collected short stories | Seattle Book Mama

John Grisham and Otto Penzler have teamed up and compiled a delightful, high-quality collection of short mystery stories to entertain you. My thanks go to NetGalley, High Bridge Audio, and Penzler Publishers for the review copies. You can buy this book now.

All told, there are 20 stories that made the cut, plus a “bonus” story at the end. This mystifies me; why not just say there are 21 stories? Maybe there’s a tradition of only selecting 20. At any rate, I liked all of them except one, which I’ll explain in a moment. They are all well written, and they encompass a wide variety of subgenres. My favorites are “Home Game,” by Craig Faustus Buck; “Only a Story,” by Kai Lovelace; and “Effie’s Oasis,” by Casey Stegman. I had never even heard of any of these writers, so now I have three new authors to watch for. I was not as fond of “Dream Stuff,” by Lou Manfredo, but that’s because I dislike noir mysteries for the way that women are disrespected. Here’s an example: “Mary Lou, my previously noted overpaid secretary, poked her cute little head into my office…” and it goes on in that vein. I haven’t deducted anything from my rating, because I know that the aspects that I find problematic are part and parcel of noir mysteries, and so I can’t see penalizing this one author in the collection, or Grisham and Penzler, when I know that there are a considerable number of readers that love these stories, and not all of them are men.

One other minor irritation is that I was provided with both the digital and audio versions of the galley, but the stories aren’t in the same order in both books, which led to a fair amount of panicked flipping around my digital copy to try to match up with the story being read. If they’re going to edit the order in one format, I’d appreciate it if they would do it in both so that they match; hopefully this is straightened out in the finished copies.

But while I’m talking about the audio version, I should also mention that the readers, Marnye Young and Jamie Renell, are top notch. There’s a great deal of dialogue in most of these stories, and they are both pitch perfect in reading the characters’ voices.

Whether you prefer a print or digital copy to read with your eyes, or an audio book that can follow you around while you do other things, you can’t go wrong with this collection. Highly recommended to all that enjoy the genre, and perfect for Halloween.

themerryspinster Mallory Ortberg’s feminist horror collection is bound to be the best short story collection of 2018, darkly funny, cleverly conceived and brainier than I realized when I signed on for it. Many thanks go to Henry Holt and Net Galley for the review copy, which I read free and early in exchange for this honest review. This title is for sale now.

Ortberg takes well known children’s stories and fairy tales and injects sinister elements into them, sometimes starting with the exact wording of the story, cited in her endnotes, and then changing it a tiny bit at a time. If you don’t know the story quite well, you may not be able to pinpoint the exact place Ortberg goes off script; some of these are Grimm’s Fairy Tales, which are fairly, uh, grim in the first place and not originally intended for small children. She often combines the influence of a second fairy tale, and everything is beautifully documented at the back, just so you can see how she did it.

At first I wondered if I would react badly to this; I am a grandmother of tiny children as well as a retired teacher, and these stories tread on sacred ground. But it’s done with such genius that all I can do is shake my head in admiration.

There are eleven stories. One of my favorites is the title story, in which a woman is held prisoner by a captor that builds her a fabulous library, but tells her that he will decide what she will read. There’s horror for you. There’s a takeoff on The Little Mermaid that left me with half the story highlighted out of admiration. The Thankless Child features a fairy godmother that is more of a mafia figure, like a supernatural, female Godfather.

But perhaps my very favorite is The Rabbit, which is a takeoff on The Velveteen Rabbit. I began this one with a furrowed brow, because the original story is so dear to my heart, a cherished experience held with each of the four babies I bore and raised. But my prior knowledge is actually a useful thing, because with the original more or less committed to memory, I can see where she begins to alter the story. At first she changes just the tiniest things, and then gradually adds more…and in her version, the rabbit loathes the boy and seeks revenge. In the end it is the same story, and yet different enough that it doesn’t offend me as I suspected it might. She started with apples and made bleeding red oranges.

Ortberg has created a masterpiece of feminist fiction replete with some of the best word smithery found in contemporary prose. It can be read at the surface level, just for your amusement—which is guaranteed to all that enjoy gallows humor—or as a scholarly endeavor. I expected this book to be full of darkly ridiculous stories themed around women’s issues. Instead it is even better, both brainy and hilarious, the best surprise of 2018.

Highly recommended to all that appreciate great feminist fiction and enjoy dark humor.