommended to those that love good fiction.