Silence, by Anthony Quinn*****

silenceSilence is the third in the Inspector Celcius Daly series, but I read it alone and didn’t realize I had missed anything until I got online and looked. I received my copy free from Net Galley and Open Road Media in exchange for this honest review. It’s been for sale for almost a year and I apologize for my tardiness; the book had been out for several months before I received my DRC, and so I kept setting this review aside in order to write about stories that were about to be published immediately.  None of this should keep you from rushing out to order a copy; as you can see I rated it five stars, and I am picky these days.

I am immediately drawn to this book because of the setting; it takes place in Northern Ireland during the Troubles of the 1970s. Although I am impatient with the trite expression used by the journalist in the story—“sectarian violence”—I find the setting resonant and the characters credible. The entire thing is wholly original, but it’s complex, so it’s not something you can read while you’re trying to do something else.

Our protagonist is the Inspector Daly, a lonely man with kind intentions and deteriorating mental health. We have a dead man in the priest’s hotel room, but then we learn the dead man isn’t Father Walsh. If that’s not Father Walsh, where has he gotten to, and who is our victim? Last is our villain, Daniel Hegarty, an IRA man captured and turned by the Special Branch.

I particularly appreciate the moment with the sheep.

The field of mysteries, thrillers, and others of this ilk are thick with mechanisms that make me want to throw things. I think everyone that’s read many books in this genre has a private list. I am simply ecstatic to find that no one here is trying to solve the mystery either because they themselves are framed for something they didn’t do, or because a loved one has been threatened; no one in our tale is kidnapped, blindfolded, gagged, and tossed into the trunk—er, boot—of a car.  It’s refreshing.

Of course, to get a five star rating takes more than just a lack of irritating features. The setting, in the dark, in the muck, and sweating past police checkpoints, is both visceral and at times, scary. It’s the sort of story that makes a reader snuggle under the covers and be grateful for a safe, warm place to lie down. The characters are not always lovable, but they are entirely believable. That’s what counts with me. And the ending is a complete surprise, yet also makes sense.

For those that like literate, complex mysteries, it’s hard to beat. Highly recommended.

Say Nothing, by Brad Parks***

saynothingEvery parent with a baby or toddler has this one terrible, dark fear: that someone will take that baby.  In Say Nothing, that horrific event is doubled when Sam and Emma, twin sons of Scott and Alison, are taken and the note that sends frozen tendrils of fear up their spines instructs them not to tell anyone. No police; no one at all can know. “Say nothing.” Thanks go to Net Galley and Dutton Penguin for the DRC, which I received in exchange for an honest review. The book came out last week and is now available for purchase.

This story takes off like a rocket.  Scott Sampson is a Federal judge, and some devious criminals that know the family’s every habit snatch the children and send him a text message before either parent knows they are gone. Someone has impersonated Alison, swept by their preschool, and whisked the little ones away. How absolutely terrifying!

The purpose is soon clear: the kidnappers want to manipulate a major case on the Federal docket, assigned to Scott Sampson. Contacting police is out of the question. They’ve threatened to cut off their little fingers, one by one, and mail them to their parents.

Parks is a champ at building suspense. For me, the thrill is tarnished when I see a repetitive error—one many people won’t even notice—that has the effect of sweeping aside the curtain and showing me that the Great and Powerful Oz is just a guy in a chair. In this case, having had a judge in the family for many years and seeing the mistake in the text makes it hard to maintain the premise.  You see, when one is in court, the judge is “The Honorable” and is addressed as “your Honor”; in private life, his employees, friends and family all call him John, or Mr. W—. We used to eat out with this man frequently, and there was always a little family eye roll and slight smile when the obsequious maitre d’ at a downtown restaurant where we often ate came dashing out to the valet parking area calling, “Oh, Judge W—! Judge W—! We have your table ready now!”

In private life, if you need a title, a Supreme Court judge is called “Justice Jones”. Everyone else is called “Mr. Jones” or “Ms. Jones”.

I try to push past this obstacle but the error is made often in the dialogue, and so the memory of my relative’s patient courtesy is always lurking in the margins of my perception of the story. The upshot is that for me, it really gets in the way.

That said, I like the pacing of this story, and the solution is elegant and plausible.

Recommended to fans of the author’s Carter Ross series.

The Devil’s Country, by Harry Hunsicker****

thedevilscountryHarry Hunsicker is the former executive vice president of the Mystery Writers of America as well as a successful author. Reading this suspenseful and at times almost surreal tale makes it easy to understand why so many people want to read his work. I’d do it again in a heartbeat. Thanks go to Net Galley and to Thomas and Mercer for the DRC, which I received in exchange for this honest review. This book will be available to the public April 11, 2017.

Arlo Baines, a former Texas Ranger, is on the road when it all unfolds; he’s stopped at the tiny town of Piedra Springs, traveling from one place to another by Greyhound Bus, and he doesn’t intend to stay. He finds a place to get some food, sticks his nose in a copy of Gibbon, and tries to ignore everyone around him. Friendly conversation? Thank you, but no.

Unfortunately for him, there’s a woman with kids, and she’s in big trouble. Clad in an outfit that screams sister-wife, she is terrified, tells him she is pursued, and next thing he knows, she is dead. What happened to the children? Before he knows it, Baines is hip deep in the smoldering drama of the Sky of Zion, a cult that has deep tentacles into the local business and law enforcement establishments.

The narrative shifts smoothly back and forth between the past and the present, and Baines’s motivation is revealed. He is on the move because his wife and child were murdered by corrupt cops, who he then had killed. One particularly chilling scene, the one in which Baines is told to leave town, gives me shivers. In general, however, I find that the scenes taking place in the present are more gripping and resonant than those in the past.

Interesting side characters are Boone, a retired professor with a crease on his head and flip-flops that are falling apart; the local sheriff, Quang Marsh; journalist Hannah Byrnes; and the bad guys in Tom Mix-style hats, with the crease down the front. Setting is also strong here, and I can almost taste the dust in my mouth as Baines pursues his quest in this little town with quiet determination. Every time I make a prediction, something else—and something better—happens instead. In places, it’s laugh-out-loud funny!

Readers that love a good thriller and whose world view leans toward the left will find this a deeply satisfying read. Hunsicker kicks stereotypes to the curb and delivers a story unlike anyone else’s. I would love to see this become a series.

The Mercy of the Tide, by Keith Rosson****

themercyofthe The Mercy of the Tide is Keith Rosson’s debut novel, and it’s a strong one. Set in a tiny, depressed town on the Oregon Coast during the Reagan Administration, things start out dark, and they’re about to get a whole lot darker. Thank you, Net Galley and Meerkat Press for the DRC, which I received free of charge for this honest review. This book will be for sale February 21, 2017, and those that love good fiction with a working class perspective will want a copy.

The tiny town of Riptide, Oregon is knee deep in grief. A recent head-on collision claimed the lives of Melissa Finster, mother of Sam and Trina, and June Dobbs, the town’s beloved librarian and wife of Sheriff Dave Dobbs. The blow has left everyone reeling and on edge.

Someone else is missing Melissa too, though he can’t say so. Deputy Nick Hayslip–a Vietnam veteran who has no patience for the madness associated with that category, a vet who figures that you go home when the war is over, you put on your clothes and go to work and therapy is for losers–is coming unstuck. Nobody knows about his past with Melissa, and he finds terrible ways to keep her memory alive.

The teaser for this novel tells us that the story centers around Sam and Trina, and since the author generally writes the teaser, that must be his intention. However, I found Trina to be the weakest element here, and it was the other characters that made this story work for me. Part of this is just pure fickle bad luck for the author; I actually taught deaf kids of the same age as Trina, as well as gifted kids that age; and in one instance, a gifted deaf kid that age. It’s true that the gifts of highly capable children vary widely in scope and range, and that every child is unique, but the vocabulary and abstract concepts Rosson bestows on this kid are just not within the realm of the possible, and so Trina isn’t real to me until later in the book, when things other than her obsession with nuclear holocaust are used in the development of her character.

The most interesting character and unlikely hero here is Hayslip. Also beautifully developed are Sheriff Dodds and Sam’s closest friend, Todd, known familiarly as “Toad”. Alternating points of view from the third person omniscient give us ready access to their thoughts, impulses, and feelings.

An interesting side character is zealous Christian wingnut Joe Lyley, who says in a somewhat uncharacteristic understatement, “These are unlovely times.” I also liked Leon Davies, whose role I will let the reader discover, because it’s such a fun surprise.

The setting is almost an anti-tourist brochure. The Oregon Coast is well known for its wild, rugged beauty, but Rosson chooses to introduce the other reality, that of the many local denizens that endure a hardscrabble working class existence in small, chilly, damp coastal communities that rarely see the sun. The moldering smell of rotting wood, porches and floors with a sponge-like give under foot are dead accurate, although the town of Riptide is fictitious; the recession of the 80’s plunged small beach towns into a depression from which there has never been a moment’s relief.

This is a strong story with a tight, tense climax and a powerful resolution. This darkly delicious novel shows that Rosson is a force to be reckoned with; I look forward to seeing more of his work in the future.

Heartbreak Hotel, by Jonathan Kellerman*****

Happy release day! Fans of Kellerman’s are in luck; this one is for sale today.

seattlebookmama's avatarSeattle Book Mama

heartbreakhotelThis is #32 in the Alex Delaware series, and Kellerman’s writing just seems to get better with every entry. Thanks go to Net Galley and Random House Ballantine for the DRC, which I received free in exchange for this honest review.

For those unfamiliar with the series, Alex Delaware is a semi-retired child psychologist who’s also an adrenaline junkie. His nest is already well padded, his wife still happy in her career, and so he spends most of his time assisting his best friend, an LA homicide detective named Milo Sturgis. The premise is the hardest thing to swallow, but Kellerman makes it easier by letting us know how affluent Delaware is, and recently there’s the added twist that because Sturgis is gay, nobody on the force really wants to be his partner. Thus it seems more natural—for the sake of a good yarn—for Delaware to slip into that position…

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He Will Be My Ruin, by K.A Tucker***

hewillbemyruinMaggie Sparkes, heir to a fortune, is called to New York City when her closest friend, Celine Gonzalez, is found dead. Did Celine really commit suicide? Maggie doesn’t believe it for a minute, and when she finds Celine’s personal effects hidden away with a note, she believes it even less. Thanks go to Net Galley and Atria for the DRC and invitation to read and review this title. It was released February 2, 2017 and you can get a copy now.

Maggie and Celine grew up together; Celine’s mother Rosa was the housekeeper and nanny to Celine’s very wealthy family, and so apart from school, the girls were inseparable. Now Maggie is determined to find out what happened to Celine.

The cast of characters here is limited to Maggie, Celine’s neighbor Ruby, who was my favorite character, a cop named Doug, and two hunky men, both of whom were involved at some level with Celine. Jace is an investor; Grady is the property owner of Celine’s building, and both are described as immensely attractive. Who can be trusted? Who is a killer?

The limited number of characters and repetition—how wealthy and philanthropic Maggie is, how creative and hardworking Celine was—makes for an accessible read. The vocabulary is adult level but not out of range of the average reader. For those that are newly venturing into reading English language novels, this is a great place to start, because if something important slides by you the first time, you’ll be told again.

As for me, I prefer more nuance in my literature. When Maggie tells us how things went in high school, she wasn’t merely a debater, she was the captain of the debate team. Likewise, Celine wasn’t just a student actor, but scored the role of Juliet. Having both of them be so perfect within their realms of interest keeps them from seeming real to me. Maggie is rich, and we get told constantly in case we forgot. Maggie has a million charities and wants to save the world, and we’re unlikely to forget that either.

On the other hand, I wasn’t always this old and sometimes cynical. I can recall a younger version of myself that adored the writing of Victoria Holt, and I think that younger self might well have enjoyed this novel. Tucker is a successful, experienced novelist, and I have a hunch this is the pool of readers that find pleasure in her work.

Recommended to those that love Harlequin romances, Victoria Holt mysteries, and readers that enjoy romance but are still relatively new to reading in the English language.

Heartbreak Hotel, by Jonathan Kellerman*****

heartbreakhotelThis is #32 in the Alex Delaware series, and Kellerman’s writing just seems to get better with every entry. Thanks go to Net Galley and Random House Ballantine for the DRC, which I received free in exchange for this honest review.

For those unfamiliar with the series, Alex Delaware is a semi-retired child psychologist who’s also an adrenaline junkie. His nest is already well padded, his wife still happy in her career, and so he spends most of his time assisting his best friend, an LA homicide detective named Milo Sturgis. The premise is the hardest thing to swallow, but Kellerman makes it easier by letting us know how affluent Delaware is, and recently there’s the added twist that because Sturgis is gay, nobody on the force really wants to be his partner. Thus it seems more natural—for the sake of a good yarn—for Delaware to slip into that position. After all, he’s been doing it for years.

This story involves the homicide of a nearly one-hundred-years-old woman that has consulted Delaware. She paid him generously for his time but confided little about what she planned to do with the information he found for her, and so when she is found dead in her bed, he smells a rat. Sure enough; she was suffocated! Now who would do that to a sweet old lady like Thalia Mars?

Our story takes a million deft twists and clever turns, and in general shows us that what we think we see isn’t always real. We encounter some underhanded, sleazy real estate practices as well as insurance fraud along the way. The case also takes in some interesting LA history.

One aspect of Kellerman’s work that I often forget and then am happily surprised by all over again, is the humor he threads through the narrative, and I laughed out loud more than once.

Although it’s only one page in length, some readers will also want to be aware there’s one graphic, brutal rape. Consider your trigger warned.

At the end of the day, stories such as this one can be curiously comforting. It’s true that tax season is just around the corner, and my toaster just died. But after reading this novel, I can find comfort in knowing that no villains are likely to turn up in my bedroom tonight and burk me in my sleep.  Perspective! There you have it.

This fun story, which went by way too quickly, will be available to the public February 14, 2017. Highly recommended to those that love a good mystery.

Turbo Twenty-Three, by Janet Evanovich**-***

turbotwentytI’ve been a big fan of the Stephanie Plum series since Evanovich launched it over twenty years ago.Twenty? Whoa now, that hardly seems possible. But the first book in the series landed a host of great-first-book awards in 1995, the year before my youngest child was born.  I haven’t missed a single book nor even read any of them out of sequence.

There was a point somewhere along the way when the series started to lose its zip and some of the new fuel the writer injected turned sour. Does anyone recall the bit where Stephanie’s sister moves home from out of state, and one of the sister’s daughters thinks she’s a horse? It was beyond stupid to my way of thinking, but the point is that our author pulled it all back around within the next couple of books and it was funnier and fresher than ever. The last in the series, Tricky Twenty-Two, was an absolute scream, and so although I rarely purchase a book for myself anymore, I plunk #23 onto my Christmas wish list without a moment’s hesitation. And when Christmas is done, I scurry off with my four much-longed-for new books—three of them mysteries– and prepare to feast.

So this is a crushing disappointment. Sad, sad, sad. It isn’t funny enough to actually laugh at even once, and there are aspects of it that actually offend. I consider this sort of odd, given that since her movie deal, Evanovich has actually sanitized a lot of the spicier aspects of her work. The language isn’t nearly as blue as it was when she was new at this thing and had little to lose; the sex isn’t as steamy; and all told, it seems as if her imagination has an agent of its own whispering into its ear, asking just exactly how much revenue she’s willing to risk losing if she pursues this, that, the other creative but risqué notion.

How is it possible then that for the first time in a career of over twenty years and nearly two dozen published mysteries in this series alone, this author has been so politically tone deaf?

As I read one scene involving Stephanie and Lula, a pairing that’s almost always good for a laugh, my face was in a tentative smile, the expression one wears when expecting something funny to happen any minute. And that’s the moment when Lula claims to be extra lucky when seeking employment, because she can check off three boxes; she’s Black, she’s female, and she’s large in size. These should just about ensure that she’ll be hired. And then she tops it off by allowing that the only better thing that could happen would be if she were in an altercation with a cop and got beaten up and landed on YouTube.

Once I see this, I’m not laughing, and now I’m not smiling anymore either. It’s time to put the book away, read something else, and come back later when my blood pressure has settled.

The story continues; it isn’t funny, but it also isn’t dull. My attention is held, and I’m still somewhat convinced that it’s just about to get funny. And that’s when Lula says she is going to make money online by pretending to wake up one day “feeling like I’m a dude” and go use the men’s restroom. She’ll go in, “have my positive experience”, capture it on film and get rich. And of course, there are trans people all over America getting filthy rich just by identifying with a different gender than the one assigned them by nature and their parents…right?

Not so much.

I do find two amusing parts in this story. The first is some understated business with Stephanie’s parents. It’s the only subtle humor she employs, and maybe that’s why it works so well. I love seeing her mom and dad respond to uncomfortable situations.

The second is an entirely unexpected yet believable twist on the whole Morelli-or-Ranger thing, which had begun to go stale. I won’t spoil it for you, because you may still want to read this book.

One other obvious twist is that the writing, which has always been accessible to a reader that’s made it part way through high school, has been dumbed-down considerably. I find myself distracted by the number of four and five word sentences; where’s the fluency? I check the vocabulary and recognize that she’s dialed it down to a fourth grade level. I’ve administered vocabulary tests to fourth and fifth graders, and I find myself having flashbacks of the sort a retired teacher doesn’t really need. What the hell, Janet? Are we marketing to the functionally semi-literate now?

Nevertheless, I’ll be reading #24 when it comes down the pike; but not until I can get it used or free. My wish list is now reserved for other things.

The Fifth Petal, by Brunonia Barry***

thefifthpetalA teenage boy named Billy Barnes dies on Halloween night; everyone knows that he was trouble, and no one is too surprised to see him come to a bad end. But police chief John Rafferty has a job to do, and he sets out to discover who the killer is. The setting is Salem, Massachusetts, the location of the Salem Witch Trials centuries ago and now the Mecca of Wiccans and others that practice witchcraft of various types, not to mention throngs of tourists that show up every autumn.  Chief Rafferty wonders what the connection is between this murder and those of 25 years earlier, dubbed “The Goddess Murders”.

Thanks go to Net Galley and Crown for the DRC, which I received free in exchange for an honest review. This book will be available to the public January 24, 2017.

Barry is an experienced novelist, but her work is new to me. This title can be read as a stand-alone novel, but there’s a tremendous amount of detail here. Perhaps having read The Lace Reader, an earlier novel that other reviewers tell us has some of the same characters that are present here, would make this book less complicated and easier to sort through; then again, if Barry had chosen fewer secondary threads to follow, the reader could relax more and enjoy the book anyway. More on that in a minute.

Rose Whelan is a Salem native, has shouldered the “unofficial blame” for the Goddess Murders; she maintains that a banshee took up residence in her body and left her with no choice. Rose has gone from the psych ward, to homelessness, and back again; Rafferty and his wife Towner have offered her a room indoors, but she won’t leave the tree outside their home for long at a time, lest bad things happen. She has bad memories, and they give her unquiet dreams:

“On that horrible night, after it happened, after the shrieking stopped, the world had quieted and then disappeared.  Rose had found herself staring into an eternal emptiness that stretched in every direction and went on forever.  When the keening began, Rose had believed that the sound was coming from her own lips. Then she’d seen the tree limbs and branches start to move with the breath of the sound itself, their last leaves burning in the black sky like crackling paper. Then the trees had begun to speak.  Come away now, the trees had said. Come away.”

The imagery here is amazing, as you can see; this aspect is the story’s greatest strength.

Our protagonist is Callie, who’s new in town. Rose had been her surrogate mother after her mother, one of the Goddesses, died. She had lost contact with her and is stunned to find her in such bad shape.  Brunonia does a fine job of highlighting the challenges of helping the homeless, not to mention the stereotypes that follow them. There’s a lot of Celtic lore that I also really like reading about.

The parts that disturb me are those throughout the book that reinforce the stereotype of women as being constantly in competition with one another, unable to get along and help each other.

However, the main thing that gets in the way of this being a really great read is the vast amount of detail about way too many things. At the 60 percent mark, my notes indicate that I wish the author would decide what, other than the primary plot line of the whodunit, she wants to feature. We have witches past; witches of the present; mean nuns; and way more about the healing properties of quartz bowls than I ever want to hear about. At this point in the book I am ready to throw in the towel and call it a 2 star read; I felt as if the mystery had degenerated into a New Age infomercial. I note that I can scarcely recall who’s dead, and who’s accused.  But it’s a DRC and I have an obligation, so I forge on.

And that diagram! The diagram of a five-petal flower is created, changed and discussed in such infinite, numbing detail that my eyes are half-crossed by the time we make our way to the climax. Once we’re there, though, the story becomes more cohesive and I like the way she resolves it.

Those that have read Barry’s other books and liked them will enjoy this one; likewise those that are drawn to various aspects of modern spiritual healing and Wiccan practices will also be pleased. For myself, I would enjoy her work more if she didn’t try to jam such an extensive collection of minutiae into a single novel.

Best of 2016: Mystery

This category includes everything within the same zone: thrillers, suspense, detective fiction, crime fiction. If it’s related, I’m rating it here. I expected this to be my toughest call because I read so many books of this genre, but when I had a look at the original titles I’d seen this year, and then eliminated those crossover novels that had already been awarded as the best of some other genre on this site, it was down to three books. Unbelievable…but not at all mysterious.

MY TOP THREE: