Hard Rain, by Peter Abrahams ****

hardrainHard Rain is a nail-biter of a suspense novel, part mystery and part espionage thriller, and Peter Abrahams is a writer with credentials as long as your arm, including being Stephen King’s favorite American suspense novelist. After reading this skillfully woven tale I can see why. My thanks go to Net Galley and Open Road Integrated Media for the free galley. It was one wild ride!

Hard Rain is set in the period after Vietnam, but prior to the time when satellites revolutionized our means of communication. Our opening scenes involve a mysterious, sinister fellow named Bao Dai. His murder of a stranger for no apparent reason sets the reader on edge, and the surreal tone the writer lends is better than anything I have ever seen. In fact, the writing style and pacing are so brilliant that until I stumbled across some unexpected but fairly glaring problems in the last quarter of the book, it was headed for a five star review and a home on my favorites list. But more about that later.

Our chief problem, once the initial set up flashes past us, is that Jessie’s daughter is missing. Her ex-husband, Pat Rodney, took her for the weekend. They were going to go fishing, and then she was going to be returned to Jessie in time for a birthday party. But they never made it to the fishing boat, and there are some ominous messages on Pat’s answering machine. Kate never came home, and Jessie has no clue where she is.The cops aren’t all that concerned, seeing it as a routine custody violation that will surely be resolved on its own, but Pat has never been responsible, and has never ever wanted full custody; Jessie just doesn’t think he would snatch her. Her best friend, Barbara, is a no-holds-barred lawyer, and she’s ready to get down to business, but she is killed by a hit and run driver as she goes to cross Jessie’s street, wearing Jessie’s yellow rain slicker. That one person was the entire cavalry; now Jessie is on her own.

It just doesn’t look good.

The trail takes Jessie to Bennington College in Vermont. Pat was originally from Vermont, and she thinks he may have gone home, or at least contacted his family. And once there, all hell breaks loose. A particularly harrowing scene involves a chase scene in a subterranean tunnel beneath the dormitories.

A parallel storyline that blinks in and out has to do with an aging spy named Zyzmchuk, who is about to be sent out to pasture. Keith and Dahlin, a snappy, younger pair of more business-like spooks, plan one further adventure for “Zyz” in the hope that when it’s over, he’ll either be dead or leave quietly. These two, for some reason, made me think of Haldeman and Ehrlichman, the two sinister advisers that did President Nixon’s bidding at times, and at other times kept him on a leash to keep him from acting crazier than he already was. Maybe it’s because I am also reading Tim Weiner’s galley about the Nixon presidency. I have to say that of all the myriad characters that wink in and out of this complex, deliberately disorienting story, Keith and Dahlin are my favorites.

The imagery, with water and falling being constant themes throughout this spooky story, is among the best I have read, together with a deceptively simple sentence pattern that creates suspense in something of a house-that-Jack-built fashion. I still can’t figure out how he does it. It’s uncanny, and really absorbing.

So, even with the problems toward the end, is this creepy novel worth your time and money? Assuming you enjoy this sort of story, I have to say yes, it is. In fact, this writer won the Edgar earlier in his career, and that early title is now on my to-read list. I probably won’t find it as a galley, which means I have to hunt it down at the library, or fish around for it on my annual pilgrimage to Powell’s City of Books. So what follows was not enough to cross this writer off my A list, by any means. And now if you read further, there are going to be spoilers, so if you want to read this yourself and not know how the ending shakes out—or at least bits of it—this is the place to quit reading. And for those skimming, I will make it more obvious:

*****SPOILERS AFTER THIS POINT!!!*****

We are 75% of the way into the story. Jessie has been beaten by bad guys, and has been rescued, medical attention sought by our very own spook, Zyzmchuk. He is keeping an eye on her partly for her own good (awww), but also so that she doesn’t get in his way, because her mission interferes with part of his. He sets a guard to watch her when he has to go out, but otherwise, he sits in a chair in her hotel room there in New England, keeping watch over her. She is a sweet young thing still; he is retirement age.

And so there she is, with a nasty concussion and a number of other bad injuries, worried about her missing child, and so what would be more natural than inviting this duffer, a man as ancient as I am now, to come climb in bed with her so they can have great sex?

What the hell?

“’Shit,’ said Dahlin.
“’Fuck’, said Keith.’”

Okay, that quote belongs much earlier in the book (and more than once), but I like it here just as well, so I have taken the liberty of inserting it. Because really…what is that about? Did someone in marketing decide the book needed some gratuitous sex in order to sell properly? Go figure.

At the 85% we have to wonder whether some bad editor also cut out a chunk of story that should have been more judiciously and lightly pruned, because when Jessie sneaks out of her hotel room to try to find her daughter, she returns to find that Zyz, the guard Zyz posted while he stepped out, and all other apparent spooks and body guards have decamped. We, the readers, know that the guard in her hotel room was killed after she snuck out, but we don’t know where the hell Zyz went. And the next time we run across him, he is strolling into his office in Washington as if nothing untoward ever occurred. There is never any real explanation for this bizarre leap in the plot.

All that said, once again, I would happily read more of this author’s work. His capacity to create a frisson of chilly suspense far outweighs the Hollywood-like choice to dump the hot chick in bed with the old guy, as well as what may have been an editor’s error toward the conclusion.
*****END OF SPOILER ALERT!*****

This book will be released digitally July 28, and you can get a copy anytime you like now. What better way to spend a vacation, or even a staycation? Just stay out of the water, and definitely keep an eye on your kids. You won’t want them out of your sight while you read this story!

Black-Eyed Susans, by Julia Heaberlin ****

BlackEyedSusansTessa is the sole survivor of a group of young women who were left for dead in a mass grave, which was then planted with flowers. The Black-Eyed Susans became a metaphor for the trauma she experienced. This thriller, Heaberlin’s first following a highly respected career in journalism, is a great read with a few problems, most of which have to do with trying to cram too many details into a single novel. It was looking like 3.5 stars to me until it passed the halfway mark; then it hit its stride. Ultimately, the eloquent manner in which issues surrounding the death penalty were braided into the narrative won the final .5 star from this reviewer. And at this point, I have an obligation to tell you I read the book free, and to say thank you to Net Galley and Random House Ballantine for the DRC. The book will be available to the public August 11.

Tessa is an adult, a single parent, and it’s been twenty years since her abduction and attempted murder. There are memories she tries to bury, and there are other niggling details that she can’t make sense of. In a writing style somewhat reminiscent of Jodi Picoult, Heaberlin flashes us back and forth from Tessa’s adolescent memories to the present, a life in which her sole objective at first is to protect her own teenage daughter, Charlie, whom she is afraid may pay the ultimate price. Because Tessa’s stalker has been planting Black-Eyed Susans in her yard and various other places, and she is scared half to death.
Strange, threatening packages appear in the mail. And her best friend Lydia disappeared mysteriously not long after the trial. There are so many shadows, so many possible threats out there that her inclination is to retreat into her artist’s studio, and into her home. Don’t rock the boat.

The problem is that an innocent man is about to become one more victim of Texas’s capital punishment. Her supposed attacker, the supposed killer of the other Susans, waits on death row…and the clock is ticking. She knows he didn’t do it, and she’s been holding out. Once she decides to testify to his innocence, will she be believed? Can she get there in time?

A tremendous amount of research went into teenage trauma and its possible affects, and the capital punishment process (and the process of its defense) in Texas. Heaberlin has done her homework; if anything, she may have done a little too much, or tried to incorporate too much of her work into one novel. Somewhere around the 37 percent mark, I found myself not mystified, but confused. What were all these references to the OJ Simpson trial doing here? Who the hell is Jo? Is Lydia dead, moved away, or what? The suspense fell away while I stopped reading in irritation to go back over the book and try to discern what I had missed or forgotten.

However, just before the halfway mark, the author found her stride and everything came together. From that point till ninety percent, I was riveted. Portions of the text approached the level of literary fiction. I found myself questioning my earlier complaints, and went back and reread the passages I had marked earlier to see whether I had just been distracted, or in a snarky frame of mind. But no, the inconsistency is really there.

The supernatural bits about the other Susans being in her head, talking beyond the grave, may have turned up in the author’s research as a possible outcome of trauma, but they felt extraneous to me, as if they had been shoe-horned into the text. If I had been her editor, I would have cut them.

I was not entirely happy with the ending, which felt a bit contrived, but I was so deeply satisfied by what I had read up to that point that I didn’t feel let down.

My advice to the reader is this: if you are opposed to the death penalty and love a good thriller, get a copy of this novel. I think you’ll find it as satisfying as I did. You may want to flag pages where you have questions with sticky notes, or mark it digitally if you read it that way; later on it will all make sense.

And whatever you do, remember: there are no millionaires on death row. Not in Texas, and not in any other state that has capital punishment in the USA.

Monica’s Sister, by Earl Emerson *****

monicassisterAh, it’s good to be reading a Thomas Black story again. Black is back with his lovely wife, Kathy, a good-hearted woman who makes some interesting friends. One of them is Angela Bassman, a woman who shows up all the time like a bad penny, making ridiculous charges against anyone and everyone, and bragging about having so many friends in high places, having done such fantastic things, that one is left rolling one’s eyes. And so when Thomas hears Angela’s voice approaching his office, he does what any thinking human being would do: he leaps into the closet and shuts the door. Anything to avoid that woman!

The wheels of the story start moving, and things get more complicated. Angela, whose famous sister is the actress, Monica Pennington, hires Black to help her with what is supposed to be a simple task, but isn’t. He would like to back out, but he smells a rat. Despite the crazy nature of Angela’s claims, she is obviously being followed by someone. Strange things happen, and too many coincidences occur. Whether Angela is crazy or whether she isn’t, his detective’s intuition starts to quiver, and he becomes more entangled in her affairs than he had anticipated, especially when she falls to her death, and he sees it happen. Later, Pennington hires Black to find out why Angela killed herself. Because of course, that’s what happened…isn’t it?

Emerson, a Shamus winning author who sets his stories here in the misty Pacific Northwest, usually right here in Seattle, is one fine writer. Hundreds of interesting, free galleys come my way in a given year, but I wanted to read his story badly enough to put it on my wish list, and luckily, my spouse snapped it up and gave it to me for Mother’s Day. What a fantastic gift!

The overall tenor of the story begins as gut-bustingly funny, and then gradually darkens and becomes more suspenseful. By the story’s end, I was literally (yes, I do mean literally) sitting on the edge of my seat, putting off the family members that wanted my attention with a robotic “…just a sec. Just a sec. Yeah I know. Give me just a minute.”

Emerson also uses the occasion to talk a little bit about bipolar disorder, and the ways it can turn a person’s life upside down, but he does it in a way that prevents the book’s pace from hitching. It’s masterfully done!

If you like strong detective fiction, or fiction set in the Pacific Northwest, or both, you just can’t do any better than this book. Seriously recommended for just about everyone.

Off and Running, by Philip Reed****

offandrunningOff and Running is a comic caper set around Y2K. Jack is a writer looking for his lucky break; Walt is an old man, a beloved American icon who hasn’t published a memoir yet. Garrett is Walt’s ill-begotten, bad-tempered adult son, the worst celebrity brat imaginable. Reed tosses them all into his literary blender and what comes out is both hilarious and at times, genuinely suspenseful as well. Thank you once more to Brash Books and Net Galley for permitting me a sneak peek; this amusing tale will be for sale in August.

Jack has had one project after another not work out. His wife, Sarah, has had it with him, and wants him to go out and get a real job. Every day she schleps out to her full time job, coming home tired and ill tempered, and she doesn’t want to hear anymore about how Jack’s latest book proposal will make money for sure. She has a change of heart when Jack’s agent sends him out to see the venerated, universally loved comedian, Walt Stuckey. Walt is choosey about who he sees and what he talks about, but over time, Jack builds a genuine rapport with him. They become friends, and Jack is accepted as Walt’s biographer. Just as Walt invites Jack and Sarah to come stay the weekend with him and his girlfriend, Mary, the unthinkable happens: Walt has a stroke. The son-from-hell Walt loves but has been unable to develop a positive relationship with takes charge. Walt is held virtually a prisoner, and it soon becomes clear that Garrett does not really want Walt to recover. He wants Walt’s financial empire, and he will be the executor of Walt’s estate when he goes.

So the first thing Garrett does is to isolate Walt. Since his own memoir is the one thing Walt is truly excited about and could give him reason to live, Garrett uses his power-of-attorney privilege to fire Jack and cancel the memoir. Mary isn’t having any of it, and once he thinks about it, neither is Jack. Jack is determined to finish this book. It’s what Walt wants, too. And most of all, Jack wants to know why the reference to Bebe Rebozo in Walt’s comedy routine caused his over the top hit comedy show, which was “funnier ‘n hell”, to be cancelled without a moment’s warning. He’ll find out, or die trying.

So Jack and Mary launch a rescue mission to free Walt from his rotten son-turned-captor, and the result is alternately suspenseful and hilarious.

There are several events in the book that strain credulity, but it’s okay, because this is not literary fiction; this is a caper. I couldn’t wait to see how it ended, and I was sorry when it did. A considerable portion of the story is set in Death Valley, and the heat, the inescapable sun, the gritty sand were all so palpable that I nearly resolved never to leave my cool damp domicile again.

We all need something ridiculous in our lives now and then. Humor relaxes us and puts our own worries into perspective. Do yourself a favor and order this book when it comes out digitally August 4. Then, you’ll be off and running!

Rock of Ages, by Howard Owen ****

rockofagesRock of Ages, an intriguing novel by Howard Owen originally published in 2007, isn’t merely a mystery, but engaging fiction. I enjoyed everything except one small but noticeable problem near the end. Giant thanks to Net Galley and Open Road Integrated Media for allowing me a glimpse of the digital version in advance. It becomes available for purchase June 9.

Georgia is a respected professor for whom menopause and mounting personal losses—the death of her husband comes at almost the same time her aunt dies, and her parents are both gone—become so distracting that she abruptly takes a leave of absence. She has seen her father’s ghost sitting in the back of her classroom.

She takes time off and heads for the small town in North Carolina where her aunt had lived. When she arrives, her son Justin is there with his girlfriend, Leeza, who is pregnant.

The first half of the book is where the writer is at his best. The villain, “Pooh” Blackwell, is artfully portrayed. Georgia’s former teacher, Forsythia Crumpler, was also really well spun. I found myself talking to Georgia, making notes in my kindle asking her just what the heck she is doing, talking to her son and his honey that way. Does she want to be forever estranged?

Georgia’s misbehaviors are subtle enough at first that the reader is left wondering whether this is the author’s idea of appropriate parental behavior, or whether he is deliberately drawing a difficult protagonist. Turns out it’s the latter, and the way he develops her as the story progresses is terrific, at least until near the story’s conclusion.

So now let’s talk about the rape. What on earth makes the writer think that a woman of 52 years who has been through a good deal of trauma in her life, will think rape is not a very big deal? When she was “younger, a little more precious and fragile”, it would have been much worse.

Say what?

If the protagonist’s mental narrative had only said she was glad to be alive, I could roll with that, but he adds just enough other considerations to make me want to throw the book across the room. I speak as a woman that has never been sexually assaulted, but like most people, I know women that have. And research actually indicates that the more trauma one has been through after age 30, the harder one grieves, because all of the other losses are relived along with the new, fresh loss. Until this point, I had bonded to Georgia’s character, and she was practically tangible to me. When she began reflecting about the rape, the spell was broken and it was just the product of some clueless male’s bizarre imagination. It’s probably a bad idea for anyone to try to quantify a rape or decide where it falls on the progression of a character’s negative experiences, and all the moreso for a man to decide about a female character. One star fell off and this tirade jumped into my review. So there you have it.

The ending is otherwise not terribly imaginative, but also veers away from the trite, pat ending I thought I saw coming. Sadly, by that point I was too irritated to enjoy it.

The novel is billed as a mystery, and it surely includes two of them. We wonder about the ghost; it has made another appearance at the Rock of Ages, which is locally known to be haunted. We also wonder whether Pooh Blackwell killed Aunt Jenny for the deed to her house, or whether she drowned accidentally. But really, the main story here is Georgia’s inner struggle. The mystery takes a back seat, and it works well that way, apart from my earlier qualification.

The prequel to this story won acclaim, and I would love to read it if I can find a copy.

The series will be one to watch. Perhaps Owen will write Justin in as his next protagonist, and if so, I would love to read it.

Interesting work from an award-winning writer.

Threshold, by GM Ford *****

thresholdGM Ford writes really strong mystery novels. He takes the reader from falling-down-funny to high voltage suspense with a mere flip of the kindle page. As usual, this novel, a stand-alone called Threshold, is set here in Seattle.

Mickey Dolan is a detective sergeant, and he is tasked with helping find the wife and two daughters of a powerful city councilman. But not all is as it appears. Much of the mystery centers around an albino woman named Grace. Grace has the ability to bring people out of comas; at one point, she says that these are people that weren’t really ready to die yet anyway, but this is the closest Ford has ever come to dabbling with the supernatural. It makes me wonder whether he will ever try writing horror. But that is speculation on my part; here, it is just one element of a really great tale of suspense.

Back to our story. Grace, her mother Eve, and the missing family members appear to be tucked into an anonymous, generally industrial chunk of land in the industrial Duwamish heartland of Seattle. Why are they there of all places, and why was it so impossible to find them? Why is Grace so reclusive, and what does she have to do with the missing family members?

At some point, the credibility question pops up. I’m a big believer in facts. I like the material world, and when things start to go woo-woo, as when supernatural gifts are introduced into the plot, my forehead wrinkles. What’s up with the weird stuff?

But when all is said and done, a strong writer can make me believe just about anything. Just as Steve King convinced me that there was a haunted clown in the sewer, Ford got me to buy Grace Pressman’s quirky little talent. Because when all is said and done, if the story is good enough, we will want to believe it in order to keep the magic flowing, and that’s how this tale was for me.

Note that there is no thank you to the publishers here. I found this little gem for less than a Lincoln on Amazon, and I said oh hell yes. I almost never pay full jacket price for a book these days; retired academics don’t have a lot of pocket money, and my educator discount bit the dust when I left my profession. This one was both cheaper than usual, and by an author I really enjoy, so I straight-up bought it.

So should you.

Blanche Cleans Up, by Barbara Neely ****

blanchecleansupBlanche Cleans Up, which is #3 in the Blanche White mystery series, is more than a murder mystery, as the numerous word plays in the title imply. This is a smart, funny-yet-serious series, and I am thrilled to be able to review another one for Net Galley and Brash Books, who provided me with a DRC. This title was released at the beginning of May, and so you ought to be able to buy it right now.

Blanche is a single African-American woman who chooses to do domestic work so that she can select her employers. She is good at her work, and so anybody she doesn’t like, doesn’t get to hire her. But in this episode, she has been roped into a job she otherwise would not do, at the behest of a family member. Inez, their usual cook and head housekeeper, is in desperate need of a vacation, and Inez can’t go unless she can guarantee a good substitute to take her place. Blanche, who sometimes has an acid tongue but also a heart of purest marshmallow, caves in and agrees to step in for a week. Of course, after all hell breaks loose, Inez is gone for at least two weeks. Who wouldn’t be, under the circumstances?

Neely is a seriously brainy writer. Meta-meta-meta-cognition is all over the place in Blanche’s internal narratives. It’s an approachable way to talk about social issues, primarily race, but also about sexism, the rights of gay and lesbian people, and of course, about class. So if you are socially conservative…if you are conservative, why are you reading my review at all? What are you thinking? Are you new here? Get out get out get out. Shoo! Scoot. Skedaddle.

Ah. I feel better now. Gave me quite a turn. Anyway, those who are looking for a mystery because their brain is tired and they just want a cozy read—and I do this myself from time to time, nothing wrong with it—will need a different book, because Blanche books are really about social issues, and the mystery is merely an approachable forum with which to address them. Not that pacing, characterization, and story arc are missing; far from it! I was riveted from the seventy percent mark and had to finish it. It’s a solid story, not literary fiction, but a good mystery. But if you are looking for a good story and think you will just ignore the issues under discussion, you are mistaken, because they are so strongly interwoven here that it’s impossible to just read it for the mystery aspect.

I should also mention that the intended audience appears to be Black folk and other people of color. That doesn’t mean Caucasians can’t enjoy it, and it may be a good lesson in empathy, especially if you haven’t done a lot of introspection. At times, Neely echoes WEB DuBois on the color line; in the elite white folks’ household, a young Black man who was close to the child in residence was welcome through the front door…until.

Neely weaves a lot of plot points and a lot of issues into one deft tale. It’s really well crafted. I especially enjoyed the development of Blanche’s adopted son (nephew whose mother is dead) along with neighborhood activist Aminata. And I liked what she did with her teenage relative who developed a serious problem.

When you finish the book, you almost have to have a heart and mind that is a little more open to types of people you might have unthinkingly dismissed before. There’s really nothing else like it. How often do you get the opportunity to improve yourself and have fun at the same time? Do it!

Wings in the Dark, by Michael Murphy ***-****

wingsinthedarkMichael Murphy’s Jake and Laura series is both engaging and interesting, the best blend of historical fiction and detective fiction I’ve seen in a long time. Until I got halfway through, it was headed for the land of five stars, and I am not sure how objectively I’ve been able to review it since that point. But I went with my gut, and ultimately, when it comes to fiction, that’s what every reader uses to judge a book. Thank you to Random House, Net Galley, and the author for permitting me a sneak peek; this title will be available to the public August 31.

Jake Donovan, our intrepid detective-turned-novelist, is working on his latest Blackie Doyle novel, but he takes a break from work to honeymoon with his bride, the famous actress Laura Wilson. He has sworn off detective work at her insistence, and has decided he likes being a novelist better, anyway. Fate intervenes, however, when Laura’s good friend, Amelia Earhart, finds a man dead near her plane.

It’s shaping up to be a really great story. At this point, I am noticing the level of historical detail, and thinking of this as potentially great classroom material. A number of public schools teach language arts and history in a block simply titled “Literacy”, and since so many young folks have reading skills that aren’t up to snuff, sometimes the best way to teach history is by partnering it with historical fiction. The book is clean enough that no one is going to race to the nearest school board meeting to complain; no explicit sex. The possibility is exciting, for teenagers and perhaps also for the author and publisher. There are some wonderful, positive depictions of women, who were active in non-traditional roles during this time period. What a great book for teens as well as adults!

It was then that I ran into the “J” word. Here, once I got past the slapped-out-of-nowhere feeling that racist terms generally evoke, I asked myself whether the historical circumstances of the novel merited the inclusion of this term in place of the correct term, “Japanese”. I also reminded myself that the rest of the book might be free of the term, and I could just push past it, as sometimes one must, and return to an appreciation of the story’s period flavor and nicely woven plot.

The problem here is that the word kept popping up in nonessential places, as if it were a bit of window dressing, and it was accompanied by some rather nasty language about that group. And again, it was a word used commonly during the time period by Caucasians and some others. For that matter, so was a lot of racially and ethnically derogatory language; even in the early 1960’s, I can recall hearing casual conversations peppered with anti-Black, anti-Jew, anti-Italian terms when nobody was angry; it was just the way some white folks talked without even thinking. But most writers today would not choose to evoke that part of history in their writing. The harm outweighs the usefulness. In Wings in the Dark, the only place that it might have been contextually useful is when General Patton enters and leaves again, spewing his trademark xenophobic profanity behind him. But neither Patton nor his profanity is really key to the story line, either.

I think about what I like to read; here on the west coast of the USA, most cities have a fairly hefty number of Asians and Pacific Islanders, and this was true of the district in which I taught history and literature until my recent retirement. I could never put this in their hands. What a terrible thing to do to them. And it’s a shame, because they would have enjoyed reading about Amelia Earhart. In fact, there is a magnet school dedicated to aviation and partnered with Boeing. Less the anti-Japanese slurs, they might have made great use of this book; with it, I could see students looking down and away; I could see parents coming to school or to board meetings looking for an explanation.

Apart from the term—which hit me harder than it will most Caucasian readers—this is a strong piece of fiction. The pacing, dialogue, and character development are all strong. There are red herrings that I nibbled on and was fooled by, and the ending is about right; at least I think it is. Again, I struggled with objectivity. But I think without the four places that hit my ouch-button, I would have enjoyed the second half of this novel as thoroughly as I enjoyed the first half.

Die for Me, by Jack Lynch *****

dieformePeter Bragg, old-school detective, gets a visit from someone he used to know. She’s working as a psychic now, and the spirits are restless indeed. Not only does she see disquieting visions of dead people that haven’t been discovered yet, but she also sees a threat that is closer and more personal. She fears she may become a victim as well. Thanks go to Brash Books and Net Galley for permitting me to read this via DRC; originally written in the latter part of the 20th century, they are being re-released digitally now.

I confess that a few times, in reading this absorbing novel, my BS meter started ticking. This detective apparently has no income, yet he is spending plenty and refuses to bill Marianne, the psychic with the unsettling news. And as the hillside is combed by legions of cops, I wondered where the cadaver dogs are. Couldn’t they just bring them out to the site, once it is found, and let them sniff up the bodies?

But as I may have mentioned before (and before, and before), a really good writer can make me believe anything, and a lousy one can’t sell me a thing. And the fact is, Lynch is a good writer. So I set aside my snarky moment of disbelief and dove in to see where this story was headed.

Ultimately, there are a surprising number of unquiet spirits resting in the hills near Sonoma. Who could have a grudge against this many people? Is it possible Marianne is involved in it somehow? The suggestion that one person may have been the intended victim and the rest merely killed as window dressing is quickly laid to rest. That’s not it. And just wait till you see what’s behind it all!

Well my friends, the world is full of crazy folks. Fortunately, it’s also full of mystery and detective novel mavens. And as I gnawed voraciously at this episode in the Bragg series, I found myself wishing Lynch were still among us so he could introduce us to a few more fictional nut bars.

Sadly, he isn’t, and he can’t, but the good news is that you can get this one. If you love a good detective novel, you should snap up the whole series. It’s hard to put down once you begin! And it’s available in August. I’ll bet you could order it now. By the time it comes, it will be a surprise, one you gave yourself.

Are you still here? Go! Get this story. You’ll be glad you did.

Mr. Mercedes, by Stephen King *****

mr mercedesI’ve loved Stephen King’s books since 1976, and his work gets better all the time. Mr. Mercedes marks his debut within the mystery and detective fiction genre. Retired detective Bill Hodges lives alone; his wife left him a long time ago, and his daughter is grown and flown, living an adult life that rarely includes him. He’s watching too many game shows and eating too much crap. Now and then he fondles his old weapon and contemplates putting it into his mouth and pulling the trigger.

His life changes dramatically when the social misfit and mass killer he had been tracking when he retired, sends him a love letter. Actually it’s a taunt. It is sent to him at his house, and so it feels even more personal. Because his life needs purpose and the Mercedes killer has provided it, he decides against contacting his old partner and letting the local cops take charge, at least not yet. At one point he reconsiders, but his former colleague is in the midst of an enormous celebration after having solved another difficult, long term case, and when it becomes clear that even if law enforcement were notified, it would not be available in a timely, sober fashion, Bill sets off on his own again, a lone cowboy in the contemporary Midwestern USA, aided only by his friendly yard helper and computer geek, along with a relative of one of the deceased persons from the Mercedes killing spree.

When I lay it out this way, it looks so implausible. You’ve got to be kidding, right? A retired cop and a couple of young civilians will somehow solve a mass murder, and their only edge is to be had from a taunting letter, followed up by a few more taunts online? No way.

But what excellent writers have taught me over the years is that a strong writer can make me believe anything, and a poor one can’t convince me of much. And indeed, if King has made me believe there are haunted cars, haunted dogs, and crazed clowns that live in the sewers, why then should he not convince me that this trio can solve a big-deal crime?

Of course he can!

I was fortunate enough to get this award-winning, coveted jewel of a book at the Seattle Public Library, my friends in literature, but if I had had to ask for it as a Mother’s Day gift, I was prepared to do so. And so should you, if you like a good mystery here and there. Especially here.

Because when Stephen King spins his web, all of us fly in to hear what he has to say. How can we do otherwise?