Eddie’s Boy, by Thomas Perry*****

Can we talk for a minute? It’s just…well, don’t you hate it when you have to kill four assassins that were gunning for you, but then they won’t all fit in your trunk? It’s the worst; but when Thomas Perry writes about it, it’s the very best. My thanks go to Edelweiss and Mysterious Press for the review copy of Eddie’s Boy. This book is available to the public today.

This mystery is the fourth installment of Perry’s hugely successful Butcher’s Boy series. For those that aren’t in the loop, Michael Shaeffer (as he currently calls himself) was orphaned as a small child and taken in by the neighborhood butcher, who raised him as his only son. But the butcher didn’t merely cut and sell meat for the dinner trade; he had a side line that involved cutting, and otherwise killing, people that other people wanted dead. Both trades were passed on to his adopted son Michael. Now, however, the butcher has been gone a long time; Michael is an older man, retired from all of everything, and happily married to a minor member of the British nobility, living in a splendid home in the UK. They grow lovely rosebushes together.

But then in the wee hours one day, Michael is awakened by a tiny but unmistakable sound that tells him someone is entering his home. Sadly, it is not a mere burglar, but hired muscle sent by a vengeful someone that has figured out who he is and where he lives. Now Michael and his wife cannot rest until he finds out who is pursuing him and disposes of them.

This book is the caliber of the early work that made Perry famous. The suspense and pacing starts out at ten and it stays there till the thing is over. There’s a particularly heart-stopping scene on a train early on that I don’t think I’ll ever forget. And the details make it even more chilling. Returning to the four corpses that can’t all fit in the trunk; after Schaeffer moves one dead killer to the passenger seat and belts him in, he tosses a tarp over the three men in the trunk, and then he drops his flight bag on top of them, because he means to jettison the men en route to the airport.

Can you read this thriller even if you haven’t read the first three in the series? Sure you can. In fact, the third in the series was still on my wish list when the chance to read and review this one appeared, and obviously I navigated it just fine. But I want the one that I missed extra hard now, and I guarantee that once you have read this one, you’ll want to read the rest also.

Highly recommended to those that love a good thriller.

The Talented Mr. Varg, by Alexander McCall Smith*****

There are hundreds, perhaps thousands of mystery writers whose work falls within the cozy subgenre, but none of them hits exactly the right note the way Alexander McCall Smith does. His feel-good vibe is engaging, but it’s never smarmy or cloying; the reader feels respected. Add to that a spot here and there that is straight-up hilarious; I can think of no better time to read his work. This is the second in the Detective Ulf Varg series, and it is every bit as delightful as the first. Can you read this book alone even if you missed the first? Yes and yes.

My thanks go to Edelweiss and Pantheon Books for the review copy. This book is for sale now.

Detective Ulf Varg leads a quiet sort of life; after all, he’s a cop, and this is Malmo, Sweden, hardly a hotbed of crime. He is the lead detective for a special bureau, one that was introduced to us in the first in the series, The Department of Sensitive Crimes. Often the matters under investigation involve misunderstandings, deceptions carried out to avoid embarrassment, and cultural miscues. Ulf spends his down time teaching his deaf dog, Martin, to read lips and taking him to therapy for his depression.

There’s a lot of that in Sweden, you know. Northern latitudes.

And so, it is from his dog’s psychiatrist that Ulf receives a tip of a possible counterfeit dog breeder. Someone out there is breeding husky/wolf mixed dogs, which are then sold to handlers that furnish trained wolves to appear in movies and television shows. Fraud! This could be Varg’s biggest case yet. But then, that wouldn’t be saying much.

Meanwhile, Varg longs for intimacy with his partner, Anna, but he mustn’t act on his feelings. There are departmental policies to be observed, and she is married. Oh, how he pines for her, quietly and in private. He dreams of a woman that will hold his hand as he falls asleep at night, a woman that will touch her toes to his under the covers and wiggle them. There are other women of course, but none like Anna. So when Anna needs a matter of her own investigated on the down-low, Ulf is ready and willing.

The most amusing thread here, as far as I’m concerned, involves Varg’s struggle with bureaucracy. You’ll have to find out the particulars for yourself.

Smith’s novels are my favorite bedtime material, subtle humor that unknots my twisted muscles and helps me gain perspective on whatever worries of the day have climbed in with me. I daresay he could do the same for you, too.

Highly recommended.

Dead Land, by Sara Paretsky*****

Detective Vic Warshawski was born in 1982, a time when a woman advocating for herself, or another woman, or women on the whole were few and far between. Such a woman often spoke softly, hesitantly, and to reassure the listener that she wasn’t stark raving mad, she might begin by saying, “I’m not a feminist or anything, but…” And so for the lonely few of us that were uncloseted, audacious feminists, this bold, brazen, unapologetic character was inspirational. Vic is fictional, but Paretsky is not. It was leading lights such as hers that made me feel less alone. I have loved her from then, to now.

Paretsky is no longer a young woman. I know this because I am a grandmother myself, and she is older than I am. For her readers that wonder if she’s still got it, I have great news. She’s better than ever.

By now I should have thanked William Morrow, Net Galley, and Edelweiss Books for the review copies. You can get this book April 21, 2020.

Victoria’s young goddaughter, Bernie Fouchard appears in an earlier story, and now she returns. Bernie’s youthful passion and impetuous disposition counter Vic’s experience and more measured responses. I liked Bernie when she was introduced, and am glad she is back. Chicago’s shady politicians are about to quietly sell a prime chunk of the city’s park lands to developers; the corrupt nature of the deal makes it essential that the whole thing be done fast and with as little publicity or public input as possible. Bernie and a handful of others learn of it, and they protest at a meeting at which the city fathers had hoped to slide this oily project through. There are arrests, and soon afterward, Bernie’s boyfriend is murdered.  

At the same time, Bernie tries to help a homeless singer named Lydia Zamir. Zamir is brilliant and was once very famous, but everything crumbled around the time that her lover was shot and killed; she’s been living under a bridge, filthy, disoriented, playing her music on a child’s toy piano. Now Lydia is missing. Lydia’s champion has been a man named Coop, and Coop is missing too. Before pulling a bunker, Coop deposits his dog outside Vic’s apartment, earning her the enmity of neighbors that are already up in arms over the barking of Vic’s own dogs when she is gone. Now Vic has every reason to help find Coop, Lydia, and the murderer. At the same time the reader must wonder how the sleazy deal, the murder, and the disappearances are connected. The pacing is urgent and my interest never flags; the haunting mental image of Lydia and her small, battered piano tug at my social conscience, all the more so as the world is hurtled into quarantine.

Long-running characters Lottie and Max, who are like parents to Vic, and newspaperman Murray, a close friend of Vic’s, return here, and I love them all. No doubt this colors my response as well. I have known these characters longer than my husband of thirty years; at one point I realized that somewhere along the line, I had separated the other books I was reading (some of them quite good) from this one. I had my books-to-read category, but I had mentally shifted this story into the same category as my family business. I should check on my sister, who’s been ill; I wanted to set a lunch date with one of my kids; and I should check and see whether Vic is having any luck finding…oh hey. Wait a minute.

Can you read this story as a stand-alone? You sure can. However, this bad-ass, hardboiled Chicago detective is an addictive character; once you’ve read it, you’re going to want to go back and get the other 21 in the series. I swear it. You probably won’t experience the nostalgia that I do, but a damn good read is a damn good read, any way you slice it.

Highly recommended.