Who but Banks would even go there? He makes his characters real and gives them credible back stories. None of the stereotypes generally dealt out to people who live in mobile homes surface here. His respectful attitude toward every day, working class people, or in some cases, people who have slid from a position of greater prosperity, makes this book work. The transitions are so smooth, so subtly crafted that when one character, one I felt almost as if I knew them as family, eased into the life of another who had been separately introduced, it was close to magical.
I have no doubt that Banks is one of America’s greatest novelists. When he publishes something, I read it (and I recently got to write an advance review; see A Permanent Member of the Family). But one hallmark of his novels–all of them–is tragedy. If you want a good three-hankie-narrative, he’s your writer. I once went on a jag of reading nothing but Russell Banks, and found myself nearly ready to go put my head in the oven. (That would have been a painful way to go, since my oven is not gas, but electric.) From this, I learned that it’s best to read Banks alongside a little of something else. That way I can enjoy his genius without having to carry all of the novel’s despair.
At one point, I said Cloudsplitter was my favorite Banks novel. Now I think it may be a tie. Read them and see what you think, if you like well-developed, real characters, and can deal with (often) unhappy endings.